Museum’s Grand Opening Film “August 28” To Air Publicly for 24 Hours
On August 28, 1963, more than 200,000 people gathered on the National Mall to March for Jobs and Freedom. This month, more than 50 years later, the Smithsonian’s National Museum of African American History and Culture will commemorate the March on Washington with a digital resource webpage exploring the historical significance of the march with collection objects, stories, videos and content related to the historic march. This page will include voices of A. Phillip Randolph, Rep. John Lewis, and many unsung activists and a performance by singer Marian Anderson. The resource webpage is available at nmaahc.si.edu/marchonwashington.
To mark the anniversary day (Aug. 28), the museum will also make available the film commissioned for its grand opening by Ava Duvernay,August 28: A Day in the Life of a People. The film will be available to view on the museum’s homepage and YouTube channel starting at 10:00 a.m. for 24 hours.
“This Friday marks the 57th anniversary of the March on Washington, which in 1963, brought together more than a quarter-million people advocating for racial justice,” said Spencer Crew, acting director of National Museum of African American History and Culture. “Demonstrations have long been a way for American citizens to help the nation live up to its stated ideals, making Friday’s anniversary and march not just a commemoration, but the continuation of an American tradition that began centuries ago.” Crew continued, “Evidence of not only how far we have come since 1963, but the long journey ahead to justice and equality.”
March on Washington Programming
NMAAHC Presents Why we march…(a short video)
Friday, Aug. 28
“Why we march…” is a three-minute video exploring the role of marching in social justice reform. The video uses photography from the museum’s collection to illustrate more than 50 years of community activism and protest movements for racial and social justice and equity in the United States to begin to answer the question, why we march. Click video below or visit @NMAAHC’s YouTube channel or the March on Washington webpage to see the video.
Cinema and Conversation—Black Journal: Black Women
Thursday, Aug. 27; 8 p.m. to 10 p.m.
This series will feature two rare films from the museum’s collection, The Black Woman and Alice Coltrane, from the seminal program Black Journal (1960–1970). Alice Coltrane is an intimate visit with musician Alice Coltrane at her home. The Black Woman focuses on—in the words of Black Journal host Tony Brown—one of the greatest institutions in the world: “The Black woman.” Curator of photography and film Rhea Combs will introduce the movie, followed by a discussion with scholar Philana Payton and journalist Joan Harris, who was interviewed in The Black Woman. Co-presented with Screen Slate, the films will be available for viewing at www.twitch.tv/screenslate.
Historian and Narrator John Monsky Captures the Dramatic Final Months of World War II With Multimedia Production Featuring 35-Piece Orchestra and Leading Broadway Artists, Historic Video, Original American Flags From Normandy Beach and Beyond, and Images from the Archives of Legendary Photojournalists
Historian and narrator John Monskybrings his groundbreaking American History Unbound series back to Zankel Hall on Saturday, June 6 and Tuesday, June 9 with The Eyes of the World: From D-Day to VE Day—an exciting multimedia production that tells the powerful story of the American landing on the Normandy beaches and subsequent 11 months of battle that finally secured victory in Europe.
On June 5, 1944, on the eve of D-Day, Major General Dwight D. Eisenhower told American forces, “The eyes of the world are upon you. The hopes and prayers of liberty-loving people everywhere march with you.” While D-Day marked a turning point and pathway to victory, the landings and eleven months of battle that followed would be among the most brutal for the American troops and Allied forces.
This immersive concert experience, presented with the New-York Historical Society in the 75th anniversary year of VE Day, recounts this period through striking photography from the archives of American photojournalist Lee Miller, who, reporting for Vogue magazine, was among the 127 accredited female journalists covering the war, as well as letters home from a young American intelligence officer who landed at Normandy and fought with the army through VE day. Along the way, they connected with legendary American writer Ernest Hemingway and photojournalist Robert Capa. The paths of these four remarkable figures intersect and intertwine as they served as the “eyes for the world” from D-Day to eventual victory.
