National Air and Space Museum 2020 Trophy Awarded to Charles Elachi and the Hubble Space Telescope Team

Museum Renames Prestigious Award to Honor Apollo 11 Astronaut Michael Collins

Honoring Astronaut Michael Collins’ legacy in aviation and space, the Smithsonian’s National Air and Space Museum is renaming its trophy for the Apollo 11 command module pilot. The recognition is awarded annually for Lifetime and Current Achievements. The 2020 recipients are Charles Elachi for Lifetime Achievement and the Hubble Space Telescope Team for Current Achievement. The recipients will receive their awards March 26 at a ceremony at the museum’s Steven F. Udvar-Hazy Center in Chantilly, Virginia.

The National Air and Space Museum Trophy event is made possible through the support of Atlas Air Worldwide, BAE Systems Inc., Blue Origin, Booz Allen Hamilton, The Claude Moore Charitable Foundation, Jacobs, Leidos, National Air Traffic Controllers Association, National Business Aviation Association, Pratt & Whitney, Seabury Capital, Sierra Nevada Corp. and Thales.

Established in 1985, the award recognizes outstanding achievements in the fields of aerospace science and technology and their history. Trophy winners receive a miniature version of “The Web of Space,” a sculpture by artist John Safer. The renaming of the trophy recognizes Collins’ contributions to aerospace and his service to the museum as director during a critical time in its evolution.

“The Web of Space” sculpture by John Safer. A miniature version of this sculpture is given to the National Air and Space Museum’s Michael Collins Trophy winners every year.

“I am deeply honored to have been made a part of the museum’s legacy recognizing the best in the aerospace industry,” said Michael Collins. “The National Air and Space Museum is a testament to thousands who helped craft it into the wonder it is today. I hope the award inspires future generations to keep reaching outward bound.”

2020 Michael Collins Trophy Recipients

Elachi will receive the 2020 Michael Collins Trophy for Lifetime Achievement honoring his distinguished career in the fields of remote sensing, planetary science and spaceflight-program management. After pioneering techniques in radar remote sensing for surface, ocean and atmospheric phenomena, he executed these techniques in leadership roles in various missions. He was the director for space and Earth sciences for almost 20 years at NASA’s Jet Propulsion Lab (JPL), and the director of JPL for 15. Under his leadership, JPL achieved many successful planetary, earth and astronomy missions including several Mars lander, rover and orbiter missions, pioneering missions to outer planets, such as the Cassini mission to Saturn, and the Spitzer and Kepler Space Telescopes. The breadth of his expertise allowed synergy between the technical aspects of radar remote sensing and the interpretation of the acquired science data, which is now a standard approach in Earth and planetary science. Through this lifetime of success, he has also served as a significant mentor to many in industry and academia.

Smithsonian’s National Air and Space Museum logo

As the Hubble Space Telescope celebrates its 30th year in operation, the team behind Hubble will receive the 2020 Collins Trophy for Current Achievement. Hubble has changed humans’ fundamental understanding of the universe, having taken over 1.4 million observations and provided data that astronomers have used to write more than 17,000 peer-reviewed scientific publications on a broad range of topics. Through the efforts of the Hubble team since 2018, the observatory has continued to produce science unachievable with any other instrument, including studies of the first possible moon orbiting a planet outside the solar system, imaging the first known interstellar object to visit the solar system and finding water vapor on an extrasolar planet in the habitable zone. System engineers in Hubble’s control center and science operations facility have continued to find creative ways to operate the 30-year-old spacecraft to make this revolutionary science possible and ensuring its capabilities will continue for years to come.

The National Air and Space Museum on the National Mall in Washington, D.C., is located at 655 Jefferson Dr. The museum’s Steven F. Udvar-Hazy Center is located in Chantilly, Virginia, near Washington Dulles International Airport. Both facilities are open daily from 10 a.m. until 5:30 p.m. (closed Dec. 25). Admission is free, but there is a $15 fee for parking before 4 p.m. at the Udvar-Hazy Center.

