Conductor Sir John Eliot Gardiner Celebrates Beethoven at Carnegie Hall

Sir John Eliot Gardiner Curates Carnegie Hall Perspectives Series Featuring His Orchestre Révolutionnaire et Romantique Performing A Complete Beethoven Symphony Cycle on Period Instruments in Five Concerts, February 19-24

Winter Concerts Are Part of Carnegie Hall’s Beethoven Celebration in Honor of the 250th Anniversary of the Composer’s Birth

This February, Sir John Eliot Gardiner, Artistic Director and Conductor of the internationally acclaimed period instrument ensemble Orchestre Révolutionnaire et Romantique (ORR), curates a five-concert Perspectives series at Carnegie Hall, featuring a complete Beethoven symphony cycle performed as part of Carnegie Hall’s season-long celebration of the 250th anniversary year of Beethoven’s birth.

The five New York City concerts by Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique are part of Carnegie Hall’s season-long Beethoven Celebration featuring more than 35 events highlighting the immensity of the composer’s transformative impact on music, performed by a remarkable line-up of internationally renowned musicians.

Grounded in Maestro Gardiner’s exacting study of Beethoven’s original manuscripts, the symphonies will be performed as the composer would have experienced them, played on period instruments, including valveless brass, woodwinds without additional keys and levers, gut strings, and hide-covered timpani struck with hard sticks.

Sir John Eliot Gardiner (

A key figure both in the early music revival and as a pioneer of historically informed performances, Maestro Gardiner kicks off the ORR’s five-concert series on Wednesday, February 19 at 8:00 p.m. with selections from Beethoven’s rarely heard ballet score, The Creatures of Prometheus; the concert aria, “Ah! perfido;” excerpts from Leonore; and the composer’s Symphony No. 1; Soprano Lucy Crowe joins the orchestra as soloist. On Thursday, February 20 at 8:00 p.m., the orchestra performs Beethoven’s Symphony No. 2 and Symphony No. 3, “Eroica.” The series continues Friday, February 21 at 8:00 p.m. with symphonies Nos. 4 and 5. On Sunday, February 23 at 2:00 p.m., the program includes Symphony No. 6, “Pastoral” and Symphony No. 7. For the series’ final concert on Monday, February 24 at 8:00 p.m. the ORR’s Beethoven cycle culminates with the symphonies Nos. 8 and 9, with the orchestra joined by soprano Lucy Crowe, contralto Jess Dandy, tenor Ed Lyon, and bass Tareq Nazmi, alongside The Monteverdi Choir. As a prelude to the cycle, Maestro Gardiner will be joined by distinguished Beethoven scholar William Kinderman for a discussion in Carnegie Hall’s Weill Recital Hall to illuminate Sir John Eliot’s approach to these symphonic masterworks (Tuesday, February 18 at 7:00 p.m.). In addition to the public discussion with Sir John Eliot on February 18, Carnegie Hall Debs Composer’s Chair Jörg Widmann will present a talk later this spring (Mar. 29, WRH), enabling audiences to gain greater insights into Beethoven’s music.

The ORR’s final February 24 concert will be heard by listeners around the world as part of the ninth annual Carnegie Hall Live broadcast and digital series with a live radio broadcast on WQXR 105.9 FM in New York and online at and Produced by WQXR and Carnegie Hall and co-hosted by WQXR’s Jeff Spurgeon and Clemency Burton-Hill, select Carnegie Hall Live broadcasts featured throughout the season include special digital access to the broadcast team, from backstage and in the control room, connecting national and international fans to the music and to each other.

When asked to reflect on thirty years of music making with the ORR and his upcoming Beethoven symphony performances, Sir John Eliot Gardiner said “When we started the Orchestre Révolutionnaire et Romantique 30 years ago, our mission statement included trying to recover the world of Beethoven’s sound. Our aim was to provide bold new perspectives on the glorious orchestral works of the 19th and early 20th centuries. Since the ensemble’s inception, we have used our time together productively and creatively to explore fresh approaches to this much-loved music, some of it familiar but also some of it neglected or undervalued. Through the use and mastery of period instruments, the ORR musicians bring out the subtle and pervasive differences in the palette of sounds that composers as different as Beethoven, Berlioz, Schumann, Debussy, and Verdi were committed to revealing. Time and again, the players have shown vision and tenacity in demonstrating the techniques and sounds required to recapture the true essence of this music. Every time we embark on a fresh project together, I am amazed and touched by the way the players seem willing to put their necks on the block in order to bring this music back to intoxicating life once again.”

