Evening programming features collaborations with local artists, pop-up art installations, performances and more
The Denver Art Museum (DAM) will kick off its new season of Untitled: Creative Fusions on January 31, 2020, with an unprecedented night of pop-up art installations, performances, interactive elements and more created by local artists Eileen Roscina Richardson and Joshua Ware in collaboration with 17 local creatives.
Untitled: Creative Fusions is a newly reimagined version of Untitled, presenting a bigger, bolder program at the Denver Art Museum in 2020. Taking place four times a year, Untitled: Creative Fusions will bring local creatives together to merge their artistic practices with the DAM’s exhibitions and artworks.
(Untitled is included in general museum admission, however, a special exhibition ticket is required for Claude Monet: The Truth of Nature.)
Inspired by Claude Monet: The Truth of Natureand The Light Show, Richardson and Ware join forces to investigate the wild and the constructed through the theme Entanglements. Visitors are invited to explore the space between the man-made and the natural, where humans and nature are irrevocably intertwined.
With can’t-miss moments including live ice sculpting by Jess Parris, pop-up installations by the lead creators, wheat pasting with We Were Wild, a complimentary liquid nitrogen popcorn station courtesy of The Inventing Room, beats by Dance the NightShift and more, visitors can expect a once-in-a-lifetime night at the DAM during Untitled.
The Walker Arts Center continues to flesh out what is considerably a very dynamic exhibition schedule for the next two years. Additions to the Walker Art Center’s 2020–2021 exhibition schedule include two new solo exhibitions by female artists, Faye Driscoll: Thank You for Coming(February 27–June 14, 2020) and Candice Lin(April 17–August 29, 2021) as well as a Walker collection show of women artists, Don’t let this be easy(July 16–March 14, 2021). For her first solo museum exhibition, Faye Driscoll incorporates a guided audio soundtrack, moving image works, and props to look back across the entirety of her trilogy of performances Thank You For Coming—Attendance(2014), Play(2016), and Space(2019)—works that were presented and co-commissioned by the Walker and subsequently toured around the world over the past six years. Another newly added exhibition, Candice Lin, is the first US museum solo show by the artist, co-organized by the Walker Art Center and the Carpenter Center for Visual Arts (CCVA). Lin is creating a site-specific installation that responds to the space of the gallery at each institution, allowing the shape of the work to evolve over the course of its presentation.
The Walker-organized exhibition Don’t let this be easy highlights the diverse and experimental practices of women artists spanning some 50 years through a selection of paintings, sculptures, moving image works, artists’ books, and materials from the archives.
The initiative is presented in conjunction with the Feminist Art Coalition (FAC), a nationwide effort involving more than 60 museums committed to social justice and structural change.
Other upcoming exhibitions include An Art Of Changes: Jasper Johns Prints, 1960–2018 (February 16–September 20, 2020), a survey of six decades of Johns’ work in printmaking drawn from the Walker’s complete collection of the artists’ prints including intaglio, lithography, woodcut, linoleum cut, screenprinting, lead relief, and blind embossing; The Paradox of Stillness: Art, Object, and Performance (formerly titiled Still and Yet) (April 18–July 26, 2020), is an exhibition that rethinks the history of performance featuring artists whose works include performative elements but also embrace acts, objects, and gestures that refer more to the inert qualities of traditional painting or sculpture than to true staged action.
Additional exhibitions include Michaela Eichwald’s (June 13–November 8, 2020) first US solo museum presentation, bringing together painting, sculpture, and collage from across the past 10 years of her practice; Designs for Different Futures (September 12, 2020 – January 3, 2021)—a collaborative group show co-organized by the Walker Art Center, Philadelphia Museum of Art, and the Art Institute of Chicago—brings together about 80 dynamic works that address the challenges and opportunities that humans may encounter in the years, decades, and centuries to come; Rayyane Tabet(December 10, 2020– April 18, 2021), a solo show by the Beirut-based multidisciplinary artist featuring a new installation for the Walker that begins with a time capsule discovered on the site of what was once an IBM manufacturing facility in Rochester, Minnesota.
AN ART OF CHANGES: JASPER JOHNS PRINTS, 1960–2018, February 16–September 20, 2020
When Jasper Johns’s paintings of flags and targets debuted in 1958, they brought him instant acclaim and established him as a critical link between Abstract Expressionism and Pop Art. In the ensuing 60 years, Johns (US, b. 1930) has continued to astonish viewers with the beauty and complexity of his paintings, drawings, sculpture, and prints. Today, he is considered one of the 20th century’s greatest American artists.
