Original Paintings from Pink Floyd’s The Wall on Sale for the First Time

Multimillion-Dollar Collection of Masterworks Created for the Album, Concerts, and Film, From the Private Collection of Gerald Scarfe

San Francisco Art Exchange LLC (SFAE) has been selected to exclusively represent the most valuable collection of rock and roll artwork ever to be offered for sale: eleven original paintings created and hand-selected by famed English artist Gerald Scarfe, from Pink Floyd‘s 1982 masterpiece The Wall. A major exhibition will be held in July with Scarfe in attendance at the invitation-only premiere to be held at SFAE’s gallery (458 Geary St, San Francisco, CA). Details to be announced.

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The Scream, 30 1/2″ x 38 1/2″ sheet size. This image was used in the film during a battlefield scene and was selected upon first sight by director Alan Parker for use as the image for the film poster.

The paintings being offered have been carefully selected by Scarfe as his most important works, and include several of the most famous images in rock history due to their association with The Wall. Among the paintings are the true definitive originals for iconic artworks such as The Scream, Wife With Flaming Hair, Giant Judge and Hammers, The Mother, Education For What? No Jobs!, The Wife’s Shadow, One of The Frightened Ones, The Gross Inflatable Pig, Comfortably Numb, and The Teacher, as well as the massive original storyboard created for the film which incorporates 50 original renderings.

The Mother

The Mother, 23 1/2″ x 33 1/2″ sheet size. An early version of the iconic Mother character, one of the most significant in the entire narrative of The Wall. Her arms cradle baby Pink in a subtle brick wall pattern, a motif that consistently appears through the film.

The Teacher

The Teacher, 39″ x 43 1/2″ sheet size. This original artwork of one of the most iconic characters in the story was projected onstage during live performances of Another Brick in the Wall.

Epic in scale and steeped in rock history, these original works of art are marquis collectibles for major individual, corporate, and institutional collectors. Due to the extensive distribution of the imagery via album, live performances, music videos, and the film (along with the accompanying publicity), the artwork offered is among the most instantly recognizable and significant in pop culture.Giant Judge and Hammers

One of the paintings available for purchase, Giant Judge and Hammers, will be prominently on display in London beginning May 13, 2017 as part of the Victoria & Albert Museum’s eagerly anticipated The Pink Floyd Exhibition: Their Mortal Remains, the first international retrospective of one of the worlds’ most ground-breaking and influential bands. This exhibition is expected to become one of the most successful on record. Continue reading

The Jewish Museum Announces New, Major Collection Exhibition to Open Fall 2017

The Jewish Museums long-running collection exhibition, Culture and Continuity: The Jewish Journey, originally mounted in 1993, recently close, making way for a major, new collection display, Scenes from the Collection, opening in Fall 2017. Culture and Continuity’s last day on view was Sunday, February 12, 2017.

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The Jewish Museum (New York) logo

The Jewish Museum‘s unparalleled collection spans 4,000 years of Jewish culture through nearly 30,000 objects, including painting, sculpture, photography, decorative arts, ceremonial objects, antiquities, works on paper, and media. Scenes from the Collection will transform the Museum’s third floor and feature over 650 works from antiquities to contemporary art – many of which will be on view for the first time at the Museum. The exhibition was designed by Tsao & McKown Architects.

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Hanukkah Lamp, Orivit-Aktiengesellschaft (1900-1905), Köln-Braunsfeld (Germany), 1900-05. White metal: cast and silver-plated; glass: mold formed, 13⅞ x 12¾ x 5 5/16 in. (35.3 x 32.4 x 13.5 cm). The Jewish Museum, New York, Gift of Dr. Harry G. Friedman (?), F 3573.

The new exhibition will be divided into eight different sections, or scenes, highlighting the diversity and depth of the collection. The new installation will present the collection as a reflection of the continual evolution that is the essence of Jewish identity, as well as a powerful expression of artistic and cultural creativity.

Scenes from the Collection will immerse our visitors in a dynamic and engaging experience. Developed collaboratively among the Museum’s curatorial staff, the new installation is a reflection of the Jewish Museum’s unique position as an art museum exploring Jewish culture and identity through a contemporary lens,” said Claudia Gould, Helen Goldsmith Menschel Director of the Jewish Museum.