The program features the Orchestra of St. Luke’s, conducted by music supervisor Ian Weinberger (Hamilton), joined by leading Broadway vocalists including Nick Cordero (Waitress, A Bronx Tale), Kate Rockwell (Mean Girls), Tony LePage (Come From Away), and Bryonha Parham (After Midnight) performing evocative music of the era—from La Vie en Rose and Woody Guthrie’s What Are We Waiting On to signature songs of legendary bandleader Glenn Miller who volunteered for the Army at the height of his career—and selections from the film soundtracks of Saving Private Ryan and Band of Brothers. Tickets for the June 6 and 9 performances are on sale to the general public now.
The American History Unbound series, exploring watershed moments in American history, combines live music performed by celebrated Broadway actors and a full orchestra, incorporating film, photography, historic flags and material culture from Monsky’s personal collection. Narrated by Monsky with a script punctuated with his own memories and observations, each production includes powerful examinations of singular and pivotal events—from the Revolutionary War and Civil War to D-Day—turning points in history that changed America.
Decades ago, Monsky’s mother bought her 12-year-old son his first “flag,” a red kerchief (an artifact from Theodore Roosevelt’s unsuccessful 1912 presidential bid), to appease his boredom while on a routine shopping outing. Today, his collection of flags and textiles — tangible artifacts that connect us to our history — has become one of the finest in the country. As his collection grew, so did annual Flag Day presentations held in Monsky’s apartment. As the events grew larger in scope—adding bands and Broadway singers to accent his talks—they eventually required portal-widening-living room-construction to accommodate friends and family, all riveted by Monsky’s storytelling. Sought-after invitations to these informal gatherings attracted the attention of The New Yorker in 2012, when Monsky took a second look at the War of 1812, with a presentation that included the commissioning pennant from the great wooden frigate, the USS Constitution. Louise Mirrer, the President and CEO of the New-York Historical Society, where Monsky is a trustee, recalled, “I attended the Flag Day celebrations and was absolutely dazzled. One of those years after viewing…a really exceptional explication of history, I said to John, ‘you know, you should do that in our auditorium.’” She has since called his D-Day production “the most moving event ever presented on the Society’s stage.”
Monsky has been creating and performing his American History Unbound productions for over a decade and was recently honored by the New-York Historical Society. After two previous sold-out productions—The Vietnam War: At Home and Abroad (2018) and We Chose To Go To The Moon (2019)—The Eyes of the World is the third installment of American History Unbound to be presented at Carnegie Hall.
“John has a passion for combining storytelling, music, visuals, and film in unique and creative ways that bring history to life and that connect emotionally with his audiences,” said Clive Gillinson, Executive and Artistic Director of Carnegie Hall. “We look forward to this next edition which will take us through some of the most important moments of World War II, traveling on a journey that is sure to be powerful as well as illuminating.”
Like Monsky’s previous productions, The Eyes of the World includes tangible historic objects woven into the storytelling narrative, some of which have been in storage and not seen by the public for more than 75 years. His presentation includes the flag famously placed by Rudder’s Rangers on the rocks of Pointe du Hoc to mark the command post; a rarely-seen divisional color of the US 29th Infantry Division, which suffered tremendous losses on the beaches of Normandy; the flag from landing craft LCI 94, which picked up photojournalist Robert Capa from Omaha Beach on D-Day; community “service banners” hung in schools and churches across America, with blue stars indicating the number of their “boys” in service, plus more.
“I did not start out looking for the figures we follow in this production—Hemingway, Capa, Miller, and a young intelligence officer who landed on D-Day,” said John Monsky. “They revealed themselves as we researched a single flag flown on a Higgins boat and the boys it carried to the beaches. Every twist and turn surprised us as the story unfolded, with its conclusion making the hair on the back of my neck stand on end, as Lee Miller and others come together in some of the War’s most dark and haunting places.”
