Conductor Sir John Eliot Gardiner Celebrates Beethoven at Carnegie Hall

Sir John Eliot Gardiner Curates Carnegie Hall Perspectives Series Featuring His Orchestre Révolutionnaire et Romantique Performing A Complete Beethoven Symphony Cycle on Period Instruments in Five Concerts, February 19-24

Winter Concerts Are Part of Carnegie Hall’s Beethoven Celebration in Honor of the 250th Anniversary of the Composer’s Birth

This February, Sir John Eliot Gardiner, Artistic Director and Conductor of the internationally acclaimed period instrument ensemble Orchestre Révolutionnaire et Romantique (ORR), curates a five-concert Perspectives series at Carnegie Hall, featuring a complete Beethoven symphony cycle performed as part of Carnegie Hall’s season-long celebration of the 250th anniversary year of Beethoven’s birth.

The five New York City concerts by Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique are part of Carnegie Hall’s season-long Beethoven Celebration featuring more than 35 events highlighting the immensity of the composer’s transformative impact on music, performed by a remarkable line-up of internationally renowned musicians.


Grounded in Maestro Gardiner’s exacting study of Beethoven’s original manuscripts, the symphonies will be performed as the composer would have experienced them, played on period instruments, including valveless brass, woodwinds without additional keys and levers, gut strings, and hide-covered timpani struck with hard sticks.

Sir John Eliot Gardiner (www.monteverdi.co.uk)

A key figure both in the early music revival and as a pioneer of historically informed performances, Maestro Gardiner kicks off the ORR’s five-concert series on Wednesday, February 19 at 8:00 p.m. with selections from Beethoven’s rarely heard ballet score, The Creatures of Prometheus; the concert aria, “Ah! perfido;” excerpts from Leonore; and the composer’s Symphony No. 1; Soprano Lucy Crowe joins the orchestra as soloist. On Thursday, February 20 at 8:00 p.m., the orchestra performs Beethoven’s Symphony No. 2 and Symphony No. 3, “Eroica.” The series continues Friday, February 21 at 8:00 p.m. with symphonies Nos. 4 and 5. On Sunday, February 23 at 2:00 p.m., the program includes Symphony No. 6, “Pastoral” and Symphony No. 7. For the series’ final concert on Monday, February 24 at 8:00 p.m. the ORR’s Beethoven cycle culminates with the symphonies Nos. 8 and 9, with the orchestra joined by soprano Lucy Crowe, contralto Jess Dandy, tenor Ed Lyon, and bass Tareq Nazmi, alongside The Monteverdi Choir. As a prelude to the cycle, Maestro Gardiner will be joined by distinguished Beethoven scholar William Kinderman for a discussion in Carnegie Hall’s Weill Recital Hall to illuminate Sir John Eliot’s approach to these symphonic masterworks (Tuesday, February 18 at 7:00 p.m.). In addition to the public discussion with Sir John Eliot on February 18, Carnegie Hall Debs Composer’s Chair Jörg Widmann will present a talk later this spring (Mar. 29, WRH), enabling audiences to gain greater insights into Beethoven’s music.

The ORR’s final February 24 concert will be heard by listeners around the world as part of the ninth annual Carnegie Hall Live broadcast and digital series with a live radio broadcast on WQXR 105.9 FM in New York and online at wqxr.org and carnegiehall.org/wqxr. Produced by WQXR and Carnegie Hall and co-hosted by WQXR’s Jeff Spurgeon and Clemency Burton-Hill, select Carnegie Hall Live broadcasts featured throughout the season include special digital access to the broadcast team, from backstage and in the control room, connecting national and international fans to the music and to each other.