More information about the Michael Collins Trophy and a complete list of past winners are available at https://airandspace.si.edu/trophy-award.

The Mack Lecture Series Returns to the Walker Art Center this April

Mack Lecture Series
April 8–29, 7 pm$15 ($12 Walker members, students, and seniors)Walker Cinema

Hear directly from explorers of our culture and contemporary moment during the Mack Lecture Series. Throughout the month of April, artists, writers, and other great thinkers at the forefront of diverse fields share their vision on topics ranging from artificial intelligence in performance art to gender politics and gonzo journalism.

Annie Dorsen’s Hello Hi There, 2010 Photo: W. Silveri/Steirischer Herbst

Annie Dorsen and Catherine Havasi with Simon Adler
April 8, 7 pm

Simon Adler, 2018. Photo courtesy of Simon Adler.

Catherine Havasi, 2019. Photo courtesy of Catherine Havasi.

Annie Dorsen, 2019. Courtesy of John D. & Catherine T. MacArthur Foundation

Writer-director Annie Dorsen tries “to make perceptible how ideas change over time: where they come from, how they influence and are influenced by politics and culture, and how they take root in the body, physically and emotionally.” For this conversation, she explores the intersection of algorithms and live performance with artificial intelligence researcher and computational linguist Catherine Havasi, moderated by Simon Adler, a producer for WNYC’s Radiolab.

Annie Dorsen’s performance work Yesterday Tomorrow, takes place in the Walker’s McGuire Theater March 27–28.

JD Samson
April 15, 7 pm

JD Samson, 2019. Courtesy of the Artist

Genderqueer political activist, visual artist, and musician JD Samson is perhaps best known as leader of the band MEN and one-third of the electronic-feminist-punk band Le Tigre. As a self-defined “gender outlaw,” she will investigate the precarious masculinity of the butch/masculine-of-center body, play with traditional concepts of ownership and destruction, and break down the charged heteronormative history of queer sex dynamics.

Pantone Reveals Color of the Year 2020: PANTONE® 19-4052 Classic Blue

A Reassuring Presence Instilling Calm, Confidence, And Connection

Tapping into sight, sound, smell, taste, and texture Pantone makes PANTONE 19-4052 Classic Blue the first multi-sensory Color of the Year in the company’s history.

Pantone, provider of professional color language standards and digital solutions, today announced PANTONE 19-4052, Classic Blue, as the Pantone® Color of the Year for 2020; a timeless and enduring hue elegant in its simplicity. Suggestive of the sky at dusk, the reassuring qualities of the thought-provoking PANTONE 19-4052 Classic Blue highlight our desire for a dependable and stable foundation from which to build as we cross the threshold into a new era.

Pantone Reveals Color of the Year 2020: PANTONE® 19-4052 Classic Blue

“We are living in a time that requires trust and faith. It is this kind of constancy and confidence that is expressed by PANTONE 19-4052 Classic Blue, a solid and dependable blue hue we can always rely on,” said Leatrice Eiseman, Executive Director of the Pantone Color Institute. “Imbued with a deep resonance, PANTONE 19-4052 Classic Blue provides an anchoring foundation. A boundless blue evocative of the vast and infinite evening sky, PANTONE 19-4052 Classic Blue encourages us to look beyond the obvious to expand our thinking; challenging us to think more deeply, increase our perspective and open the flow of communication.”

