David Yurman Debuts Fall 2018 Advertising Campaign

In his first campaign as Chief Creative Officer, Evan Yurman commissioned longtime David Yurman collaborators Peter Lindbergh, Alex White, and campaign art director David Lipman for a campaign that captures the beauty in everyday moments of life.

David Yurman - Peter Lindbergh

David Yurman Fall 2018 Ad Campaign by Peter Lindbergh

Shot at the iconic GoldenEye Resort in Oracabessa, Jamaica, the campaign stars returning David Yurman model Amber Valletta, as well as Anna Ewers, Joan Smalls, and newcomers to the brand Ashley Graham, Meghan Roche, Florence Clapcott, and Cobi. The diverse group of seasoned and new models was chosen to reflect who the David Yurman client is at different stages in their lives in those everyday moments.

In his first-ever brand campaign, Evan Yurman pays homage to the iconic campaigns that the brand has produced in the past while establishing his vision for the future. Its theme of “Celebration” comes from the launch of the first David Yurman lifestyle campaign in 2001, shot by Lindbergh and featuring Amber Valletta and Patti Hansen. Choosing to combine veteran collaborators and fresh contributors is a reflection of the brand’s philosophy. The David Yurman brand is both timeless and contemporary, ever-evolving and dedicated to the power of creativity.

My vision for this campaign drew from the original intent of the first campaign when we were celebrating life’s exceptional moments,” says the younger Yurman. “This campaign is a continuation, as it captures the beauty in everyday moments of life. It’s about capturing the ease and beauty, and the dynamism of the six women and the male artist who we chose to represent the brand.”

The images evoke timeless artistry fused with American innovation and feature pieces from existing collections Continuance, Pavéflex, Solari, DY Bel Aire and Barrels, and the new Tides collection. The Tides collection’s designs are contemporary sculptural forms that express the rhythms of ocean tides and the continuous motion of waves.

This campaign was born out of passion for life, which the Yurmans have always had. The Yurmans, first David and Sybil and now Evan, have always been about a celebration. It’s amazing to work with Evan on this now because it’s so clear that he shares the same passion for life and art that his parents have,” says Lipman. “It’s great to be back with this team that has worked together so well in the past and to sees the direction that Evan is taking the brand. The core values of the campaign remain the same, but you can truly feel Evan’s passion and his take throughout this new campaign.

The GoldenEye Resort represents a certain relaxed luxury that is captured in David Yurman jewelry and an expression of ease that couldn’t come as naturally elsewhere. The beautiful, natural setting of Jamaica with the I put a spell on you by Mykal Rose with Sly and Robbie. ‘Red, Gold, Green & Blue’: Trojan Records Jamaica © soundtrack created a perfect backdrop to celebrate the creativity of the new collections and capture the moments of life with authenticity and bliss.

David and l have always worked towards having the imagery evoke joy, lightness, and life. It’s a spirit of playfulness yet sophistication, and to signal empowerment and confidence,” says Sybil Yurman, Co-Founder and Chief Brand Officer, David Yurman. “Evan understood the importance of getting the right people on set, with the right jewelry, in the right location. The models brought the jewelry to life for the first time, and this campaign will go on to inspire us all in the creative process.”

CAMPAIGN CREDITS:

  • Chief Creative Officer: Evan Yurman
  • Photography: Peter Lindbergh
  • Models: Amber Valletta, Ashley Graham, Joan Smalls, Anna Ewers, Meghan Roche, Florence Clapcott, Cobi
  • Stylist: Alex White
  • Hair Stylist: Odile Gilbert at Exposure NY
  • Makeup: Tom Pecheaux
  • Art Director: David Lipman
  • Location: GoldenEye Resort, Oracabessa, Jamaica

Creepy Crawlers Alive!

Annenberg Space for Photography Showcases Creepy, Crawly, Fluffy, Fierce, Mini, Mammoth, Wild and Weird Animals in the National Geographic Photo Ark Exhibit Opening October 2018

Exhibition Features Photographer Joel Sartore’s Work to Document Every Animal Species Under Human Care

The Annenberg Space for Photography, Los Angeles’ premier destination for photography, announced its next exhibition opening in Fall 2018. The National Geographic Photo Ark—a vibrantly photographed, animal-centric show—will run from Oct. 13, 2018, through Jan. 13, 2019.