When asked to reflect on thirty years of music making with the ORR and his upcoming Beethoven symphony performances, Sir John Eliot Gardiner said “When we started the Orchestre Révolutionnaire et Romantique 30 years ago, our mission statement included trying to recover the world of Beethoven’s sound. Our aim was to provide bold new perspectives on the glorious orchestral works of the 19th and early 20th centuries. Since the ensemble’s inception, we have used our time together productively and creatively to explore fresh approaches to this much-loved music, some of it familiar but also some of it neglected or undervalued. Through the use and mastery of period instruments, the ORR musicians bring out the subtle and pervasive differences in the palette of sounds that composers as different as Beethoven, Berlioz, Schumann, Debussy, and Verdi were committed to revealing. Time and again, the players have shown vision and tenacity in demonstrating the techniques and sounds required to recapture the true essence of this music. Every time we embark on a fresh project together, I am amazed and touched by the way the players seem willing to put their necks on the block in order to bring this music back to intoxicating life once again.”

The Carnegie Hall performances are part of Maestro Gardiner and the ORR’s Beethoven 250, a yearlong celebration of the composer’s milestone anniversary, and are also part of the ORR’s 30th anniversary season. The orchestra’s transatlantic tour, February 9-June 27, also includes engagements and complete symphony cycles at Chicago’s Harris Theater, London’s Barbican Hall, and Barcelona’s Palau de la Música.

Program Information

SIR JOHN ELIOT GARDINER ON THE BEETHOVEN SYMPHONIES

  • Tuesday, February 18, 2020 at 7:00 PM, Weill Recital Hall
  • Sir John Eliot Gardiner, Speaker
  • with William Kinderman, Moderator
  • Robin Michael, Principal Cello
  • Anneke Scott, Principal Horn

BEETHOVEN’S SYMPHONIES AND THE EMPIRE OF THE MIND

Sir John Eliot Gardiner’s groundbreaking interpretations of Beethoven’s music have cast this magnificent body of work in a new light. Joined by distinguished Beethoven scholar William Kinderman and ORR principals Robin Michael and Anneke Scott for this illuminating discussion, Gardiner shares his insights about his approach to this immortal music. Tickets: $25

ORCHESTRE RÉVOLUTIONNAIRE ET ROMANTIQUE

  • Wednesday, February 19, 2020 at 8:00 PM
  • Stern Auditorium / Perelman Stage
  • Sir John Eliot Gardiner, Artistic Director and Conductor
  • Lucy Crowe, Soprano

ALL-BEETHOVEN PROGRAM

  • Overture, Introduction, and Act I from The Creatures of Prometheus, Op. 43
  • “Ah! perfido,” Op. 65
  • Symphony No. 1 in C Major, Op. 21
  • Leonore Overture No. 1, Op. 138
  • “Ach, brich noch nicht, du mattes Herz!” – “Komm, Hoffnung, lass den letzten Stern” from Act II of Leonore, Op. 72
  • Finale to The Creatures of Prometheus, Op. 43

Tickets: $32-$105

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Walker Art Center Presents Mary Halvorson's Code Girl and Thumbscrew (Fujiwara/Formanek/Halvorson)

When all her influences click into place, the result is like little else, in any genre. The pileup of melody often feels luxuriously imaginative.” —Pitchfork

Celebrated as a trailblazing guitarist and formidable band leader as well as an unparalleled jazz artist, improviser, and composer, Mary Halvorson performs with her band Code Girl in concert with singular vocalist Amirtha Kidambi (singing Halvorson’s lyrics), saxophonist and vocalist María Grand, and trumpeter Adam O’Farrill. Bassist Michael Formanek and drummer Tomas Fujiwara (her bandmates from Thumbscrew) also join in. All of the music performed will be from Code Girl’s new album set to be released this fall.

Mary Halvorson, _2019-20_01
Photo: Reuben Radding

As Halvorson’s songs slip between diverse sonic nodes and songwriting modes, her musical messages offer both encryption and revelation. The bristling collective power trio Thumbscrew, a cooperative in the truest sense, opens.

Guitarist and composer Mary Halvorson has been described as “a singular talent” (Lloyd Sachs, JazzTimes), “NYC’s least-predictable improviser” (Howard Mandel, City Arts), “one of the most exciting and original guitarists in jazz—or otherwise” (Steve Dollar, Wall Street Journal), and “one of today’s most formidable bandleaders” (Francis Davis, Village Voice). In recent Downbeat Critics Polls Halvorson has been celebrated as guitarist, rising star jazz artist, and rising star composer of the year, and in 2019 she was awarded a MacArthur Fellowship.

