Coronavirus (COVID-19) Closures and Update

MoMA Temporarily Closes Museums and Stores in New York

MoMA announced today that it will close The Museum of Modern Art on 53rd Street, MoMA PS1 in Queens, and the MoMA Design Stores on 53rd Street and in Soho, effective immediately and through March 30. MoMA will continue to monitor developments with COVID-19 and regularly reassess this temporary closure.

Glenn D. Lowry, The David Rockefeller Director of The Museum of Modern Art, said: “Nothing is more important to MoMA than the health and safety of our community. We take seriously our responsibility as a civic institution to serve the public good. With that in mind, as it is more and more challenging to predict the impacts of the novel coronavirus (COVID-19) outbreak, we have decided to temporarily close MoMA.”

MoMA has been prepared for this possibility for several weeks and made the decision in ongoing consultation with public health experts, city and state officials, peer institutions, and the Boards of The Museum of Modern Art and MoMA PS1. There have been no confirmed cases of COVID-19 among MoMA employees. Plans are in place to continue to support employees and MoMA’s better than best practice cleaning and sanitization protocols.

MoMA plans to re-open at the first opportunity that ensures the health and safety of all visitors and employees.

All Events at Carnegie Hall from Friday, March 13 through Tuesday, March 31, 2020 are Cancelled

All March events cancelled in effort to reduce spread of COVID-19

With the health and safety of its public, artists, and staff as its foremost priority, Carnegie Hall today announced that it will be closed for all public events and programming through the end of March, effective midnight tonight, in an effort to reduce the spread of the new coronavirus (COVID-19).

All events and programming at Carnegie Hall from Friday, March 13 through Tuesday, March 31, 2020 have been cancelled. For a list of performances at Carnegie Hall that are affected, please see the attached list or click here. Carnegie Hall events on Thursday evening, March 12 will take place as scheduled.

Upcoming education programming presented by Carnegie Hall’s Weill Music Institute—whether taking place at Carnegie Hall or in off-site locations—is suspended through March 31. All free Carnegie Hall Citywide performances in venues throughout New York City are cancelled through March 31.

All other scheduled concerts and programming starting on April 1, 2020 and beyond remain on the schedule pending the reopening of Carnegie Hall. The general public is encouraged to check carnegiehall.org/events for the most up-to-date programming information.

Patrons who purchased tickets by credit card from Carnegie Hall for a performance that has been canceled will receive automatic refunds; those who purchased by cash at the Box Office may email a scan or photo of the tickets to feedback@carnegiehall.org, along with complete contact details (name, mailing address, and phone number), through June 30, 2020, for a refund. Those who purchased tickets directly from other concert presenters should contact that presenter for refund information.

Patrons who have any further questions should contact CarnegieCharge at 212-247-7800 or email feedback@carnegiehall.org. Please note that email and call volume may be high with limited in-house staff, and tickets may be refunded on a delayed schedule. We thank you for your patience as we navigate this evolving situation together.

Asian Art Museum, Fine Arts Museums of San Francisco and San Francisco Museum of Modern Art Announce Temporary Closure Effective March 14, 2020

The Asian Art Museum, the Fine Arts Museums of San Francisco (FAMSF), comprising the de Young Museum and the Legion of Honor, and the San Francisco Museum of Modern Art (SFMOMA) collaboratively announce a temporary closure to the public effective at 5 pm PST on Friday, March 13. With their united focus on the health and safety of their visitors and staff members, the museums made this decision to align with local and federal guidelines and social distancing recommendations for the containment of the coronavirus.

The Asian Art Museum and SFMOMA will tentatively reopen to the public on Saturday, March 28, 2020, and the FAMSF museums will reopen on Tuesday, March 31, 2020. The museums will individually evaluate whether the closure timeframe needs to be extended.

ASIAN ART MUSEUM

The closure of the Asian Art Museum includes the museum, its café (Sunday at the Museum) and its store. More information can be found at asianart.org.

FINE ARTS MUSEUMS (FAMSF)

Both the de Young and the Legion of Honor, including museum cafes and stores, will be closed. Please find the most up-to-date information at deyoungmuseum.org/coronavirus-response.

