Carnegie Hall Unveils Full Schedule of 70+ Events for its Beethoven Celebration in Honor of the 250th Anniversary of the Composer's Birth, January – June 2020

Carnegie Hall’s Largest-Ever Celebration of One Composer Features More Than 35 Events at the Hall with Internationally Renowned Artists Exploring the Revolutionary Composer’s Works and His Transformative Impact on Music

Plus, 35+ Events Citywide at Prestigious Partner Organizations Including Music, Dance, Exhibitions, Talks, and Poetry

As the 250th anniversary year of Beethoven’s birth approaches, Carnegie Hall announces a wider schedule of partner events by leading cultural institutions, complementing the Hall’s programming as part of its Beethoven Celebration which includes an unprecedented range of performances by renowned artists exploring the composer’s works and his transformative impact on music. The Beethoven Celebration presents one of the largest explorations of the great master’s music in our time and marks the largest-ever exploration of one composer by Carnegie Hall, with 86 works of music performed by more than 58 artists and ensembles in New York City and beyond from January through June 2020. Ticketing Information.

Beyond Carnegie Hall, public programming, performances, exhibitions, and events at partner organizations—leading cultural and academic institutions in New York City and beyond—highlight the many dimensions of the great music master. The more than 35 partner events range from music and dance to poetry, exhibitions, and talks, many of which have a contemporary slant. Together, the Beethoven Celebration features more than 70 programs, creating an extraordinary view of this revolutionary composer.

This rich series of events across New York City celebrates Beethoven’s unique place in the pantheon of the greatest artists in history as a composer whose music, perhaps more than any other, changed the course of Western classical music,” said Clive Gillinson, Executive and Artistic Director of Carnegie Hall. “Beethoven was audacious and absolutely fearless, a true revolutionary who never stopped challenging himself and who redefined every area of music that he touched. His music is timeless, and he continues to connect people worldwide with sounds that remain idealistic, compelling, fearsome, and personal. It’s no surprise that people around the globe continue to turn to his music to celebrate some of the most important turning points in history. We hope this opportunity to immerse ourselves in his music during this anniversary year will highlight the transformational impact he has had on culture, inspiring fresh perspectives on his life and work.”

HIGHLIGHTS OF BEETHOVEN CELEBRATION EVENTS AT CARNEGIE HALL

Anne-Sophie Mutter. Credit: Bastian Achard
Mitsuko Uchida. Credit: Justin Pumfrey / Decca

At Carnegie Hall, the Beethoven Celebration features more than 35 events including two complete symphony cycles, the complete piano sonatas and complete string quartets, chamber music, choral works, plus additional concerts and lectures as well as an ambitious global project that explores the themes found in Beethoven’s “Ode to Joy,” led by Marin Alsop.

A highlight of the Beethoven Celebration—never before presented by Carnegie Hall in one season—are two complete symphony cycles, one in February 2020 by Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique (ORR), performed on period instruments, and another in March and April 2020 by Yannick Nézet-Séguin and The Philadelphia Orchestra, contrasting their two different interpretive perspectives on these pillars of the orchestral repertoire.

Emanuel Ax, Leonidas Kavakos, Yo-Yo Ma – Credit: Shane McCauley
Joyce DiDonato – Credit: © Simon Pauly

A key figure both in the early music revival and as a pioneer of historically informed performances, Sir John Eliot Gardiner leads his internationally acclaimed early music ensemble ORR in Beethoven’s Symphony No. 1, along with the rarely-heard score for the ballet, The Creatures of Prometheus (February 19 at 8:00 p.m.). The six-day symphony cycle in Stern Auditorium/Perelman Stage continues with the Symphony Nos. 2 and No. 3, “Eroica” (February 20 at 8:00 p.m.); Symphony Nos. 4, and 5—with its famous opening motif—(February 21 at 8:00 p.m.); Symphony No. 6, “Pastoral” and No. 7 (February 23 at 2:00 p.m.); and Symphony Nos. 8 and 9 (February 24 at 8:00 p.m.). The soloists for the Ninth Symphony include soprano Lucy Crowe, contralt Jess Dandy, tenor Ed Lyon, and bass Tareq Nazmi alongside The Monteverdi Choir. As a prelude to the cycle, Maestro Gardiner will be joined by distinguished Beethoven scholar William Kinderman for a discussion in Weill Recital Hall that illuminates Gardiner’s approach to these symphonic masterworks (February 18 at 7:00 p.m.). These Beethoven Celebration events comprise Sir John Eliot Gardiner’s Perspectives series, which the celebrated conductor has curated for the 2019-20 season.