In celebration of the artist’s 90th birthday, An Art of Changes surveys six decades of Johns’s work in printmaking, highlighting his experiments with familiar, abstract, and personal imagery that play with memory and visual perception in endlessly original ways. The exhibition features some 90 works in intaglio, lithography, woodcut, linoleum cut, screenprinting, and lead relief—all drawn from the Walker’s comprehensive collection of the artist’s prints.
Organized in four thematic sections, the show follows Johns through the years as he revises and recycles key motifs over time, including the American flag, numerals, and the English alphabet, which he describes as “things the mind already knows.” Some works explore artists’ tools, materials, and techniques. Others explore signature aspects of the artist’s distinctive mark-making, including flagstones and hatch marks, while later pieces teem with autobiographical imagery. To underscore Johns’s fascination with the changes that occur when an image is reworked in another medium, the prints will be augmented by a small selection of paintings and sculptures.
Curator: Joan Rothfuss, guest curator, Visual Arts.
Exhibition Tour Carnegie Museum of Art, Pittsburgh: October 12, 2019–January 20, 2020 Walker Art Center, Minneapolis: February 16–September 20, 2020 Grand Rapids Art Museum, Michigan: October 24, 2020–January 24, 2021 Tampa Art Museum, Florida: April 28–September 6, 2021
The Peninsula Shanghai welcomes the Chinese New Year with authentic family experiences to bring joy and prosperity for The Year of the Rat. Peninsula guests and local residents can ring in the New Year with a range of customs and traditions, welcoming the most important occasion in the Chinese lunar year. Throughout the festive period, a canopy of red lanterns will decorate the hotel forecourt and festive plum blossoms will decorate The Lobby. Guests will be welcomed by 6.5 metre traditional Chinese paper-cutting with intricate detailing and New Year blessings – a decoration which has become one of The Peninsula Shanghai’s Spring Festival traditions.
As tradition states, The Peninsula Shanghai (No. 32 The Bund 32 Zhongshan Dong Yi Road Shanghai 200002 The People’s Republic of China. +86 21 2327 2888. PSH@PENINSULA.COM) will once again host its spectacular Lion Dance performance by the award-winning Ha Kwok Cheung dance troupe from Hong Kong at The Lobby on January 25, 2020 and at Yi Long Court every evening from January 25to 31 January, 2020. A fantastic show to behold, The Peninsula’s Lion Dance performance is a picture-perfect moment for the entire family in anticipation of the new year.
Sharing a sumptuous reunion banquet with family and friends is perhaps the ultimate highlight of the Spring Festival holiday. One Michelin-starred Yi Long Court will present Chef Tsui’s delectable eight-course Chinese New Year menus with two options: the Treasure and Longevity menus.
On Chinese New Year’s Eve and New Year’s Day, diners at Yi Long Court can enjoy three quintessential delicacies from Southern China. Poon Choi, a luxurious Chinese casserole with premium Yunnan truffle, prickly sea cucumber, abalone and oysters, is served in two versions, Fortune and Fame and Fortune and Treasure. Lo Hei is a sumptuous raw fish salad that groups of guests stir together as they make a wish for the year ahead.
The Entertainment Capital of the World to Offer Dazzling New Year’s Eve Experiences
Saying goodbye to another year, Las Vegas visitors can give 2019 a proper farewell with exciting New Year’s Eve events. The Strip and Downtown Las Vegas will ring in 2020 with astounding entertainment, pyrotechnic displays, mouthwatering culinary offerings and much more.
Raise a Glass with the Stars
Christina Aguilera will have guests saying “come on over” as she wraps up this leg of her “Christina Aguilera: The Xperience” residency at Zappos Theater inside Planet Hollywood Resort & Casino, with four shows on New Year’s Eve weekend Dec. 27-28 and 30-31. Join the chanteuse for a special countdown to midnight at the Dec. 31 show.
One of the world’s greatest rock bands – Journey – will bring the crowd inside The Colosseum at Caesars Palace to their feet with four shows on New Year’s Eve weekend Dec. 27-28 and 30-31.
Celebrate with Lady Gaga as she puts on three shows New Year’s Eve weekend at Park Theater inside Park MGM. The superstar will perform her famous pop hits during LADY GAGA ENIGMA Dec. 28 and 30. And close out the decade in style on Dec. 31 at LADY GAGA JAZZ & PIANO with stripped-down versions of those hits alongside music from the Great American Songbook.
