The Museum Of Modern Art Announces Sur Moderno: Journeys Of Abstraction—The Patricia Phelps De Cisneros Gift

Major Exhibition at the Opening of New MoMA Will Display Over 100 Important Works by Latin American Artists

The Museum of Modern Art announces Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros Gift, a major exhibition drawn primarily from the paintings, sculptures, and works on paper donated to the Museum by the Colección Patricia Phelps de Cisneros between 1997 and 2016.

Since its founding in 1929, The Museum of Modern Art has collected, exhibited, and studied the art of Latin America. Today, MoMA’s collection includes more than 5,000 works of modern and contemporary art by artists from Latin America distributed across its six curatorial departments, representing important figures in early modernism, Expressionism, Surrealism, abstraction, architecture, and Conceptual and contemporary art.

Alfredo Hlito (Argentine, 1923–1993). Ritmos cromáticos III (Chromatic Rhythms III), 1949. Oil on canvas, 39 3/8 × 39 3/8″ (100 × 100 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund

On view from October 21, 2019, through March 14, 2020, Sur moderno celebrates the arrival of the most important collection of abstract and concrete art from Latin America by dedicating an entire suite of galleries on the Museum’s third floor to the display of artists from Brazil, Venezuela, Argentina, and Uruguay.

Lygia Clark (Brazilian, 1920–1988). Contra relevo no. 1 (Counter Relief no. 1). 1958. Synthetic polymer paint on wood, 55 1/2 × 55 1/2 × 1 5/16″ (141 × 141 × 3.3 cm). The Museum of Modern Art, New York. Promised gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund. Courtesy of “The World of Lygia Clark” Cultural Association

The exhibition highlights the work of Lygia Clark, Gego, Raúl Lozza, Hélio Oiticica, Jesús Rafael Soto, and Rhod Rothfuss, among others, focusing on the concept of transformation: a radical reinvention of the art object and a renewal of the social environment through art and design. The exhibition is also anchored by a selection of archival materials that situate the works within their local contexts. Sur moderno is organized by Inés Katzenstein, Curator of Latin American Art and Director of the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America, The Museum of Modern Art, and consulting curator María Amalia García, Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)–Universidad Nacional de San Martín, Argentina, with Karen Grimson, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.

María Freire (Uruguayan, 1917–2015). Untitled. 1954. Oil on canvas, 36 1/4 × 48 1/16″ (92 × 122 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Gabriel Pérez‑Barreiro

The exhibition is divided into two main sections based on the concept of transformation. The first section, “Artworks as Artifacts, Artworks as Manifestos,” presents a group of works that subverted the conventional formats of painting and sculpture. Cuts, folds, articulated objects, cut-out frames, and experiments that question the autonomy of the art object are some examples of these artists’ material explorations. One of the first works visitors encounter in the exhibition, Willys de Castro’s Active Object (1961), fuses the materiality of painting with the principles of free-standing sculpture, inviting the viewer to circle around a painted canvas. Another work in this section, Gyula Kosice’s Articulated Mobile Sculpture (1948), questions the grounds of traditional sculpture by combining strips of brass to create a movable structure that defies classification.

Hélio Oiticica (Brazilian, 1937–1980). Relevo neoconcreto (Neoconcrete Relief) 1960. Oil on wood, 37 7/8 × 51 1/4″ (96 × 130 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros in honor of Gary Garrels. © Projeto Hélio Oiticica

The exhibition’s inclusion of Spatial Construction no. 12 (c. 1920) by Aleksandr Rodchenko highlights the influence of Russian Constructivism on South American art. Similarly, images of Piet Mondrian’s works were widely circulated and had a great impact on the development of abstraction in the region. His Broadway Boogie Woogie (1942–43), on view in the exhibition, inspired investigations of kineticism among artists such as Jesús Rafael Soto, whose Double Transparency (1956) is an attempt to transform the two-dimensionality of Mondrian’s painting into a three-dimensional experience.

Lygia Pape (Brazilian, 1927–2004). Untitled. 1956. Acrylic on wood, 13 3/4 × 13 3/4 × 3 1/8″ (35 × 35 × 8 cm). The Museum of Modern Art, New York. Gift of Patricia Phelps de Cisneros through the Latin American and Caribbean Fund in honor of Sharon Rockefeller. Courtesy of Projeto Lygia Pape

In the second section, “Modern as Abstract,” the language of abstraction is displayed as both a product of and a catalyst for the transformation of the artists’ surroundings. The geometrical principles of abstract painting carried over into the everyday, where artists and architects recognized one another as allies, leading to a shared operation and set of ideals. Here, María Freire’s Untitled (1954), for example, is displayed alongside archival materials and works from MoMA’s Architecture and Design collection, in an exploration of public sculptural projects and furniture design.