Sir John Eliot Gardiner. Credit: © Sim Canetty-Clarke


One of the most remarkable talents of his generation, Yannick Nézet-Séguin leads The Philadelphia Orchestra in the second complete cycle of Beethoven symphonies this season in Stern Auditorium/Perelman Stage, beginning with Symphony Nos. 5 and 6, “Pastoral” (March 13 at 8:00 p.m.). The four-concert cycle continues with Symphony Nos. 2 and 3, “Eroica” (March 20 at 8:00 p.m.); Symphony Nos. 4, 7, and 8 (March 26 at 8:00 p.m.); and Symphony Nos. 1 and 9 (April 3 at 8:00 p.m.). The soloists for the Ninth Symphony include soprano Angel Blue, mezzo-soprano Mihoko Fujimura, tenor Rolando Villazón, and baritone Quinn Kelsey alongside the Westminster Symphonic Choir. Maestro Nézet-Séguin also leads The MET Orchestra in a program that features virtuoso superstar Anne-Sophie Mutter in Beethoven’s groundbreaking Violin Concerto and Romance for Violin and Orchestra in F Major (June 12 at 8:00 p.m.). These five Beethoven Celebration performances are part of conductor Yannick Nézet-Séguin’s nine-concert Perspectives series this season.

Joerg Widmann. Photo Credit: Marco Borggreve
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Tituss Takes Carnegie Hall

Award-Winning Guest Stars Loretta Devine, Jane Krakowski, and Lillias White Join Tituss Burgess in Carnegie Hall Tribute to Stephen Sondheim on February 1 at 8:00 PM

On Saturday, February 1 at 8:00 p.m. Emmy-nominated Broadway star Tituss Burgess makes his Carnegie Hall debut in Stern Auditorium / Perelman Stage with a tribute concert to the music of Stephen Sondheim. Titled Take Me to the World, guest artists include Emmy Award winner Loretta Devine and Tony Award winnersn Jane Krakowski and Lillias White. Directed by Gabriel Vega Weissman with music direction by Charlie Rosen, the program focuses on the music of Sondheim – on the occasion of his upcoming 90th birthday – and its singular impact on Burgess’s life and artistic trajectory.

On curating the program, Tituss offered, “Sondheim is a religion. I don’t claim to have some profound knowledge on interpreting his catalog, but I do have an expert awareness on how deeply I’ve been affected by his vast array of compositions. I simply want to thank him for what he’s given me and so many other people.”

Tituss Burgess by Jeff Mills

Emmy and Screen Actors Guild nominated actor, musician, and writer Tituss Burgess is quickly emerging as one of the entertainment industry’s most versatile and dynamic performers, with his work in television and theater generating both critical and commercial acclaim.

Most notably, Burgess stars as Titus Andromedon in the Emmy-nominated comedy series Unbreakable Kimmy Schmidt, opposite Ellie Kemper, Jane Krakowski, and Carol Kane. The show follows a young woman named Kimmy Schmidt as she adjusts to life in New York City after living in a doomsday cult for 15 years. Burgess’s character becomes a friend, roommate, and mentor to Kimmy while he pursues his dreams of Broadway superstardom and becomes a viral sensation on YouTube. Tina Fey created Burgess’s outrageous character specifically for him. For the actor’s extraordinary performance on the series, Burgess has been nominated for two Emmy Awards for Outstanding Supporting Actor in a Comedy Series, a SAG Award for Outstanding Performance by a Male Actor in a Comedy Series and two Critics’ Choice TV Awards for Best Supporting Actor in a Comedy Series. He was also awarded Best Actor at the 2015 Webby Awards and Best Supporting Actor in a Comedy at the 2015 Gold Derby TV Awards.

The actor was first introduced to television audiences in Tina Fey’s Emmy-winning NBC series 30 Rock, where he played the scene-stealing ‘D’Fwan,’ a vivacious hairdresser and the sidekick of Angie Jordan (Sherri Shepherd). Burgess quickly became a breakout star in the series’ fifth and sixth seasons. His other television credits include A Gifted Man, Blue Bloods, and Royal Pains. On the big screen, Burgess recently lent his voice to two major studio films: The Angry Birds Movie and Smurfs: The Lost Village – and appeared in this year’s Dolemite is My Name alongside Eddie Murphy.

A veteran of the stage, Burgess made his Broadway debut in 2005 as Eddie in Good Vibrations. Since, he has held many memorable roles on the Broadway stage including Hal Miller in Jersey Boys, Sebastian the Crab in The Little Mermaid, and Nicely-Nicely Johnson in the 2009 revival of Guys and Dolls. Burgess has also performed in regional theater productions such as The Wiz and Jesus Christ Superstar.

With a celebrated high tenor voice, Burgess is an acclaimed singer and songwriter, headlining major symphonies and top cabaret venues throughout the world. In 2008, he performed at the Broadway for Obama benefit concert in Easton, PA and the Broadway After Dark benefit concert in New York City. In 2013, he performed a gender-swapped version of the classic Dreamgirls song “And I Am Telling You…” at the Broadway Cares/Equity Fights AIDS fundraising concert for Broadway Backwards— a performance that quickly became one of the highlights of the show.