“We are grateful for the contributions of historian and author Alex Kershaw, the staff of the American Battle Monuments Commission and The National World War II Museum, as well as Katie Couric and John Molner for their encouragement and passion to tell the stories of American history. It’s also been an extraordinary privilege to work with Lee Miller’s family—her son Antony Penrose and granddaughter Ami Bouhassane—to expose her work to the wider audience it deserves.”
Spencer Crew, interim director of the Smithsonian’s National Museum of African American History and Culture, released the following statement on the death of noted mathematician and one of NASA’s “human computers,” Katherine Johnson.
It is with deep sadness that we at the National Museum of African American History and Culture mourn the passing of noted NASA mathematician Katherine Johnson. She played a key role on the 1969 Apollo 11 space team, calculating the precise trajectories that would make it possible for the U.S. to land a crew safely on the moon. The critically important work she performed moved our country forward in a compelling way as we charted a bold course in space travel. It also broke barriers for women in science and mathematics.
From her earliest childhood Johnson counted things. “I counted everything: the steps, the dishes, the stars in the sky,” Johnson once said, recalling her youth. The youngest of four children of a farmer and a schoolteacher, Johnson was born into a household that valued education. Since there was no school for African American children in White Sulphur Springs, West Virginia, Johnson and her siblings attended a laboratory school at West Virginia State Institute, a historically black college. At 15, Johnson enrolled at West Virginia State earning a degree in math education and French.
Johnson was one of three black students selected to integrate West Virginia University’s graduate program. After a brief time, she left school to start family and to teach. In 1952, Johnson learned about a program that would change the course of her life. The National Advisory Committee for Aeronautics’ Langley Aeronautical Laboratory (now known as NASA and the Langley Research Center) was hiring black women mathematicians to be “human computers” to check calculations for technological developments. In 1953, Johnson began her new job working as a member of a computing group; however, her inquisitive nature and boldness won her a place in Langley’s flight research division. Known for her mathematical accuracy, Johnson performed calculations for several historic NASA missions, including the first manned mission to the moon.
Despite being born into an era when professional opportunities for women of color were scarce, Johnson quietly rose above the odds stacked against her. She and other African American women at NASA were consigned to a separate office, dining and bathroom facilities, but over time Johnson’s work won her acceptance. When recalling her time at NASA, Johnson insisted that she never struggled with feelings of inferiority. She knew she was just as good as the next person.
After retiring from NASA, Johnson became a strong advocate for mathematics education. She is the recipient of several awards, including the Presidential Medal of Freedom from President Barack Obama, and a NASA research facility is named in her honor. Her story has been told in the bestselling book and feature-length film Hidden Figures.
Johnson will forever be remembered for her work with NASA and as a pioneering force for women of color in science, technology, engineering and math.
Since opening Sept. 24, 2016, the National Museum of African American History and Culture has welcomed more than 6 million visitors. Occupying a prominent location next to the Washington Monument on the National Mall in Washington, D.C., the nearly 400,000-square-foot museum is the nation’s largest and most comprehensive cultural destination devoted exclusively to exploring, documenting and showcasing the African American story and its impact on American and world history. For more information about the museum, visit www.nmaahc.si.edu, follow @NMAAHC on Twitter, Facebook and Instagram, or call Smithsonian information at (202) 633-1000.
This year the Frist Art Museum is expanding two of its public program series to enhance the visitor experience and increase learning opportunities for guests of all ages and backgrounds. The changes to Art After Dark and ARTlab are effective immediately and will continue to evolve over the course of the year.
Art After Dark is a grouping of fun and educational offerings that takes place on the third Thursday of every month* from 5 to 9 p.m. Guests are invited to combine their viewing of current exhibitions with participation in gallery programs and activities such as Drop-In Drawing, as well as access to live music, food trucks, and cash bars. The evenings are free to members; regular admission is required for not-yet-members.