Maroon 5 will bring their annual New Year’s Eve shows back to Mandalay Bay Events Center for the ninth consecutive year, Dec. 30 and 31.
Jam out with rock band The Offspring at the Pearl Theater inside Palms Casino Resort on Dec. 30 and close out the year with an intimate performance by Puerto Rican superstar OZUNA on Dec. 31.
Straight up ring in the new year with Paula Abdul as she performs her greatest hits at the Flamingo Las Vegas on Dec. 31.
American reggae and dub band Stick Figure will ring in 2020 at Brooklyn Bowl Las Vegas with a New Year’s Eve performance on Dec. 31.
Leave it all on the Dance Floor
Drai’s Nightclubat The Cromwellwill host a star-studded, four-day celebration to ring in 2020 from Dec. 28 to Dec. 31, with performances from artists Trey Songz (Dec. 28), Meek Mill (Dec. 29), Gucci Mane (Dec. 30) and Future on New Year’s Eve.
Hakkasan Nightclubinside MGM Grand Hotel and Casinowill celebrate New Year’s Eve weekend in style with five days of stellar performances by DJ Shift (Dec. 27), Fergie DJ (Dec. 28), rapper DMX (Dec. 29), TIËSTO (Dec. 30) and Steve Aoki bringing it home on Dec. 31.
GRAMMY Award-winning rapper Drake continues his partnership with XS Nightclubat Encore Las Vegaswith a New Year’s weekend performance Dec. 30.
Chart-topping DJ duo The Chainsmokers will kick off the 2020 countdown on Dec. 31 at XS Nightclubat Encore Las Vegaswith hits like “Call You Mine” and “Something Just Like This.”
Carnegie Hall’s Largest-Ever Celebration of One Composer Features More Than 35 Events at the Hall with Internationally Renowned Artists Exploring the Revolutionary Composer’s Works and His Transformative Impact on Music
Plus, 35+ Events Citywide at Prestigious Partner Organizations Including Music, Dance, Exhibitions, Talks, and Poetry
As the 250th anniversary year of Beethoven’s birth approaches, Carnegie Hall announces a wider schedule of partner events by leading cultural institutions, complementing the Hall’s programming as part of its Beethoven Celebration which includes an unprecedented range of performances by renowned artists exploring the composer’s works and his transformative impact on music. The Beethoven Celebration presents one of the largest explorations of the great master’s music in our time and marks the largest-ever exploration of one composer by Carnegie Hall, with 86 works of music performed by more than 58 artists and ensembles in New York City and beyond from January through June 2020. Ticketing Information.
Beyond Carnegie Hall, public programming, performances, exhibitions, and events at partner organizations—leading cultural and academic institutions in New York City and beyond—highlight the many dimensions of the great music master. The more than 35 partner events range from music and dance to poetry, exhibitions, and talks, many of which have a contemporary slant. Together, the Beethoven Celebration features more than 70 programs, creating an extraordinary view of this revolutionary composer.
“This rich series of events across New York City celebrates Beethoven’s unique place in the pantheon of the greatest artists in history as a composer whose music, perhaps more than any other, changed the course of Western classical music,” said Clive Gillinson, Executive and Artistic Director of Carnegie Hall. “Beethoven was audacious and absolutely fearless, a true revolutionary who never stopped challenging himself and who redefined every area of music that he touched. His music is timeless, and he continues to connect people worldwide with sounds that remain idealistic, compelling, fearsome, and personal. It’s no surprise that people around the globe continue to turn to his music to celebrate some of the most important turning points in history. We hope this opportunity to immerse ourselves in his music during this anniversary year will highlight the transformational impact he has had on culture, inspiring fresh perspectives on his life and work.”
HIGHLIGHTS OF BEETHOVEN CELEBRATION EVENTS AT CARNEGIE HALL
At Carnegie Hall, the Beethoven Celebration features more than 35 events including two complete symphony cycles, the complete piano sonatas and complete string quartets, chamber music, choral works, plus additional concerts and lectures as well as an ambitious global project that explores the themes found in Beethoven’s “Ode to Joy,” led by Marin Alsop.
A highlight of the Beethoven Celebration—never before presented by Carnegie Hall in one season—are two complete symphony cycles, one in February 2020 by Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique (ORR), performed on period instruments, and another in March and April 2020 by Yannick Nézet-Séguin and The Philadelphia Orchestra, contrasting their two different interpretive perspectives on these pillars of the orchestral repertoire.