Halvorson has released a series of critically acclaimed albums on the Firehouse 12 label, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

The concert takes place on Saturday, February 8, at 8 pm in the McGuire Theater. Tickets are $26 ($20.80 Walker members).

Tony Award Nominees Michael McElroy and Orfeh Join Tituss Burgess at Carnegie Hall for Tribute to Stephen Sondheim February 1 at 8:00 P.M.

McElroy and Orfeh Perform Alongside Previously Announced Special Guests Jane Krakowski and Lillias White

Loretta Devine Will No Longer Appear Due to Scheduling Conflict

On Saturday, February 1 at 8:00 p.m. Tony Award nominees Michael McElroy and Orfeh join Tituss Burgess in his Carnegie Hall debut in Stern Auditorium / Perelman Stage with a tribute concert to the music of Stephen Sondheim. Titled Take Me to the World, previously announced guest artists include Tony Award winners Jane Krakowski and Lillias White. Due to scheduling conflicts, Loretta Devine will no longer appear on the program. Directed by Gabriel Vega Weissman with music direction by Charlie Rosen, the program focuses on the music of Sondheim and its singular impact on Burgess’s life and artistic trajectory.

Photo by © Jeff Mills

Emmy and Screen Actors Guild nominated actor, musician, and writer Tituss Burgess is quickly emerging as one of the entertainment industry’s most versatile and dynamic performers, with his work in television and theater generating both critical and commercial acclaim.

Most notably, Burgess stars as Titus Andromedon in the Emmy-nominated comedy series Unbreakable Kimmy Schmidt, opposite Ellie Kemper, Jane Krakowski, and Carol Kane. The show follows a young woman named Kimmy Schmidt as she adjusts to life in New York City after living in a doomsday cult for 15 years. Burgess’s character becomes a friend, roommate, and mentor to Kimmy while he pursues his dreams of Broadway superstardom and becomes a viral sensation on YouTube. Tina Fey created Burgess’s outrageous character specifically for him. For the actor’s extraordinary performance on the series, Burgess has been nominated for two Emmy Awards for Outstanding Supporting Actor in a Comedy Series, a SAG Award for Outstanding Performance by a Male Actor in a Comedy Series and two Critics’ Choice TV Awards for Best Supporting Actor in a Comedy Series. He was also awarded Best Actor at the 2015 Webby Awards and Best Supporting Actor in a Comedy at the 2015 Gold Derby TV Awards.

The actor was first introduced to television audiences in Tina Fey’s Emmy-winning NBC series 30 Rock, where he played the scene-stealing ‘D’Fwan,’ a vivacious hairdresser and the sidekick of Angie Jordan (Sherri Shepherd). Burgess quickly became a breakout star in the series’ fifth and sixth seasons. His other television credits include A Gifted Man, Blue Bloods, and Royal Pains. On the big screen, Burgess recently lent his voice to two major studio films: The Angry Birds Movie and Smurfs: The Lost Village – and appeared in this year’s Dolemite is My Name alongside Eddie Murphy

A veteran of the stage, Burgess made his Broadway debut in 2005 as Eddie in Good Vibrations. Since, he has held many memorable roles on the Broadway stage including Hal Miller in Jersey Boys, Sebastian the Crab in The Little Mermaid, and Nicely-Nicely Johnson in the 2009 revival of Guys and Dolls. Burgess has also performed in regional theater productions such as The Wiz and Jesus Christ Superstar.

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Smithsonian’s National Museum of American History Marks 2020 as “Year of the Woman”

Museum Celebrates 100th Anniversary of Women’s Suffrage With Exhibitions and More

To mark the centennial of women’s suffrage, the Smithsonian’s National Museum of American History will celebrate the “Year of the Woman” in 2020 with two signature exhibitions designed to amplify women’s crucial role in history. On March 6, the museum will open “Creating Icons: How We Remember Women’s Suffrage,” and “Girlhood (It’s Complicated)” will open June 12.