“Art After Dark evenings provide a chance to enrich your visit and meet fellow art lovers,” says Frist Art Museum educator for interpretation Meagan Rust. “Every month, the programs will change and offer something new for everyone to enjoy. We look forward to exploring creative connections in the Middle Tennessee community and helping visitors engage with the exhibitions in new ways.”
Gallery talks will now be regular components of Art After Dark. Discussions will be led by Frist educators and special guests who will offer different interpretations of and perspectives on works on view and foster dialogues with visitors.
In Drop-In Drawing sessions, visitors are encouraged to study the works in the galleries or the architecture of the building as they practice with materials provided by the Frist. All skill levels are welcome, and Frist educators and volunteers are available to supply hands-on technical guidance.
On most Art After Dark Thursdays, there will be food trucks in the Turner Courtyard, and cash bars in the café and the lobby. Guests can enjoy a meal while listening to some of Nashville’s best and brightest performers from the worlds of jazz, soul, blues, Latin, country, folk, bluegrass, and classical music.
ARTlabs are hands-on studio sessions designed to offer a creative outlet for teens, adults, and participants of all ages. Visitors are encouraged to drop in to explore themes of current exhibitions and experiment with techniques in the company of professional artists. ARTlabs will be offered on various days throughout the year at the Frist, on select Art After Dark evenings, and at community events.
Upcoming Art After Dark and ARTLab Dates
Thursday, February 20
Teen ARTlab: Illustration and tattoo art with Elisheba Israel Mrozik
(for ages 13–19).
Free; registration not required; materials provided
Opening Night features a new Aida, conducted by Yannick Nézet-Séguin and starring Anna Netrebko, Anita Rachvelishvili, and Piotr Beczała, in a new staging by Michael Mayer.
Maestro Nézet-Séguin, in his third season as Music Director, will conduct six operas, including new stagings of Aida, Don Giovanni, and Dead Man Walking, as well as three classic revivals and two Met Orchestra concerts at Carnegie Hall.
The six operas conducted by Maestro Nézet-Séguin will all be featured in The Met: Live in HD series—the most transmissions ever led by a single conductor in an HD season.
Renowned directors Barrie Kosky (The Fiery Angel), Ivo van Hove (Don Giovanni and Dead Man Walking), and Simon McBurney (Die Zauberflöte) make notable Met debuts with new productions.
For the first time in recent decades, the Met season will extend into June and will include no performances in February.
There will be more weekend opera than ever before, with 22 Sunday matinee performances, plus onstage post-performance discussions with the stars of each Sunday matinee.
Notable debuts include conductors Hartmut Haenchen, Jakub Hrůša, Giacomo Sagripanti, Speranza Scappucci, and Lorenzo Viotti and singers Varduhi Abrahamyan, Benjamin Bernheim, Amartuvshin Enkhbat, Lucia Lucas, Thomas Oliemans, Svetlana Sozdateleva, and Okka von der Damerau.
Other notable conducting engagements include Harry Bicket (Giulio Cesare), Gustavo Dudamel (Die Zauberflöte), and Simone Young (Billy Budd), among others.
The 2020–21 season will be General Manager Peter Gelb’s 15th as the Met’s General Manager.
The Metropolitan Opera announced its 2020–21 season, the first in which Yannick Nézet-Séguin assumes his full breadth of musical duties as the company’s Jeanette Lerman-Neubauer Music Director, conducting six productions. His schedule includes the Met premiere of Jake Heggie’s Dead Man Walking, the first contemporary opera conducted by the maestro on the Met stage, as part of his ongoing commitment to opera of our time at the Met, which will expand in the seasons to come.
