Halle Berry, Jamie Dornan, Chris Evans, Gael García Bernal, Samuel L. Jackson, Scarlett Johansson, Dakota Johnson, Kate Mckinnon, Shirley Maclaine, Hailee Steinfeld Will Be Presenters On Oscars® Stage

oscarnews_homepage2Producers Michael De Luca and Jennifer Todd today announced the second slate of presenters for the 89th Oscars® telecast. Hosted by Jimmy Kimmel, the Oscars will air live on Sunday, February 26, on the ABC Television Network.86thOscars_Logo

These actors are why we love to go to the movies,” said De Luca and Todd. “From blockbusters to art house films, these artists deliver every time and we’re thrilled to welcome them to the 89th Oscars stage.”

The presenters, including past Oscar® winners and nominees, are Halle Berry, Jamie Dornan, Chris Evans, Gael García Bernal, Samuel L. Jackson, Scarlett Johansson, Dakota Johnson, Shirley MacLaine, Kate McKinnon and Hailee Steinfeld.

Berry won an Oscar for Actress in a Leading Role for “Monster’s Ball” (2001). Her feature credits also include “X-Men: Days of Future Past” (2014), “Cloud Atlas” (2012), “Frankie & Alice” (2010), “X-Men The Last Stand” (2006), “X2” (2003), “Die Another Day” (2002) and “X-Men” (2000). She will next appear in “Kingsman: The Golden Circle” and “Kings.”

Dornan’s film credits include “Fifty Shades Darker” (2017), “Fifty Shades of Grey” (2015) and the Oscar-winning film “Marie Antoinette” (2006). Additionally, he has appeared in “Anthropoid” (2016) and “The Siege of Jadotville” (2016). His upcoming films include “Fifty Shades Freed,” “Robin Hood” and “Untogether.”

Evans is known for “Captain America: Civil War” (2016) and the Oscar-nominated features “Captain America: The Winter Solider” (2014) and “Marvel’s The Avengers” (2012). His film credits also include “The Iceman” (2013), “Puncture” (2011), “Scott Pilgrim vs. the World” (2010) and “Fantastic Four” (2005). Evans will next appear in “Gifted,” “Avengers: Infinity War” and “Jekyll.”

García Bernal’s credits include the Oscar-winning films “Babel” (2006) and “The Motorcycle Diaries” (2004) as well as the Oscar-nominated films “Y Tu Mamá También” (2001) and “Amores Perros” (2000). Additionally, he has appeared in “Neruda” (2016), “Desierto” (2016) and “Bad Education” (2004). His upcoming films include “Z” and the animated feature “Coco.”

Jackson earned an Oscar nomination for Actor in a Supporting Role for “Pulp Fiction” (1994). Notably, he also appeared in the Oscar-winning films “The Hateful Eight” (2015), “Django Unchained” (2012) and “Inglourious Basterds” (2009). Jackson will next appear in “Kong: Skull Island,” “The Hitman’s Bodyguard,” “Avengers: Infinity War,” “The Incredibles 2” and “Inversion.”

Johansson appeared in the Oscar-winning features “Her” (2013), “Vicky Cristina Barcelona” (2008) and “Lost in Translation” (2003) as well as the Oscar-nominated films “Iron Man 2” (2010), “Match Point” (2005) and “Girl with a Pearl Earring” (2003). Her credits also include “Captain America: Civil War” (2016) and “Lucy” (2014). Johansson will next be seen in “Ghost in the Shell,” “Rock That Body” and “Avengers: Infinity War. Continue reading

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CuriosityStream™ Launches Print Ad Campaign That Positions The New SVOD Service As “the Antidote To ‘Reality’ TV”

TV Commercials To Increase Brand Awareness Will Air Concurrently On Networks Including Fox News, CNN and Bloomberg

The Independently-Owned, Ad-Free SVOD Service Created By The Discovery Channel Founder Now Offers Over 1,500 Titles In History, Science, Nature, And Technology

All Titles Are Available For Instant Access By Subscribers With Annual And Monthly Subscription Plans Available for SD, HD, and 4K Streamingcuriositystream

John Hendricks, the Founder of CuriosityStream and the Founder and Former Chairman of Discovery Communications, announced today that CuriosityStream, which is currently available in 196 countries worldwide, is launching its first print ad campaign with a theme of positioning the SVOD service as “the antidote to ‘reality’ TV.curiositystream-logo-1

During the week of February 6, 2017, the print campaign will launch in the New York Times, Wall Street Journal and other major newspapers. Concurrent with the print campaign, CuriosityStream has begun to test television commercials designed to increase brand awareness. With commercials currently being tested on networks such as CNN, Fox News, and Bloomberg, the TV campaign has been created around the theme “Long Live the Curious.”