The Color of the Year selection process requires thoughtful consideration and trend analysis. To arrive at the selection each year, Pantone’s color experts at the Pantone Color Institute comb the world looking for new color influences. This can include the entertainment industry and films in production, traveling art collections and new artists, fashion, all areas of design, popular travel destinations, as well as new lifestyles, playstyles, and socio-economic conditions. Influences may also stem from new technologies, materials, textures, and effects that impact color, relevant social media platforms and even up-coming sporting events that capture worldwide attention. For 21 years, Pantone’s Color of the Year has influenced product development and purchasing decisions in multiple industries, including fashion, home furnishings, and industrial design, as well as product packaging and graphic design. Past selections for Color of the Year include:

• PANTONE 16-1546 Living Coral (2019)
• PANTONE 18-3838 Ultra Violet (2018)
• PANTONE 15-0343 Greenery (2017)
• PANTONE 15-3919 Serenity and PANTONE 13-1520 Rose Quartz (2016)
• PANTONE 18-1438 Marsala (2015)
• PANTONE 18-3224 Radiant Orchid (2014)
• PANTONE 17-5641 Emerald (2013)
• PANTONE 17-1463 Tangerine Tango (2012)
• PANTONE 18-2120 Honeysuckle (2011)
• PANTONE 15-5519 Turquoise (2010)
• PANTONE 14-0848 Mimosa (2009)
• PANTONE 18-3943 Blue Iris (2008)
• PANTONE 19-1557 Chili Pepper (2007)
• PANTONE 13-1106 Sand Dollar (2006)
• PANTONE 15-5217 Blue Turquoise (2005)
• PANTONE 17-1456 Tigerlily (2004)
• PANTONE 14-4811 Aqua Sky (2003)
• PANTONE 19-1664 True Red (2002)
• PANTONE 17-2031 Fuchsia Rose (2001)
• PANTONE 15-4020 Cerulean (2000)

The color selected as the Pantone Color of the Year 2020 was taken from the Pantone Fashion, Home + Interiors Color System, the most widely used and recognized color standards system for fashion, textile, home, and interior design.

Imprinted in our psyches as a restful color, PANTONE 19-4052 Classic Blue brings a sense of peace and tranquility to the human spirit, offering refuge. Aiding concentration and bringing laser-like clarity, PANTONE 19-4052 Classic Blue re-centers our thoughts. A reflective blue tone, Classic Blue fosters resilience.

As technology continues to race ahead of the human ability to process it all, it is easy to understand why we gravitate to colors that are honest and offer the promise of protection. Non-aggressive and easily relatable, the trusted PANTONE 19-4052, Classic Blue lends itself to relaxed interaction. Associated with the return of another day, this universal favorite is comfortably embraced.

“The Pantone Color of the Year highlights the relationship between trends in color and what is taking place in our global culture at a moment in time, a color that reflects what individuals feel they need that color can hope to answer.” added Laurie Pressman, Vice President of the Pantone Color Institute. “As society continues to recognize color as a critical form of communication, and a way to express and affect ideas and emotions, designers and brands should feel inspired to use color to engage and connect. The Pantone Color of the Year selection provides strategic direction for the world of trend and design, reflecting the Pantone Color Institute’s year-round work doing the same for designers and brands.”

To fully bring to life the true meaning of PANTONE 19-4052 Classic Blue, Pantone has translated PANTONE 19-4052 Classic Blue into a multi-sensory experience. By extending the sensory reach of PANTONE 19-4052 Classic Blue, Pantone is hoping to reach a greater diversity of people to provide everyone with an opportunity to engage with the Color of the Year 2020 in their own unique way.

“As we all head into a new era, we wanted to challenge ourselves to find inspiration from new sources that not only evolve our Color of the Year platform, but also help our global audiences achieve richer and more rewarding color experiences,” added Pressman. “This desire, combined with the emotional properties of PANTONE 19-4052 Classic Blue, motivated us to expand beyond the visual, to bring the 2020 Pantone Color of the Year to life through a multi-sensory experience.”

Classic Blue in Fashion

PANTONE 19-4052 Classic Blue is a poised and self-assured blue hue elegant in its simplicity. Genderless in outlook and seasonless in endurance, this foundational anchor shade enables color mixes throughout the spectrum, as well as making a strong statement on its own. Emblematic of heritage but at the same time highly contemporary, versatile PANTONE 19-4052 Classic Blue takes on distinct appearances through application to different materials, finishes and textures from shimmering metallics, lustrous sheens and high-tech materials to hand crafted looks and more fragile fabrics.