The final part of the exhibition is dedicated to the grid, one of modern art’s central motifs of experimentation. Gego’s Square Reticularea 71/6 (1971) and Hélio Oiticica’s Painting 9 (1959) are two examples of works in the exhibition that approached the transformation and expansion of the rational grid in different ways. Oiticica disrupted the strict geometric system with his rhythmically arranged rectangles, while Gego warps and deconstructs the reticular structure.

Over the last 25 years, the Colección Patricia Phelps de Cisneros has donated more than 200 works by Latin American artists to The Museum of Modern Art. In addition to those generous donations, in 2016 the Colección Patricia Phelps de Cisneros established the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America at MoMA. The Institute’s programming includes fellowships for scholars, curators and artists, and an extended research initiative that contributes to a series of public programs hosted by the Museum, as well as symposia in Latin America, and publications in digital and printed format.

The exhibition is accompanied by a fully illustrated catalogue, with contributions from such prominent scholars in the field as María Amalia García, Irene V. Small, and Mónica Amor. The volume also includes a conversation between Patricia Phelps de Cisneros and MoMA director Glenn D. Lowry, and a dialogue between Inés Katzenstein, the Museum’s current curator of Latin American art, and Luis Pérez-Oramas, who, in addition to serving as MoMA’s Latin American art curator between 2003 and 2017, was one of the principal curators involved in the development of the Colección Patricia Phelps de Cisneros.

SPONSORSHIP:

Generous funding for the exhibition is provided by Agnes Gund.

Additional support is provided by Adriana Cisneros de Griffin and Nicholas Griffin.

Leadership contributions to the Annual Exhibition Fund, in support of the Museum’s collection and collection exhibitions, are generously provided by the Kate W. Cassidy Foundation, Sue and Edgar Wachenheim III, Mimi and Peter Haas Fund, Jerry I. Speyer and Katherine G. Farley, 3 Eva and Glenn Dubin, The Sandra and Tony Tamer Exhibition Fund, Alice and Tom Tisch, The David Rockefeller Council, The Contemporary Arts Council of The Museum of Modern Art, Anne Dias, Kathy and Richard S. Fuld, Jr., Kenneth C. Griffin, The Keith Haring Foundation, Marie-Josée and Henry R. Kravis, Jo Carole and Ronald S. Lauder, and Anna Marie and Robert F. Shapiro.

Major contributions to the Annual Exhibition Fund are provided by the Estate of Ralph L. Riehle, Emily Rauh Pulitzer, Brett and Daniel Sundheim, Karen and Gary Winnick, The Marella and Giovanni Agnelli Fund for Exhibitions, Clarissa Alcock and Edgar Bronfman, Jr., Agnes Gund, and Oya and Bülent Eczacıbaşı.

Now Open: The Spectacular New Four Seasons Hotel Kuwait At Burj Alshaya

The New Property Marks A New Era Of Luxurious Hospitality And Personalized Service In The Capital Of Kuwait

Four Seasons Invites Guests To Experience Its Newest Hotel In The Gulf Region With Special Introductory Offer

Entering the all-new Four Seasons Hotel Kuwait at Burj Alshaya, one’s eyes are immediately drawn to the dramatic staircase, spiraling 13 meters (43 feet) up through the soaring lobby, appearing to defy gravity as it makes its way toward the sky. Four Seasons Hotel Kuwait at Burj Alshaya is part of a growing collection of Four Seasons hotels and resorts in the Gulf region, including award-winning hotels in Saudi Arabia, Bahrain and Qatar, and three properties in the United Arab Emirates.

Four Seasons Hotel Kuwait At Burj Alshaya - Grand Stairways in Lobby

Four Seasons Hotel Kuwait At Burj Alshaya – Grand Stairways in Lobby

Our own ‘stairway to heaven’ is quickly becoming the symbol of Four Seasons Hotel Kuwait, and indeed it reflects the optimism one feels in this dynamic city,” notes General Manager Didier Jardin on the occasion of the Hotel’s opening day. “For our team of 415 staff, it’s a daily inspiration to take the hospitality experience to new heights, proudly introducing renowned Four Seasons service culture in a new country while being at the vanguard of the company’s continuing leadership around the world.