SAN FRANCISCO MUSEUM OF MODERN ART (SFMOMA)

SFMOMA’s closure includes the museum, its restaurants (In Situ, Cafe 5 and Sightglass coffee bars), stores (museum and SFO store) and the Artists Gallery at Fort Mason. For the most up-to-date information including information on rescheduling a visit, go to sfmoma.org/coronavirus-update.

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Carnegie Hall Presents The Eyes of the World: From D-Day to VE Day Saturday, June 6 and Tuesday, June 9 in Zankel Hall

Historian and Narrator John Monsky Captures the Dramatic Final Months of World War II With Multimedia Production Featuring 35-Piece Orchestra and Leading Broadway Artists, Historic Video, Original American Flags From Normandy Beach and Beyond, and Images from the Archives of Legendary Photojournalists

Historian and narrator John Monsky brings his groundbreaking American History Unbound series back to Zankel Hall on Saturday, June 6 and Tuesday, June 9 with The Eyes of the World: From D-Day to VE Day—an exciting multimedia production that tells the powerful story of the American landing on the Normandy beaches and subsequent 11 months of battle that finally secured victory in Europe.

On June 5, 1944, on the eve of D-Day, Major General Dwight D. Eisenhower told American forces, “The eyes of the world are upon you. The hopes and prayers of liberty-loving people everywhere march with you.” While D-Day marked a turning point and pathway to victory, the landings and eleven months of battle that followed would be among the most brutal for the American troops and Allied forces.

War photojournalist Lee Miller with American soldiers during World War II (photo taken by David Scherman)

This immersive concert experience, presented with the New-York Historical Society in the 75th anniversary year of VE Day, recounts this period through striking photography from the archives of American photojournalist Lee Miller, who, reporting for Vogue magazine, was among the 127 accredited female journalists covering the war, as well as letters home from a young American intelligence officer who landed at Normandy and fought with the army through VE day. Along the way, they connected with legendary American writer Ernest Hemingway and photojournalist Robert Capa. The paths of these four remarkable figures intersect and intertwine as they served as the “eyes for the world” from D-Day to eventual victory.

The program features the Orchestra of St. Luke’s, conducted by music supervisor Ian Weinberger (Hamilton), joined by leading Broadway vocalists including Nick Cordero (Waitress, A Bronx Tale), Kate Rockwell (Mean Girls), Tony LePage (Come From Away), and Bryonha Parham (After Midnight) performing evocative music of the era—from La Vie en Rose and Woody Guthrie’s What Are We Waiting On to signature songs of legendary bandleader Glenn Miller who volunteered for the Army at the height of his career—and selections from the film soundtracks of Saving Private Ryan and Band of Brothers. Tickets for the June 6 and 9 performances are on sale to the general public now.

The American History Unbound series, exploring watershed moments in American history, combines live music performed by celebrated Broadway actors and a full orchestra, incorporating film, photography, historic flags and material culture from Monsky’s personal collection. Narrated by Monsky with a script punctuated with his own memories and observations, each production includes powerful examinations of singular and pivotal events—from the Revolutionary War and Civil War to D-Day—turning points in history that changed America.

Decades ago, Monsky’s mother bought her 12-year-old son his first “flag,” a red kerchief (an artifact from Theodore Roosevelt’s unsuccessful 1912 presidential bid), to appease his boredom while on a routine shopping outing. Today, his collection of flags and textiles — tangible artifacts that connect us to our history — has become one of the finest in the country. As his collection grew, so did annual Flag Day presentations held in Monsky’s apartment. As the events grew larger in scope—adding bands and Broadway singers to accent his talks—they eventually required portal-widening-living room-construction to accommodate friends and family, all riveted by Monsky’s storytelling. Sought-after invitations to these informal gatherings attracted the attention of The New Yorker in 2012, when Monsky took a second look at the War of 1812, with a presentation that included the commissioning pennant from the great wooden frigate, the USS Constitution. Louise Mirrer, the President and CEO of the New-York Historical Society, where Monsky is a trustee, recalled, “I attended the Flag Day celebrations and was absolutely dazzled. One of those years after viewing…a really exceptional explication of history, I said to John, ‘you know, you should do that in our auditorium.’” She has since called his D-Day production “the most moving event ever presented on the Society’s stage.