In addition, Burgess has built a rich solo music career. His most recent album Saint Tituss was released in July 2019 and follows his previous two albums, Here’s To You and Comfortable.

Program Information

February 1, 2020 at 8:00 p.m., Stern Auditorium / Perelman Stage

  • TITUSS BURGESS, Vocals
  • Gabriel Vega Weissman, Director
  • Charlie Rosen, Music Director

with Special Guests

  • Loretta Devine
  • Jane Krakowski
  • Lillias White

Bank of America is the Proud Season Sponsor of Carnegie Hall.

In honor of the centenary of his birth, Carnegie Hall’s 2019–2020 season is dedicated to the memory of Isaac Stern in recognition of his extraordinary contributions to Carnegie Hall, arts advocacy, and the field of music.

Tickets, priced at $34–$80, are available at the Carnegie Hall Box Office, 154 West 57th Street, by calling CarnegieCharge at 212-247-7800, or by visiting the Carnegie Hall website, carnegiehall.org. In addition, a limited number of seats, priced at $10, will be available day-of-concert beginning at 11:00 a.m. Monday through Saturday and 12:00 noon on Sunday until one hour before the performance or until supply lasts. The exceptions are Carnegie Hall Family Concerts and gala events. These $10 tickets are available to the general public on a first-come, first-served basis at the Carnegie Hall Box Office only. There is a two-ticket limit per customer.

For all Carnegie Hall presentations in Stern Auditorium / Perelman Stage, a limited number of partial view (seats with obstructed or limited sight lines or restricted leg room) will be sold for 50% of the full price. For more information on this and other discount ticket programs, including those for students, Notables members, and Bank of America customers, visit carnegiehall.org/discounts. Artists, programs, and prices are subject to change.

Works & Process, the Performing Arts Series at the Guggenheim, Announces Spring 2020 Season

HIGHLIGHTS

  • Opening Night Cabaret with Anthony Roth Costanzo
  • New dance commissions by Ephrat Asherie and Omari Wiles
  • Theatrical first looks at Company, West Side Story, and Ocean Filibuster
  • Opera sneak peek with Lincoln Center Theater’s Intimate Apparel, The Metropolitan Opera’s Agrippina, and Opera Theatre of Saint Louis’s Awakenings
  • Dance previews featuring BalletX and Pennsylvania Ballet

Works & Process at the Guggenheim is pleased to announce its spring 2020 season. Since 1984, the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright –designed Peter B. Lewis Theater is the venue for these seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark museum. Additional information is available at worksandprocess.org.

Solomon R. Guggenheim Museum, New York logo

Audience members are invited to artist receptions in the rotunda following most evening programs. Prior to performances, The Wright restaurant is open with a cash bar from 5:30 to 7:30 pm.

Works & Process lead funding is provided by the Ford Foundation, Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.

Spring 2020 Season

OPENING NIGHT CABARET

Anthony Roth Costanzo, January 6, 2020, 7:30 pm

Before he was an opera singer, countertenor Anthony Roth Costanzo (Akhnaten and Glass Handel) was a Broadway baby moving from community theater to national tours, and eventually to the Great White Way. Now, Costanzo is looking back to go forward. For one night only, in the New York premiere of his cabaret, he revisits his childhood, drawing on the leading ladies, crooners, and icons that helped form him. And, in a twist, he finds just enough low to balance out his highs. Developed with the Bearded Ladies Cabaret, on the occasion of Opera Philadelphia’s Festival O19. Directed by John Jarboe. Musical arrangements by Heath Allen. Scenic design by Machine Dazzle.

Opening Night Chairs: Joanna Fisher, Bart Friedman, Andrew J. Martin-Weber, and Anh-Tuyet Nguyen

  • 6:30 pm Reception in Rotunda
  • 7:30 pm Performance in the Peter B. Lewis Theater
  • 9 pm Dinner at The Wright
  • $500 Prime Seating and Artist Dinner
  • $250 Orchestra
  • $150 Dress Circle
  • $75 Side View

Countertenor Anthony Roth Costanzo began performing professionally at the age of eleven and has since appeared in opera, concert, recital, film, and on Broadway. He has produced operas, installations, concerts, and performance series internationally. Recently, he appeared at the Metropolitan Opera performing the title role in Philip Glass’s Akhnaten, and has performed with many of the world’s other leading opera houses, including Lyric Opera of Chicago, San Francisco Opera, the Los Angeles Opera, Houston Grand Opera, the Canadian Opera Company, Glyndebourne Opera Festival, English National Opera, and Teatro Real in Madrid. In concert he has appeared with the New York Philharmonic, the San Francisco Symphony, the London Symphony Orchestra, and the Berlin Philharmonic, and at Carnegie Hall, the Elbphilharmonie, and the Kennedy Center. His first album, ARC, was nominated for a Grammy and he received Musical America’s 2019 Vocalist of the Year award.