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Torah Binder, Rabat (Morocco), 19th century. Cotton: embroidered with silk thread, 9 1/2 × 103 3/4 in. (24.1 × 263.5 cm). The Jewish Museum, New York, Gift of Sonia Cohen Azagury, 2004-64.

In addition, Scenes from the Collection will be flexible, with four scenes changing annually, and one changing every six months, so that different subjects can be examined while more of the collection is on view. The stories the works of art tell will illuminate multiple perspectives on being Jewish in the past and present, how Jewish culture intersects with art and the art world, and how it is part of the larger world of global interconnections.

The eight scenes are:

Origins

Scenes from the Collection will start from the beginning – the year 1904 when the Museum was founded with a gift of ceremonial objects from Judge Mayer Sulzberger. Central to this section will be the question of what, why, and how the Museum has collected and what this says about the changing identity of the institution, the Jewish community, and the art world.

Constellations

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Laurie Simmons (American, b. 1949), Woman Listening to Radio, 1978. Gelatin silver print, sheet: 7 15/16 × 9 15/16 in. (20.2 × 25.2 cm); image: 5 3/16 × 8 in. (13.2 × 20.3 cm). The Jewish Museum, New York, Purchase: Horace W. Goldsmith Foundation Fund, 2013-1. © Laurie Simmons, image courtesy of the artist and Salon 94, New York

In “Constellations,” over 50 of the most visually powerful and culturally significant works in the collection – from antiquities to the twenty-first century – will be exhibited as individual gems but with powerful thematic connections to one another. Such issues will be explored as transforming and transcending tradition, cultural distinctiveness and universality, and ever-changing notions of identity. Groups of works will relate to each other aesthetically or contextually, creating multiple conversations. For example, three works that can be seen as challenging tradition are Peter Blume’s Pig’s Feet and Vinegar (1927), Laurie SimmonsWoman Listening to Radio (1978), and Nicole Eisenman’s Seder (2011).

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Nicole Eisenman (American, b. France, 1965), Seder, 2010. Oil on canvas, 39 1/16 × 48 in. (99.2 × 121.9 cm). The Jewish Museum, New York, Purchase Lore Ross Bequest; Milton and Miriam Handler Endowment Fund; and Fine Arts Acquisitions Committee Fund, 2011-3 © Nicole Eisenman.

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Everson Museum of Art Opens “Bradley Walker Tomlin: A Retrospective,” a Major Retrospective Exhibition of the Syracuse Native

The Everson Museum of Art, in partnership with the Dorsky Museum, presents the first retrospective of American painter Bradley Walker Tomlin (1899-1953)

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Bradley Walker Tomlin, As They Walked Along Together, 1921 Pencil, ink, and gouache on paper, 14 in x 1 ¼ in. Everson Museum of Art Gift of Isabelle McConnel

since 1975. This major exhibition, including more than 40 paintings, works on paper, and printed materials, charts Tomlin’s development from Art Nouveau illustrations of the 1920s to large-scale Abstract Expressionist paintings of the 1950s, for which he is best known. Bradley Walker Tomlin: A Retrospective will be on view February 11 May 14, 2017. The exhibition originated at the Samuel Dorsky Museum of Art, the State University of New York at New Paltz and is accompanied by a fully illustrated scholarly catalog.

Born in Syracuse, NY in 1899 and active in New York City and Woodstock, Tomlin bridged two generations and participated in the evolution of American art from local modernism to international avant-garde. 

He participated in the famous ‘’Ninth Street Show.’’ According to John I. H. Baur, Curator of the Whitney Museum of American Art, “Tomlin’s life and his work were marked by a persistent, restless striving toward perfection, in a truly classical sense of the word, towards that “inner logic” of form which would produce a total harmony, an unalterable rightness, a

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Bradley Walker Tomlin. Photograph by Eugene Reynal

sense of miraculous completion…It was only during the last five years of his life that the goal was fully reached, and his art flowered with a sure strength and authority”.

Organized chronologically, Bradley Walker Tomlin: A Retrospective considers Tomlin’s accomplishments as an illustrator, educator, and modern painter as equally significant. Highlights include original cover designs for Condé Nast’s House & Garden magazine, decorative still life paintings, Cubist-Surrealist compositions, and major Abstract Expressionist canvases. Photographs of Tomlin and his professional peers and related archival materials reveal the artist’s contexts and influences.