Four Seasons Hotel Kuwait At Burj Alshaya - Kuwait City

Four Seasons Hotel Kuwait At Burj Alshaya in Kuwait City (Far Right)

Located within the new, two-tower Burj Alshaya development – the stylish new centerpiece of Kuwait City – Four Seasons is ideally situated for business and leisure travelers visiting the city, as well as local guests to dine, entertain and relax. Indeed, with 2,912 square meters (31,349 square feet) of beautifully-appointed event spaces hosting up to 1,200 guests, Four Seasons Hotel Kuwait already has many important business meetings and social events on the calendar – including 21 weddings so far.

Four Seasons Hotel Kuwait At Burj Alshaya - Royal Suite

Four Seasons Hotel Kuwait At Burj Alshaya – Royal Suite

Four Seasons Hotel Kuwait At Burj Alshaya - Guest Room

Four Seasons Hotel Kuwait At Burj Alshaya – Guest Room

With 217 guest rooms plus 67 lavish suites, the property easily transforms for each individual guest, whether in the city to do business, enjoy an urban getaway for two, or with the whole family for a holiday filled with shopping, sightseeing and playing in the outdoor pool. Four dining venues – plus a fifth opening this month – showcase the creations of international culinary talent while celebrating local tastes and traditions. A two-level spa complex hosts innovative treatments as well as a state-of-the-art fitness center and second swimming pool.

Four Seasons Hotel Kuwait At Burj Alshaya - Hotel Public Space

Four Seasons Hotel Kuwait At Burj Alshaya – Hotel Public Space

The Look of the New Four Seasons Hotel Kuwait

Conceived by Gensler architects and designed by Yabu Pushelberg, Four Seasons Hotel Kuwait easily stands among the most striking hotels in the world, and yet it is distinctly Kuwaiti in style and ambiance. Continue reading

The Radical Art of Fashion: Rei Kawakubo/Comme des Garçons: Art of the In-Between at The Met

Body Meets Dress-Dress Meets Body, Spring-Summer 1997 (3)

Body Meets Dress-Dress Meets Body, Spring-Summer 1997 (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

The Metropolitan Museum of Art’s Costume Institute Spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view through September 4, examines Kawakubo’s fascination with the space between boundaries. And the reviews—both personal and professional—has been unanimously positive. It is, indeed, one of the best examples of fashion being art and art being fashion, without one diminishing the other in any way shape or form. 

White Drama, Spring-Summer 2012 (2b)

White Drama, Spring-Summer 2012. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Blood and Roses, Spring-Summer 2015 (7)

Blood and Roses, Spring-Summer 2015. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Blue Witch, Spring-Summer 2016

Blue Witch, Spring/Summer 2016. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Clustering Beauty, Spring-Summer 1998 (1)

Clustering Beauty, Spring-Summer 1998. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

18th Century Punk, Autumn-Winter 2016-17 (2)

18th Century Punk, Autumn-Winter 2016-17. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

A thematic exhibition, rather than a traditional retrospective, this is The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.

Abstract Excellence, Spring-Summer 2004

Abstract Excellence, Spring-Summer 2004 (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Bad Trash, Autumn-Winter 2008-2009 (3)

Bad Trash, Autumn-Winter 2008-2009 (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Ballerina Motobike, Spring-Summer 2005

Ballerina Motobike, Spring-Summer 2005 (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Body Meets Dress-Dress Meets Body, Spring-Summer 2017

Body Meets Dress-Dress Meets Body, Spring-Summer 2017 (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Ceremony of Separation, Autumn-winter 2015-16 (1)

Ceremony of Separation, Autumn-winter 2015-16. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Crush, Spring-Summer 2013 (1)

Crush, Spring-Summer 2013. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Francesca Granata of The Atlantic wrote the following: 

The designer has long been alternately hailed as an innovator and demonized for creating aggressively unattractive clothing that is out-of-step with its time. From cocoon dresses with no waistline to sweaters full of holes to oddly shaped dresses, Kawakubo has been responsible for radical reconsiderations of the silhouette through experimental pattern-making, draping, knotting, and eventually the use of padding. This sense of out-of-step–ness is evident in the Costume Institute’s spring show. Rei Kawakubo / Comme des Garçons: Art of the In-Between is a cerebral exhibition, serving as a surprisingly timely reminder of the need to embrace bodily differences and vulnerabilities.