DANCE COMMISSION PREVIEW

Les Ballet Afrik and Ephrat Asherie Dance, Jan 13 and 14, 2020, 7:30 pm

In 2020, Works & Process commissions and premieres two works by Les Ballet Afrik and Ephrat Asherie Dance.

Having received the honorary status of Legend after 10 years of competing in the Vogue Ballroom scene and performing across the globe, choreographer Omari Wiles brings the ballroom to the Peter B. Lewis Theater at the Guggenheim. With excerpts of New York is Burning, performed by Les Ballet Afrik and guest artists, Wiles presents his signature “AfrikFusion” style, which fuses traditional African dances and Afrobeat styles with House dance and Vogue.

Excerpts from Ephrat Asherie’s UnderScored (working title) are performed by EAD company members with guest artists from New York City’s underground dance scene. Beginning with the legendary parties at The Loft and the Paradise Garage, UnderScored is inspired by intergenerational club-life memories and explores the ever-changing physical landscape of New York City’s underground House dance community.

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Carnegie Hall’s Weill Music Institute (WMI) and Conductor Marin Alsop Launches “All Together: A Global Ode to Joy”

Marin Alsop Launches Year-Long Worldwide Project With Four Performances in São Paulo from December 12–15 Marking Her Final Concerts as Chief Conductor of São Paulo Symphony Orchestra and Start of Her Tenure as Orchestra’s Conductor of Honor

Maestra Alsop To Lead Renowned Orchestras Across Five Continents In Performances of Beethoven’s Ninth Symphony and Music From Each Local Community, Culminating at Carnegie Hall in December 2020

Creative Work Kicks Off in New York City, Inspired By New Adaptation of “Ode to Joy” by Former US Poet Laureate Tracy K. Smith

Conductor Marin Alsop leads the São Paulo Symphony Orchestra (OSESP) in four performances from December 12–15, launching the ambitious worldwide All Together: A Global Ode to Joy project. These concerts are the first of a range of performances including Beethoven’s Ninth Symphony to be led by the visionary conductor across five continents from December 2019 to December 2020 during the 250th anniversary celebration of Ludwig van Beethoven‘s birth.

Carnegie Hall logo

Marin Alsop is an inspiring and powerful voice in the international music scene, a music director of vision and distinction who passionately believes that “music has the power to change lives.” She is recognized across the world for her innovative approach to programming and for her deep commitment to education and to the development of audiences of all ages. She has been music director of the Baltimore Symphony Orchestra since 2007, and she has had two extensions in her tenure, now confirmed until 2021. As part of her artistic leadership in Baltimore, Ms. Alsop has created several bold initiatives: OrchKids, for the city’s young people, and the BSO Academy and Rusty Musicians, for adult amateur musicians. In 2012, she became principal conductor and music director of the São Paulo Symphony Orchestra, with her contract now extended to the end of 2019, when she becomes Conductor of Honor. In September 2019, she became chief conductor of the ORF Vienna Radio Symphony Orchestra. Ms. Alsop received the prestigious MacArthur Fellowship, is an honorary member of the Royal Academy of Music and Royal Philharmonic Society, and is the director of graduate conducting at the Johns Hopkins Peabody Institute. She attended Juilliard and Yale, which awarded her an honorary doctorate in 2017.

Photo Credit: Marin Alsop. Photo by Grant Leighton.

All Together: A Global Ode to Joy recasts Beethoven’s Ninth Symphony as a 21st-century call for unity, justice, and empowerment, presenting a rare opportunity for major musical institutions to join in a global conversation as part of a common project. Each partner will work with Ms. Alsop to reimagine the concert experience for their own community, incorporating newly created music alongside the symphony and featuring artists from their own region. In each performance, the ”Ode to Joy” will be adapted or translated anew into a local language. From December 2019 through December 2020, concerts will be presented in São Paulo, Brazil; London, England; New York, New York, USA; Baltimore, Maryland, USA; major centers of New Zealand; Sydney, Australia; Vienna, Austria; and Durban and Johannesburg, South Africa.

When the project was first announced this year, Ms. Alsop said, “Beethoven was all about love and joy and celebrating the essence of what it is to be human and what it is to be connected. That’s why we’re launching this project. We want to throw the doors to our concert halls wide open, saying ‘everyone owns this piece, everyone owns this idea, everyone is welcome, and together we’re much stronger.’

All Together: São Paulo

The São Paulo concerts—marking Ms. Alsop’s last as Chief Conductor of the São Paulo Symphony Orchestra and launching her role as Conductor of Honor—will feature traditional and contemporary music performed between the movements of Beethoven’s Ninth Symphony and a new text of ”Ode to Joy” into Brazilian Portuguese. The performances explore the legacy of slavery in Brazil from the 19th century to the present, drawing a parallel between the time period during which Beethoven composed his Ninth Symphony and the current affairs of Brazil in that same era.

