The Museum Of Modern Art To Present Its First Solo Exhibition Of The Artist Betye Saar And Her Iconic Work Black Girl’s Window

The Museum of Modern Art announces Betye Saar: The Legends of Black Girl’s Window, an in-depth solo exhibition exploring the deep ties between the artist’s iconic autobiographical assemblage Black Girl’s Window (1969) and her rare, early prints, made during the 1960s. On view from October 21, 2019, through January 4, 2020,

Betye Saar at her Laurel Canyon Studio, Los Angeles, California, 2019. Courtesy of the artist and Roberts Projects, Los Angeles, California. Photo David Sprague

Betye Saar: The Legends of Black Girl’s Window is drawn almost entirely from the Museum’s collection, and highlights the recent acquisition of 42 works on paper that provide an overview of Saar’s sophisticated, experimental print practice. The exhibition engages with the themes of family, history, and mysticism, which have been at the core of Saar’s work from its earliest days, and traces a link from her printmaking to the assemblages for which she is best known today.

Betye Saar. Black Girl’s Window. 1969. Wooden window frame with paint, cut-and-pasted printed and painted papers, daguerreotype, lenticular print, and plastic figurine, 35 3/4 × 18 × 1 1/2″ (90.8 × 45.7 × 3.8 cm). The Museum of Modern Art, New York. Gift of Candace King Weir through The Modern Women’s Fund, and Committee on Painting and Sculpture Funds. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2018 The Museum of Modern Art, New York, Photo by Rob Gerhardt

Betye Saar: The Legends of Black Girl’s Window is organized by Christophe Cherix, The Robert Lehman Foundation Chief Curator, and Esther Adler, Associate Curator, with Ana Torok, Curatorial Assistant, and Nectar Knuckles, Curatorial Fellow, Department of Drawings and Prints, The Museum of Modern Art. Saar’s Black Girl’s Window (1969), one of her best known works, is at the heart of this exhibition, which provides an opportunity for a close examination of its myriad details and references. The work also serves as a guide to the larger installation, its signature themes explored through other works that reflect the artist’s lifelong muses, including her three daughters, and a range of astrological and mystical symbols. New research into the construction and materials used to create Black Girl’s Window allows for a direct link to be made between Saar’s prints in the Museum’s collection and the assemblage itself. Betye Saar: The Legends of Black Girl’s Window is also the first dedicated examination of Saar’s work as a printmaker, demonstrating how her interest in found objects and assemblage appears even in her early works on paper through her experimental practice.

Betye Saar. Lo, The Mystique City. 1965. Etching with embossing, image: 18 1/2 × 19 13/16″ (47 × 50.4 cm); sheet: 19 13/16 × 22 15/16″ (50.3 × 58.3 cm). The Museum of Modern Art, New York. The Candace King Weir Endowment for Women Artists. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2018 The Museum of Modern Art, New York, Photo by Rob Gerhardt
Betye Saar. To Catch a Unicorn. 1960. Etching and aquatint with watercolor additions plate: 14 3/4 × 8″ (37.5 × 20.3 cm); sheet: 16 3/4 × 9 7/16″ (42.6 × 24 cm). The Museum of Modern Art, New York. The Candace King Weir Endowment for Women Artists. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2018 The Museum of Modern Art, New York, Photo by Rob Gerhardt

A major figure in postwar art, Betye Saar (b. 1926) has lived and worked in Los Angeles her entire life, and is part of a generation of artists who pursued assemblage there during the 1960s and ’70s, which also included Edward Kienholz, John Outterbridge, and Noah Purifoy. Although best known for sculptures made from found materials, particularly those that challenge derogatory stereotypes of African Americans, Saar’s earliest independent works are prints. Working in a range of techniques, including intaglio and lithography, she created works on paper that reveal a comfort with experimentation and an early interest in incorporating physical traces of the world within her art. The Museum now has the largest public collection of Saar’s printed work, which remains largely unknown even to those familiar with her oeuvre. The prints will be juxtaposed in the exhibition with Black Girl’s Window and a number of other early window assemblages.

Betye Saar. Anticipation. 1961. Screenprint, image: 18 1/8 × 14 7/16″ (46.1 × 36.7 cm); sheet: 21 11/16 × 16 15/16″ (55.1 × 43.1 cm). The Museum of Modern Art, New York. The Candace King Weir Endowment for Women Artists. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2018 The Museum of Modern Art, New York, Photo by Rob Gerhardt

The exhibition will be accompanied by the catalogue Betye Saar: Black Girl’s Window, authored by Cherix and Adler, which situates this iconic work within Saar’s early career, and provides a link with the decades of work that follow it.

Michele Mattei. Betye Saar. 2012. The Museum of Modern Art Archives, New York. © Michele Mattei. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles

SPONSORSHIP:

Major support of the exhibition is provided by The Modern Women’s Fund.