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Rei Kawakubo (Japanese, born 1942) for Comme des Garçons (Japanese, founded 1969), 18th-Century Punk, autumn/winter 2016–17; Courtesy of Comme des Garçons. Photograph by © Paolo Roversi; Courtesy of The Metropolitan Museum of Art

She further went to write, “Throughout the Met show, we see an unapologetically rebellious artist undercutting prevailing mores. A few years ago, the Costume Institute presented a controversial (and poorly understood) show on punk rock in fashion. Though her designs weren’t exactly prevalent in CBGB, Kawakubo (whose garments were included in that exhibit) is in some ways the true inheritor of that mantle, her work constantly pushing back on the grandeur around her.”

Roberta Smith, Chief Art Critic of The New York Times, calls it “a magnificent, challenging show”, further adding in a rave review, “Every year, the Costume Institute makes a different case for art in fashion and for fashion as art, usually in an immersive context and with impressive results. The Kawakubo show takes this argument into radical terrain. It doesn’t focus on art within fashion as did the recent show featuring Charles James’s sinuously sculptural ball gowns, which were functioning garments. Rather, its center is a staggering panoply of mostly quasi-wearable three-dimensional forms that are a kind of hybrid, an art of “the in-between,” driven by Ms. Kawakubo’s insatiable quest for originality, or as she prefers to call it, “newness.” The result is an inspirational show that places Ms. Kawakubo at the forefront of several modernisms — in art and design, Europe and Asia — upending notions of style and gender, conflating past and present and constantly pressing forward with fresh ideas about form, process and meaning.”

Ms. Kawakubo regards her fashions and their environments as a Gesamtkunstwerk, or “total work of art.” This synthesis is reflected in the exhibition, designed as a complete expression of the Comme des Garçons “universe.” It is intended to be a holistic, immersive experience, facilitating a personal engagement with the fashions on display. A pathway is suggested by the numbers in an exhibit booklet, beginning with these red ensembles that reflect Kawakubo’s enduring preoccupation with blurring the boundaries between body and dress. Visitors are encouraged, however, to forge their own paths and experience the exhibition as a voyage of discovery.

Cubisme, Spring-Summer 2007 (4)

Cubisme, Spring-Summer 2007 (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Cubisme, Spring-Summer 2007

Cubisme, Spring-Summer 2007 (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Holes, Autumn-Winter 1982-83

Holes, Autumn-Winter 1982-83 (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Inside Decoration, Autumn-Winter 2010-11 (2B)

Inside Decoration, Autumn-Winter 2010-11(All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Lost Empire, Spring-Summer 2006 (3)

Lost Empire, Spring-Summer 2006. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

Not Making Clothes, Spring-Summer 2014

Not Making Clothes, Spring-Summer 2014. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017 )

The Future of Silhouette, Autumn-Winter 2017-18

The Future of Silhouette, Autumn-Winter 2017-18. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017)

The Infinity of Tailoring, autumn-Winter 2013-14 (3)

The Infinity of Tailoring, autumn-Winter 2013-14. (All Images, unless specified otherwise, courtesy of Fashion+lifestyle 2017)

The exhibition features approximately 140 examples of Kawakubo’s womenswear designs for Comme des Garçons, dating from the early 1980s to her most recent collection. Objects are organized into nine dominant and recurring aesthetic expressions of interstitiality in Kawakubo’s work: Absence/Presence, Design/Not Design, Fashion/AntiFashion, Model/Multiple, High/Low, Then/Now, Self/Other, Object/Subject, and Clothes/ Not Clothes. Continue reading

Miami Museum Month Celebrates New Openings and Great Offers

Throughout May, Locals and Visitors Can Enjoy BOGO Deals and Special Offers

The Greater Miami Convention & Visitors Bureau will celebrate Miami Museum Month during the month of May, with much-anticipated museum openings and can’t miss “Buy One, Get One Free” admissions and membership savings.