Joining OSESP on stage at Sala São Paulo for the four concerts are members of the São Paulo Symphony Orchestra Choir, OSESP Academic Choir, and The São Paulo State Youth Choir. The first concert onThursday, December 12 will be streamed live as part of a “Digital Concert Hall” broadcast available on OSESP’s website and social media channels, as well as Carnegie Hall’s Facebook page. An additional 160 adult amateur singers join the performance for the final large-scale presentation onSunday, December 15 at Sala São Paulo.

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2019 Holiday Travel: New, Record-Setting “Mile High Tree” Anchors Denver’s Mile High Holidays Festivities

Denver’s Newest Holiday Attraction – A 110-Foot Digital Tree – Amplifies The Excitement Around The City’s Seasonal Blockbuster Exhibitions, Events And Performing Arts

This year, along with hundreds of holiday traditions and festivities, The Mile High City will feature two brand-new lighting attractions illuminating downtown, making the city look and feel more festive than ever. The Mile High Tree – the tallest digital tree in North America – will feature pre-programmed LED light shows choreographed to multicultural holiday music; and Night Lights Denver – an outdoor projection mapping installation featuring local artists – will also light up the city skyline.

VISIT DENVER, The Convention & Visitors Bureau logo. (PRNewsFoto/VISIT DENVER, The Convention & Visitors Bureau)

These new attractions complement the already robust programming that makes up Denver’s Mile High Holidays. There are also world-class exhibitions, like Claude Monet: The Truth of Nature and The Science Behind Pixar, at the city’s museums; innovative and immersive performing arts like Camp Christmas and movies with the Colorado Symphony; and plenty of local gifts to be found in neighborhoods, galleries, boutique shops and marketplaces.

Below are just a few experiences to be found during Mile High Holidays. For more information on how to spend a night or a long weekend in Denver, and to take advantage of holiday hotel deals starting at $99, visit www.MileHighHolidays.com.

Blockbuster Exhibitions

Claude Monet: The Truth of Nature, through February 2, 2020

The Denver Art Museum is the sole U.S. venue for the most comprehensive exhibition of Monet paintings in more than two decades. The exhibition features more than 100 paintings spanning Monet’s entire career and focuses on the celebrated French impressionist artist’s enduring relationship with nature and his response to the varied and distinct places in which he worked. In connection with Denver Art Museum, several hotels have created VIP packages that include untimed, skip-the-line tickets, which allow access to the exhibition even if the date is sold out to the general public; these packages can be found at https://monetindenver.com.

The Science Behind Pixar, through April 5, 2020

Enjoy a unique look into the Pixar process, and explore the science and technology behind some of the most beloved animated films and their characters with The Science Behind Pixar at Denver Museum of Nature & Science. This interactive exhibition showcases the science, technology, engineering, art, and math concepts used by the artists and computer scientists who help bring Pixar’s award-winning films to the big screen. With more than 50 interactive elements, the exhibition’s eight sections each focus on a step in the filmmaking process to give you an unparalleled view of the production pipeline and concepts used at Pixar every day. Participate in fun, engaging hands-on activities, listen to firsthand accounts from members of the studio’s production teams, and even come face-to-face with re-creations of your favorite Pixar film characters, including Buzz Lightyear, Dory, Mike and Sulley, Edna Mode, and WALL•E.

Extreme Sports: Beyond Human Limits, through April 12, 2020

Visitors will be put to the test as they jump, fly, dive, climb and explore some of the riskiest activities in the world at this Denver Museum of Nature & Science exhibition. Physical, multimedia and creative challenges place guests inside the minds and bodies of extreme athletes and their passions such as wingsuit flying, ice and rock climbing, parkour, and free diving. Amid exhilarating speeds, breathtaking heights, and profound depths, the stories of these passionate athletes will leave visitors inspired to push their own personal limits.

Beer Here! Brewing the West, through August 9, 2020

Explore Colorado’s brewing industry from the saloons of the Gold Rush through Prohibition to today’s booming craft beer scene at History Colorado Center‘s Beer Here! Brewing the West. Learn about the Centennial State’s brewing past, present and future through historical artifacts, interactive elements and more.

Holiday Performing Arts

Celebrate the Theater, Music and Dance in Denver

Camp Christmas, November 21, 2019 – January 5, 2020

The newest indoor immersive installation from Denver Center for the Performing Arts, Camp Christmas, will feature mesmerizing displays of decorations that shift time and reality. Performed at Stanley Marketplace, Camp Christmas is Denver’s newest holiday experience, where yuletide traditions of the past and present get merrily mashed together in a massive 10,000-square-foot wonderland. All ages are welcome at this family-friendly experience.