A key figure both in the early music revival and as a pioneer of historically informed performances, Sir John Eliot Gardiner leads his internationally acclaimed early music ensemble ORR in Beethoven’s Symphony No. 1, along with the rarely-heard score for the ballet, The Creatures of Prometheus (February 19 at 8:00 p.m.). The six-day symphony cycle in Stern Auditorium/Perelman Stage continues with the Symphony Nos. 2 and No. 3, “Eroica” (February 20 at 8:00 p.m.); Symphony Nos. 4, and 5—with its famous opening motif—(February 21 at 8:00 p.m.); Symphony No. 6, “Pastoral” and No. 7 (February 23 at 2:00 p.m.); and Symphony Nos. 8 and 9 (February 24 at 8:00 p.m.). The soloists for the Ninth Symphony include soprano Lucy Crowe, contralt Jess Dandy, tenor Ed Lyon, and bass Tareq Nazmi alongside The Monteverdi Choir. As a prelude to the cycle, Maestro Gardiner will be joined by distinguished Beethoven scholar William Kinderman for a discussion in Weill Recital Hall that illuminates Gardiner’s approach to these symphonic masterworks (February 18 at 7:00 p.m.). These Beethoven Celebration events comprise Sir John Eliot Gardiner’s Perspectives series, which the celebrated conductor has curated for the 2019-20 season.
One of the most remarkable talents of his generation, Yannick Nézet-Séguin leads The Philadelphia Orchestra in the second complete cycle of Beethoven symphonies this season in Stern Auditorium/Perelman Stage, beginning with Symphony Nos. 5 and 6, “Pastoral” (March 13 at 8:00 p.m.). The four-concert cycle continues with Symphony Nos. 2 and 3, “Eroica” (March 20 at 8:00 p.m.); Symphony Nos. 4, 7, and 8 (March 26 at 8:00 p.m.); and Symphony Nos. 1 and 9 (April 3 at 8:00 p.m.). The soloists for the Ninth Symphony include soprano Angel Blue, mezzo-soprano Mihoko Fujimura, tenor Rolando Villazón, and baritone Quinn Kelsey alongside the Westminster Symphonic Choir. Maestro Nézet-Séguin also leads The MET Orchestra in a program that features virtuoso superstar Anne-Sophie Mutter in Beethoven’s groundbreaking Violin Concerto and Romance for Violin and Orchestra in F Major (June 12 at 8:00 p.m.). These five Beethoven Celebration performances are part of conductor Yannick Nézet-Séguin’s nine-concert Perspectives series this season.
New dance commissions by Ephrat Asherie and Omari Wiles
Theatrical first looks at Company, West Side Story, and Ocean Filibuster
Opera sneak peek with Lincoln Center Theater’s Intimate Apparel, The Metropolitan Opera’s Agrippina, and Opera Theatre of Saint Louis’s Awakenings
Dance previews featuring BalletX and Pennsylvania Ballet
Works & Process at the Guggenheim is pleased to announce its spring 2020 season. Since 1984, the performing arts series has championed new works and offered audiences unprecedented access to leading creators. The intimate Frank Lloyd Wright –designed Peter B. Lewis Theater is the venue for these seventy-minute programs that explore the creative process through stimulating discussions and riveting performance highlights. One-of-a-kind productions created for the Guggenheim’s rotunda offer a unique experience of the landmark museum. Additional information is available at worksandprocess.org.
Audience members are invited to artist receptions in the rotunda following most evening programs. Prior to performances, The Wright restaurant is open with a cash bar from 5:30 to 7:30 pm.
Works & Process lead funding is provided by the Ford Foundation, Florence Gould Foundation, the Christian Humann Foundation, Mertz Gilmore Foundation, Stavros Niarchos Foundation, Rockefeller Brothers Fund, and Evelyn Sharp Foundation, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council and the National Endowment for the Arts.
Spring 2020 Season
OPENING NIGHT CABARET
Anthony Roth Costanzo, January 6, 2020, 7:30 pm
Before he was an opera singer, countertenor Anthony Roth Costanzo (Akhnaten and Glass Handel) was a Broadway baby moving from community theater to national tours, and eventually to the Great White Way. Now, Costanzo is looking back to go forward. For one night only, in the New York premiere of his cabaret, he revisits his childhood, drawing on the leading ladies, crooners, and icons that helped form him. And, in a twist, he finds just enough low to balance out his highs. Developed with the Bearded Ladies Cabaret, on the occasion of Opera Philadelphia’s Festival O19. Directed by John Jarboe. Musical arrangements by Heath Allen. Scenic design by Machine Dazzle.