(Visit MiamiMuseumMonth.com to download coupons and incentives to explore Miami & The Beaches’ most renowned collections of art and culture. Official sponsor Citibank® will also provide cardholders with a 10% discount at participating museum stores for the month-long program.)Miami_Museum_Month_logo

Miami Museum Month is part of the GMCVB’s increasingly popular Miami Temptations Program, which takes a thematic focus on the best that Miami has to offer with monthly deals and special events. Temptations programs include: Miami Cruise Month (January), Miami Romance Month (February), Miami Shop Month (March), Miami Sports & Wellness Month (April), Miami Film Month (June), Miami Spa Month (July-August), Miami Spice Restaurant Month (August-September), Miami Attractions Month (October), Miami Live Arts Month (November), and Miami Heritage Month (December).

Interior of the Planetarium at The Phillip and Patricia Frost Museum of Science. (Photo Business Wire)

Interior of the Planetarium at The Phillip and Patricia Frost Museum of Science. (Photo: Business Wire)

The Phillip and Patricia Frost Museum of Science is slated to open on May 8, 2017, in Downtown Miami‘s Museum Park. During Miami Museum Month, visitors can enjoy an exclusive 10 percent off Family and Family Plus membership packages. (Please see coupon for more details; valid from May 9 through May 31, 2017.) Poised to be one of the only institutions worldwide boasting both a state-of-the-art planetarium and cutting edge aquarium, the 250,000 square-foot facility sits on four acres of land overlooking Biscayne Bay surrounded by Downtown Miami’s dazzling skyline. For more details, visit MiamiMuseumMonth.com. Continue reading

Pendry Hotels Announces The Grand Debut Of The Pendry San Diego

Highly Anticipated New Luxury Brand Launch Sets the Stage with Premiere Opening in San Diego’s Gaslamp Quarter

Pendry Hotels has announced the grand opening of its first hotel in San Diego’s renowned downtown Gaslamp Quarter. A new luxury brand from Montage International, in partnership with The Robert Green Development Company, The Pendry is a refreshing take on the hospitality establishment that blends thoughtful and gracious service with a new approach to inspired design and authentic programming that appeals to today’s luxury guest. Pendry San Diego features 317 guest rooms, three dining concepts, three bars, Spa Pendry, private meeting and event spaces and a vibrant lobby experience.

pentry-hotels-logo

Pentry Hotels Logo

Pendry San Diego is located at 550 J Street, San Diego, in the epicenter of the city’s historic and energetic Gaslamp Quarter, blocks from Petco Park, the home of the San Diego Padres, and the San Diego Convention Center; and is the debut property from Pendry Hotels, a new luxury hospitality brand from Montage International. Located in the city’s renowned Gaslamp Quarter, Pendry San Diego strikes a balance between modern and traditional, pairing classic Southern California influence with luxury amenities. Boasting six unique restaurants and bars and highlighting some of the city’s most talented chefs, Pendry San Diego is the city’s most anticipated new hospitality and lifestyle offering. (For more information, follow @pendryhotels or visit www.pendryhotels.com.)

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Pendry San Diego. Photo Credit: Christian Horan

We are thrilled to debut the first Pendry hotel, Pendry San Diego, in the heart of San Diego’s Gaslamp Quarter,” said Alan J. Fuerstman, founder, chairman, and CEO, Montage International. “San Diego is the ideal city for us to launch the brand and we look forward to welcoming guests and locals alike to experience all that the hotel has to offer.”

From its early inception, The Pendry vision has been clear,” said Michael Fuerstman, creative director and co-founder, Pendry Hotels. “We wanted to take our extensive experience in hospitality and combine it with our vision of modern-day luxury and style; one that is rooted in local culture, beautiful design, international inspiration and authentic service. It’s a hotel experience that should feel organic and luxurious at the same time and the San Diego property will bring that vision to life beautifully. We are very excited to open our doors in the heart of the Gaslamp Quarter where we think locals and travelers will embrace and appreciate the Pendry point of view.

Pendry San Diego offers a dynamic hub where guests and visitors can work, relax, socialize and dine in one central location. Rooms are beautifully appointed with custom furnishings, luxurious bathrooms, and a sophisticated yet understated design nod to the city’s beach and surf culture. 36 suites offer stunning views of the city skyline and harbor, the historic streets of the Gaslamp Quarter or direct access to The Pool House outdoor deck. Guests and locals will enjoy a Tom Adler curated pop-up art gallery highlighting Ron Church surf photography. Each space within the hotel is rooted in design, culture and an inspired aesthetic that speaks to San Diego’s unique coastal voice and rapidly growing influence in arts, food, craft beer, and technology.