The season—which includes five new productions and 18 revivals—kicks off on September 21 with the first new staging of Verdi’s Aida in more than 30 years, directed by Michael Mayer, conducted by Nézet-Séguin, and starring Anna Netrebko, Anita Rachvelishvili, and Piotr Beczała. Australian director Barrie Kosky makes his company debut with the Met-premiere production of Prokofiev’s The Fiery Angel, with Michail Jurowski leading an extraordinary cast in his Met debut. Two Mozart operas will also be seen in new stagings: an acclaimed production of Die Zauberflöte directed by Simon McBurney and conducted by Gustavo Dudamel, and a sophisticated new take on Don Giovanni,Ivo van Hove’s highly anticipated Met-debut production, conducted by Nézet-Séguin and starring Peter Mattei, Gerald Finley, Ailyn Pérez, and Isabel Leonard in the leading roles. And in April, Nézet-Séguin conducts the Met premiere of Jake Heggie’s 21st-century masterpiece Dead Man Walking, with a new staging by van Hove featuring Joyce DiDonato, Susan Graham, Latonia Moore, and Etienne Dupuis.
Following the successful addition of 16 new Sunday matinee performances last season, the Met will offer even more weekend options in 2020–21, with 22 Sunday matinee performances. Each Sunday matinee will be followed by an onstage post-performance discussion with the stars.
For the first time, the Met season will include no performances in February, with the company instead extending its performance calendar into the month of June.
In his third season as Music Director, in addition to the three new stagings, Nézet-Séguin conducts revivals of Fidelio, Roméo et Juliette, and Die Frau ohne Schatten, as well as two of three Met Orchestra concerts at Carnegie Hall in June. (Semyon Bychkov will conduct the first concert in the Carnegie Hall series, on June 10.)
“This is the season in which the Yannick era hits its stride,” said General Manager Peter Gelb. “In conducting six operas, he will be present throughout the entire season, raising the artistic bar for the orchestra, the chorus, and the entire company.”
“The artistic excellence we achieve each season is due to the invaluable contributions in the pit and on stage by the great Met Orchestra and Chorus,” Music Director Yannick Nézet-Séguin said. “This is an exciting time for opera, and I’m thrilled to be sharing my passion for it with the Met’s discerning and loyal audience, while deepening my relationship with this great institution. As we look forward to future seasons, we will not only continue to expand our repertoire with new commissions by living composers but will also be adding to our artistic ranks with more women on the podium and a greater emphasis on artistic diversity.”
Dozens of the world’s leading opera stars bring their artistry to 18 repertory revivals throughout the season, including Marcelo Álvarez, Jamie Barton, Piotr Beczała, Angel Blue, Stephanie Blythe, J’Nai Bridges, Lawrence Brownlee, Javier Camarena, Anthony Roth Costanzo, Stephen Costello, Diana Damrau, Joyce DiDonato, Gerald Finley, Angela Gheorghiu, Christine Goerke, Susan Graham, Greer Grimsley, Günther Groissböck, Ekaterina Gubanova, Anita Hartig, Evelyn Herlitzius, Quinn Kelsey, Tomasz Konieczny, Isabel Leonard, Peter Mattei, Angela Meade, Latonia Moore, Erin Morley, Anna Netrebko, Lisette Oropesa, Eric Owens, Ailyn Pérez, Susanna Phillips, Matthew Polenzani, Anita Rachvelishvili, Brenda Rae, Golda Schultz, Nadine Sierra, Stuart Skelton, Nina Stemme, Krassimira Stoyanova, Elza van den Heever, Christian Van Horn, Klaus Florian Vogt, Michael Volle, Pretty Yende, and Sonya Yoncheva. They perform alongside a number of significant newcomers to the Met stage, including Benjamin Bernheim, Okka von der Damerau, and Varduhi Abrahamyan. This is also a remarkable season for new conductors, with Hartmut Haenchen, Jakub Hrůša, Michail Jurowski, Nimrod David Pfeffer, Giacomo Sagripanti, Speranza Scappucci, Lorenzo Viotti, and Kensho Watanabe all appearing for the first time on the podium.