Generous funding is provided by the Alice L. Walton Foundation and the Robert Lehman Foundation. Additional support is provided by The Friends of Education of The Museum of Modern Art. MoMA Audio is supported by Bloomberg Philanthropies. Leadership contributions to the Annual Exhibition Fund, in support of the Museum’s collection and collection exhibitions, are generously provided by the Kate W. Cassidy Foundation, Sue and Edgar Wachenheim III, Mimi and Peter Haas Fund, Jerry I. Speyer and Katherine G. Farley, Eva and Glenn Dubin, The Sandra and Tony Tamer Exhibition Fund, Alice and Tom Tisch, The David Rockefeller Council, The Contemporary Arts Council, Anne Dias, Kathy and Richard S. Fuld, Jr., Kenneth C. Griffin, The Keith Haring Foundation, Marie-Josée and Henry R. Kravis, Jo Carole and Ronald S. Lauder, and Anna Marie and Robert F. Shapiro.

Major contributions to the Annual Exhibition Fund are provided by the Estate of Ralph L. Riehle, Emily Rauh Pulitzer, Brett and Daniel Sundheim, Karen and Gary Winnick, The Marella and Giovanni Agnelli Fund for Exhibitions, Clarissa Alcock and Edgar Bronfman, Jr., Agnes Gund, and Oya and Bülent Eczacıbaşı.

The Museum Of Modern Art Announces The First Major Dorothea Lange Solo Exhibition At Moma In 50 Years

The Museum of Modern Art announces Dorothea Lange: Words & Pictures, the first major solo exhibition at the Museum of the photographer’s incisive work in over 50 years. On view from February 9 through May 2, 2020, in The Paul J. Sachs Galleries in The David and Peggy Rockefeller Building,

Dorothea Lange: Words & Pictures includes approximately 100 photographs drawn entirely from the Museum’s collection. The exhibition also uses archival materials such as correspondence, historical publications, and oral histories, as well as contemporary voices, to examine the ways in which words inflect our understanding of Lange’s pictures. These new perspectives and responses from artists, scholars, critics, and writers, including Julie Ault, Wendy Red Star, and Rebecca Solnit, provide fresh insight into Lange’s practice. Dorothea Lange: Words & Pictures is organized by Sarah Meister, Curator, with River Bullock, Beaumont & Nancy Newhall Curatorial Fellow, assisted by Madeline Weisburg, Modern Women’s Fund Twelve-Month Intern, Department of Photography, The Museum of Modern Art.

Dorothea Lange. Migrant Mother, Nipomo, California. 1936. Gelatin silver print, 11 1/8 x 8 9/16″ (28.3 x 21.8 cm). The Museum of Modern Art, New York. Purchase

Toward the end of her life, Dorothea Lange (1895–1965) remarked, “All photographs—not only those that are so-called ‘documentary,’ and every photograph really is documentary and belongs in some place, has a place in history—can be fortified by words.”

Dorothea Lange. Tractored Out, Childress County, Texas. 1938. Gelatin silver print. 9 5/16 x 12 13/16″ (23.6 x 32.6 cm). The Museum of Modern Art, New York. Purchase

Organized loosely chronologically and spanning her career, the exhibition groups iconic works together with lesser known photographs and traces their varied relationships to words: from early criticism on Lange’s photographs to her photo-essays published in LIFE magazine, and from the landmark photobook An American Exodus to her examination of the US criminal justice system. The exhibition also includes groundbreaking photographs of the 1930s—including Migrant Mother (1936)—that inspired pivotal public awareness of the lives of sharecroppers, displaced families, and migrant workers during the Great Depression. Through her photography and her words, Lange urged photographers to reconnect with the world—a call reflective of her own ethos and working method, which coupled an attention to aesthetics with a central concern for humanity.

Dorothea Lange. The Defendant, Alameda County Courthouse, California. 1957. Gelatin silver print. 12 3/8 x 10 1/8″ (31.4 x 25.8 cm). The Museum of Modern Art, New York. Purchase

It seems both timely and urgent that we renew our attention to Lange’s extraordinary achievements,” said Meister. “Her concern for less fortunate and often overlooked individuals, and her success in using photography (and words) to address these inequities, encourages each of us to reflect on our own civic responsibilities. It reminds me of the unique role that art—and in particular photography—can play in imagining a more just society.

The exhibition begins in 1933, when Lange, then a portrait photographer, first brought her camera outside into the streets of San Francisco. Lange’s increasing interest in the everyday experience of people she encountered eventually led her to work for government agencies, 2 supporting their objective to raise public awareness and to provide aid to struggling farmers and those devastated by the Great Depression. During this time, Lange photographed her subjects and kept notes that formed the backbone of government reports; these and other archival materials will be represented alongside corresponding photographs throughout the exhibition. Lange’s commitment to social justice and her faith in the power of photography remained constant throughout her life, even when her politics did not align with those who were paying for her work.