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John Hendricks

Hendricks stated, “The economic realities of ad-supported linear television have understandably driven most cable networks toward ‘reality’ TV programming which appeals to the large audiences for amusement content. As a result, the curious 25% of television viewers have witnessed a dramatic loss of choice in high-quality programs in science, history, nature, and technology. CuriosityStream is now available worldwide with a mission to satisfy the demand of audiences who are eager to learn about the mysteries of civilization, recent advances in science, fascinating breakthroughs in technology, in-depth explorations of current events, and the wonders of nature.” Continue reading

National Geographic and Katie Couric Launch Screening Tour for Upcoming Documentary “Gender Revolution: A Journey With Katie Couric”

Two-Hour Documentary Hosted and Executive Produced by Couric Is Available for Free to All Schools and Nonprofits That Will Host Inclusive Screenings and Conversations

First look clip from GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC: https://files.natgeonetworks.com/_Sp2gXfxhvt1d5R

Every day all around the world, gender is making headlines, weaving its way into conversations big and small, in settings from the government to households, from schools to places of employment. The two-hour National Geographic documentary GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC (trailer here) approaches the topic of gender through the lens of science, society, and culture, all woven together by personal stories and experiences.

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National Geographic logo. (PRNewsFoto/National Geographic Society)

In GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC, premiering Monday, Feb. 6, at 9/8c, National Geographic set out to explore this evolving concept of gender through the lens of science, society, and culture. Produced by Katie Couric Media with National Geographic Studios and World of Wonder Productions, the special will also air on National Geographic around the globe in 171 countries and in 45 languages.

To extend the life of this important documentary beyond its Feb. 6 television broadcast, National Geographic and Picture Motion are partnering on the Gender Revolution Tour, allowing any high school, college, university or nonprofit to sign up to host a free screening and discussion. The tour will harness the momentum of the conversations happening around the globe and offer an opportunity to have an informed dialogue on one of the most complicated and evolving issues in the current zeitgeist. The Gender Revolution Tour is being managed by impact agency Picture Motion.gender-revolution-national-geographic-magazine

Requests to participate in the Gender Revolution Tour can be made by filling out the request form at http://bit.ly/NatGeoGenderRevolution. Screening hosts will be sent a DVD of the film and an extensive discussion guide (LINK), created by Journeys in Film, that provides additional resources on understanding gender.

At the time of this release, more than 100 universities, high schools, and non-profit groups have already scheduled screening events of the GENDER REVOLUTION leading up to and during the week of the film’s television premiere on National Geographic.

Katie Couric Media develops and produces content, programming, and documentaries for TV networks and digital distribution platforms, focusing on compelling issues the award-winning journalist and best-selling author has covered throughout her career. Katie Couric Media projects include the “Katie Couric” podcast from Earwolf, which features the host in candid, unscripted conversations about American life and politics; the National Geographic documentary GENDER REVOLUTION; and the upcoming movie “Flint” with Craig Zadan and Neil Meron, about the drinking water contamination in Flint, Michigan. Katie Couric is the executive producer of “Fed Up” (2014) and “Under the Gun” (2016), both documentaries that premiered at the Sundance Film Festival.

From the very start, it was my hope that as many people as possible would be given the opportunity to see this film,” said Couric. “I am thrilled that along with National Geographic and Picture Motion we are going to be able to share GENDER REVOLUTION and our accompanying discussion guide with groups all over the country.

National Geographic is about exploration and discovery. Through the Gender Revolution Tour we want to encourage constructive conversations that will allow people to connect with each other over material that is science-based, investigative and in some cases deeply personal,” said Chris Albert, Executive Vice President, Global Communications for National Geographic. “We believe this is a timely and groundbreaking documentary, and are thrilled to make it available for free to any organization interested in expanding its knowledge on the gender discussion.”

We are so thrilled, but not entirely surprised, to see GENDER REVOLUTION so embraced. From Catholic Colleges to LGBT advocacy groups, city-based Sororities to mid-west High Schools, Gender Studies programs to Trans Support Groups for Parents; there has been an outpour of support for a film like GENDER REVOLUTION,” said Christie Marchese, CEO and Founder, Picture Motion.