A century ago, Syracuse native Bradley Walker Tomlin was considered one of the city’s most promising young artists. This exhibition not only serves to restore attention to a hometown talent but more importantly, to shed new light on a fascinating yet overlooked figure in the history of modern American art,” says Elizabeth Dunbar, Director, and CEO of the Everson Museum of Art Continue reading

Final Stop of “Native Fashion Now” Exhibition Arrives at the National Museum of the American Indian in New York

Acclaimed Show Features 67 Native Designers From Across North America

The Smithsonian’s National Museum of the American Indian’s George Gustav Heye Center in New York will host the final showing of the first large-scale traveling exhibition of contemporary Native American fashion, celebrating indigenous designers from across the United States and Canada, from the 1950s to today. “Native Fashion Now,” originally organized by the Peabody Essex Museum in Salem, Mass., explores the exciting and complex realms where fashion meets art, cultural identity, politics, and commerce.

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Orlando Dugi (Diné [Navajo]), cape, dress, and headdress from “Desert Heat” collection, 2012. Silk, organza, feathers, beads, and 24k gold; feathers, beads, and silver; porcupine quills and feathers. Model: Julia Foster. Hair and makeup: Dina DeVore. Photo by Nate Francis/Unék Photography. On view in the “Native Fashion Now” exhibition at the National Museum of the American Indian, George Gustav Heye Center in New York from Feb. 17, 2017, to Sept. 4, 2017

As lead organizer of the exhibition, the Peabody Essex Museum hosted “Native Fashion Now” from Nov. 21, 2015, through March 6, 2016. The exhibition then traveled to the Portland Art Museum in Portland, Ore., and the Philbrook Museum of Art in Tulsa, Okla., before its final destination at the Smithsonian’s National Museum of the American Indian in New York City.

The exhibition opens Friday, Feb. 17, 2017, in the museum’s East Gallery and runs through September 4, 2017. “Native Fashion Now” is the first show to emphasize the long-standing, evolving and the increasingly prominent relationship between fashion and creativity in Native culture.

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Jamie Okuma (Luiseño and Shoshone-Bannock), boots, 2013–14. Glass beads on boots designed by Christian Louboutin. Museum commission with support from Katrina Carye, John Curuby, Karen Keane and Dan Elias, Cynthia Gardner, Merry Glosband, and Steve and Ellen Hoffman. Peabody Essex Museum, 2014.44.1AB. Copyright 2015 Peabody Essex Museum. Photo by Walter Silver. On view in the “Native Fashion Now” exhibition at the National Museum of the American Indian, George Gustav Heye Center in New York from Feb. 17, 2017, to Sept. 4, 2017.

Through nearly 70 works, “Native Fashion Now” explores the vitality of Native fashion designers and artists—from pioneering Native style-makers of the mid-20th century like Charles Loloma (Hopi Pueblo) to maverick designers of today such as Wendy Red Star (Apsálooke [Crow]). The exhibition immerses visitors in all aspects of contemporary Native fashion—its concerns, modes of expression and efforts to create meaning through fashion.

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Jared Yazzie (Diné [Navajo]) for OxDx, Native Americans Discovered Columbus t-shirt, 2012. Cotton. Gift of Karen Kramer. Peabody Essex Museum, 2015.11.4. Photo by Thosh Collins. On view in the “Native Fashion Now” exhibition at the National Museum of the American Indian, George Gustav Heye Center in New York from Feb. 17, 2017, to Sept. 4, 2017.

New York City is a fashion capital of the world and the works shown in this exhibition belong on this stage,” said Kevin Gover (Pawnee), director of the National Museum of the American Indian. “Native voice is powerful and Native couture is a megaphone. These designers’ works demonstrate to visitors the contemporary strength of Native iconographies and sensibilities.

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Margaret Roach Wheeler (Chickasaw) for Mahota Handwovens, The Messenger (The Owl) cape and headpiece, from the Mahotan Collection, 2014. Silk-wool yarn; silk-wool yarn, metal, silver, glass beads, and peacock feathers. Courtesy of the designer. Photo by Greg Hall. On view in the “Native Fashion Now” exhibition at the National Museum of the American Indian, George Gustav Heye Center in New York from Feb. 17, 2017, to Sept. 4, 2017.