Classic Blue in Beauty

In the ultimate display of personal expression, PANTONE 19-4052 Classic Blue makes a dramatic statement for eyes, nails and hair in a variety of finishes from glittery and glam to dusty matte.

Classic Blue in Home Décor

Offering the promise of protection PANTONE 19-4052 Classic Blue is a pervasive favorite for home. Creating a stable foundation from which to build, PANTONE 19-4052 Classic Blue injects creative confidence into interiors, transforming a space through unique color combinations and tonal statements. Easily applied across so many different materials, textures and finishes, PANTONE 19-4052 Classic Blue is a dependable blue that can take you in different directions expressing tradition and elegance as well as unexpected boldness.

Classic Blue in Graphic Design and Packaging

Because of PANTONE 19-4052 Classic Blue’s relation to the sky at dusk, something we see every day, it maintains a perception of dependability and constancy. A color we respond to viscerally as being trustworthy, PANTONE 19-4052 Classic Blue is an ideal shade for many applications of graphic design. This is especially true for packaging where PANTONE 19-4052 Classic Blue conveys the message of honesty, credibility and reliability that today’s consumers are connecting to.

Coming Soon: Alexander Girard: A Designer’s Universe at Palm Springs Art Museum

Organized By Vitra Design Museum, The Exhibition Featuring More Than 700 Objects

Inspired By Folk Art And Pop Art, Girard Created A Bold, Colorful, And Charismatic Universe.

Alexander Girard (Born in May 24, 1907 in New York City, NY and died on December 31, 1993 in Santa Fe, New Mexico) was one of the most important and prolific designers of the 20th century. He created stunning interiors for restaurants, private homes, corporate offices, and even airplanes! He created textiles, typography, and tableware. He designed exhibitions, toys, and a whole city street in Columbus, Indiana. Inspired by folk art and pop art, Girard created a bold, colorful, charismatic universe. He warmed up modernism with his whimsical, optimistic patterns and designs.

The Palm Springs Art Museum (101 Museum Drive, Palm Springs, CA 92262, 760-322-4800) has announced the West Coast debut of Alexander Girard: A Designer’s Universe. This exhibition, organized by Vitra Design Museum, presents the colorful universe of Alexander Girard through more than 400 objects—textiles, drawings, furniture, graphics, film, and folk art—in a richly layered installation and accompanied by a fully illustrated catalogue. Exhibition visitors will experience one of his best-known interiors—that of the 1957 Miller House in Columbus, Indiana—through a full-scale replica of its iconic conversation pit, which will be a place for repose and public programs.

The show will be on view from November 23, 2019 through March 1, 2020.

Practicing from the late 1920s until the late 1970s, Girard worked mostly for the American furniture company Herman Miller after becoming director of its textile division in 1951. Girard’s clients also included companies like Braniff International Airways and John Deere for which he created fresh new corporate brand identities, which, in the case of Braniff, extended from the planes themselves to the flight crew uniforms and passenger lounges. In addition to Girard’s own designs, this exhibition presents the creative universe from which Girard took his inspiration: folk art from all over the world, which the designer collected throughout his life. A selection of 300 objects from his folk art collection, gifted by him to the International Folk Art Museum in Santa Fe, is also featured in the exhibition.

The Palm Springs Art Museum was founded in 1938 as the Palm Springs Desert Museum at La Plaza in downtown Palm Springs. Natural science exhibits, Cahuilla Indian artifacts, and hiking excursions dominated the institution’s programming.

Visit http://www.psmuseum.org

The museum moved several times within the downtown Palm Springs area before building its first permanent structure in 1958, located on the southwest corner of Tahquitz-McCallum Way and Indian Ave. Over the years, fine art gained a greater measure of focus.

By the late 60’s it was evident the 10,000 square foot building was quickly becoming too small. In 1974, architect E. Stewart Williams was commissioned to design the current building for the museum. Further growth resulted in the construction of the Doris and Walter N. Marks Administration Building and the 1996 completion of the Steve Chase Wing and the Education Center.