A central focus of the exhibition is An American Exodus, a 1939 collaboration between Lange and Paul Schuster Taylor, her husband and an agricultural economist. As an object and as an idea, An American Exodus highlights the voices of her subjects by pairing first-person quotations alongside their pictures. Later, Lange’s photographs continued to be useful in addressing marginalized histories and ongoing social concerns. Throughout her career as a photographer for the US Government and various popular magazines, Lange’s pictures were frequently syndicated and circulated outside of their original context. Lange’s photographs of the 1930s helped illustrate Richard Wright’s 12 Million Black Voices (1941), and her 1950s photographs of a public defender were used to illustrate Minimizing Racism in Jury Trials (1969), a law handbook published after Black Panther Huey P. Newton’s first trial during a time of great racial strife.

This collection-based exhibition would not be possible had it not been for Lange’s deep creative ties to the Museum during her lifetime. MoMA’s collection of Lange photographs was built over many decades and remains one of the definitive collections of her work. Her relationship to MoMA’s Department of Photography dates to her inclusion in its inaugural exhibition, in 1940 which was curated by the department’s director, Edward Steichen. Lange is a rare artist in that both Steichen and his successor, John Szarkowski, held her in equally high esteem. More than a generation after her first retrospective, organized by Szarkowski at MoMA in 1966, Dorothea Lange: Words & Pictures uses both historical and contemporary words to encourage a more nuanced understanding of words and pictures in circulation.

The exhibition is accompanied by the catalogue Dorothea Lange: Words & Pictures, capturing this renewed consideration of Lange’s work through the particular lens of its relationship to words. Contributors to the exhibition and the catalogue include artists and curators Julie Ault, Sam Contis (in collaboration with Tess Taylor), Sandy Phillips, Wendy Red Star, and Sally Mann; scholars and writers Kimberly Juanita Brown, Jennifer Greenhill, Christina Sharpe, Robert Slifkin, and Rebecca Solnit.

The exhibition is supported by the Annual Exhibition Fund.

Macy’s Celebrates Hispanic Heritage Month by Embracing Unity Through the Art, Music, and Fashion of Latinx Creators

Special appearances by Grammy winners Jesse & Joy, musical talent Amara La Negra, Buzzfeed’s Curly Velasquez, Grammy nominated Los Rakas, and comedian and actor Cheech Marin

Local art displays featuring artists, David Le Batard and Gonzalo “Papi” Le Batard, and Salvadorian art

Stitch Lab and Macy’s introducing Latinx brands at select stores

Macy’s will celebrate Hispanic Heritage Month, September 15 through October 15, highlighting the creation of unity through art, music and fashion. During the month-long celebration, Macy’s will host free events around the country to celebrate how visual art, music and fashion by Latinx producers can create harmony across different cultures and communities.

Macy’s is thrilled to provide a platform for Latinx musicians, artists and designers, as well as our own colleagues, to shine at our stores nationwide,” said Shawn Outler, Macy’s chief diversity officer. “We are proud to support the work and influence of these leaders in the Hispanic community – bringing individuals together to honor their culture with pride.”

Special In-Store Appearances

Cheech Marin, Mexican-American comedian, actor and one of the world’s largest collectors of Chicano art, will visit Macy’s Victoria Gardens on September 18 to discuss the new Cheech Marin Center for Chicano Art, Culture & Industry. The center is scheduled to open in 2021 in collaboration with the Riverside Art Museum.

At Macy’s Valley Fair on September 28, Latin Hip-Hop duo and Panamanian cousins, Los Rakas, will perform hits that led to their 2017 Grammy nomination. The duo will take guests on a cultural journey through their music.

Star of Love & Hip-Hop: Miami, Amara La Negra, will appear in New York City at Macy’s Herald Square on October 10, performing her top hits. The Afro-Latina from Miami, FL, and born to Dominican parents, is a musical powerhouse to all.

Mexican siblings, composers, musicians, and social activists, Jesse & Joy, will perform at Macy’s Dadeland on October 12 and Macy’s Memorial City on October 13.

Additional Events

Macy’s locations in Florida, Illinois, and California, including Macy’s Victoria Gardens, Macy’s Baldwin Hills, Macy’s Pembroke Lakes, and Macy’s Gurnee Mills stores, will honor unity through unique forms of local Hispanic art. Local artists David Le Batard and Gonzalo “Papi” Le Batard will be featured at Macy’s Pembroke Lakes.

Macy’s and Stitch Lab are uniting forces to promote emerging Latinx brands across the United States by showcasing four talented designers from Latin America exclusively at The Market @ Macy’s. Josefina by Vero Solis and Quote Me will be available at Macy’s Century City and Macy’s Fashion Show Mall, and PETRA and Demasiado will be available at Macy’s Lenox Square and Macy’s North Star Mall for the months of September and October. The Market @ Macy’s is a full-service marketplace that offers shoppers the chance to discover new products, services, and activations each month in a boutique setting.