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Richard Lawson And Tina Knowles Lawson Build New Non-Profit WACO Theater Center In Los Angeles

Venue To Be Home Of Richard Lawson Studios, Mentorship Programs, Mobile Theater, Stage Productions And Empowerment Classes

WACO To Launch With Inaugural Wearable Art Gala On April 29, 2017 At The California African American Museum

Beyoncé Knowles-Carter, Solange Knowles, Bianca Lawson And Kelly Rowland to Serve as Honorary Chairpersons

Dreams do not have an expiration date, and that is what we plan to instill in our students at WACO Theater Center.”Richard Lawson

Actor and master acting teacher, Richard Lawson, and fashion designer, art collector and philanthropist Tina Knowles Lawson have joined forces to establish the new WACO Theater Center in Los Angeles. As founders of the recently built non-profit art and performance center, the husband and wife team are kicking off the occasion with the First Annual Wearable Art Gala. The charitable event is set to take place at the California African American Museum (CAAM) on Saturday, April 29, 2017 in Los Angeles.

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RICHARD LAWSON & TINA KNOWLES LAWSON

We are truly thrilled to establish a new creative center in Los Angeles where art can occur,” Tina Knowles Lawson says, alluding to WACO’s acronym. “The purpose of this endeavor is empowering people to gain the skills and ability to identify and pursue their dreams no matter who they are or where they came from. It is also to give both professional and non-professional actors, artists and youth a place to celebrate their own talent and artistry.” Richard Lawson adds, “WACO is our dream come true.”

Richard Lawson has a long and distinguished career as an actor and master teacher that spans five decades. His first professional job was in the national company of the Pulitzer Prize-winning play by Charles Gordone, No Place to Be Somebody. Some of his selected films include Steven Spielberg‘s Poltergeist, Walter Hill‘s Streets of Fire, Stick with Burt Reynolds, The Main Event with Barbra Streisand and Ryan O’Neal, Coming Home with Jane Fonda and Jon Voight, Audrey Rose with Anthony Hopkins and Marsha Mason, Wag the Dog, starring Robert De Niro and Dustin Hoffman, How Stella Got Her Groove Back, starring Whoopi Goldberg and Angela Bassett, Guess Who, starring Bernie Mac and Ashton Kutcher, and For Colored Girls, directed by Tyler Perry.

As an acting and teaching protégé of Milton Katselas, one the finest and most respected acting teachers in the world, Lawson recognized a hole in the teaching model and went on to create the Richard Lawson Studios (RLS).

Using a complete approach to acting that includes traditional scene study as well as audition technique, RLS integrates on-camera instruction, filmmaking, and business administration into a comprehensive course of study. State-of-the-art computer technology is applied to his time-tested acting techniques. Lawson imparts his 46 years of experience as a successful actor, teacher, public speaker, and drug counselor for the National Basketball Association to motivate and empower artists and non-artists alike, professionals, job-seekers and regular people to achieve their creative goals. (For more information about Richard Lawson, visit http://www.richardlawson.net)

Tina Knowles Lawson is a fashion designer who has been featured in Vogue, Cosmopolitan, Harper’s Bazaar, L’official, InStyle, and Sports Illustrated. Knowles Lawson was a designer and stylist for the superstar group Destiny’s Child, creating original garments for the tours, magazine shoots and television appearances, including The VMAs, BET Awards, and the Grammys. She has also designed for her daughter Beyoncé’s tours and television performances, including The Academy Awards. Together, they created three successful clothing lines; House of Deréon, Deréon, and the Miss Tina line. Knowles Lawson has hosted a show on the Home Shopping Network (HSN) and her work has been featured on “Good Morning America”, “The View”, “The Today Show”, “The Oprah Winfrey Show”, “Hollywood Access Live”, “Tyra” and “Ellen”. Knowles Lawson has also designed costumes for a number of hit movies including Dreamgirls, Pink Panther, Austin Powers in Goldmember, Obsessed and Cadillac Records.