Major renovations, and even bigger donations of art, transformed the institution, which also sharpened its programming with nationally significant exhibitions. In April 2004, the Board of Trustees decided to shift the museum’s focus from a multi-disciplinary museum to a world-class art museum with a vibrant theater program. In evaluating the current strengths and directions of the museum, it became clear that the art collections were growing and that the art audience was expanding – primarily in the areas of architecture, photography, and contemporary glass.

A study of the area’s other institutions also brought a realization that there were other established organizations providing exhibitions in the natural sciences. One year later, in April 2005, the museum officially changed its name from Palm Springs Desert Museum to Palm Springs Art Museum to reflect its emphasis on the visual and performing arts.

The museum remains committed to serving as an innovative community cultural center, and expanding its exhibitions, programs, and services in the visual and performing arts.

In 2012, the museum opened a satellite exhibition and education space in Palm Desert (Palm Springs Art Museum in Palm Desert, 72-567 Highway 111, Palm Desert, CA 92260, 760-346-5600), which features an architecturally distinctive building named The Galen that presents ongoing and temporary exhibitions of internationally important art and is surrounded by the Faye Sarkowsky Sculpture Garden that features significant sculpture works surrounded by beautifully landscaped gardens.

In 2011, the museum purchased the Santa Fe Federal Savings & Loan building designed by E. Stewart Williams in 1960. Located in downtown Palm Springs, it was reopened as the Palm Springs Art Museum Architecture and Design Center, Edwards Harris Pavilion (300 S Palm Canyon Drive, Palm Springs, CA 92262, 760-423-5260) in 2014.

This hub of the museum’s exploration of architecture and design features related exhibitions and educational programs.

The collection also includes Frey House II, the historically significant residence in Palm Springs that architect Albert Frey designed for himself in 1963 and bequeathed to the museum upon his death in 1998.

Accredited by the American Association of Museums, the Palm Springs Art Museum has 28 galleries, two sculpture gardens, four classrooms, a resource centers, an artists center, five storage vaults, a 85-seat lecture hall, a 433-seat theater, a 1,000 square-foot store, and a popular local bistro.

A variety of educational programs and activities will take place in connection to the Palm Springs iteration; additionally, the museum’s annual gala and biggest fundraiser on January 26, 2020 will be Girard themed in décor and ambience to bring even greater attention to the exhibition.

Alexander Girard: A Designer’s Universe‘s global sponsors are Herman Miller and Maharam. Palm Springs Art Museum’s presentation is organized by Brooke Hodge, Director of Architecture and Design, with generous support from Joan & Gary Gand. Additional support is provided by Ellen Donaldson.

Publishing Giant Condé Nast Announces New Global Leadership Structure

U.S./New York-based Condé Nast and London-based Condé Nast International Are Integrated as One Global Team. New Consumer Marketing Function to Bring Focus on Direct-to-Consumer Efforts With Unified Commercial Team to Better Serve Global Clients’ Holistic Needs

New Leadership Structure is Expected to Help Further Turn the Financial Ship Around As Company Moves Beyond Closing and Selling Off Magazine Titles, Layoffs and Consolidation of Workforce Across All Titles

Long expected, Condé Nast yesterday appointed a new global leadership team designed to accelerate the company’s evolution into a 21st-century media company. The new organizational structure, which combines Condé Nast and Condé Nast International into a unified global team, was created with several guiding principles in mind, including the preservation of local editorial voice and authority, an enhanced focus on the consumer, unification of the company’s ad and commercial sales functions to reflect clients’ local and global needs and the development of new ways to share capabilities and best practices across the company.