The exhibitions will be mounted as part of the Smithsonian American Women’s History Initiative #BecauseOfHerStory. The initiative represents one of the country’s most ambitious efforts to collect, document, display and share the compelling story of women, deepening the understanding of women’s contributions to the nation and the world. It amplifies women’s voices to honor the past, inform the present and inspire the future. (Information is available at https://womenshistory.si.edu.)

The spotlight on women’s contributions will shine on other museum projects throughout 2020, including “Picturing Women Inventors,” a display celebrating the contributions of female inventors; “The Only One in the Room,” a showcase exploring women in business as part of theAmerican Enterpriseexhibition; and a focus on diverse female educators in the Giving in America” exhibit. A variety of women’s history programs, and digital and education initiatives will expand this content.

The suffrage centennial exhibitions tie into other museum efforts under the tagline “Who Counts?” demonstrating that women’s history is political history. “Who Counts?” will link the museum’s efforts in collecting, documenting and creating civic engagement programs around the 2020 election, the census, the 15th Amendment and the 19th Amendment. The central messages of “Who Counts?” are broad and provide probing questions about the relationship between citizenship, resources and counting; how categories of belonging and exclusion are created and re-created over time; and how individuals and groups assert that they do count.

Exhibitions and Displays Opening in 2020

Creating Icons: How We Remember Women’s Suffrage” Opens March 6, 2020; closes March 2021

To commemorate the 100th anniversary of the 19th Amendment, which recognized women’s right to vote, the museum will open “Creating Icons: How We Remember Women’s Suffrage.” Highlighting women’s achievements in winning suffrage, it invites audiences to explore how the country celebrates milestones, what people as a nation remember, what (and who) has been forgotten or silenced over time and how those exclusions helped create the cracks and fissures in a movement that continue to impact women’s politics and activism.

Using a jewel box approach, the museum will display a group of artifacts in conjunction with graphics and media, interweaving stories of the famous and the forgotten. The centerpiece of the exhibition will be a 6-foot-tall portrait of Susan B. Anthony. Painted by Sarah J. Eddy in 1900, the work depicts an idealized Anthony being presented with flowers by young boys and girls on her 80th birthday. The exhibition will also feature items donated between 1919 and 1920 by the National American Women’s Suffrage Association (now the League of Women Voters), materials related to Adelaide Johnson and Alice Paul, and contemporary items from the 2017 Women’s March as well as Speaker of the House Nancy Pelosi’s gavel.

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MFA Boston Hosts Third-Annual Boston Festival of Films from Japan, Made Possible by 10-Year Partnership with UNIQLO

Free Opening Night Celebration Features Screening of Madhouse’s “Okko’s Inn” and Music by DJ Yuzu Kosho

From a heartwarming anime ghost story to a neo-noir thriller, 10 of the best feature films recently produced in Japan are screening at the Museum of Fine Arts, Boston (MFA), from January 30 through February 23, 2020. The third-annual Boston Festival of Films from Japan, made possible through the MFA’s 10-year partnership with global apparel retailer UNIQLO, kicks off with a free screening of Okko’s Inn (2018), the latest feature film from famed anime studio Madhouse. The opening night celebration on January 30 will also feature a set by local DJ Yuzu Kosho (Marié Abe), whose musical selection runs the gamut from retro kitsch to contemporary experimental sounds from Japan; an art-making activity inspired by a koi kite-flying scene in the film; and a showcase of the latest line of UNIQLO T-shirts inspired by works from the MFA’s renowned Japanese art collection. In addition to Okko’s Inn, highlights of the 2020 Boston Festival of Films from Japan include the exciting neo-noir thriller First Love (2019) from prolific auteur Takashi Miike and Shinobu Yaguchi’s award-winning Dance with Me (2019), a musical road-trip adventure filled with dance, humor and heart.

Free tickets for opening night can be reserved online only starting at 10 am on January 30. Tickets for all additional BFFJ films are $10 for MFA members and $13 for nonmembers, available starting January 23.

BFFJ 2020 Films

Okko’s Inn, directed by Kitarō Kōsaka (Japan, 2018, 94 min.)