OPENING NIGHT: Aida — Giuseppe Verdi
Opening: September 21, 2020
Conductor: Yannick Nézet-Séguin
Production: Michael Mayer
Set Designer: Christine Jones
Costume Designer: Susan Hilferty
Lighting Designer: Kevin Adams
Projection Designer: 59 Productions
Choreographer: Oleg Glushkov
Live in HD: October 10, 2020
Verdi’s opera receives its first new staging at the Met in more than three decades, with a season-opening premiere production directed by Michael Mayer, whose dazzling vision of ancient Egypt comes alive with intricate projections and eye-catching animations. Anna Netrebko and Anita Rachvelishvili portray archrivals Aida and Amneris on Opening Night—reprising their acclaimed partnership in the same roles from the 2018–19 season—and Piotr Beczała completes the triumvirate as Radamès. Yannick Nézet-Séguin leads a benchmark cast that also includes Ludovic Tézier as Aida’s father, Amonasro, and Krzysztof Bączyk in his Met debut as the King of Egypt. A co-production with the Bolshoi Theatre, this Aida also features Latonia Moore and Hibla Gerzmava in later performances of the title role, as well as Ekaterina Semenchuk and Marcelo Álvarez as Amneris and Radamès.
MET PREMIERE: The Fiery Angel — Sergei Prokofiev
Opening: November 12, 2020
Conductor: Michail Jurowski
Production: Barrie Kosky
Set Designer: Rebecca Ringst
Costume Designer: Klaus Bruns
Lighting Designer: Joachim Klein
Choreographer: Otto Pichler
Australian director Barrie Kosky, a bright and bold force in the opera world, makes his long-awaited company debut with the Met premiere production of Prokofiev’s devilish masterwork, conducted by Michail Jurowski, also in his Met debut. Portraying the vagabond knight Ruprecht, Evgeny Nikitin stars opposite Svetlana Sozdateleva, who makes her Met debut in the role of Renata, the pious young woman obsessed with a mysterious angelic lover. Kosky’s visually stunning production was hailed by the Financial Times as “a gripping evening” when it premiered in Munich in 2015.
Museum Renames Prestigious Award to Honor Apollo 11 Astronaut Michael Collins
Honoring AstronautMichael Collins’ legacy in aviation and space, the Smithsonian’s National Air and Space Museum is renaming its trophy for the Apollo 11 command module pilot. The recognition is awarded annually for Lifetime and Current Achievements. The 2020 recipients are Charles Elachi for Lifetime Achievement and the Hubble Space Telescope Team for Current Achievement. The recipients will receive their awards March 26 at a ceremony at the museum’s Steven F. Udvar-Hazy Center in Chantilly, Virginia.
The National Air and Space Museum Trophy event is made possible through the support of Atlas Air Worldwide, BAE Systems Inc., Blue Origin, Booz Allen Hamilton, The Claude Moore Charitable Foundation, Jacobs, Leidos, National Air Traffic Controllers Association, National Business Aviation Association, Pratt & Whitney, Seabury Capital, Sierra Nevada Corp. and Thales.
Established in 1985, the award recognizes outstanding achievements in the fields of aerospace science and technology and their history. Trophy winners receive a miniature version of “The Web of Space,” a sculpture by artist John Safer. The renaming of the trophy recognizes Collins’ contributions to aerospace and his service to the museum as director during a critical time in its evolution.
“I am deeply honored to have been made a part of the museum’s legacy recognizing the best in the aerospace industry,” said Michael Collins. “The National Air and Space Museum is a testament to thousands who helped craft it into the wonder it is today. I hope the award inspires future generations to keep reaching outward bound.”