Condé Nast is a global media company, home to iconic brands including Vogue, The New Yorker, GQ, Glamour, AD, Vanity Fair, and Wired, among many others. The company’s award-winning content reaches 84 million consumers in print, 367 million in digital and 379 million across social platforms, and generates more than 1 billion video views each month. The company is headquartered in London and New York and operates in 32 markets worldwide including China, France, Germany, India, Italy, Japan, Mexico & Latin America, Russia, Spain, Taiwan, the U.K., and the U.S., with local license partners across the globe. Launched in 2011, Condé Nast Entertainment is an award-winning production and distribution studio that creates programming across film, television, social and digital video and virtual reality.

“One of my top priorities has been to define our organizational structure so that we can take full advantage of our unique growth opportunities and exceptional content around the world,” said the recently-appointed CEO of Condé Nast, RogerLynch “I’m confident that our new global structure will better enable us to collaborate across teams and markets and, ultimately, deliver unparalleled experiences for our consumers and clients.“

The new structure is as follows:

Global Content Functions:: Anna Wintour, U.S. Artistic Director, Editor-in-Chief of Vogue U.S. and (newly-appointed) Global Content Advisor, will continue in her role as U.S. Artistic Director and Editor-in-Chief of Vogue U.S., and will add Global Content Advisor and oversight of Vogue International to her responsibilities. In her expanded role, Wintour will advise the executive leadership team on global content opportunities and act as a resource to editors-in-chief and editorial talent worldwide.

Oren Katzeff, President of Condé Nast Entertainment (CNE), will expand the company’s digital video, film and television operations to create best-in-class video content experiences for audiences worldwide. The company has been increasing its focus on video content and currently generates 1.1 billion video views per month. Under Oren’s leadership, CNE will now be the core of our global network of video teams, supporting the growth of our video businesses in all markets.

David Remnick, Editor-in-Chief of The New Yorker, will also continue to report directly to Lynch.

Global Operations Organization: Wolfgang Blau, President, International & Chief Operating Officer will oversee all non-U.S. markets, as well as selected global strategic functions, including Product & Technology, Data, Licensing, Global Editorial Operations, Business Development, and Delivery & Business Transformation. This organization will ensure day-to-day operational excellence and capability sharing across the business.

Global Commercial Organization: Pamela Drucker Mann, Global Chief Revenue Officer & President, U.S. Revenue, will lead a new global revenue organization that brings together the company’s U.S. and international ad sales, creative and agency, B2B marketing and client service capabilities. Jamie Jouning, promoted to Chief Client Officer, will report to Drucker Mann and oversee key global accounts, multi-market deals, and central digital ad operations. Drucker Mann will define ad sales and ad product strategies globally, and work closely with Jamie and the central team and commercial leads in the company’s worldwide markets to drive overall ad, agency, and B2B revenue and share best practices.

Consumer Marketing Organization: Condé Nast is creating a new consumer marketing organization that will be led by a Chief Marketing Officer (CMO) and will bring added focus to the company’s direct-to-consumer efforts. As the company expands its consumer offerings, this team will be charged with developing best-in-class capabilities and consistency across consumer experiences on every platform. The team will also be responsible for consumer revenue, with a core focus on subscriptions and memberships. In addition, the team will have responsibility for global brand management, consumer research, and insights and global audience development, ensuring a data-driven approach to the company’s efforts. The search for a CMO to lead this new organization will begin immediately.

Corporate Functions: The company is also globalizing its three corporate functions to leverage skills, expertise and standardize processes and best practices: People, Finance and Communications. The company will begin an immediate search and selection process for these and other open roles. Until new leaders are identified, teams will maintain their existing reporting lines and responsibilities.

“We’re bringing added focus to our direct-to-consumer efforts and will build a new consumer marketing function that will be charged with developing best-in-class subscription and membership capabilities, and maintaining the authenticity of our iconic global brands,” Lynch continued. “And by transforming our sales organization into a unified global team, Condé Nast will be better positioned to serve the holistic needs of our clients around the world and make it easier for them to do business with us.“

The new structure and appointments take effect immediately.