The Hip Hop Nutcracker, November 23-24

Innovative digital graffiti and visuals transform the landscape of E.T.A. Hoffmann‘s beloved story from traditional 19th Century Germany to the vibrant, diverse sights and sounds of contemporary New York City. Through this re-mixed and re-imagined version of the classic, performed at Buell Theater in the Denver Performing Arts Complex, the dynamic performers of The Hip Hop Nutcracker take audience members on a journey that celebrates love, community and the magic of a New Year.

The Nutcracker, November 30 – December 29

Children and adults will enjoy Colorado Ballet‘s 58th annual production of the classic Christmas ballet The Nutcracker, held at the Ellie Caulkins Opera House and featuring unforgettable characters, classic choreography, exquisite sets, dazzling costumes and Tchaikovsky’s extraordinary arrangement performed live by the Colorado Ballet Orchestra.

Dr. Seuss’ How the Grinch Stole Christmas! The Musical, December 3-8

Dr. Seuss’ How The Grinch Stole Christmas! The Musical returns to the Buell Theatre in Denver to steal Christmas after a blockbuster debut in 2014. More than 2.5 million theatre-goers across America have been delighted by this heart-warming holiday musical, featuring the hit songs “You’re A Mean One Mr. Grinch” and “Welcome Christmas” from the original animated TV special. Max the Dog narrates as the mean and scheming Grinch, whose heart is “two sizes too small,” decides to steal Christmas away from the holiday-loving Whos. Magnificent sets and costumes inspired by Dr. Seuss’ original illustrations transport audiences to the whimsical world of Whoville and helps remind them of the true meaning of the holiday season.

Movie at the Symphony: Home Alone in Concert, November 29; Love Actually in Concert, December 6

A holiday classic, Home Alone will feature renowned composer John Williams‘ charming and delightful score performed live by the Colorado Symphony at Boettcher Concert Hall as the film is shown on large suspended screens in Boettcher Concert Hall. Macaulay Culkin stars as Kevin McCallister, an eight-year-old boy who is accidentally left behind when his family leaves for Christmas vacation, and who must defend his home against two bungling thieves (Joe Pesci and Daniel Stern). Hilarious and heartwarming, Home Alone is holiday fun for the whole family.

Love Actually is the ultimate romantic holiday comedy. Featuring an all-star cast, the film will take audiences on a tour of love’s delightful twists and turns. The score will be performed by the Colorado Symphony and conductor Christopher Dragon.

Granny Dances to a Holiday Drum, December 7-22

For 28 years, Cleo Parker Robinson Dance Ensemble has been blending dance, live music, spoken word and seasonal celebrations and customs from around the world into a memorable holiday tradition like no other. A Denver original, Granny Dances to a Holiday Drum is a family favorite that inspires audiences of all ages to discover, celebrate and honor the holiday traditions of cultures from around the world.

Celtic Woman: The Best of Christmas Tour, December 8

The celestial voices of multi-platinum Irish singing group, Celtic Woman, will be coupled with the Colorado Symphony in Denver’s stop of The Best of Christmas Tour. The performance at Boettcher Concert Hall will feature music from the all-female ensemble’s most favorite Yuletide songs.

Moscow Ballet’s Great Russian Nutcracker, December 13-14

The one and only Moscow Ballet will present the Great Russian Nutcracker at Denver’s Paramount Theatre. Featuring world class Russian artists, hand-painted sets, Russian Snow Maidens, and jubilant Nesting Dolls – Great Russian Nutcracker brings the Christmas spirit to life for all ages.

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Culture Watch: Solomon R. Guggenheim Foundation Announces Short List for the 2020 Hugo Boss Prize

Six artists have been short-listed for the Hugo Boss Prize 2020, the biennial award for significant achievement in contemporary art. The short list is selected by a panel of international curators and critics in recognition of artists whose work is transforming the field. Since its inception in 1996, the prize has consistently functioned as a platform for the most relevant and influential art of the present, and has become a cornerstone of the Guggenheim’s contemporary programming.

On the occasion of the thirteenth Hugo Boss Prize, I’m delighted to announce the finalists for the 2020 cycle,” said Nancy Spector, Artistic Director and Jennifer and David Stockman Chief Curator, Solomon R. Guggenheim Museum and Foundation, and jury chair. “After a rigorous examination of today’s artistic landscape, the jury identified a group of artists whose practices are beacons of cultural impact. While diverse in their approaches and themes, they each exemplify the spirit of experimentation and innovation that the prize has always championed.

Solomon R. Guggenheim Museum, New York logo

The Hugo Boss Prize recognizes the achievements of both emerging and established artists, and sets no restrictions in terms of age, gender, nationality, or medium. The winner, who will receive a $100,000 honorarium, will be announced in the fall of 2020 and will present a solo exhibition at the Solomon R. Guggenheim Museum in spring 2021.