GENDER REVOLUTION is produced by Katie Couric Media, World of Wonder Productions and National Geographic Studios for National Geographic. For Katie Couric Media, executive producers are Katie Couric and Mitch Semel. For World of Wonder, Fenton Bailey, Randy Barbato, and Jeremy Simmons serve as executive producers. For National Geographic Studios, executive producers are Jeff Hasler and Brian Lovett. For National Geographic, Tim Pastore is president, original programming and production, and Michael J. Miller is executive producer. Continue reading

Annenberg Space For Photography Presents Generation Wealth by Lauren Greenfield, April 8, 2017-August 13, 2017

Exhibit Spans Two-and-a-Half Decades of Work by Photographer and Filmmaker Lauren Greenfield And A Visual History of the Growing Obsession with Wealth That Has Come to Define a Generation

On April 8, 2017, the Annenberg Space for Photography will premiere GENERATION WEALTH by Lauren Greenfield, a multimedia exhibit by internationally acclaimed photographer and filmmaker Lauren Greenfield that investigates the global obsession with wealth over the last 25 years. Through a collection of 195 color-saturated prints, 42 riveting first-person interviews, multimedia projections and short films, Greenfield creates a revelatory cultural exhibition that documents the values of materialism, celebrity culture, social status and media saturation that have touched nearly every corner of the globe.

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Jackie and friends with Versace handbags at a private opening at the Versace store, Beverly Hills, California, 2007. © Lauren Greenfield (image from the Annenberg Space for Photography exhibition, Generation Wealth by Lauren Greenfield)

There’s no hiding from the eye of a truly great photographer. Lauren Greenfield has given us nothing short of an x-ray of our ambitions and ideals. In all of contemporary photography, no one is better at exploring the tension between what we covet and who we really are—between the mad dash for affluence and the price we pay for that pursuit,” said Wallis Annenberg, Chairman of the Board, President, and CEO of the Annenberg Foundation. “To me, Lauren Greenfield is so much more than a groundbreaking artist; she’s a sociologist, a storyteller, an ironist and a keen humorist. This is a wonderful, timely, thought-provoking body of work and, now more than ever, it’s one we all need to see.”

The exhibit marks Greenfield’s third collaboration with the Annenberg Space for Photography and first solo exhibit. In March 2009, Greenfield was chosen to be a featured photographer in the venue’s inaugural exhibition, L8S ANG3LES, which explored the lives and rituals of the youth of Los Angeles. In May 2011, Greenfield was a featured photographer in the Beauty CULTure exhibit and was also commissioned by the Annenberg Foundation to direct a 30-minute documentary film about the subject, investigating our obsession with beauty and the influence of photographic representations of the beauty landscape.

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Ilona, a photographer and former model originally from Latvia, in the mezzanine library of her home, which so far contains only copies of a self-published book of her fashion photographs, Moscow, 2012. © Lauren Greenfield (image from the Annenberg Space for Photography exhibition, Generation Wealth by Lauren Greenfield)

The photographer’s latest collaboration, GENERATION WEALTH by Lauren Greenfield, is a multi-platform project that started in L.A. 25 years ago with Fast Forward, her exploration of the lives of young Angelenos growing up in a media-saturated society and their relationships with money and celebrity. In 2008, she revisited this evocative milieu with a short film, kids + money, which was selected by the Sundance Film Festival and broadcast on HBO. In 2012, she returned to Sundance with the opening night film The Queen of Versailles, which documents a Florida family’s efforts to build the largest house in America against the backdrop of the economic crisis. After a sensational opening at Sundance, the film was acquired by Magnolia Pictures and Greenfield was honored with Sundance’s Best Director Award. This work serves as the basis for many of the themes Greenfield has continued to explore throughout her career: consumerism, media influence, gender and self-esteem, and the pervasive quest for the American Dream. Since the success of The Queen of Versailles, Greenfield’s journey has taken her across America and beyond, revealing stories of students, single parents, and families overwhelmed by crushing debt yet determined to purchase luxury homes, cars and clothing. From Bel-Air to Monaco, Russia, and China, Greenfield exposes a pervasive aspirational gap between what we want and what we can afford and reveals a consumer appetite unprecedented in human history. Her #LikeAGirl video was seen by 214 million global viewers and garnered more than 100 awards.

Coinciding with the exhibition, Phaidon will publish the highly anticipated monograph Lauren Greenfield: Generation Wealth (May 15, 2017), an extraordinary visual history of rampant materialism and our growing obsession with wealth. Beginning April 8, the Annenberg Space for Photography will serve as the exclusive retailer of the book before its wide international release.