The Carnegie Hall performances are part of Maestro Gardiner and the ORR’s Beethoven 250, a yearlong celebration of the composer’s milestone anniversary, and are also part of the ORR’s 30th anniversary season. The orchestra’s transatlantic tour, February 9-June 27, also includes engagements and complete symphony cycles at Chicago’s Harris Theater, London’s Barbican Hall, and Barcelona’s Palau de la Música.

Program Information


  • Tuesday, February 18, 2020 at 7:00 PM, Weill Recital Hall
  • Sir John Eliot Gardiner, Speaker
  • with William Kinderman, Moderator
  • Robin Michael, Principal Cello
  • Anneke Scott, Principal Horn


Sir John Eliot Gardiner’s groundbreaking interpretations of Beethoven’s music have cast this magnificent body of work in a new light. Joined by distinguished Beethoven scholar William Kinderman and ORR principals Robin Michael and Anneke Scott for this illuminating discussion, Gardiner shares his insights about his approach to this immortal music. Tickets: $25


  • Wednesday, February 19, 2020 at 8:00 PM
  • Stern Auditorium / Perelman Stage
  • Sir John Eliot Gardiner, Artistic Director and Conductor
  • Lucy Crowe, Soprano


  • Overture, Introduction, and Act I from The Creatures of Prometheus, Op. 43
  • “Ah! perfido,” Op. 65
  • Symphony No. 1 in C Major, Op. 21
  • Leonore Overture No. 1, Op. 138
  • “Ach, brich noch nicht, du mattes Herz!” – “Komm, Hoffnung, lass den letzten Stern” from Act II of Leonore, Op. 72
  • Finale to The Creatures of Prometheus, Op. 43

Tickets: $32-$105


  • Sir John Eliot Gardiner, Artistic Director and Conductor
  • Thursday, February 20, 2020 at 8:00 PM
  • Stern Auditorium / Perelman Stage


  • Symphony No. 2 in D Major, Op. 36
  • Symphony No. 3 in E-flat Major, Op. 55, “Eroica”

Tickets: $37-$110


  • Sir John Eliot Gardiner, Artistic Director and Conductor
  • Friday, February 21, 2020 at 8:00 PM
  • Stern Auditorium / Perelman Stage


  • Symphony No. 4 in B-flat Major, Op. 60
  • Symphony No. 5 in C Minor, Op. 67

Tickets: $32-$105


  • Sir John Eliot Gardiner, Artistic Director and Conductor
  • Sunday, February 23, 2020 at 2:00 PM
  • Stern Auditorium / Perelman Stage


  • Symphony No. 6 in F Major, Op. 68, “Pastoral”
  • Symphony No. 7 in A Major, Op. 92

Tickets: $32-$105


  • Sir John Eliot Gardiner, Artistic Director and Conductor
  • Monday, February 24, 2020 at 8:00 PM
  • Stern Auditorium / Perelman Stage
  • Lucy Crowe, Soprano
  • Jess Dandy, Contralto
  • Ed Lyon, Tenor
  • Tareq Nazmi, Bass
  • The Monteverdi Choir


  • Symphony No. 8 in F Major, Op. 93
  • Symphony No. 9 in D Minor, Op. 125

This concert is made possible, in part, by an endowment fund for choral music established by S. Donald Sussman in memory of Judith Arron and Robert Shaw.

Sir John Eliot Gardiner is revered as one of the world’s most innovative and dynamic musicians, constantly in the vanguard of enlightened interpretation and standing as a leader in contemporary musical life. His work, as founder and artistic director of the Monteverdi Choir, English Baroque Soloists (EBS) and Orchestre Révolutionnaire et Romantique (ORR), has marked him out as a key figure both in the early music revival and as a pioneer of historically informed performances.

As a regular guest of the world’s leading symphony orchestras, such as the London Symphony Orchestra, Symphonieorchester des Bayerischen Rundfunks, Royal Concertgebouw Orchestra and Gewandhausorchester Leipzig, Gardiner conducts repertoire from the 17th to the 20th centuries. He was awarded the Concertgebouw Prize in January 2016.

The extent of Gardiner’s repertoire is illustrated in the extensive catalogue of award-winning recordings with his own ensembles and leading orchestras including the Vienna Philharmonic Orchestra on major labels (including Decca, Philips, Erato and 30 recordings for Deutsche Grammophon), as wide-ranging as Mozart, Schumann, Berlioz, Elgar, and Kurt Weill, in addition to works by Renaissance and Baroque composers. His many recording accolades include two Grammy awards and he has received more Gramophone Awards than any other living artist.

Gardiner has also conducted opera productions at the Royal Opera House, Covent Garden; at the Vienna State Opera and at Teatro alla Scala, Milan. From 1983 to 1988 he was artistic director of Opéra de Lyon, where he founded its new orchestra.