The Photo Ark is National Geographic photographer and Fellow Joel Sartore‘s ambitious project to shoot studio-quality portraits of every species living in the world’s zoos and wildlife sanctuaries, including mammals, reptiles, birds, fish, amphibians, and even insects. His goal is to inspire people not only to care but also to help protect animals from extinction before it’s too late.

National Geographic Spingbok Mantis

A springbok mantis (Miomantis caffra) at the Auckland Zoo, Auckland, New Zealand © Photo by Joel Sartore/National Geographic Photo Ark

This traveling exhibition at Annenberg Space for Photography marks the first time these extraordinary images will be shown in a space dedicated solely to the art of photography. Highlighting hundreds of species with Sartore’s stunning, large-format prints, visitors will come eye-to-eye with a selection of the more than 8,000 species Sartore has photographed in dozens of countries for the Photo Ark to date.

Some of the exhibition’s interactive components include a documentary film providing a behind-the-scenes look at Sartore’s project, its mission and conservation efforts; interactive animal-related games; a studio where guests can be photographed with their favorite animal as a backdrop; and a gallery devoted to California’s indigenous species. Annenberg Space for Photography will also offer a full slate of programming, including field trips, workshops, and its acclaimed Iris Nights lecture series that will appeal to animal and photography fans alike.

National Geographic Chameleon

A veiled chameleon (Chamaeleo calyptratus) at Rolling Hills Wildlife Adventure, Salina, Kansas © Photo by Joel Sartore/ National Geographic Photo Ark

Photo Ark gives visitors the opportunity to experience the animal kingdom up close and personal,” said Annenberg Foundation Chairman, President, and CEO Wallis Annenberg. “The powerful close-up images Joel has captured grab viewers and don’t let go. His brilliant photography connects us to creatures we may know little about and inspires us to want to take action to protect them.”

In addition to creating an archival record for generations to come, this project is a platform for conservation and shines a light on individuals and organizations, such as the Annenberg Foundation, working to support animal welfare and conservation efforts.

The beauty of the National Geographic Photo Ark is that it allows audiences around the world to look creatures of all shapes and sizes in the eyes and gain a better understanding and appreciation of the planet’s biodiversity,” said Kathryn Keane, Vice President of Public Experiences at the National Geographic Society. “We are thrilled to be working with Annenberg Space for Photography to highlight the power of photography to make an impact. Continue reading

Nashville’s Frist Art Museum Announces 2019 Schedule of Exhibitions

Lineup Features French and British Masterpieces from the Mellon Collection; Photography by Dorothea Lange; Frida Kahlo, Diego Rivera, and Mexican Modernism from the Gelman Collection; A Survey of Surrealism; Native Women Artists; Eric Carle; and More

The Frist Art Museum has announced its 2019 schedule of exhibitions. In the Ingram Gallery, the year begins with the companion shows Van Gogh, Monet, Degas, and Their Times: The Mellon Collection of French Art from the Virginia Museum of Fine Arts and, both intriguing looks into the Mellons’ remarkable collecting strategies.  will showcase celebrated works from one of the most significant private holdings of twentieth-century Mexican art. Hearts of Our People: Native women artists is the first comprehensive exhibition exclusively devoted to Native women artists.Frist-Art-Museum

In the Upper-Level Galleries, Dorothea Lange: Politics of Seeing examines the photographer’s work through the lens of social and political activism, presenting arresting images from the Great Depression, Japanese internment camps, and other work through the 1950s. Monsters & Myths: Surrealism and War in the 1930s and 1940s features works by Salvador Dalí, Max Ernst, René Magritte, Joan Miró, Pablo Picasso, Dorothea Tanning and more, and explores the powerful and unsettling images that were created in response to the threat of war and Fascist rule. Eric Carle’s Picture Books: Celebrating 50 Years of “The Very Hungry Caterpillar” presents nearly 100 original artworks, spanning five decades of the beloved illustrator’s picture-book career.