Opening Night Chairs: Joanna Fisher, Bart Friedman, Andrew J. Martin-Weber, and Anh-Tuyet Nguyen
6:30 pm Reception in Rotunda
7:30 pm Performance in the Peter B. Lewis Theater
9 pm Dinner at The Wright
$500 Prime Seating and Artist Dinner
$150 Dress Circle
$75 Side View
Countertenor Anthony Roth Costanzo began performing professionally at the age of eleven and has since appeared in opera, concert, recital, film, and on Broadway. He has produced operas, installations, concerts, and performance series internationally. Recently, he appeared at the Metropolitan Opera performing the title role in Philip Glass’s Akhnaten, and has performed with many of the world’s other leading opera houses, including Lyric Opera of Chicago, San Francisco Opera, the Los Angeles Opera, Houston Grand Opera, the Canadian Opera Company, Glyndebourne Opera Festival, English National Opera, and Teatro Real in Madrid. In concert he has appeared with the New York Philharmonic, the San Francisco Symphony, the London Symphony Orchestra, and the Berlin Philharmonic, and at Carnegie Hall, the Elbphilharmonie, and the Kennedy Center. His first album, ARC, was nominated for a Grammy and he received Musical America’s 2019 Vocalist of the Year award.
DANCE COMMISSION PREVIEW
Les Ballet Afrik and Ephrat Asherie Dance, Jan 13 and 14, 2020, 7:30 pm
In 2020, Works & Process commissions and premieres two works by Les Ballet Afrik and Ephrat Asherie Dance.
Having received the honorary status of Legend after 10 years of competing in the Vogue Ballroom scene and performing across the globe, choreographer Omari Wiles brings the ballroom to the Peter B. Lewis Theater at the Guggenheim. With excerpts of New York is Burning, performed by Les Ballet Afrik and guest artists, Wiles presents his signature “AfrikFusion” style, which fuses traditional African dances and Afrobeat styles with House dance and Vogue.
Excerpts from Ephrat Asherie’s UnderScored (working title) are performed by EAD company members with guest artists from New York City’s underground dance scene. Beginning with the legendary parties at The Loft and the Paradise Garage, UnderScored is inspired by intergenerational club-life memories and explores the ever-changing physical landscape of New York City’s underground House dance community.
One-Night-Only Program Will Include Two Merce Cunningham Centennial Solos and Special Performance to Memorialize Opera Great Jessye Norman
Celebration Launches Ailey’s Holiday Season at New York City Center, December 4 – January 5
The Alvin Ailey American Dance Theater will launch a five-week holiday season on December 4 with a star-studded gala benefit performance at New York City Center and party at the New York Hilton Midtown Grand Ballroom. The special evening celebrates philanthropist Elaine Wynn and the Elaine P. Wynn & Family Foundation. Wynn’s generous contributions have supported the creation of new works as well as the Elaine Wynn & Family Education Wing, which in 2017 added three floors – featuring four dance studios and two classrooms – to The Joan Weill Center for Dance, New York’s largest building dedicated to dance.
The one-night only performance at 7pm will feature two Merce Cunningham Centennial Solos that were part of this year’s 100th anniversary celebration of his birth – marking the first time this landmark choreographer’s work will be seen on the Ailey stage – as well as a special excerpt of Artistic Director Robert Battle’s Channels to honor and memorialize opera great Jessye Norman, set to her recorded performance of a Johannes Brahms lied – a 19th -century German art song. Following the inspiring finale of Revelations, performed with live music, prominent figures in the worlds of entertainment, business, philanthropy and politics will join Robert Battle and Ailey’s extraordinary dancers for a dinner/dance in the Hilton New York Grand Ballroom.
The event’s co-chairs are Emily & Len Blavatnik, Paulette Mullings Bradnock & Howard Bradnock, Melody Hobson & George Lucas, Daria L. & Eric J. Wallach and Joan & Sandy Weill. Proceeds from the annual benefit will support the creation of new works, scholarships to The Ailey School, and Ailey’s educational programs for children.
Ailey’s holiday season features special programs such as an evening celebrating The Ailey School’s 50th Anniversary (December 10); a tribute performance for Associate Artistic Director Masazumi Chaya, which will highlight his extensive career of nearly five decades as he concludes his final season with the Company (December 22); and world premieres Greenwood (December 6), a powerful work by Donald Byrd that draws on the 1921 Tulsa Race Massacre and Ode (December 10), offering a meditation on the beauty and fragility of life in a time of growing gun violence by Ailey dancer and Resident Choreographer Jamar Roberts.