GENERATION WEALTH documents a seismic shift in values and in the concept of the American Dream,” Greenfield explains. “Beginning in Los Angeles in the ’90s, I examined the ‘influence of affluence’ as media and globalization exported our notions of success around the world. The title of the project and some of the pic­tures could mislead the reader to think that this is a work about the one percent, about people who are wealthy. It is not. This work is about the aspi­ration for wealth and how that has become a driving force—and at the same time an increasingly unrealistic goal—for individuals from all classes of society. Bringing together 25 years of analog and digital photography, interviews, and filmmaking, I could never have realized this mammoth undertaking without the incredible support and encouragement of Wallis Annenberg, who is an unparalleled champion of artists and with whom I have been grateful to collaborate with on three exhibitions. The story of GENERATION WEALTH began in Los Angeles and I am deeply honored to debut this work in my hometown.”

The Annenberg Space for Photography is a cultural destination dedicated to exhibiting both digital and print photography in an intimate environment. The space features state-of-the-art, high-definition digital technology as well as traditional prints by some of the world’s most renowned photographers and a selection of emerging photographic talents as well. The venue, an initiative of the Annenberg Foundation and its trustees, is the first solely photographic cultural destination in the Los Angeles area, and it creates a new paradigm in the world of photography.

Wes Anderson Directs H&M’s 2016 Holiday Film, “Come Together”

H&M Hennes & Mauritz is pleased to announce the debut of their holiday short film “Come Together“, directed by Wes Anderson starring Adrien Brody. The story takes place on a train traveling through a snowy landscape where Brody plays the conductor. Watch the “Come Together” Holiday Film here or visit hm.com.

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Academy-Award winning actor Adrian Brody in still from the H&M’s 2016 Holiday Film, “Come Together” directed by Wes Anderson.

The winter train ride, under Wes Anderson’s direction, is the perfect setting for H&M’s holiday collection full of relaxed, wearable elegance. It’s about mixing the informal with a sense of occasion, capturing the holiday mood for both dressing up and getting cozy with loved ones.” says Pernilla Wohlfahrt, H&M’s Head of Design and Creative Director.

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Academy-Award winning actor Adrian Brody and the cast in still from the H&M’s 2016 Holiday Film, “Come Together” directed by Wes Anderson.

In the film, lone passengers are traveling to join their loved ones for the holidays, but winter weather conspires to way-lay them.

This story may resonate more than ever at a time in the world where we could all do with giving a stranger a hug.” says actor Adrien Brody.

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H&M Holiday 2016 Collection

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Solomon R. Guggenheim Museum Presents New Art from Greater China That Explores the Concept of Place through Storytelling

Second Exhibition of The Robert H. N. Ho Family Foundation Chinese Art Initiative Features Works Commissioned for Guggenheim Collection

Exhibition: Tales of Our Time

Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York

Location: Tower Levels 4 and 5

Dates: Now through March 10, 2017

The Solomon R. Guggenheim Museum presents Tales of Our Time, an exhibition featuring nine newly commissioned works by artists born in mainland China, Hong Kong, or Taiwan. This is the second exhibition of The Robert H. N. Ho Family Foundation Chinese Art Initiative, a long-term research, curatorial, and collections-building program at the Guggenheim Museum.

The exhibition’s title refers to the 1936 book Gushi xin bian (Old Tales Retold) by the influential Chinese modernist, social activist, and literary giant Lu Xun. In the book, Lu reinvents Chinese legends, as he considers these tales to be not only a literary genre, but also a strategy for critiquing social conditions and reconstructing history through storytelling.guggenheim-museum-logo

Though diverse in subjects and strategies, the works are united by the artists’ use of storytelling to propose alternative ways of looking at place. Working in drawing, animation, video, photography, sculpture, installation, and participatory intervention, the artists in the exhibition address the concept of geography and territory in ways as specific as where they are based or as big as China itself, which they see as a concept constantly being questioned and reinvented. These artists freely cross divides to examine the tensions between past and present, myth and fact, reality and dreams, rationality and absurdity, and individuality and collectivity.

The artists represented in Tales of Our Time are Chia-En Jao, Kan Xuan, Sun Xun, Sun Yuan & Peng Yu, Tsang Kin-Wah, Yangjiang Group, and Zhou Tao.