Since its inception in 1996, the Hugo Boss Prize has been awarded to twelve influential contemporary artists: American artist Matthew Barney (1996); Scottish artist Douglas Gordon (1998); Slovenian artist Marjetica Potrč (2000); French artist Pierre Huyghe (2002); Thai artist Rirkrit Tiravanija (2004); English artist Tacita Dean (2006); Palestinian artist Emily Jacir (2008); German artist Hans-Peter Feldmann (2010); Danish artist Danh Vo (2012); American artist Paul Chan (2014); American artist Anicka Yi (2016); and American artist Simone Leigh (2018). The related exhibitions have constituted some of the most compelling presentations in the museum’s history.

Previous finalists include Laurie Anderson, Janine Antoni, Cai Guo-Qiang, Stan Douglas, and Yasumasa Morimura in 1996; Huang Yong Ping, William Kentridge, Lee Bul, Pipilotti Rist, and Lorna Simpson in 1998; Vito Acconci, Maurizio Cattelan, Michael Elmgreen and Ingar Dragset, Tom Friedman, Barry Le Va, and Tunga in 2000; Francis Alÿs, Olafur Eliasson, Hachiya Kazuhiko, Koo Jeong-A, and Anri Sala in 2002; Franz Ackermann, Rivane Neuenschwander, Jeroen de Rijke and Willem de Rooij, Simon Starling, and Yang Fudong in 2004; Allora & Calzadilla, John Bock, Damián Ortega, Aïda Ruilova, and Tino Sehgal in 2006; Christoph Büchel, Patty Chang, Sam Durant, Joachim Koester, and Roman Signer in 2008; Cao Fei, Roman Ondák,Walid Raad, Natascha Sadr Haghighian, and Apichatpong Weerasethakul in 2010; Trisha Donnelly, Rashid Johnson, Qiu Zhijie, Monika Sosnowska, and Tris Vonna-Michell in 2012; Sheela Gowda, Camille Henrot, Hassan Khan, and Charline von Heyl in 2014; Tania Bruguera, Mark Leckey, Ralph Lemon, Laura Owens, and Wael Shawky in 2016; and Bouchra Khalili, Teresa Margolles, Emeka Ogboh, Frances Stark, and Wu Tsang in 2018.

The following artists are finalists for the Hugo Boss Prize 2020:

  • Nairy Baghramian (b. 1971, Isfahan, Iran)
  • Kevin Beasley (b. 1985, Lynchburg, Va.)
  • Deana Lawson (b. 1979, Rochester, N.Y.)
  • Elias Sime (b. 1968, Addis Ababa, Ethiopia)
  • Cecilia Vicuña (b. 1948, Santiago, Chile)
  • Adrián Villar Rojas (b. 1980, Rosario, Argentina)

The Hugo Boss Prize is our most prestigious engagement in the field of arts,” said Mark Langer, CEO and Chairman of HUGO BOSS AG. “We are excited about this diverse and distinguished short list for 2020 and looking forward to the announcement of the winner next fall.

HUGO BOSS PRIZE 2020 SHORT LIST

Nairy Baghramian (b. 1971, Isfahan, Iran) lives and works in Berlin. In an oeuvre that probes the boundaries between the decorative, the utilitarian, and the art object, Baghramian has illuminated new possibilities for sculpture. The artist’s disarming biomorphic forms, made with a range of materials including steel, silicon, resin, and leather, elicit various unexpected art-historical and sociopolitical references, reimagining the workings of the body, gender, and public and private space.

Nairy Baghramian, Stay Downers: Nerd, Fidgety Philip, Dripper, Truant, Backrower and Grubby Urchin, 2017. Various media, dimensions variable
Installation view: Déformation Professionnelle, Walker Art Center, Minneapolis, 2017–18. Courtesy the artist and Marian Goodman Gallery. Photo: Timo Ohler

Baghramian’s work has been presented in solo exhibitions such as Privileged Points, Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean (2019), Breathing Spell (Un respire), Palacio de Cristal del Retiro, Madrid (2018); Déformation Professionnelle, Museum der Moderne Salzburg, and Walker Art Center, Minneapolis (2017); S.M.A.K. Museum of Contemporary Art, Ghent (2016); Nairy Baghramian: Scruff of the Neck (Supplements), Zurich Art Prize, Museum Haus Konstruktiv, Zurich (2016); Hand Me Down, Museo Tamayo, Mexico City (2015); Fluffing the Pillows, MIT List Visual Arts Center, Cambridge, Mass. (2013), and Kunsthalle Mannheim, Germany (2012); and Class Reunion, Contemporary Art Gallery, Vancouver (2012).

Kevin Beasley (b. 1985, Lynchburg, Va.) lives and works in New York. Working at the intersection of sculpture, installation, and performance, Beasley constructs revelatory formal and sonic experiences. In works that embed found objects in substances such as resin, foam, and tar, or incorporate unconventionally manipulated audio equipment, he amplifies the cultural resonances of his materials to excavate personal and shared histories of class, race, and institutional power.