Monsky has been creating and performing his American History Unbound productions for over a decade and was recently honored by the New-York Historical Society. After two previous sold-out productions—The Vietnam War: At Home and Abroad (2018) and We Chose To Go To The Moon (2019)—The Eyes of the World is the third installment of American History Unbound to be presented at Carnegie Hall.

John has a passion for combining storytelling, music, visuals, and film in unique and creative ways that bring history to life and that connect emotionally with his audiences,” said Clive Gillinson, Executive and Artistic Director of Carnegie Hall. “We look forward to this next edition which will take us through some of the most important moments of World War II, traveling on a journey that is sure to be powerful as well as illuminating.

Like Monsky’s previous productions, The Eyes of the World includes tangible historic objects woven into the storytelling narrative, some of which have been in storage and not seen by the public for more than 75 years. His presentation includes the flag famously placed by Rudder’s Rangers on the rocks of Pointe du Hoc to mark the command post; a rarely-seen divisional color of the US 29th Infantry Division, which suffered tremendous losses on the beaches of Normandy; the flag from landing craft LCI 94, which picked up photojournalist Robert Capa from Omaha Beach on D-Day; community “service banners” hung in schools and churches across America, with blue stars indicating the number of their “boys” in service, plus more.

“I did not start out looking for the figures we follow in this production—Hemingway, Capa, Miller, and a young intelligence officer who landed on D-Day,” said John Monsky. “They revealed themselves as we researched a single flag flown on a Higgins boat and the boys it carried to the beaches. Every twist and turn surprised us as the story unfolded, with its conclusion making the hair on the back of my neck stand on end, as Lee Miller and others come together in some of the War’s most dark and haunting places.

We are grateful for the contributions of historian and author Alex Kershaw, the staff of the American Battle Monuments Commission and The National World War II Museum, as well as Katie Couric and John Molner for their encouragement and passion to tell the stories of American history. It’s also been an extraordinary privilege to work with Lee Miller’s family—her son Antony Penrose and granddaughter Ami Bouhassane—to expose her work to the wider audience it deserves.”

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Carnegie Hall Presents Jazz Guitarist Kurt Rosenwinkel in Zankel Hall on Saturday, March 21 at 9:00 PM

Joined by World-Class Musicians, Rosenwinkel Performs Songs from his Brazilian Inspired Album Caipi

On Saturday, March 21 at 9:00 p.m., renowned jazz guitarist Kurt Rosenwinkel performs in Zankel Hall as part of the Joyce and George T. Wein Shape of Jazz series. With a career spanning 25 years, Rosenwinkel is widely considered one the most important and influential jazz guitarists of his generation. For this special performance, Rosenwinkel’s talents will be on display as he sings and plays guitar, joined by musical collaborators from both Brazil and the United States—Pedro Martins (Guitar and Vocals), Frederico Heliodoro (Electric Bass), Antonio Loureiro (Keyboards), Felipe Viegas (Keyboards), and Bill Campbell (Drums)—to perform songs from Caipi, an album described as “immediately gripping” by Jazz Times.

The conceptual influence of Kurt Rosenwinkel’s music can be readily observed on a global scale. Whether in concert halls, basement jazz club wee hours jam sessions, conservatory practice rooms or radio station airwaves, Rosenwinkel’s distinctive voice as a composer and guitarist has had an undeniable impact on music in the 21st century.

Kur Rosenwinkel. Photo courtesy of Carnegie Hall.

The American multi-instrumentalist, composer, and producer has gained international recognition for his deft artistry and unabated individualism since he first appeared on the New York music scene in 1991. His legacy as the pre-eminent jazz guitar voice of his generation is plainly evident on his eleven albums as a leader, each one the inspiration for legions of musicians young and old across the globe. Rosenwinkel’s aesthetic vision and multi-genre facility has caught the ear of some of modern music’s most prominent stars; collaborations with Eric Clapton, Q-tip, Gary Burton, Paul Motian, Joe Henderson, Brad Mehldau, and Donald Fagen are but a few highlights from a remarkably diverse and extensive catalogue of over 150 sideman recordings.