‘Let’s Go Gifting’: Nordstrom Launches its 2018 Holiday Campaign Celebrating the Joy of Gifting

(Courtesy: Nordstrom PR)

This holiday season, Nordstrom wants to make shopping fun with Gifts That Do Good, Gifts That Inspire, and innovative services that help make the holidays completely stress-free in-store and online. The marketing campaign was produced by Nordstrom and directed and photographed by Theo Wenner, who has worked on original campaigns for Chanel, Chloe, and Topshop/Topman, as well as editorials for Vogue and Rolling Stone. The cast includes Guinevere Van Seenus, who began her modeling career walking a Nordstrom fashion show as a teenager, as well as longtime Nordstrom customer and model Jan De Villeneuve, who has been gracing runways for over 50 years.

NORDSTROM LOGO (Courtesy: Nordstrom PR)

The campaign includes a colorful, cheerful video that will run on Nordstrom.com and on the retailer’s social and digital platforms, print and out of home. A national TV commercial will launch on November 5.

Campaign visuals from the 2018 Nordstrom ‘Let’s Go Gifting!” Holiday campaign to run in O: The Oprah Winfrey magazine  (Courtesy: Nordstrom PR)

GIFTS THAT DO GOOD

Giving back feels good any time of year, but particularly during the holidays. From gift cards that give back, to gifts that do good, Nordstrom is making it easier than ever for customers to find the perfect gift.

Campaign visuals from the 2018 Nordstrom ‘Let’s Go Gifting!” Holiday campaign to run in InStyle magazine (Courtesy: Nordstrom PR)

Campaign visuals from the 2018 Nordstrom ‘Let’s Go Gifting!” Holiday campaign to run in US Harpers Bazaar magazine (Courtesy: Nordstrom PR)

• Gift Card Give Back – Nordstrom donates 1% of all gift card sales to nonprofits across the U.S. and Canada. This year alone, the company has donated over $7.5 million to more than 600 organizations.

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• Children’s Miracle Network Hospitals™ – In partnership with its customers, Nordstrom is supporting Children’s Miracle Network Hospitals™ (CMNH) to make a difference in the lives of children. Now through December 24, Nordstrom invites customers to support CMNH through the purchase of $10 giving cards at any Nordstrom full-line store in the U.S. and Canada. All donations will stay local to the community in which they were given, including 55 network hospitals in regions with Nordstrom stores. The donations will fund critical treatments, pediatric medical equipment and charitable care for children and their families across the U.S. and Canada.

• Nordstrom Signature – Nordstrom is introducing a new cashmere collection featuring beautiful designs for women, men, and children. Select products within the collection are produced in factories where Nordstrom has partnered with BSR’s HERproject to implement workplace training programs on topics like health, finance, and gender equality. Since 2007, Nordstrom has partnered with BSR to launch worker empowerment programs in 27 factories around the world, reaching more than 18,000 workers.

  

  Campaign visuals from the 2018 Nordstrom ‘Let’s Go Gifting!” Holiday campaign to run in US Elle magazine (Courtesy: Nordstrom PR)

  

  Campaign visuals from the 2018 Nordstrom ‘Let’s Go Gifting!” Holiday campaign to run in US Marie Claire magazine (Courtesy: Nordstrom PR)

• Treasure & Bond – Nordstrom donates 2.5% of net sales from this exclusive, private-label brand to programs that empower young people to make a difference in their community. To date, the company has donated $2.5 million. This year, Treasure & Bond is supporting WE Charity, which provides educators and students with curriculum and educational resources that help them gain an understanding of the root causes of pressing social issues and provides the tools necessary to take action and make an impact. Treasure & Bond features laid-back wardrobe staples with an Americana aesthetic for women, men, children, as well as home, a new category that launched this year.

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GIFTS THAT INSPIRE

Nordstrom aims to be THE destination for unique holiday gifts at a range of price points, from a chic Topshop faux fur shoulder bag for $48 to showstopping Gucci boots for $1,790, including emerging brands and exclusive items.