Hispanic Community Engagement

Macy’s is dedicated to making life shine brighter through service to our customers, colleagues, and communities. In honor of Hispanic Heritage Month, Macy’s will provide a total of $40,000 in grants to organizations that support education through scholarships and enlightening school programs.

Current partners, who are helping with the grant distribution, are the Hispanic Federation, Hispanic Scholarship Fund and LULAC. The Hispanic Federation aims to provide parents and children alike with the tools to succeed in the education system. The Hispanic Scholarship fund empowers families with the knowledge and resources to successfully complete a high education, while providing scholarship and support to as many students as possible. LULAC, League of United Latin American Citizens, is the oldest surviving Latino civil rights organization in the United States and focuses on the advancement of the Hispanic population in the United States.

Event Listing

Macy’s Hispanic Heritage Month events will be held at the following stores:

  • Macy’s Victoria Gardens (Rancho Cucamonga, CA) – Wednesday, Sept. 18 at 6 p.m. Chicano Art with Cheech Marin
  • Macy’s Baldwin Hills (Los Angeles) – Saturday, Sept. 21 at 2 p.m. honoring Salvadorian culture with Curly Velasquez and Salvies Who Lunch
  • Macy’s Valley Fair (Santa Clara, CA) – Saturday, Sept. 28 at 2 p.m. celebrating through music with bilingual Hip-Hop duo Los Rakas
  • Macy’s Pembroke Lakes (Miami) – Friday, Oct. 4 at 6 p.m. with Miami artists David Le Batard and Gonzalo “Papi” Le Batard
  • Macy’s Herald Square (New York City) – Thursday, Oct. 10 at 6 p.m. celebrating through music with Dominican-American Artist Amara La Negra
  • Macy’s Gurnee Mills (Chicago) – Saturday, Oct. 12 at 2 p.m. celebrating art and music for families
  • Macy’s Dadeland (Miami) – Saturday, Oct. 12 at 2 p.m. celebrating through music with Mexican Pop Duo Jesse & Joy
  • Macy’s Santa Ana Mainplace (Santa Ana, CA) – Saturday, Oct. 12 at 2 p.m. embracing style with best-selling author and expert Erika De La Cruz
  • Macy’s Memorial City (Houston) – Sunday, October 13 at 2 p.m. celebrating through music with Mexican American Pop Duo Jesse & Joy

For additional information on Macy’s Hispanic Heritage Month festivities and special guests, please visit www.macys.com/celebrate.

Sterling Vineyards Celebrates The 71st Emmy Awards As The Official Wine Of The 2019 Emmy Awards Season

For the fourth consecutive year, iconic Napa Valley winery Sterling Vineyards, known for its ‘Always Polished, Never Dull‘ lifestyle, returns to television’s most anticipated night as the Official Wine of the 71st Emmy® Awards Season.

Following the live telecast of the 71st Emmy Awards on Sunday evening, September 22, 2019, Sterling Vineyards will invite Emmy nominees, presenters and members of the Television Academy to toast with their award-winning wines at the Television Academy’s official after-party, the Governors Ball. The evening will feature a taste of the 2015 Sterling Vineyards Platinum Cabernet Sauvignon, launched to retailers across the country last November. The Cabernet, among the finest from Napa Valley, is the winery’s newest expression of the depth, precision and intensity that is unique to the region, a testament to the craftsmanship of winemaker Harry Hansen and the winery’s tradition of producing outstanding, varietally focused wines. Chosen by the Television Academy Governors Ball Committee to showcase with the night’s menu from acclaimed Chef Joachim Splichal and Patina Catering, Sterling Vineyards Platinum Cabernet Sauvignon will be served alongside the 2017 Sterling Vineyards Napa Valley Sauvignon Blanc and Chardonnay and 2016 Sterling Vineyards Napa Valley Cabernet Sauvignon, paired with dishes including Paella Valenciana, Yellowfin Sashimi, Candy Striped Beet Poke, and Hand-Carved Grass-fed Tenderloin of Beef.

(PRNewsfoto/Sterling Vineyards)

Sterling Vineyards will also gift a special limited-edition, personalized bottle of the 2015 Sterling Vineyards Iridium Cabernet Sauvignon to each Emmy Award winner as they await their Emmy statuette in the Governors Ball Winner’s Circle. 2015 is just the second vintage of the winery’s premier luxury Napa Valley Cabernet Sauvignon, named appropriately for one of the rarest elements on earth. Made in only the very best vintages with the finest and most intense expression of Napa Valley Cabernet Sauvignon, Iridium is the pinnacle of winemaking perfection. Emmy winners who enter the Winner’s Circle will have the exclusive chance to enjoy a glass of this special wine, as they are invited to raise a glass while their Emmy statuettes are personalized.