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Carnegie Hall Announces 2020-2021 Artist Lineup for American Byways Concerts Curated by Rosanne Cash

Performances to Feature Two Exciting Double Bills: Legendary Producers and Songwriters T Bone Burnett and Joe Henry on November 13; and Grammy Award-Winning Artists The Fairfield Four and Ranky Tanky on February 25

Carnegie Hall has announced the all-star lineup of artists for two exciting double-bill American Byways concerts to be presented in Zankel Hall in the 2020–2021 season. Curated and hosted by singer-songwriter Rosanne Cash (who was a Carnegie Hall Perspectives artist in the 2015–2016 season), these one-of-a kind performances take New York audiences on a journey through American roots music, featuring Appalachian traditions, the blues, and more.

American Byways Block. Photo of T Bone Burnett by Josh Cheuse; Joe Henry by Jacob Blickenstaff; Ranky Tanky by Peter Frank Edwards.

On Friday, November 13, 2020 at 9:00 p.m., Cash brings together two iconic producers and songwriters––T Bone Burnett and Joe Henry—for a very special concert. Renowned for producing ground-breaking albums by artists including Robert Plant, Alison Krauss, Willie Nelson, and Elton John, Burnett was also behind the soundtrack for films like Walk the Line and O Brother, Where Art Thou?. Mentored in part by Burnett, Joe Henry has earned acclaim for producing albums by artists including Bonnie Raitt, Allen Toussaint, and Rhiannon Giddens (whom Burnett has worked with as well). For this rare double bill performance, Burnett’s fluid guitar-playing and thoughtful songwriting is paired with Henry’s deeply personal and marvelously eclectic style of storytelling with inflections of rock, folk, country, and jazz.

Multiple Grammy and Academy Award winner Joseph Henry “T Bone” Burnett is a producer, musician and songwriter. Known recently for composing and producing music for the critically acclaimed HBO series True Detective, his film work includes the five-time Grammy winning soundtrack for O Brother, Where Art Thou?, The Big Lebowski, Cold Mountain, The Hunger Games, Crazy Heart and Walk The Line, amongst others. He has collaborated with numerous artists including Bob Dylan, Elvis Costello, Roy Orbison and won Album of the Year and Record of the Year Grammy Awards for Robert Plant and Alison Krauss’s Raising Sand.

In a career spanning more than 30 years, Joe Henry has left an indelible and unique imprint on American popular music. As a songwriter and artist, Mr. Henry is celebrated for his exploration of the human experience. A hyper-literate storyteller, by turns dark, devastating, and hopeful, he draws an author’s eye for the overlooked detail across a broad swath of American musical styles—rock, jazz and blues—rendering genre modifiers useless.

Mr. Henry has collaborated with many notable artists on his own body of work, including Don Cherry and T Bone Burnett (Shuffletown, 1990), Victoria Williams and the Jawhawks‘s Gary Louris and Marc Perlman (Kindness of the World, 1993), guitarists Page Hamilton (Trampoline, 1996), Daniel Lanois and Jakob Dylan (Fuse, 1999), Ornette Coleman, Brad Mehldau, Marc Ribot, Brian Blade, and Meshell Ndegeocello (Scar, 2001), Bill Frisell and Van Dyke Parks (Civilians, 2007), Jason Moran (Blood From Stars, 2009), Lisa Hannigan (Invisible Hour, 2014).

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Carnegie Hall’s National Youth Jazz Orchestra —NYO Jazz— to Make Debut Tour to South Africa

Celebrated Trumpeter Sean Jones Leads Ensemble with Grammy Award-Winning Vocalist Dianne Reeves as Special Guest

First-Ever Tour to Africa by One of Carnegie Hall’s Three Acclaimed National Youth Ensembles to Include Debut Performances in Cape Town, Johannesburg, Makhanda, and Bloemfontein, June 24-July 7, 2020

This June and July, Carnegie Hall’s critically-acclaimed national youth jazz orchestra—NYO Jazz—returns for its third season of extraordinary music-making, highlighted by its first-ever tour to South Africa from June 24-July 7, 2020. This remarkable ensemble, created by Carnegie Hall’s Weill Music Institute in 2018, annually brings together some of the most outstanding teen jazz musicians from across the United States to train, perform, and tour with some of the world’s greatest artists while also serving as music ambassadors for their country.