Okko’s Inn

Okko’s Inn is the latest feature from famed anime studio Madhouse and director Kitarō Kōsaka, a key animator on numerous classic films at the venerable Studio Ghibli. Seamlessly blending immersive, idyllic landscapes with storybook charm, Okko’s Inn delivers a rare ghost story that—despite several floating characters—is firmly grounded in the trials and joys of humanity.

Killing, directed by Shin’ya Tsukamoto (Japan, 2018, 80 min.)

Set during the tumultuous mid-19th century Edo period of Japan, Killing is the story of a master-less samurai or rōnin named Mokunoshin Tsuzuki. As the prevalent peace and tranquility are threatened by impending war, the swordsman feels restlessness creep upon him. The stark consideration of violence and honor is handled with masterful artistry by one of contemporary Japanese cinema’s most essential auteurs.

First Love, directed by Takashi Miike (Japan, 2019, 108 min.)

Hatsukoi (First Love)

Prolific auteur Takashi Miike’s First Love is an exciting neo-noir thriller that takes place over one night in Tokyo. After meeting a troubled young woman named Monica, Leo, a young boxer, finds himself unexpectedly caught up in the world of drug smuggling, police corruption, the yakuza, and a female assassin sent by the Chinese triads.

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Boundary-Pushing Hip-Hop Duo Soul Science Lab To Perform Make A Joyful Noize in Zankel Hall on June 2, 2020

Carnegie Hall-Commissioned Production Blends Music, Spoken Word, and Media to Explore Black Joy

Carnegie Hall announced that boundary pushing hip-hop duo Soul Science Lab will perform Make a Joyful Noize on Tuesday, June 2, 2020 at 6:00 p.m. in Zankel Hall. Commissioned by Carnegie Hall as part of its 125 Commission Project, Make A Joyful Noize explores the affirming and unifying experiences that uplift the human spirit in the face of oppression. The immersive production blends sound and multimedia using music, affirmations, projected images, spoken word, and dance to celebrate unapologetic Black joy as a healing force for cultural resistance. (Ticketing Information)

Soul Science Lab is a Brooklyn-based music and multimedia duo that translates stories into soul stirring sounds and dynamic visuals and was formed by artist educator and creative director Chen Lo and multi-instrumentalist, composer, and producer Asante’ Amin. Soul Science Lab produces high quality music, provides innovative arts education, and creates culturally responsive experiences. In addition to international touring, Soul Science Lab’s projects include Chen Lo’s album Footprints, Amin’s album The Visitor: Alter Destiny, the live concert and multimedia documentary Soundtrack’63, and their interactive album, Plan for Paradise.

Co-founder Chen Lo is a seasoned artist, educator, and creative director. He has toured the globe, performing and leading master classes with a number of cultural arts institutions including Jazz at Lincoln Center, the August Wilson Center, 651 ARTS, and others. Chen Lo has also shared the stage with the likes of Common, Erykah Badu, KRS-ONE, A Tribe Called Quest, Rapsody, Sunni Patterson, and Last Poets. To date, he has recorded notable collaborations with K’Naan and Jean Grae as well as international artists Stogie T and Cheikh Lô.

Co-founder Asante’ Amin is a gifted multi-instrumentalist, composer, and producer. He has shared the stage with several globally renowned artists, including Rhiannon Giddens, Jessica Care Moore Blitz, Ismael Kouyaté, GZA, and others. Amin is also a MetLife Meet the Composer award-winner.

Make a Joyful Noize was commissioned as a part of Create Justice. Lead funding was provided by The Kresge Foundation, The Andrew W. Mellon Foundation, and an anonymous donor. Support for the 125 Commissions Project is provided by members of Carnegie Hall’s Composer Club. Bank of America is the Proud Season Sponsor of Carnegie Hall.

Tickets, priced at $25, are available at the Carnegie Hall Box Office, 154 West 57th Street, or can be charged to major credit cards by calling CarnegieCharge at 212-247-7800 or by visiting the Carnegie Hall website, carnegiehall.org.