Sterling Vineyards is honored to share in the recognition of television excellence and outstanding creative talent, and we look forward to toasting this year’s Emmys winners with these exceptional wines,” shares Senior Vice President of Marketing at Treasury Wine Estates, Brett Scallan. “This year in particular, marks the end of some of television’s most esteemed series such as Game of Thrones, Empire, Veep, and The Big Bang Theory, making the evening even more special and giving us all the more reason to raise a glass in their honor.”

The 71st Emmy Awards will telecast live on FOX from the Microsoft Theater in downtown Los Angeles on Sunday, September 22, 8:00 PM ET/5:00 PM PT. The Governors Ball will take place at the adjacent L.A. LIVE Event Deck immediately following the telecast.

Virtuoso® Unveils The Coveted Best Of The Best Awards Honoring The World’s 10 Finest Properties And Hoteliers

Global luxury travel network Virtuoso® revealed the winners of the celebrated 2019 Best of the Best awards last night, before more than 1,800 industry leaders at the 31st annual Virtuoso Travel Week. The ceremony at the 13th annual Hotels & Resorts Dinner recognized the year’s top 10 hotels and hoteliers in categories ranging from best wellness program to best dining experience. Four Seasons Hotel George V triumphed with the most prestigious prize: Hotel of the Year.

Virtuoso® is the leading international travel agency network specializing in luxury and experiential travel. This by-invitation-only organization comprises over 1,000 travel agency partners with 20,000 elite travel advisors in 50 countries throughout North America, Latin America, the Caribbean, Europe, Asia-Pacific, Africa and the Middle East.

Drawing upon its preferred relationships with over 1,800 of the world’s best hotels and resorts, cruise lines, airlines, tour companies and premier destinations, the network provides its upscale clientele with exclusive amenities, rare experiences and privileged access. More than (U.S.) $26.4 billion in annual travel sales makes Virtuoso a powerhouse in the luxury travel industry.

With a wide-ranging portfolio of more than 1,400 hotels, resorts, villas, tented camps and private island retreats in over 100 countries, Virtuoso Hotels & Resorts is the industry’s most renowned program. Started in 1992 with 20 hotels, today it includes more five-star properties than any other group.

Virtuoso’s 20,000 professional travel advisors from 50 countries served as Best of the Best award voters. Editors of Virtuoso Life, the network’s multi-award-winning magazine, lent insights to narrow the field of nominees for which the advisors voted. Winners will be showcased in the September/October issue of the magazine, reaching 200,000 affluent households.

The exceptional contributions of these Best of the Best winners are emblematic of the caliber of creativity, service and guest experiences that are the hallmark of the Virtuoso Hotels & Resorts program,” said Albert Herrera, senior vice president of Global Product Partnerships for Virtuoso. “Every year our winners raise the bar even higher for global luxury hospitality, and we are proud to honor their accomplishments while expressing gratitude for the inspiration they provide to us all.

The 2019 Virtuoso Best of the Best winners are:

Hotel of the Year: An iconic hotel that epitomizes excellence in luxury hospitality and encourages positive change in its community.
Winner: Four Seasons Hotel George V, Paris, France
The property delights guests with impeccable service, fine art and antiques and stunning floral displays. A new spa features an indoor pool and dozens of treatments and fitness programs, including a staff-led jog past landmarks including the Louvre and Eiffel Tower. The hotel offers three restaurants: the three-Michelin-starred Le Cinq as well as Le George and L’Orangerie, which each boast a star of their own.

Best Achievement in Design: Outstanding architecture and design of a hotel or component (room or suite, restaurant, spa, public space, etc.), whether a new property, renovation, or restoration.
Winner: Rosewood Hong Kong, China
Soaring 65 stories above Victoria Dockside, a new art and design district on the Kowloon waterfront, Rosewood’s glass tower enhances Hong Kong’s skyline. Inside, Western and Asian aesthetics blend seamlessly, from the octagonal Chinese bagua symbol on carpets and walls to copper-mesh-lined French pendant lights, Damien Hirst artwork, and Indian artist Bharti Kher’s life-size elephant sculpture.

Best Dining Experience: Excellence in hotel dining encompassing outstanding food, wine list, service, ambiance, or even a stunning view.
Winner: La Reserve Paris Hotel and Spa – Restaurant Le Gabriel, Paris, France
The gilded dining room of the two-Michelin-starred restaurant in a 19th-century mansion-turned-hotel makes an unforgettable impression. And that’s before chef Jérôme Banctel brings his notable pedigree, Breton upbringing, and influences from his travels to the table with modern takes on French classics such as coriander-spiced artichoke heart and pigeon with cacao and buckwheat.