NYO Jazz’s historic visit to South Africa—to include debut performances in Cape Town, Johannesburg, Makhanda, and Bloemfontein—marks the first time that one of Carnegie Hall’s three acclaimed national youth ensembles will perform on the African continent. It follows successful international tours by NYO Jazz to some of Europe’s most prestigious concert halls and music festivals in 2018, and the ensemble’s debut tour to Asia in 2019.

Celebrated trumpeter Sean Jones returns to lead NYO Jazz in 2020. He is joined by iconic jazz vocalist Dianne Reeves as special guest. These NYO Jazz concerts will offer a rare chance to hear the five-time Grammy Award winning vocalist performing with a big band, singing jazz standards in arrangements that have been especially made for her. The ensemble’s diverse repertoire will also feature a new composition by John Beasley, commissioned by Carnegie Hall for this tour, and other contemporary pieces that explore jazz’s influence on hip-hop, R&B, and pop music alongside big band standards.

Photo of NYO Jazz by Todd Rosenberg

We are thrilled to have NYO Jazz make its debut in South Africa this summer—the first visit to Africa by any of our national youth ensembles” said Clive Gillinson, Executive and Artistic Director of Carnegie Hall. “Given South Africa’s extraordinarily rich music traditions, which include a deep passion for jazz, we know this tour will be a tremendous opportunity for musical and cultural discovery for these amazing young players. We are proud to showcase their incredible depth of talent and the high level of musicianship found across the United States as we find ways to connect the members of NYO Jazz with young musicians and music lovers across the country.

NYO Jazz’s 2020 tour will offer America’s finest young musicians the opportunity to experience the richness of South Africa’s culture and history while sharing their remarkable artistry with audiences throughout the country. Complementing their performances, the players’ schedule will also include exciting opportunities for cultural exchange and peer-to-peer activities with local young people, an element that has become a hallmark of international tours by all three of Carnegie Hall’s national youth ensembles.

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Michael Tilson Thomas Leads San Francisco Symphony in Final Carnegie Hall Concerts As Music Director on March 17 & 18

March 17 Concert Includes New York Premiere of Music by John Adams, Cellist Gautier Capuçon Playing Saint-Saëns, and Stravinsky’s The Firebird

March 18 Performance of Mahler’s Sixth Symphony to be Heard by Listeners Everywhere via Carnegie Hall Live Broadcast and Digital Series

This March, acclaimed conductor Michael Tilson Thomas leads the San Francisco Symphony in his final Carnegie Hall concerts as the orchestra’s music director.

The orchestra’s program on Tuesday, March 17 at 8:00 p.m. includes the New York premiere of John Adams’s I Still Dance (co-commissioned by San Francisco Symphony and Carnegie Hall as part of the Hall’s 125 Commissions Project) as well as Saint-Saëns’s Cello Concerto No. 1 with Gautier Capuçon and Stravinsky’s The Firebird. Throughout his tenure, Mr. Tilson Thomas has championed the work of groundbreaking American composers including John Adams, whose relationship with the San Francisco Symphony (SFS) spans nearly four decades. Mr. Adams’s new work, which opens the program, is dedicated to Mr. Tilson Thomas and his husband, Joshua Robison.

The following evening–Wednesday, March 18 at 8:00 p.m.–features a performance of Mahler’s Symphony No. 6. Mr. Tilson Thomas and the San Francisco Symphony’s recording of this work was the first to be released on the orchestra’s in-house SFS Media label and was recognized with a 2002 Grammy Award for Best Orchestral Performance, the first of seven Grammys to be received for their complete recordings of Mahler’s symphonies. This March 18 concert will be heard by listeners everywhere as part of the Carnegie Hall Live broadcast and digital series with a live radio broadcast on WQXR 105.9 FM in New York and online at wqxr.org and carnegiehall.org/wqxr.