November 27 – Treasure & Bond Patterned Pullover

November 28 – Monica Vinader Havana Mini Friendship Bracelet

November 29 – Sant and Abel Santa Pajamas

• Daily Drops – Beginning November 27 through December 18, Nordstrom will release exclusive, limited products each day called ‘Daily Drops,’ to create a sense of discovery in-store and online throughout the shopping season. Products will be added to Nordstrom.com/holidaygifts at 6:00am PST, as well as on the @Nordstrom Instagram. ‘Daily Drops’ will feature exciting, new-to-market items and styles from brands like Something Navy, Christian Louboutin, Charlotte Tilbury, Rothy’s, Treasure & Bond, Le Labo, Sant & Abel, Hugo Boss x Jeremyville, and Rag & Bone x Mickey.

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• Gift Guides – Based on top-demanded categories and search terms by Nordstrom customers, the company is introducing a persona-based gift guide featuring curated and unique ideas for 11 customer personalities. Examples include The Tech Collector, The Luxe Lover, The Traveler, The Witty One, and the Do-Gooder, among others, and can be found on Nordstrom.com/holidaygifts.

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Nordstrom Holiday Gift Guide

Nordstrom Men’s Store NYC Opens

Retailer Debuts First Manhattan Flagship

Nordstrom, Inc. opened the doors Thursday, April 12, to its very first flagship, full-line New York City location and first ever stand-alone men’s store at 235 West 57^th Street. The three-level 47,000 square foot store offers a differentiated merchandise assortment across all categories, including popular and designer brands, along with a range of convenient services to serve customers on their terms.

Nordstrom Incorporated logo. (PRNewsFoto)

The Nordstrom Men’s Store NYC features the company’s newest store design concepts, including an all-glass façade to bring in more natural light, unboxing the display windows, and connecting the shopping experience to the city. An open, flexible floor plan allows for an evolving curation of how products are displayed over time, depending on what New York customers respond to. The store environment will create a sense of discovery, allowing customers to navigate easily and find new brands they haven’t experienced before.

Calvin Klein Boutique at Nordstrom Men’s Store NYC

Nordstrom has been a longtime believer in investing in artwork for its stores. New Yorkers will experience an extensive collection, featuring 39 works by both international and American artists, with a quarter being local. Suspended in the center of a three-story staircase, a floating, diaphanous tree sculpture entitled “Arctic Tree” by the Seattle-based artist John Grade is a nod to the retailer’s Seattle roots.

EXCLUSIVE MERCHANDISE CONCEPTS
Olivia Kim, Nordstrom vice president of creative projects has curated a special Comme des Garçons(CDG) shop that will feature one of the largest local selections of the fashion house’s coveted brands. Olivia commissioned artist Marc Hundley to design a space that invokes both the ethos of CDG and the streets of New York City. In a first for Nordstrom, the men’s flagship will also feature designer shops by Calvin Klein, Balenciaga, Valentino, and Dior. Each space is united by a chainmail motif, but are distinguished by personalized fixtures adhering to each brand. The shoe department houses a Christian Louboutin shop displaying a wide range of the shoemaker’s sporty and formal offerings. The Nike Men’s Project, a sportswear and shoe destination for style and fitness-obsessed customers, will offer the brand’s latest sneakers and apparel collections.

Comme des Garcons shop at Nordstrom Men’s Store NYC

The store also features an array of customization and personalization experiences, including the Levi’s Tailor Shop, where customers can shop Levi’s Authorized Vintage, one of the largest vintage denim collections in existence, and also design custom embroidery on any item, heat press a shirt or get an express hem while they wait; Shinola will offer watch customization in addition to a selection of tech products; exclusive to the flagship, Samuelson Custom Suit Visualizer is an interactive digital made-to-measure suiting experience at an accessible price point; Eton Endless Aisle is a digital touchscreen offering an expanded assortment of dress shirts and ties; and cult-favorite Le Labo will create personalized fragrance labels in the grooming department.