In 2017, Gardiner and the Monteverdi ensembles celebrated the 450th anniversary of Monteverdi’s birth with staged performances of his three surviving operas across Europe and in the USA, a project that was recognized by the RPS Music Award in the Opera and Music Theatre category. 2018 saw Gardiner – along with the Monteverdi Choir and EBS – embark on a reprise of the landmark Bach Cantata Pilgrimage in some of Europe’s most famous concert halls and churches, before giving a number of critically-acclaimed performances of Verdi’s Requiem with the Monteverdi Choir and ORR including a landmark concert at Westminster Cathedral in aid of Cancer Research UK. Gardiner went on to demonstrate a renewed commitment to Berlioz’s music with an extensive tour of his major symphonic works (including Harold in Italy, Lélio and Symphonie fantastique) across Europe and the United States. In 2019 Gardiner conducted new productions of Handel’s Semele and Berlioz’s Benvenuto Cellini, and gave his debut performances in Colombia, Russia, Brazil, Uruguay, Argentina, and Chile.

An authority on the music of J. S. Bach, Gardiner’s book, Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach, was published in October 2013 by Allen Lane, leading to the Prix des Muses award (Singer-Polignac). Among numerous awards in recognition of his work, Sir John Eliot Gardiner holds several honorary doctorates. He was awarded a knighthood for his services to music in the 1998 Queen’s Birthday Honors List.

Founded in 1989 by Sir John Eliot Gardiner, the Orchestre Révolutionnaire et Romantique (ORR) strives to provide bold new perspectives on the music of the 19th and early 20th centuries through its stylistic fidelity and intensity of expression.

Since its inception, the ORR has won plaudits for its interpretations of major early Romantic composers, from Berlioz to Beethoven, as well as later works by composers ranging from Verdi to Debussy. Major projects have included Beethoven symphony cycles, “Schumann Revealed,” and ‘Brahms: Root and Memories,’ in which the ensemble recorded the complete symphonies of each respective composer. Additionally, the ORR has performed operas by Weber (Oberon and Le Freyschütz), Bizet (Carmen), Chabrier (L’Etoile), Verdi (Falstaff), and Debussy (Pelléas et Mélisande) in new productions in France, Italy, and London, and gave the first complete staged performances in Paris of Berlioz’s Les Troyens.

In 2015, the ORR returned to the music of Berlioz for a five-year exploration of the composer’s large-scale works, performing Roméo et Juliette, La damnation de Faust, Symphonie fantastique, Harold en Italie, and Lélio across Europe and the United Sates. The project featured five consecutive appearances at London’s BBC Proms, a highlight of which was performing excerpts of Les Troyens alongside star mezzo-soprano Joyce DiDonato. The celebrations culminated in 2019, marking the 150th anniversary of the composer’s death with the first contemporary performances of his opera Benvenuto Cellini on period instruments. The orchestra was joined by the Monteverdi Choir and a cast of international soloists for a series of critically acclaimed staged concerts of the opera at the BBC Proms, Berliner Festspiele, Festival Berlioz, and Château de Versailles.

The 2019-20 season marks 30 years since the founding of the ORR, as well as the 250th anniversary of the birth of Ludwig van Beethoven. In celebration of these twin milestones, the orchestra embarks on another momentous project, performing a cycle of all nine of the composer’s symphonies in residencies across Europe and the United States. The celebrations continue in September as the orchestra unites with the Monteverdi Choir to perform Beethoven’s Missa solemnis at some of Europe’s most prestigious music festivals.

Ever since its founding in the 1960s, the Monteverdi Choir has been a leading force in the world of choral music. Through a combination of consummate technique, historically informed performance practice, and a strong appreciation for visual impact, the Choir constantly strives to bring fresh perspectives, immediacy and drama to its performances across the world.

Amongst its many trailblazing tours was the Bach Cantata Pilgrimage in 2000, during which the Choir performed all 198 of Johann Sebastian Bach’s sacred cantatas in over 60 churches throughout Europe and North America. The entire project was recorded and released by the Monteverdi Choir & Orchestra’s record label, Soli Deo Gloria, with Gramophone hailing the venture as “one of the most ambitious musical projects of all time.” The Monteverdi Choir has over 150 recordings to its name and has won numerous prizes.

The Choir has taken part in a variety of projects across different repertoires, ranging from a tour of Bach’s St. Matthew Passion (performed from memory) with the English Baroque Soloists (EBS) to Berlioz’s La damnation de Faust and Verdi’s Requiem with the Orchestre Révolutionnaire et Romantique (ORR). It has also performed in several staged opera productions, including Orphée et Eurydice at the Royal Opera House (2015), Der Freischütz (2010), Carmen (2009) at the Opéra Comique in Paris, and Les Troyens at the Théâtre du Châtelet (2003). In 2017 the Choir took part in the RPS award-winning Monteverdi 450 project, which saw them perform all three of Monteverdi’s surviving operas with Gardiner and the EBS across Europe and the United States.