2020 Michael Collins Trophy Recipients
Elachi will receive the 2020 Michael Collins Trophy for Lifetime Achievement honoring his distinguished career in the fields of remote sensing, planetary science and spaceflight-program management. After pioneering techniques in radar remote sensing for surface, ocean and atmospheric phenomena, he executed these techniques in leadership roles in various missions. He was the director for space and Earth sciences for almost 20 years at NASA’s Jet Propulsion Lab (JPL), and the director of JPL for 15. Under his leadership, JPL achieved many successful planetary, earth and astronomy missions including several Mars lander, rover and orbiter missions, pioneering missions to outer planets, such as the Cassini mission to Saturn, and the Spitzer and Kepler Space Telescopes. The breadth of his expertise allowed synergy between the technical aspects of radar remote sensing and the interpretation of the acquired science data, which is now a standard approach in Earth and planetary science. Through this lifetime of success, he has also served as a significant mentor to many in industry and academia.
As the Hubble Space Telescope celebrates its 30th year in operation, the team behind Hubble will receive the 2020 Collins Trophy for Current Achievement. Hubble has changed humans’ fundamental understanding of the universe, having taken over 1.4 million observations and provided data that astronomers have used to write more than 17,000 peer-reviewed scientific publications on a broad range of topics. Through the efforts of the Hubble team since 2018, the observatory has continued to produce science unachievable with any other instrument, including studies of the first possible moon orbiting a planet outside the solar system, imaging the first known interstellar object to visit the solar system and finding water vapor on an extrasolar planet in the habitable zone. System engineers in Hubble’s control center and science operations facility have continued to find creative ways to operate the 30-year-old spacecraft to make this revolutionary science possible and ensuring its capabilities will continue for years to come.
The National Air and Space Museum on the National Mall in Washington, D.C., is located at 655 Jefferson Dr. The museum’s Steven F. Udvar-Hazy Center is located in Chantilly, Virginia, near Washington Dulles International Airport. Both facilities are open daily from 10 a.m. until 5:30 p.m. (closed Dec. 25). Admission is free, but there is a $15 fee for parking before 4 p.m. at the Udvar-Hazy Center.
Immersive Audio Experience Featuring the Music of David Bowie, Rolling Stones, Janis Joplin, and Other Rock & Roll Icons and a Recreation of the Fillmore East’s Famous “Joshua Light Show” Bring Visitors into the Rock & Roll World
Bill Graham and the Rock & Roll Revolution On View Now Through August 23, 2020
The New-York Historical Society presents the rock & roll world of Bill Graham (1931–1991), one of the most influential concert promoters of all time. Bill Graham and the Rock & Roll Revolution, (opened February 14 and) now on view through August 23, 2020, explores the life and work of the legendary music impresario who worked with the biggest names in rock music—including the Grateful Dead, Jefferson Airplane, Jimi Hendrix, Santana, Led Zeppelin, and The Rolling Stones—and launched the careers of countless music luminaries at his famed Fillmore Auditorium in San Francisco and the Fillmore East in New York City. Organized by the Skirball Cultural Center, which debuted the exhibition in Los Angeles, this comprehensive retrospective of Graham’s life and career explores some of the 20th century’s momentous cultural transformations through the lens of rock & roll.
Showcasing more than 300 objects—including rock memorabilia, photographs, and concert posters—the New-York Historical presentation, coordinated by Associate Curator of Exhibitions Cristian Petru Panaite, highlights Graham’s personal connections to New York. Admission to the exhibition will be via timed-entry tickets and begins with a site-specific installation of “The Joshua Light Show,” the trailblazing liquid light show conceived in 1967 by multimedia artist Joshua White that served as a psychedelic backdrop to Graham’s concert productions in New York.
Unique to New-York Historical is a special, immersive audio experience, providing a musical tour through the exhibition with songs by rock & roll superstars the Allman Brothers, Chuck Berry, Blondie, David Bowie, Cream, the Doors, Aretha Franklin, the Grateful Dead, Jefferson Airplane, Jimi Hendrix, Janis Joplin, KISS, Led Zeppelin, Madonna, Tom Petty, Quicksilver Messenger Service, Carlos Santana, the Rolling Stones, the Sex Pistols, and Neil Young, among others. Included in the four-hour soundtrack available to visitors are also mambo hits by Tito Puente that Graham loved in his early years in New York. The audio experience is generously sponsored by luxury audio brand Master & Dynamic. A playlist of featured songs is available on Spotify.