Tales of Our Time is organized by Xiaoyu Weng, The Robert H. N. Ho Family Foundation Associate Curator of Chinese Art, and Hou Hanru, Consulting Curator, The Robert H. N. Ho Family Foundation Chinese Art Initiative. Kyung An, Assistant Curator, Asian Art, provides curatorial support. The Robert H. N. Ho Family Foundation Chinese Art Initiative is part of the Guggenheim’s Asian Art Initiative, directed by Alexandra Munroe, Samsung Senior Curator, Asian Art and Senior Advisor, Global Arts. All commissioned works will enter the Guggenheim’s collection.

Curators Xiaoyu Weng and Hou Hanru have taken a dynamic and collaborative approach, as they worked closely with the commissioned artists to explore the questions and insights that drive these art practices. We hope that these works will inform new understanding of global contemporary art through the lens of Chinese culture today,” stated Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation. “The Guggenheim is grateful to The Robert H. N. Ho Family Foundation for its sustained commitment to this effort.”

Ted Lipman, CEO of The Robert H. N. Ho Family Foundation, congratulated the commissioned artists and noted, “Contemporary Chinese art, along with the dialogue around it, is a dynamic and increasingly important force shaping the global cultural landscape. The Chinese Art Initiative at the Guggenheim is designed to offer a fresh perspective on Chinese culture and its relationship with contemporary society. The Foundation hopes the impact of this initiative will be a lasting one.”

Tales of Our Time

Chia-En Jao (b. 1976, Taichung, Taiwan). Arms no. 31, 2016. Cast aluminum, textile patchwork, display case with fabric swatches, and paper handout with text. Solomon R. Guggenheim Museum, New York, The Robert H. N. Ho Family Foundation Collection. © Chia-En Jao. Installation View: Tales of Our Time. Photo: David Heald

The artists represented in Tales of Our Time vary greatly in their practices and viewpoints,” says Xiaoyu Weng. “But they share a broad perspective, one that places China’s culture, history, and social reality in the context of the wider world. And like so many artists today, they register acute discomfort with the tension between the personal experiences of regular people and the dominant narratives and conventions of power.

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Sun Xun (b. 1980, Fuxin, Liaoning Province), Mythological Time, 2016 (details). Two-channel color HD animated video, with sound, and ink, graphite and acrylic on mulberry bark paper. Solomon R. Guggenheim Museum, New York, The Robert H. N. Ho Family Foundation Collection. © Sun Xun

Tales of Our Time is installed on two Tower Levels of the museum. Visitors may enter Tower Level 4 through a passageway lined with fantastic visions inspired by the natural world, drawn in the classical Chinese style on traditional bark paper by Sun Xun (b. 1980). Sun’s installation Mythological Time (2016) centers on his hometown of Fuxin in northeastern China, a coal-mining town that was once the pride of modern-era Chinese industrialization, but which the artist portrays as merely a fleeting scene over many millennia. A second monumental wall-size painting by Sun Xun depicting a surreal prehistoric landscape is also on view. Two video streams are projected onto its surface, sending animated creatures cavorting next to those drawn on paper with ink and acrylics.

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Chia-En Jao (b. 1976, Taichung, Taiwan), Taxi, 2016, Color UHD video, with sound. Solomon R. Guggenheim Museum, New York, The Robert H. N. Ho Family Foundation Collection. © Chia-En Jao

Taxi (2016), a video installation, presents conversations conducted by the artist Chia-En Jao (b. 1976) with taxi drivers in Taipei. The artist asked drivers to take him to historically contested destinations in the city, such as a branch of Chang Hwa Bank where a mass protest was suppressed by Chiang Kai-shek’s military regime in 1947, the Presidential Office Building, the Grand Hotel, or the National Taiwan Museum. Recorded documentary style, the conversations meander through difficult memories of the Japanese occupation and martial law to present-day concerns. The artist has also created a flag for the installation, a traditional coat of arms representing many aspects of Taiwanese society, including its aboriginal communities. Through this investigation into the powerful connection between history and storytelling, Jao creates a mental map of Taipei that honors individual memory and experience.