Best Bar: A hotel bar that offers a social meeting spot where innovative drinks, lively mixologists and servers, and an enticing atmosphere create a “see and be seen” buzz.
Winner: Four Seasons Hotel at The Surf Club – Le Sirenuse Champagne Bar, Surfside, Florida, U.S.
Amalfi Coast bars perfected the art of aperitivo, and that spirit is exemplified in this stylish import from Positano’s Le Sirenuse hotel. The lounge in the historic hotel’s original ballroom serves the largest selection of Champagne in the Miami area, plus grappas, liqueurs, and bubbly-infused cocktails, in handblown Venetian glasses.

Sustainable Tourism Leadership: A property that exhibits a commitment to the pillars of sustainable tourism including environmentally friendly practices, protection of cultural and natural heritage, and social and economic benefits for local people.
Winner: Emirates One&Only Wolgan Valley, Wolgan Valley, Australia
This 7,000-acre success story shows how degraded ranchland can be restored to its natural grandeur. Kangaroos, wombats, and other wildlife roam the resort grounds, which was the world’s first to achieve internationally accredited carbon-neutral certification. Guest experiences focus on the outdoors, such as guided glowworm walks, stargazing, nocturnal animal viewing and tree planting.

Best Family Program: A property offering children’s programs, from creative activities to educational endeavors and active adventures.
Winner: Grand Velas Riviera Maya, Playa del Carmen, Mexico
Families bond over horseback riding, boogie boarding, snorkeling and more, then relax at the pool or spa (with a kids’ treatment menu). The Kids’ Club offers 4- through 12-year-olds storytelling, movies, and games, while teens enjoy karaoke, pool tables, and dancing. Family accommodations lie near the pool and beach, and a “baby concierge” stocks everything from strollers to bottles – and arranges sitters too.

Best Wellness Program: A hotel focusing on mind/body balance through excellence in nutrition or diet programs, fitness and wellness classes, spa experiences, and inspiring location.
Winner: Miraval Arizona Resort & Spa, Tucson, Arizona, U.S.
Miraval helped pioneer the modern spa resort, and its flagship property continues to lead the way. Guests choose from more than 100 workshops, classes, and activities that include cooking, private and group workouts, beekeeping, and even equine therapy. Healthy gourmet meals fuel guests’ paths to wellness, as do rituals including massages and acupuncture at the Life in Balance Spa.

Best Virtuoso Newcomer: The most noteworthy network addition from April 2018 onward.
Winner: Montage Los Cabos, Cabo San Lucas, Mexico
This contemporary retreat offers an abundance of memorable experiences. Guests sip mezcal and dine at the two restaurants, play the 18-hole golf course, enjoy Baja-inspired spa treatments, and snorkel and paddleboard in Santa Maria Bay – a marine sanctuary and one of the area’s few swimmable beaches.

Best Virtuoso Hotel Ambassador: An executive (other than general manager or managing director) who embodies Virtuoso’s power of human connection and strives for the mutual benefit of network advisors and their brand, property, or properties.
Winner: Carlos Quereda, Querido Representation Co.
During his decade-long tenure at the Marbella Club on Spain’s Costa del Sol, Quereda was inspired by cofounder Count Rudolf von Schönburg’s ritual of greeting guests and staff, converting them into lifelong friends of the hotel. Quereda brings this hospitality to life to satisfy travelers’ quests for unique properties that embody local traditions and soul.

Hotelier of the Year:An experienced manager who demonstrates leadership and vision, a passion for the industry, a commitment to Virtuoso advisors, and an appreciation for detail.
Winner: Amanda Hyndman, Mandarin Oriental Hyde Park, London, U.K.
Hyndman’s career spans more than 30 years and some of the world’s most prestigious hotels, including Mandarin’s Bangkok flagship, where she was the first female general manager. She arrived at the Hyde Park property in June 2018, one week after a two-year renovation was completed – and two days before a fire shuttered the hotel. Hyndman transitioned staff to help with rebuilding, weathering the nine-month closure with no layoffs. The hotel reopened last spring with Hyndman and her kindness and commitment at the helm.

For more on Virtuoso and its properties in over 100 countries, including booking a stay online at the global portfolio of luxury hotels, visit www.virtuoso.com.

Publishing Giant Condé Nast Announces New Global Leadership Structure

U.S./New York-based Condé Nast and London-based Condé Nast International Are Integrated as One Global Team. New Consumer Marketing Function to Bring Focus on Direct-to-Consumer Efforts With Unified Commercial Team to Better Serve Global Clients’ Holistic Needs

New Leadership Structure is Expected to Help Further Turn the Financial Ship Around As Company Moves Beyond Closing and Selling Off Magazine Titles, Layoffs and Consolidation of Workforce Across All Titles

Long expected, Condé Nast yesterday appointed a new global leadership team designed to accelerate the company’s evolution into a 21st-century media company. The new organizational structure, which combines Condé Nast and Condé Nast International into a unified global team, was created with several guiding principles in mind, including the preservation of local editorial voice and authority, an enhanced focus on the consumer, unification of the company’s ad and commercial sales functions to reflect clients’ local and global needs and the development of new ways to share capabilities and best practices across the company.