Pendry San Diego is home to the following restaurants, bars, nightlife, retail and wellness concepts:provisional-kitchen-at-the-pentry-san-diegoprovisional1

Provisional Kitchen, Café & Mercantile Designed in partnership with Raan and Lindsay Parton from Los Angeles’ Alchemy Works retail concept, Provisional is a restaurant and marketplace featuring seasonal fare and gourmet takeaway offerings from Executive Chef Chris Osbourne. The communal dining space features a Vittoria Coffee espresso bar, sky-high ceilings, bistro tables and a retail marketplace set within a greenhouse. The marketplace features a curated collection of items including homeware, ceramics, apothecary items, pantry staples, and jewelry.

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Nason’s Beer Hall

Nason’s Beer Hall A new addition to the famous San Diego craft beer scene, Nason’s is a California coastal establishment featuring local and international beers, global comfort food, and vintage bar games. Its name pays homage to Nason & Co. Farmer’s Market, formerly located in the current location of the beer hall in the early 1900’s. Continue reading

Robb Report Reveals Top Trips For 2017 With Annual Travel Issue

January 2017 Issue Reveals 21 Exciting Jaunts, Journeys, and Adventures for the Year Ahead

Robb Report, the global voice of real luxury, welcomes the new year with its highly anticipated Travel Issue. For the 2017 edition, Robb Report dives deeper into the year’s most dynamic destinations and highlights the most sophisticated sojourns and enthralling experiences to check off your travel list, from an underwater adventure in the Seychelles to an around-the-world getaway for gourmands.

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Robb Report Unveils Annual Travel Issue Revealing the Luxury Media Brand’s Top 21 Trips for 2017

Our ninth annual Travel Issue celebrates our readers’ ever-increasing appetite for unique and exceptional experiences,” says Robb Report Editorial Director Bruce Wallin. “We dug deeper than ever to find 21 one-of-a-kind trips that are sure to entice even the most seasoned travelers.”

From Cuba (No. 3) and Abu Dhabi (No. 15) to Tanzania (No. 10) and Uruguay (No. 16), Robb Report‘s Top 21 caters to every traveler’s tastes, passions, and interests. Coming in at No. 7, the Cayman Islands—long known primarily as a tax haven—are emerging as the latest laidback luxury escape thanks to a new wave of development that, more than a decade after Hurricane Ivan, includes extraordinary and distinct resorts. Robb Report Editor in Chief Brett Anderson offers his firsthand account of the revitalized Caymans with an insider’s look at the luxury hot spots turning the Caribbean tide.

If you’re planning to jet off in 2017, do so with panache courtesy of Robb Report‘s list of the latest accessories and apparel sure to make any trip smoother, smarter, and more stylish. From an ergonomically designed trolley case to dual-time-zone watches and a packable water-resistant jacket, Robb Report Executive Editor Jill Newman presents a selection of eminently useful pieces that scream first-class. And find out which destinations Robb Report‘s editors are dreaming about for 2017 in “The Robb Perfect 10,” from a charter trip on Alaska’s Prince William Sound to a tour of the soon-to-be-opened Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa, debuting this fall.

Along with the start of a fresh year comes the inevitable attempt at resolutions. Whether they be focused on nutrition, fitness, or overall self-improvement, Robb Report’s Health & Wellness Editor Janice O’Leary spotlights the significance of a good night’s rest to all of them. In “Dream Trips,” discover 10 tips to upgrade your travel experiences—and your life—by getting premium sleep while away from home.

Be sure to check out www.RobbReport.com for more great escapes for the discerning traveler, including new ski chalets in Switzerland and beyond, a beachside retreat in Anguilla, and an AMG driving experience in New Zealand. Robb Report is available as a digital edition for the iPad and iPhone via the iTunes App Store and through Zinio.

For more information, visit RobbReport.com and connect with us on Twitter (@robbreport), Instagram, Pinterest, and Facebook.

 

Hotels and Accommodations: Sheraton Hotels & Resorts Opens The Sheraton Grand London Park Lane

For The Distinctive Art Deco Hotel, A New Era Begins After 90 Years Of Moving History

Extending the reach of Sheraton Grand, a new premium classification for the brand, the Sheraton Hotels & Resorts (a brand of Marriott International) has launched the Sheraton Grand London Park Lane after a several million pounds extensive renovation and redesign of the 303 rooms. The comprehensive renovation also comprised of work on the public spaces, including the famous The Palm Lounge3_mh_logo_blk-1 Court, the Ballroom* and the opulent foyer Silver Gallery.