In the Gordon Contemporary Artists Project Gallery, the Frist presents Claudio Parmiggiani: Dematerialization, the first museum exhibition in the United States by the revered Italian artist. The Brazilian artist duo OSGEMEOSidentical twin brothers Gustavo and Otavio Pandolfo—will transform the gallery into a vibrant, immersive installation. The year will conclude with an exhibition of new sculptures by New York-based artist Diana Al-Hadid.

n the Conte Community Arts Gallery, the Frist presents the community-focused exhibitions Young Tennessee Artists; Connect/Disconnect: Growth in the “It” City; and Nashville Walls.

The Frist Art Museum’s 2019 Schedule of Exhibitions (Dates subject to change)

Van Gogh, Monet, Degas, and Their Times: The Mellon Collection of French Art from the Virginia Museum of Fine Arts

1. 064_van_Gogh_The_Wheat_Field_VMFA_-_web_72_ppi-500x359

Vincent van Gogh (Dutch, 1853–1890). The Wheat Field behind St. Paul’s Hospital, St. Rémy, 1889. Oil on canvas, 9 1/2 x 12 3/4 in. Virginia Museum of Fine Arts, Richmond. Collection of Mr. and Mrs. Paul Mellon, 83.26. © Virginia Museum of Fine Arts. Photo: Katherine Wetze. 

February 1–May 5, 2019, Ingram Gallery

Offering more than seventy works by masters such as Edgar Degas, Édouard Manet, Claude Monet, Henri Rousseau, and Vincent van Gogh, this exhibition celebrates Mr. and Mrs. Paul Mellon’s extraordinary gift of French 19th- and early 20th-century art to the Virginia Museum of Fine Arts. With its core of Impressionist paintings, the collection also comprises masterpieces from every important school of French art—from Romanticism through the School of Paris. These works represent more than 150 years of French art and exemplify the Mellons’ personal vision and highly original collecting strategies, which provide a context for understanding this unique collection of French art. Organized by the Virginia Museum of Fine Arts

062_Monet_Field of Poppies_VMFA (edited)

Van Gogh, Monet, Degas, and Their Times: The Mellon Collection of French Art from the Virginia Museum of Fine ArtsClaude Monet. Field of Poppies, Giverny, 1885. Oil on canvas, 23 5/8 x 28 3/4 in. Virginia Museum of Fine Arts, Richmond. Collection of Mr. and Mrs. Paul Mellon, 85.499. © Virginia Museum of Fine Arts. Photo: Katherine Wetzel

A Sporting Vision: The Paul Mellon Collection of British Sporting Art from the Virginia Museum of Fine Arts

February 1–May 5, 2019, Ingram Gallery

With representative masterpieces of the genre—including works by Sir Francis Grant, John Frederick Herring, Benjamin Marshall, George Morland, and George Stubbs—this exhibition celebrates Mr. and Mrs. Paul Mellon’s gift of British sporting art to the Virginia Museum of Fine Arts and marks an opportunity to view the entire breadth of this outstanding and comprehensive collection. It also proposes a fresh look at sporting art within wider social and artistic contexts, including the scientific and industrial revolutions of the 18th and 19th centuries, the transformation of the British countryside, the evolutionary history of the horse and other animals, and society’s changing habits and customs. Organized by the Virginia Museum of Fine Arts.

Claudio Parmiggiani: Dematerialization

February 1–May 5, 2019, Gordon Contemporary Artists Project Gallery

Italian artist Claudio Parmiggiani (b. 1943) resists classification. Though associated with the Arte Povera movement and conceptualism of the 1960s and ’70s, he works somewhere in between. His art evokes universal themes of time, absence, memory, and silence while drawing on classical references as well as the subtle quietude of paintings by Giorgio Morandi. Parmiggiani’s signature process of “Delocazione” (displacement) was originally inspired by the silhouettes of dust left behind after objects were removed. For more than forty years, Parmiggiani has created his own version of this effect by stoking the flames from controlled combustions, filling rooms with smoke and capturing the outlines of objects in the resulting soot. Mirroring the technical process of photograms, these haunting images record the paradoxical presence of objects now absent. This will be the artist’s first museum exhibition in the United States.