Gautier Capuçon and Michael Tilson Thomas with the San Francisco Symphony, April 2017 © Jennifer Taylor

Mr. Tilson Thomas made his Carnegie Hall debut leading the Boston Symphony Orchestra in 1969. He has since performed more than 100 times at the Hall, curating two extended Carnegie Hall Perspectives series. He last led the San Francisco Symphony at Carnegie Hall in October 2018, when the orchestra opened the Hall’s 2018-2019 season.

Mr. Tilson Thomas concludes his tenure as SFS Music Director in June 2020 with performances of Mahler’s Symphony No. 8 at Davies Symphony Hall in San Francisco. Upon concluding the final concert, he becomes the orchestra’s first Music Director Laureate.

Michael Tilson Thomas assumed his post as the San Francisco Symphony’s 11th Music Director in 1995, consolidating a relationship with the orchestra that began with his debut in 1974. Since then, he and the orchestra have formed a musical partnership hailed as one of the most inspiring and successful in the country. His tenure has been praised for outstanding musicianship, innovative programming, highlighting the works of American composers, and bringing new audiences to classical music. In addition, the orchestra has been recognized nationally and internationally as a leader in music education and pioneer in using digital technology to widen the reach of classical music.

A Los Angeles native, Mr. Tilson Thomas studied with John Crown and Ingolf Dahl at the University of Southern California, becoming Music Director of the Young Musicians Foundation Debut Orchestra at nineteen. He worked with Stravinsky, Boulez, Stockhausen, and Copland at the famed Monday Evening Concerts and was pianist and conductor for the Piatigorsky and Heifetz master classes. In 1969, Mr. Tilson Thomas was appointed Assistant Conductor of the Boston Symphony Orchestra. Ten days later, he came to international recognition after replacing Music Director William Steinberg mid-concert at Lincoln Center. He made his Carnegie Hall debut days later replacing Mr. Steinberg leading the BSO. He went on to become the BSO’s Principal Guest Conductor, and he has also served as Music Director of the Buffalo Philharmonic, and as a Principal Guest Conductor of the Los Angeles Philharmonic. With the London Symphony Orchestra, he has served as Principal Conductor and Principal Guest Conductor; he is currently Conductor Laureate. He is Artistic Director of the New World Symphony, America’s Orchestral Academy, which he co-founded in 1987. The NWS has helped launch the careers of more than 1,200 alumni worldwide, including more than 15 members of the SFS.

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Nine Singers Advance To The Final Round Of The 2020 Metropolitan Opera National Council Auditions

The final phase of competition is the public Grand Finals concert on the Met stage, accompanied by the Metropolitan Opera Orchestra conducted by Bertrand de Billy, on Sunday, March 1

Winners will receive individual cash prizes of $20,000 and invaluable exposure in the opera world

Finals concert to be broadcast live on the Met’s website and SiriusXM

Following February 24th’s semi-final competition, nine young singers have advanced to the final round of the Metropolitan Opera’s 2020 National Council Auditions. In the public concert, finalists perform on the Met stage Sunday, March 1 at 3 p.m., for an audience of judges, agents, industry leaders, and the general public (in the auditorium and live on the radio). The finalists, chosen by a panel of opera administrators from the Met and other companies, each perform two arias with the Met Orchestra conducted by Bertrand de Billy. Prize money will increase for the first time in 20 years, with the winners receiving individual cash prizes of $20,000 (previously $15,000), and the prestigious and potentially career-launching title of National Council Auditions Winner. The remaining finalists receive $10,000 (previously $7,500).

The concert will be hosted by soprano Lisette Oropesa, a 2005 National Council Auditions winner, and will also feature a performance by tenor Javier Camarena, while the judges deliberate.

The concert will be broadcast live on Metropolitan Opera Radio on SiriusXM Channel 75, and streamed live on the Met’s web site, www.metopera.org.

The 2020 finalists, the regions they represent in the competition, and their hometowns are:

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