For more information on discount ticket programs, including those for students, Notables members, and Bank of America customers, visit carnegiehall.org/discounts. Artists, programs, and prices are subject to change.

Carnegie Hall’s Weill Music Institute (WMI) creates visionary programs that embody Carnegie Hall’s commitment to music education, playing a central role in fulfilling the Hall’s mission of making great music accessible to as many people as possible. With unparalleled access to the world’s greatest artists, WMI’s programs are designed to inspire audiences of all ages, nurture tomorrow’s musical talent, and harness the power of music to make a meaningful difference in people’s lives. An integral part of Carnegie Hall’s concert season, these programs facilitate creative expression, develop musical skills and capacities at all levels, and encourage participants to make lifelong personal connections to music. The Weill Music Institute generates new knowledge through original research and is committed to giving back to its community and the field, sharing an extensive range of online music education resources and program materials for free with teachers, orchestras, arts organizations, and music lovers worldwide. More than 600,000 people each year engage in WMI’s programs through national and international partnerships, in New York City schools and community settings, and at Carnegie Hall. This includes more than half a million students and teachers worldwide who participate in WMI’s Link Up music education program for students in grades 3 through 5, made possible through Carnegie Hall partnerships with over 115 orchestras in the US from Alaska to Puerto Rico, as well as internationally in Brazil, Canada, China, Japan, Kenya, and Spain.

For more information, please visit: carnegiehall.org/education

Sports Illustrated Brings “The Party” to Miami Beach to Celebrate the Biggest Weekend in Sports*

Event will Feature Musical Performances by Marshmello and The Black Eyed Peas

The Legendary Big-Game Celebration* will be held on February 1 at the Fontainebleau Miami Beach

Sports Illustrated today announced that it will be heading to Miami Beach with The Party, its annual marquee event. The legendary sports enterprise is joining forces with The Undisputed Group for this year’s VIP big-game night on Saturday, February 1, 2020, at the world-famous Fontainebleau in Miami Beach, Florida.

The merging of these industry titans will bring together some of the top names in entertainment and sports at one of the most luxurious oceanfront hotels in Miami Beach. Guests can expect a night of unforgettable musical performances by Marshmello and the Black Eyed Peas and dancing complemented by live video mixing by DJ Irie.

We are thrilled to bring Sports Illustrated back to the big-game weekend and to join forces with The Undisputed Group, who has unrivaled expertise in spectacular event production,” said Corey Salter, Group President, Entertainment at Authentic Brands Group, owner of the Sports Illustrated brand. “SI is the source that connects audiences to athletes and teams across the sports world, and we are certain that not only will this be an unforgettable experience for fans, but our most memorable big-game event to date.”

Last year’s Sports Illustrated big-game event* was held at the College Football Hall of Fame in Atlanta and featured performances by Snoop Dogg, Lil Wayne, DJ Irie and Dallas Austin. Top musicians, celebrities, models and athletes were in attendance, including will.i.am, Lil Jon, Danielle Herrington, Jasmine Sanders, Aly Raisman, Kyler Murray and Baker Mayfield.

Each year, we aim to make our big-game event with Sports Illustrated bigger and better than ever,” said David Spencer, Founder and Co-CEO of The Undisputed Group. “This year, we’re presenting an immersive, elite playground for partygoers with a curated mix of talent, sponsors, photo opportunities and more.”

Casamigos is the official partner of The Party. Sponsors of The Party will include StubHub, Reign Total Body Fuel, and Dewar’s Scotch Whisky.

StubHub is all about connecting fans to the live experiences they love,” said Akshay Khanna, General Manager of Sports at StubHub. “We’re thrilled to partner with media powerhouse Sports Illustrated to offer VIP treatment to football fans at The Party in Miami, along with a secure and seamless ticket buying and selling experience.”

For additional information and to purchase tickets, visit www.sportsillustratedtheparty.com.

* Because one has to pay many, many, many sponsorship dollars to actually use the words “SuperBowl” in their marketing, the NFL highly discourages people from piggybacking on its yearly event. Ergo, the “Big Game”, the “Biggest Weekend in Sports”, etc. Now you know.