Organized by the Frist Art Museum.

Dorothea Lange: Politics of Seeing

March 15–May 27, 2019, Upper-Level Galleries

Collection of the Oakland Museum of California

Dorothea Lange: Politics of Seeing Dorothea Lange. Migrant Mother, Nipomo, California, 1936. Gelatin silver print. © The Dorothea Lange Collection, the Oakland Museum of California, City of Oakland. Gift of Paul S. Taylor

Dorothea Lange (1895–1965) is recognized as one of the most important photographers of the twentieth century, and her insightful and compassionate work has exerted a profound influence on the development of modern documentary photography. With hardship and human suffering as a consistent theme throughout her career, Lange created arresting portraits with the aim of sparking reform. This is the first exhibition to examine her work through the lens of social and political activism, presenting iconic photographs from the Great Depression, the grim conditions of incarcerated Japanese Americans during World War II, and inequity in our judicial system in the 1950s. The exhibition encompasses 300 objects, including 130 vintage and modern photographs, proof sheets, letters, a video, and other personal memorabilia. Organized by the Oakland Museum of California.

Dorothea Lange: Politics of Seeing is supported in part by the Oakland Museum Women’s Board, the Henry Luce Foundation, the Susie Tompkins Buell Fund, Ann Hatch and Paul Discoe, the Robert Mapplethorpe Foundation, and Peter Rossi/Stifel, Nicolaus & Co.

Connect/Disconnect: Growth in the “It” City

Conte Community Arts Gallery, March 22–August 4, 2019

Inspired by a 2017 Tennessean article about how Nashville has been growing at a rate of one hundred people per day, Connect/Disconnect is a community exhibition that will feature photographs by Davidson County residents of diverse ages and backgrounds, showing how the population boom has affected them and the lives of the people around them. The exhibition seeks to explore the rising connectivity between neighborhoods and communities, and the potential for disconnection between people and socioeconomic classes as Nashville adapts to record growth. Its themes may include the new atmosphere of entrepreneurship and creativity, the impact of transit and housing on current and new residents, and the ongoing effects of recent and historical events. Continue reading

“Little Ladies: Victorian Fashion Dolls and the Feminine Ideal” at The Philadelphia Museum of Art

This fall, the Philadelphia Museum of Art will present Little Ladies: Victorian Fashion Dolls and the Feminine Ideal, (November 11, 2018 – March 3, 2019, Dorrance Special Exhibition Galleries, first floor) an exhibition starring four extraordinary dolls and their extravagant wardrobes. Known as Miss Fanchon, Miss G. Townsend, Miss French Mary, and Marie Antoinette, they were made in France in the 1860s and 1870s. The ultimate toys for privileged girls of this period, these dolls reflected the world of adult fashion, being fully equipped with miniature versions of the myriad garments, accessories, and other personal possessions of a well-to-do Victorian lady. As models of womanhood, these fashion dolls represented Victorian culture, when most believed that the aim of a girl’s life was to marry and raise children, and women were exhorted to dress well, follow the strictures of contemporary etiquette, and excel in their proper sphere of domestic and social duties.

The dolls, which measure between 18 to 22 inches in height and have painted bisque heads, leather bodies, and hair wigs, come with tiny accouterments that are notable for their number, detail, and variety. Miss Fanchon’s trunk, for example, contains over 150 objects, including eighteen dresses, and her gloves, which measure just over two inches tall, have all the features of full-size gloves, including gussets, points, and button closures.

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Three doll dresses from Miss Fanchon’s wardrobe, late 1860s-1870s, possibly France. Gift of Gardner H. Nicholas in memory of Mrs. Gardner H. Nicholas, 1922-58-9a—c, 14a,b,3.

The dolls are furnished with dresses for every occasion, from housework to fancy social events, as well as undergarments (chemises, drawers, petticoats, corsets, hoop skirts, bustles, and even tiny dress shields), outerwear, and accessories including bonnets, hair ornaments, jewelry, fans, and footwear.