Condé Nast is a global media company, home to iconic brands including Vogue, The New Yorker, GQ, Glamour, AD, Vanity Fair, and Wired, among many others. The company’s award-winning content reaches 84 million consumers in print, 367 million in digital and 379 million across social platforms, and generates more than 1 billion video views each month. The company is headquartered in London and New York and operates in 32 markets worldwide including China, France, Germany, India, Italy, Japan, Mexico & Latin America, Russia, Spain, Taiwan, the U.K., and the U.S., with local license partners across the globe. Launched in 2011, Condé Nast Entertainment is an award-winning production and distribution studio that creates programming across film, television, social and digital video and virtual reality.

One of my top priorities has been to define our organizational structure so that we can take full advantage of our unique growth opportunities and exceptional content around the world,” said the recently-appointed CEO of Condé Nast, RogerLynchI’m confident that our new global structure will better enable us to collaborate across teams and markets and, ultimately, deliver unparalleled experiences for our consumers and clients.

The new structure is as follows:

Global Content Functions:: Anna Wintour, U.S. Artistic Director, Editor-in-Chief of Vogue U.S. and (newly-appointed) Global Content Advisor, will continue in her role as U.S. Artistic Director and Editor-in-Chief of Vogue U.S., and will add Global Content Advisor and oversight of Vogue International to her responsibilities. In her expanded role, Wintour will advise the executive leadership team on global content opportunities and act as a resource to editors-in-chief and editorial talent worldwide.

Oren Katzeff, President of Condé Nast Entertainment (CNE), will expand the company’s digital video, film and television operations to create best-in-class video content experiences for audiences worldwide. The company has been increasing its focus on video content and currently generates 1.1 billion video views per month. Under Oren’s leadership, CNE will now be the core of our global network of video teams, supporting the growth of our video businesses in all markets.

David Remnick, Editor-in-Chief of The New Yorker, will also continue to report directly to Lynch.

Global Operations Organization: Wolfgang Blau, President, International & Chief Operating Officer will oversee all non-U.S. markets, as well as selected global strategic functions, including Product & Technology, Data, Licensing, Global Editorial Operations, Business Development, and Delivery & Business Transformation. This organization will ensure day-to-day operational excellence and capability sharing across the business.

Global Commercial Organization: Pamela Drucker Mann, Global Chief Revenue Officer & President, U.S. Revenue, will lead a new global revenue organization that brings together the company’s U.S. and international ad sales, creative and agency, B2B marketing and client service capabilities. Jamie Jouning, promoted to Chief Client Officer, will report to Drucker Mann and oversee key global accounts, multi-market deals, and central digital ad operations. Drucker Mann will define ad sales and ad product strategies globally, and work closely with Jamie and the central team and commercial leads in the company’s worldwide markets to drive overall ad, agency, and B2B revenue and share best practices.

Consumer Marketing Organization: Condé Nast is creating a new consumer marketing organization that will be led by a Chief Marketing Officer (CMO) and will bring added focus to the company’s direct-to-consumer efforts. As the company expands its consumer offerings, this team will be charged with developing best-in-class capabilities and consistency across consumer experiences on every platform. The team will also be responsible for consumer revenue, with a core focus on subscriptions and memberships. In addition, the team will have responsibility for global brand management, consumer research, and insights and global audience development, ensuring a data-driven approach to the company’s efforts. The search for a CMO to lead this new organization will begin immediately.

Corporate Functions: The company is also globalizing its three corporate functions to leverage skills, expertise and standardize processes and best practices: People, Finance and Communications. The company will begin an immediate search and selection process for these and other open roles. Until new leaders are identified, teams will maintain their existing reporting lines and responsibilities.

We’re bringing added focus to our direct-to-consumer efforts and will build a new consumer marketing function that will be charged with developing best-in-class subscription and membership capabilities, and maintaining the authenticity of our iconic global brands,” Lynch continued. “And by transforming our sales organization into a unified global team, Condé Nast will be better positioned to serve the holistic needs of our clients around the world and make it easier for them to do business with us.

The new structure and appointments take effect immediately.

Annenberg Space for Photography’s 10th Anniversary Celebration Continues With “W|ALLS: Defend, Divide, and the Divine”

Announcing the groundbreaking new photo exhibit that explores the use of walls across civilizations and over centuries – plus, “Light the Barricades,” a companion multi-site public art installation

Photo by Ami Vitale

Annenberg Space for Photography, L.A.’s premier destination for photography, explores the creation and use of walls over centuries and across civilizations with its new exhibition, W|ALLS: Defend, Divide, and the Divine. The show also includes the companion interactive public art installation Light the Barricades, located at three separate locations around the city, before coming together for presentation on the plaza just outside the Photo Space for the duration of the W|ALLS exhibit.