In 2019, the Choir showcased a new production of Handel’s Semele alongside Gardiner and the EBS, touring to celebrated halls across Europe, including Milan’s Teatro alla Scala. The highlights continued into the summer as the Choir joined Gardiner, the ORR and an international cast of soloists for critically acclaimed performances of Berlioz’s Benvenuto Cellini. The Choir rounded off the year with a series of debut performances in Russia and South America, performing sacred choral works by Monteverdi, Carissimi, Purcell and Scarlatti.

Alongside the Beethoven symphony cycle performed on period instruments by Sir John Eliot and the ORR this season will be a second symphony cycle with modern instruments by Yannick Nézet-Séguin and The Philadelphia Orchestra, allowing concertgoers to contrast different interpretive perspectives on these pillars of the orchestral repertoire (Mar. 13, 20 and 26, and Apr. 3, SA/PS).

Additional orchestral repertoire and choral works featured throughout the year are presented by Orchestra of St. Luke’s led by Bernard Labadie with vocal soloists and pianist Jeremy Denk (Leonore Overture No 2; Calm Sea and Prosperous Voyage; Choral Fantasy; Mass in C Major—Mar. 5, SA/PS); the Atlanta Symphony Orchestra and Chorus, joined by vocal soloists and conducted by Music Director Robert Spano (Missa solemnis—Apr. 4, SA/PS), and The MET Orchestra under the direction of Yannick Nézet-Séguin with violinist Anne-Sophie Mutter (Violin Concerto; Romance for Violin and Orchestra in F Major—Jun. 12, SA/PS).

A recital by internationally-acclaimed fortepianist Kristian Bezuidenhout (Mar. 31, ZH) launches a series of performances featuring Beethoven’s complete piano sonatas with appearances by acclaimed pianists Sir András Schiff (Apr. 2 and 5, SA/PS), Mitsuko Uchida (Apr. 7, SA/PS), Yefim Bronfman (Apr. 21, SA/PS), Igor Levit (making his Stern Auditorium / Perelman Stage recital debut—May 5, SA/PS), Emanuel Ax (May 14, SA/PS), Maurizio Pollini (May 17, SA/PS), and Evgeny Kissin (May 27, SA/PS). Mr. Bezuidenhout also leads a workshop for young keyboard players, presented by Carnegie Hall’s Weill Music Institute, culminating with a public Discovery Day (Apr. 4, WRH) to include performances of select Beethoven sonatas by outstanding young artists.

In spring 2020, Quatuor Ébène performs Beethoven’s complete string quartets across six concerts (Apr. 17–19 and 30 and May 1 and 2, ZH) with additional chamber music performances featuring violinist Anne-Sophie Mutter and friends (Jan. 30, SA/PS) as well as three trio performances with violinist Leonidas Kavakos, cellist Yo-Yo Ma, and pianist Emanuel Ax (Mar. 4, 6, and 8, SA/PS). In addition, a global creative learning project exploring the themes found in Beethoven’s “Ode to Joy,” led by Marin Alsop, featuring performances of Beethoven’s Ninth Symphony with nine renowned partner orchestras on six continents, will culminate in December 2020 with a performance at Carnegie Hall.

Tickets: $106-$150. For more information on his 2019–2020 Perspectives, please visit:

Lead support for the Beethoven Celebration is provided by The Morris and Alma Schapiro Fund. Public support is provided by the National Endowment for the Arts. Bank of America is the Proud Season Sponsor of Carnegie Hall.

Tickets are available at the Carnegie Hall Box Office, 154 West 57th Street, by calling CarnegieCharge at 212-247-7800, or by visiting the Carnegie Hall website, In addition, a limited number of seats, priced at $10, will be available day-of-concert beginning at 11:00 a.m. Monday through Saturday and 12:00 noon on Sunday until one hour before the performance or until supply lasts. The exceptions are Carnegie Hall Family Concerts and gala events. These $10 tickets are available to the general public on a first-come, first-served basis at the Carnegie Hall Box Office only. There is a two-ticket limit per customer.

For all Carnegie Hall presentations in Stern Auditorium/Perelman Stage, a limited number of partial view (seats with obstructed or limited sight lines or restricted leg room) will be sold for 50% of the full price. For more information on this and other discount ticket programs, including those for students, Notables members, and Bank of America customers, visit Artists, programs, and prices are subject to change.