5A

Miss Fanchon’s Gloves, late 1860s-1870s, France. Gift of Gardner H. Nicholas in memory of Mrs. Gardner H. Nicholas, 1922-58-109a,b. Doll’s Handbag, late 1860s-1870s, France. Gift of Mrs. William Hill Steeble and Martha B. Newkirk in memory of their mother, Mrs. I. Roberts Newkirk, 1977-189-4aa.

In addition to personal care items such as a toothbrushes, combs, and mirrors, two dolls are provided with clothes hangers (not yet common in full-size households), while the plethora of other objects includes tiny books, visiting cards, a photo album, sewing kit, sheet music, writing set, alarm clock, newspaper, opera glasses, and even roller skates.

6A

Doll’s Sewing Equipment, late 1860s-1870s, France. Gift of Edward Starr, Jr., 1976-58- 9Ah1-7 and Gift of Mrs. William Hill Steeble and Martha B. Newkirk in memory of their mother, Mrs. I. Roberts Newkirk, 1977-189-4y.

Continue reading

Coming Soon: “Larry Fink: The Boxing Photographs” at The Philadelphia Museum of Art

The Philadelphia Museum of Art presents an inside look at the tough and unsentimental world of boxing—including Philadelphia’s Blue Horizon gym—through the photographs of Larry Fink. Widely recognized as one of this country’s greatest photographers, in Larry Fink: The Boxing Photographs (August 11, 2018–January 1, 2019, Levy Gallery, Perelman Building) Fink captures the subculture of boxing through its champions and challengers, its ambition-fueled gyms and rowdy rings and overheated atmospheres of locker rooms, as well as the many fascinating people—among them coaches, trainers, mothers, fathers, girlfriends, and spectators—who populate this world. This focused exhibition of about 80 gelatin silver prints celebrates a promised gift of the only complete set of Fink’s boxing photographs, including many that have never been published.

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“Blue Horizon, Philadelphia, Pennsylvania, January 1992,” by Larry Fink (Promised gift of the Tony Podesta Collection, Washington DC) © Larry Fink. Image courtesy of Philadelphia Museum of Art, 2018.

(This exhibition of photographs by Larry Fink is drawn from the promised gift of 250 works to the Philadelphia Museum of Art by Anthony T. Podesta.)

Acknowledged by Sports Illustrated as the “last great boxing venue in the country,” the Blue Horizon was located at 1314 N. Broad Street in Philadelphia. From November 1961 when it opened until its close in June 2010, it was the site of many famous international, regional, and local fights, including some fictional fights that appeared in the movie Rocky V (1990). The building still stands today.

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“Champs Gym, Philadelphia, Pennsylvania, February 1993” by Larry Fink (Promised gift of the Tony Podesta Collection, Washington DC) © Larry Fink. Image courtesy of Philadelphia Museum of Art, 2018.

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“Castlehill, Allentown, Pennsylvania, June 1993,” by Larry Fink (Promised gift of the Tony Podesta Collection, Washington DC) © Larry Fink. Image courtesy of Philadelphia Museum of Art, 2018.

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“Mike Tyson and Jimmy Jacobs, New Paltz, New York, February 1986,” by Larry Fink (Promised gift of the Tony Podesta Collection, Washington DC) © Larry Fink. Image courtesy of Philadelphia Museum of Art, 2018.

Fink’s fascination with boxing was borne out of an assignment in 1986 to photograph sportsman Jimmy Jacobs, who was also the manager of the world heavyweight champion at the time. Firing at maximum shutter speed, Fink learned how to move quickly and easily around the boxers, capturing fleeting moments of the agony, glory, shock, and satisfaction involved in amateur and professional bouts. He would continue to document boxers, gyms, and matches around the country through 2004. The works selected for display are from the artist’s intensive eighteen-year study. Continue reading

Christie’s Presents What Goes Around Comes Around 25th Anniversary Sale

18 September 2018 | New York

Public Exhibition: New York, 7-17 September

In celebration of its 25th anniversary, the premier luxury vintage retailer What Goes Around Comes Around will partner with Christie’s to present a special one-off auction of rare collectible fashion items this autumn. Sneak preview exhibitions of this exciting curated sale, which features one of a kind items and coveted vintage pieces from a wide range of designers including Hermès and Chanel, will be open to the public in New York in September following an opening reception in Beverly Hills. The auction, comprised of classics, collection items & novelty luxury pieces sourced from around the world, will be timed to immediately follow the Spring/Summer 2019 New York Fashion Week on September 18.