Passionate about her philanthropic endeavors, Knowles Lawson, her family and Destiny’s Child member Kelly Rowland along with St. John’s Church has built and established a center for young people known as The Knowles-Rowland Center for Youth located in Houston, Texas. Tina Knowles Lawson’s philanthropic endeavors include the Knowles-Temenos Place Apartments, sponsored by the Knowles family’s Survivor Foundation, which offers temporary living for those in need of shelter; and, in partnership with her daughter, Beyoncé Knowles-Carter, the Beyoncé Cosmetology Center at Phoenix House in Brooklyn, New York which empowers women to develop creative skills in the cosmetology trade and to carry their talent into the professional world.

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WACO Theater Center logo

She was also one of the faces of Miss A Meal, a program founded by Rudy and Juanita Rasmus, to eradicate hunger in the Houston area. For her work, Knowles Lawson has been the recipient of the prestigious Ace Awards, the International Global Leadership Award, and the Golden Hanger Award. The University of Houston and the Texas Women’s Empowerment Foundation (TWEF) have recognized Knowles Lawson for her philanthropic work and achievements in business. A natural teacher and adviser, she makes time to speak regularly at schools and mentors young women. Now relocated to Los Angeles, her philanthropic spirit has come with her and together with her husband, Richard Lawson, they have established the WACO Theatre Center.

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First Annual Wearable Art Gala Poster

For the inaugural Wearable Art Gala, the Lawsons looked no further than their own family to help bring attention to their mission. Thus, Beyoncé Knowles-Carter, Solange Knowles, Bianca Lawson and Kelly Rowland will serve as the Gala’s Honorary Chairpersons. The evening will include live and silent auctions and guests will be invited to explore the CAAM‘s galleries and exhibitions. The museum serves as the ideal venue for the Gala and for wearable arts to be feted by guests dressing in art and original fashion designs. The wearable art movement is surging now due to fashion designers such as Knowles Lawson who bring greater attention to wearable art pieces by encouraging patrons to be creative and design their own wearable art. The Gala will be dedicated to the arts.

From performance, fashion, music, and the visual arts, including painting and sculpting, it’s never too late to develop and cultivate talent,” says Lawson. “Dreams do not have an expiration date, and that is what we plan to instill in our students at WACO Theater Center.” Continue reading

Art News: Whitney Announces 2017 Biennial Film Program

A Broad Range Of Moving Image Artists To Be Shown In The 2017 Biennial’s Film Program

A series of film screenings and conversations will be presented as part of the 2017 Whitney Biennial, opening at the Whitney Museum of American Art on March 17. The series takes place over ten consecutive weekends, from March 17 through May 21, 2017, in the Susan and John Hess Family Theater on the Museum’s third floor. Each Sunday, the 3 pm screening will be followed by a conversation with the filmmakers, joined by writers, curators, and scholars.

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Leslie Thornton (b. 1951) and James Richards (b. 1983), still from Crossing, 2016. High-definition video, color, sound; 19:10 min. Courtesy the artists

Film program co-curator and Biennial advisor Aily Nash notes: “At once radical and quiet, global and intimate, the works presented in the 2017 Whitney Biennial film program continue to reflect on the urgent themes seen in the exhibition. These artists are some of the most exciting voices working in moving image today. They engage the medium with formal rigor and innovation while exploring the subjective and affective experiences of the contemporary political and social moment. The broad range of artists spans generations and approaches to the moving image including documentary practice, experimental film, narrative cinema, and video installation.”

Featured artists are Basma Alsharif, Eric Baudelaire, Robert Beavers, Mary Helena Clark, Kevin Jerome Everson, Sky Hopinka, Dani Leventhal, Beatriz Santiago Muñoz, Cauleen Smith, Leslie Thornton and James Richards, Leilah Weinraub, and James N. Kienitz Wilkins. See a complete schedule at whitney.org.

The formation of self and the individual’s place in a turbulent society are among the key themes reflected in the work of the artists selected for the 2017 Whitney Biennial. The exhibition includes sixty-three participants, ranging from emerging to well-established individuals and collectives working in painting, sculpture, drawing, installation, film and video, photography, activism, performance, music, and video game design.16_biennial_gif_web_2340px_fullstart_2340

With a history of exhibiting the most promising and influential artists and provoking debate, the Whitney Biennial—the Museum’s signature exhibition—is the longest running survey of contemporary art in the United States. The Biennial, an invitational show of work produced in the preceding two years, was introduced by Gertrude Vanderbilt Whitney in 1932, and it is the longest continuous series of exhibitions in the country to survey recent developments in American art.