Forrest Meyers. Photo by Joseph Carlson

Annenberg Space for Photography is a cultural destination dedicated to exhibiting both digital and print photography in an intimate environment. The space features state-of-the-art, high-definition digital technology, traditional prints by some of the world’s most renowned photographers, and a selection of emerging photographic talents as well. The venue, an initiative of the Annenberg Foundation and its trustees, is the first solely photographic cultural destination in the Los Angeles area, creating a new paradigm in the world of photography.

Eastern State Penitentiary, PA. Photo by Bill Yates.

Opening October 5, W|ALLS: Defend, Divide, and the Divine examines the artistic, social, and political use of walls throughout history. From the Berlin Wall and Jerusalem’s Western Wall, to the Great Wall of China – as well as barriers built in India, Nigeria, Uzbekistan, Northern Ireland, and along the United States’ southern border – the exhibition delves into our long history of building walls and defining territories.

Photo by Tony De Los Reyes

The exhibit is divided into six sections: Delineation, Defense, Deterrent, The Divine, Decoration, and The Invisible. In each section, the work of photographers and artists – who have trained their eye on walls of all kinds throughout the world – will examine their architectural role in society, and the effects they have on the people who live near them. The section meanings overlap and change over time, much like the walls themselves – erected for one reason, their appearance and use is altered and modified, reflecting the civilizations that have grown and evolved around them. The show is curated by Dr. Jen Sudul Edwards, the Chief Curator and Curator of Contemporary Art at the Mint Museum in Charlotte, North Carolina.

9/11 Museum. Photo by Spencer Finch

W|ALLS features more than 70 artists, including Carol Guzy, Moises Saman, SHAN Wallace, Banksy, JR, John Moore, Marina Abramović, and Tanya Aguiñiga. Many of these featured photographers and artists will be included in a new, original documentary commissioned by the Annenberg Foundation exclusively for the exhibition.

The Annenberg Space for Photography has a long history of exploring our shared humanity around the world,” said Annenberg Foundation Chairman, President, and CEO Wallis Annenberg. “The W|ALLS exhibit will encourage visitors to explore the complex and multifaceted use of walls and challenge preconceived notions of why we build them. With Light the Barricades, we’re also offering public spaces for reflection and solidarity.”

Photo by AP Photo/Oded Bality

Light the Barricades is the Annenberg Space for Photography’s first foray into public art. From September 6 through September 22, the walls will be installed at three locations across Los Angeles– the Annenberg Community Beach House in Santa Monica, Grand Park in downtown Los Angeles, and the Natural History Museum of Los Angeles County in Exposition Park.

Photo by Carol Guzy/The Washington Post

The installation consists of three 8′ x 27′ solar-powered walls illuminated from within (similar to a photographer’s lightbox) at all hours and features a fable on one side and a station for visitor reflection on the other. Created by Candy Chang (the artist behind the popular Before I Die public art project) and James A. Reeves, Light the Barricades was inspired by the I Ching, one of the oldest Chinese texts. Each wall will feature a word in large text that represents an emotional barrier: Resentment, Judgment, and Doubt. Offering an engaging opportunity for contemplation – both physically and emotionally – these walls shine a light on the difficult emotions that face individuals every day.

Photo by Grant Scroggie

When we considered how walls are used today, our first thought was the advertising that covers our cities. We want to translate the language of billboards into a contemporary ritual for contemplation, perhaps even a moment of humility,” said Candy Chang and James A. Reeves. “We selected the topics of resentment, judgment, and doubt not only because these emotions are largely universal, but they feel especially resonant today. They echo the psychosocial dynamics defining the current American mood. By reckoning with these barriers at a personal level, perhaps we can become more compassionate in our public life.”

Photo by Raffaelle Miraglia

Light the Barricades‘ three separate lightboxes will ultimately be presented together as one installation at the Photo Space in Century City for the duration of W|ALLS: Defend, Divide and the Divine, from October 5 through December 29, 2019.

Photo by Tony De Los Reyes

As a former Angeleno, I have visited the Annenberg Space for Photography often, and have learned much about the beauty and difficulties in our world through its illuminating shows,” said curator Dr. Jen Sudul Edwards. “Photography documents the human condition with a visual language broadly understood, capturing even the most delicate, complicated, urgent, and uplifting circumstances. The Annenberg Space for Photography offers a place to come together and contemplate our shared history and humanity; I’m honored to have been invited to curate W|ALLS and Light the Barricades and to contribute to that decade-long legacy.”

Photo by Raymond Thompson, Jr

Annenberg Space for Photography will also offer a variety of public programs to coincide with the exhibition, including unique workshops, educational and participatory panels, and conversations, as well as field trips, family activities, and more.