CHRISTIE_S PRESENTS WHAT GOES AROUND COMES AROUND 25TH ANNIVERSARY SALE

CHRISTIE’S PRESENTS WHAT GOES AROUND COMES AROUND 25TH ANNIVERSARY SALE

Matthew Rubinger, International Head, Christie’s Luxury Handbags and Accessories states, “We are so pleased to be partnering with the team at What Goes Around Comes Around and my friend Seth Weisser on their 25th anniversary. In our new market, this is a major achievement and will be celebrated throughout the year, culminating in a ground-breaking auction in September 2018 of important pieces from the firm’s history, and top collector pieces sourced from around the world.”

The sale includes some outstanding pieces, which are true symbols of their moment in fashion history and represent bold artistic expression from the most visionary designers of the modern era. Highlights include: Hermès Rouge Impérial Porosus Crocodile Lisse Kelly Sellier Bag, Philippe Barland x Chanel Limited Edition Blue Carbon Surfboard, Hermès Vert Celadon Alligator Lisse Kelly Sellier Bag, Hermès Yannick Manier 30’s Bag, MONSTER x Chanel Black Quilted Adjustable Headphones and a customized Rolling Stones Leather Jacket Hand-Painted by Charlotte Watts (Charlie Watts’s granddaughter) for the 2016 Rolling Stones Exhibitionism launch. It is one of two made and was owned by Tommy Hilfiger.Christies

This landmark partnership, which will be on view during Spring/Summer 2019 New York Fashion Week, is sure to be a focal point for consumers with an appetite for luxury fashion, accessories, and collectibles. The live auction is expected to draw international participation from the highest echelons of fashion enthusiasts. Continue reading

SHISEIDO Relaunches New Makeup Collection Centered Around Four Innovative Textures

BEAUTY REIMAGINED. BEAUTY MADE WITH SOUL.

The relaunch of SHISEIDO Makeup is the latest exciting and innovative chapter in the brand’s extensive history. A pioneer in the beauty industry since 1872, SHISEIDO is disrupting the beauty space yet again by ‘Gifting Japan to the World‘ with a cosmetics collection that is modern, minimalistic, visionary, expressive and creative.

“The focal point of the range isn’t simply the extraordinary colors or its incredible performance, but the unique, sensorial textures,” says Jill Scalamandre, President, bareMinerals, BUXOM and Global Development Shiseido Makeup.

VisionAiry Gel Lipstick Ginza Red

SHISEIDO MAKEUP – VisionAiry Gel Lipstick (Ginza Red)

Also, by choosing to develop the range in New York City, SHISEIDO has taken a unique global approach to the makeup relaunch of this iconic brand. Working in tandem with the company’s headquarters in Tokyo as well as tapping into SHISEIDO’s vast team around the world, this collection is the result of an ongoing international collaboration that defies languages, time zones, and borders.

WhippedPowder Blush Sonoya

SHISEIDO MAKEUP – WhippedPowder Blush (Sonoya)

The brand’s new mantra—”Beauty Reimagined. Beauty Made With Soul.“—is reflected in the entire collection. The result is a weightless range of 21 products and 125 shades that are classified into four sensorial textures comprising of Inks, Gels, Powders and Dews.

Aura Dew Cosmic

SHISEIDO MAKEUP – Aura Dew (Lunar, Solar, Cosmic)

 

Inks redefine the collection with products that provide graphic precision and extreme intensity, while Gels rediscover products that juxtapose a durable, high-impact finish with a featherweight feel. Powders reinvent traditional pigments of the past via breathable, buildable, and bendable formulas, while Dews, a new category, recreates light to transform the surface of the skin. The collection also includes five handcrafted brushes reminiscent of ancient Japanese calligraphy. Continue reading