Kevin Beasley, Your face is / is not enough, 2016. Performance view: Liverpool Biennial, July 14, 2018. © Kevin Beasley. Photo: Pete Carr, courtesy Casey Kaplan, New York

Beasley has presented and performed in solo exhibitions such as ASSEMBLY, The Kitchen, New York (2019); a view of a landscape, Whitney Museum of American Art, New York (2018); Kevin Beasley, The Institute of Contemporary Art, Boston (2018); Movement V: Ballroom, CounterCurrent Festival, Cynthia Woods Mitchell Center for the Arts, Houston (2017); Hammer Projects: Kevin Beasley, Hammer Museum at Art + Practice, Los Angeles (2017); Rubbings, Kim? Contemporary Art Center, Riga, Latvia (2017); and inHarlem: Kevin Beasley, The Studio Museum in Harlem, New York (2016).

Deana Lawson (b. 1979, Rochester, N.Y.) lives and works in New York. Her large-format photographs channel vernacular, art-historical, and documentary traditions within the medium, in compositions that valorize black diasporic culture. Picturing individuals she encounters over the course of her everyday life within carefully staged domestic settings, Lawson choreographs every nuance of scenery, lighting, and pose to create tableaux that powerfully evoke the agency of her subjects.

Deana Lawson, Mama Goma, Gemena, DR Congo, 2014. Pigment print
35 x 44.125 inches (88.9 x 112.1 cm). © Deana Lawson, courtesy Sikkema Jenkins & Co., New York, and Rhona Hoffman Gallery, Chicago

Lawson’s work has been presented in solo exhibitions including Deana Lawson, Huis Marseille, Museum voor Fotografie, Amsterdam (2019); Deana Lawson: Planes, The Underground Museum, Los Angeles (2018); Deana Lawson, Carnegie Museum of Art, Pittsburgh (2018); Deana Lawson, Contemporary Art Museum St. Louis (2017); Deana Lawson, The Art Institute of Chicago (2015); and Corporeal, Light Work, Syracuse, N.Y. (2009).

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Jazz at Lincoln Center Orchestra With Wynton Marsalis Announces 2019 ‘Big Band Holidays at Jazz at Lincoln Center’ Concert Schedule

Jazz at Lincoln Center Orchestra With Wynton Marsalis To Share the Stage with Vocalists Denzal Sinclaire And Alexis Morrast

Big Band Holidays at Jazz at Lincoln Center’s Rose Theater, December 18–22, with Relaxed Performance on December 22 at 2:00 p.m.

Blue Engine Records Big Band Holidays II Available Digitally Now; In Stores Soon On Cd And Vinyl

The Jazz at Lincoln Center Orchestra with Wynton Marsalis and guest vocalists Denzal Sinclaire and Alexis Morrast will spread good cheer this holiday season with five performances of Big Band Holidays in Jazz at Lincoln Center’s Rose Theater on December 18-21 at 8:00 p.m. and December 22 at 2:00 p.m. The performance on Sunday, December 22 at 2:00 p.m., will be a Relaxed Performance, designed to provide an opportunity for children or adults with autism, learning difficulties, or other sensory and communication needs to enjoy our performances with their families in a more relaxed environment.

The Jazz at Lincoln Center

The mission of Jazz at Lincoln Center is to entertain, enrich and expand a global community for Jazz through performance, education and advocacy. With the world-renowned Jazz at Lincoln Center Orchestra and guest artists spanning genres and generations, Jazz at Lincoln Center produces thousands of performance, education, and broadcast events each season in its home in New York City (Frederick P. Rose Hall, “The House of Swing”) and around the world, for people of all ages. Jazz at Lincoln Center is led by Chairman Robert J. Appel, Managing and Artistic Director Wynton Marsalis, and Executive Director Greg Scholl. (Jazz at Lincoln Center’s Rose Theater at Frederick P. Rose Hall is located at Broadway at 60th Street in New York, New York. )

Featuring soulful, big band versions of classics such as “Jingle Bells,” “Joy to the World,” and “Brazilian Sleigh Ride,” Big Band Holidays is an uplifting holiday program that plays to sold-out audiences every December. The beloved New York tradition is renowned for showcasing some of the most exciting and charismatic vocalists on the scene, with recent editions including Cécile McLorin Salvant, Gregory Porter, René Marie, Vuyo Sotashe, Veronica Swift, and Catherine Russell. This year Jazz at Lincoln Center welcomes back an old favorite, the smooth-as-silk baritone vocalist Denzal Sinclaire and presents a Big Band Holidays first-timer: local teenage phenomenon Alexis Morrast, first-place winner of the nationally broadcast Showtime at the Apollo.

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