The interior architects of MKV Design are responsible for the extensive renovation project, in collaboration with the Sheraton Global Designteam, combining the history of the building and its impressive location opposite the Green Park with modern, stylish elements and details. The profound renovation was followed by the redesign to the Sheraton Grand, the premium classification of the Sheraton brand for hotels characterized by particularly attractive locations, exclusive design, excellent service and outstanding customer experiences. The Sheraton Grand London Park Lane is the first hotel in London to meet this exquisite portfolio of currently 35 Sheraton Hotels worldwide.

As one of the global travel hubs, London is a crucial market for Sheraton, the internationally most widely-used brand of Marriott International. That’s why we should be one of our flagships, “said McGuinness, senior vice president and global brand leader for Sheraton Hotels and Resorts. “The Sheraton Grand Park Lane London and its extravagant refurbishment gives the Sheraton brand a very special glow and serves as a great model for the transformation we are striving for the brand.

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Sheraton London Park Lane Hotel (Photo By Rept0n1x (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons)

Since its heyday as the first choice for personalities of society, public life and the aristocracy, the Sheraton Grand London Park Lane has maintained the tradition of bringing people together in the heart of the Mayfair District. The design concept builds on the Art Deco heritage and this social influence, creating a wealth of spaces and an interior in which business and leisure can be easily combined. The 303 rooms have been completely redesigned in an elegant and luxurious style, breathing the spirit of Art Deco. 43 newly created Sheraton Club rooms and suites offer exclusive access to the Sheraton® Club Lounge, a private retreat where guests can enjoy breakfast, drinks and snacks during the day, as well as an afternoon tea in the style of The Palm Court , While in the evening, a varied selection of drinks and canapés are offered. For business travelers, this category also includes the use of a private conference room in the Sheraton® Club Lounge, which can accommodate up to eight people.

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Grand Suite Living Room – Sheraton Grand London Park Lane Hotel. (Image courtesy of Sheraton Grand London Park Lane Hotel)

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Grand Suite Bathroom – Sheraton Grand London Park Lane Hotel. (Image courtesy of Sheraton Grand London Park Lane Hotel)

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Grand Suite Bedroom – Sheraton Grand London Park Lane Hotel (Image courtesy of Sheraton Grand London Park Lane Hotel)

The 21 suites of the hotel have been redesigned in such a way that the indoor space is optimally utilized and the view outside on the laubbowers of the Green Park can be enjoyed to the fullest. Many suites can now be connected to neighboring suites, so that large families and groups can get enough space. The Grand Suite of the hotel is a commitment to luxury and opulence and includes a representative entrance area, a master bedroom with en-suite bathroom, as well as various living and dining areas. The rooms are interconnected with double-width sliding doors, so the Grand Suite can be opened to a single spacious room.

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Sheraton Hotel & Resorts – Sheraton Grand London Park Lane – Art Deco Suite (Photo: Business Wire)

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Renovated Park View Suite at The Sheraton London Grand Park Lane Hotel

The new design of the Sheraton Grand London Park Lane marks a milestone for Sheraton in the United Kingdom,” says Even Frydenberg, Chief Operations and Franchise Support Officer Europe, Marriott International. “Thanks to a successful collaboration with Sir Richard Sutton Limited, this newly refurbished hotel represents the grand category of the brand and is a strategically immensely important home for the Sheraton portfolio.”

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The Palm Court at the Sheraton Grand London Park Lane Hotel

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The Palm Court at the Sheraton London Grand Park Lane Hotel

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The Palm Court at the Sheraton London Grand Park Lane Hotel

The renovation brought forth modern meeting places for city dwellers and world travelers alike. The prestigious The Palm Court Lounge, with its elegant furnishings and a magnificent stained glass roof, is the perfect backdrop for meetings in an aesthetic and lively atmosphere. Following the tradition of the Grand Hotel lounges of the 1920s and 30s, here breakfast, afternoon tea, dinner and cocktails, a special menu called serving and Paired , Sheratons creative culinary offerings, the small dishes and delicious bar snacks excellently combined with premium wines and local craft beers.

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Mercante Restaurant, Sheraton London Grand Park Lane Hotel

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