The 2017 Whitney Biennial will be accompanied by an exhibition catalogue, designed by Olga Casellas Badillo of San Juan–based Tiguere Corp., which includes essays by the curators as well as Biennial advisors Negar Azimi and Gean Moreno, a conversation between the curators and Scott Rothkopf, and a roundtable with filmmakers moderated by Aily Nash. The book will also feature individual entries on each of the sixty-three participants in the exhibition along with reproductions of their work. It will be published by the Whitney Museum of American Art and distributed by Yale University Press.The Whitney Logo

The 2017 Whitney Biennial is co-curated by Christopher Y. Lew and Mia Locks Continue reading

The Business of Art: Lord Harry Dalmeny Appointed Chairman Of Sotheby’s In The United Kingdom

Sotheby’s is pleased to announce the appointment of Lord Harry Dalmeny as Chairman in the United Kingdom. In this capacity, Lord Dalmeny will lead Sotheby’s client-focused activities in the United Kingdom and Ireland, continuing to develop and nurture key relationships, and drive Sotheby’s strategy. He will also be responsible for ensuring a rich and exciting trajectory for Sotheby’s long tradition of landmark house and single-owner sales – an area in which he has, for many years, played a highly significant role.sothebys-logo

Harry is one of those remarkable forces of nature that attracts everyone to it,” said Tad Smith, Sotheby’s CEO. “He is a master on the rostrum and that passion and charisma carry through everything he does. I am delighted that he has accepted this crucial leadership position in Sotheby’s founding home.”

Lord Dalmeny began his career at Sotheby’s in 1990 as a graduate trainee. Early on, he worked in the Old Master, Furniture and Silver departments, and in 1993 he joined the House Sales & Private Collection department, which he now leads. Over the course of his tenure at Sotheby’s, He has played a leading role in many of the most significant British house and single-owner sales of the last quarter century,

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Lord Harry Dalmeny appointed Chairman of Sothebys United Kingdom

including the Duke & Duchess of Windsor sale (February 1998), the Chatsworth Attic sale (October 2010), and the Castle Howard sale (July 2015).

Lord Dalmeny is one of Sotheby’s most senior auctioneers, having presided over many landmark sales. He is also an active charity auctioneer and in the past 5 years he has taken 124 charity auctions, raising £17.6 million for organizations such as The National Children’s Trust, the National Portrait Gallery, and The British Heart Foundation, among others.

Having watched Harry in action over many years, and having him seen him work his magic – both on the rostrum and at some of Sotheby’s most prestigious and exciting events – I am thrilled to see him take on the position of UK Chairman,” commented The Duke of Devonshire. “Humorous and quick-witted, his limitless energy and enthusiasm are contagious. He is one of the few auctioneers who can keep up the momentum on the rostrum for hours – days even – on end. I know that with Harry at the helm, Sotheby’s can be sure that major projects are executed with style and verve, and with characteristic attention to detail.”

Sotheby’s has been uniting collectors with world-class works of art since 1744. Sotheby’s became the first international auction house when it expanded from London to New York (1955), the first to conduct sales in Hong Kong (1973), India (1992) and France (2001), and the first international fine art auction house in China (2012). Today, Sotheby’s presents auctions in 10 different salesrooms, including New York, London, Hong Kong and Paris, and Sotheby’s BidNow program allows visitors to view all auctions live online and place bids from anywhere in the world. Sotheby’s offers collectors the resources of Sotheby’s Financial Services, the world’s only full-service art financing company, as well as the collection advisory services of its subsidiary, Art Agency, Partners. Sotheby’s presents private sale opportunities in more than 70 categories, including S|2, the gallery arm of Sotheby’s Global Fine Art Division, and two retail businesses, Sotheby’s Diamonds, and Sotheby’s Wine. Sotheby’s has a global network of 80 offices in 40 countries and is the oldest company listed on the New York Stock Exchange (BID).

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*Estimates do not include buyer’s premium. Prices achieved include the hammer price plus buyer’s premium and are net of any fees paid to the purchaser where the purchaser provided an irrevocable bid.