Zhou Tao

Zhou Tao (b. 1976, Changsha, Hunan Province), Land of the Throat, 2016 Installation with two-channel color HD video, with sound. Solomon R. Guggenheim Museum, New York, The Robert H. N. Ho Family Foundation Collection. © Zhou Tao

Nearby Taxi on Tower Level 4 is a futuristic, pod-like video installation by Zhou Tao (b. 1976). Land of the Throat (2016) evokes a phenomenon characteristic of China’s urbanization today: the construction of the new and the consequential transformation of the land. Two synchronized videos composed of footage recorded in Guangdong, China and Arizona are projected onto opposite sides of an enclosed structure in the gallery space. A cow chained to an abandoned industrial washing machine moos in an otherwise silent, desolate landscape; workers pour out of construction sites; children play aimlessly; dogs and rats roam near fishing holes; and rescue workers in Shenzhen care for survivors injured in the city’s 2015 landslide. Continue reading

Denver Arts Week Celebrates 10th Anniversary

For 10 straight years, the eight-day citywide festival has celebrated Denver’s creative community with hundreds of events bringing thousands of people each year

Denver Arts Week, an annual celebration of The Mile High City‘s vibrant arts scene, will mark its 10th anniversary this year from November 4-12. Presented by VISIT DENVER, The Convention & Visitors Bureau, the event will feature annual favorites like Know Your Arts First Friday and FREE Night at the Museums, as well as new experiences throughout the more than 300 events at galleries, museums and arts districts throughout the city.denver-arts-week

Denver is home to a phenomenal year-round arts scene – with world-renowned museums, cutting edge street art, exceptional performing arts and more,” says Richard Scharf, president and CEO of VISIT DENVER, The Convention & Visitors Bureau. “For 10 years, Denver Arts Week has encouraged people to celebrate the city’s cultural scene, and we are thrilled that the event has continued to evolve and grow as much as the arts scene has. The tenth anniversary is the perfect opportunity to attend some classic events or experience new ones and really immerse yourself in the city’s creative community.visitdenver_vertlow

With more than 300 cultural events – some of which are free or heavily discounted – throughout the city over nine days, there are plenty of reasons to make a night – or a few nights – of it; and there are plenty of great hotel deals to facilitate a stay in Denver. For a complete calendar and a full listing of all the deals and discounts on art, experiences and hotels, visit the Denver Arts Week website.

10 Ways to Make the Most of Denver Arts Week

It can be difficult to choose from the myriad of events taking place around town; here’s how to get the most out of Denver Arts Week 2016:

1. Explore vibrant art districts and diverse neighborhoods on First Friday Art Walks, Nov. 4

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Art District on Santa Fe

The annual event kicks off with citywide First Friday Art Walks in Denver’s art districts, where more than 100 galleries and display spaces stay open late and feature art shows, demonstrations and more. Go on a VIP Art Tour in the River North Art District (RiNo), take advantage of Tennyson Street Cultural District‘s $52.80 art sale, submit your own art in the Art District on Santa Fe‘s “To Denver With Love” art contest, and venture to the Golden Triangle neighborhood to see some of the city’s finest galleries.

2. Experience FREE Night at the Museums on Nov. 5

Venues around town are open late, from 5 to 10 p.m., during FREE Night at the Museums. The museums offer special programming, family-friendly activities and live entertainment, and there are complimentary shuttles to make “museum hopping” easy and convenient. The Denver Museum of Nature & Science, Denver Art Museum, History Colorado Center, The Counterterrorism Education Learning Lab (CELL), Forney Museum of Transportation and Denver Firefighters Museum are just some of this year’s many not-to-miss participants.

3. Check out blockbuster exhibitions, from mummies to Japanese fashion

This fall, several of Denver’s major museums are hosting international traveling exhibitions and original curations. See Washed Ashore, Art to Save the Sea at Denver Zoo; Shock Wave: Japanese Fashion Design, 1980s-90s at the Denver Art Museum; and Extreme Mammals and Mummies: New Secrets from the Tombs, both of which are at the Denver Museum of Nature & Science.

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Washed Ashore, Art to Save the Sea, features 15 giant sculptures depicting sea life, made almost entirely of debris collected from beaches.

This unusual traveling exhibit, Washed Ashore, Art to Save the Sea, features 15 giant sculptures depicting sea life, made almost entirely of debris collected from beaches. Hosted by Denver Zoo, it’s the first time the exhibit has appeared at an inland, noncoastal location. The exhibit will be open from Sept. 24, 2016, to Jan. 16, 2017. The Washed Ashore Project aims to educate the public and raise awareness about pollution through the arts. As a community-based organization, lead artist Angela Haseltine Pozzi draws on people of all ages to help her remove thousands of pounds of debris from beaches then turn it into large works of art.

The organization says 90 percent of the debris they collect come from petroleum-based products such as plastics, nylon ropes and fishing nets. Almost all of the trash then gets turned into sculptures such as a walk-through replica of ocean currents and a coral reef made of Styrofoam. Continue reading