“Even though Bill Graham and the Fillmore East transformed the city’s music scene in the late 1960s, few know about Graham’s immigrant background and New York roots,” said Dr. Louise Mirrer, president and CEO of New-York Historical. “We are proud to collaborate with our colleagues at the Skirball Cultural Center to present this exhibition in New York—Graham’s first American hometown—and to highlight his local experience. His rock & roll life was a pop-culture version of the American dream come true.”
This summer, the High Museum of Art will premiere “Picture the Dream: The Story of the Civil Rights Movement Through Children’s Books” (June 20–Sept. 20, 2020), an exhibition organized in collaboration with The Eric Carle Museum of Picture Book Art.
The exhibition is the first of its kind to delve into the events, people and themes of the civil rights movement, both celebrated and forgotten, through one of the most compelling forms of visual expression, the children’s picture book. The more than 80 artworks on view, ranging from paintings and prints to collages and drawings, will evoke the power and continuing relevance of the era that shaped American history and continues to reverberate today.
The year 2020 marks the anniversary of several key events from the civil rights movement. Sixty-five years ago, in 1955, Rosa Parks refused to give up her seat on a segregated bus in Montgomery, Alabama. Five years later, Ruby Bridges integrated her New Orleans elementary school, and four black students catalyzed the sit-in movement at the segregated Woolworth’s lunch counter in Greensboro, North Carolina.
These actions and more are explored in the exhibition with titles by beloved children’s book authors and artists as well as talented newcomers. “Picture the Dream” will emphasize children’s roles as activists and tell important stories about the movement’s icons, including Parks, Bridges, Congressman John Lewis, Ambassador Andrew Young and Dr. Martin Luther King Jr.
“One of the guiding aspects of our mission is a commitment to family audiences. Through our children’s book exhibitions, we aim to help adult visitors open meaningful dialogues with the children in their lives and create memories that will last a lifetime,” said Rand Suffolk, Nancy and Holcombe T. Green, Jr., director of the High. “This exhibition will spark important conversations across generations about a crucial period in our nation’s history that connects directly to our city, a birthplace of the civil rights movement.”
The exhibition will be organized into three thematic sections that explore the forces that sparked the civil rights movement, its key players and events, and stories about the reemergence of activism in contemporary America. From Brown v. Board of Education and the Montgomery Bus Boycott to the March on Washington and Black Lives Matter, the picture books’ topics bridge the past and present, emphasizing how historical moments and leaders continue to inspire the struggle for equal rights.
Sundays, February 9, March 8, April 12, and May 10, 10:30 am–12 pm
For families with children ages 5 and up
Explore the museum with an interactive, family-friendly tour that includes creative, hands-on gallery activities. Each tour is organized around a single theme and highlights artworks on view from the permanent collection and special exhibitions.
February 9: KISS: Keep It Simple, Silly
See what happens when artists put limits on themselves.
March 8: Color Fields
Investigate different ways artists use color in their work.
April 12: Is It Art?
Visit artworks that stretch our ideas of what art can be.
Enjoy a stroller-friendly tour designed for small children and their caregivers. Led by museum educators, this interactive exploration of current exhibitions includes touchable objects, art-making, and adult conversation.
$25 per stroller, free for Family Members and Cool Culture families. Includes tour plus museum admission for one stroller (single strollers and front baby carriers only) and up to four adults. Registration required; for more information, visit guggenheim.org/familyprograms or contact firstname.lastname@example.org.
Sundays, February 23, March 29, April 26, and May 24, 11 am–12 pm
Wednesdays, February 5, March 4, April 1, and May 6, 11 am–12 pm
For families with children ages 2–4
In this program designed for young art lovers and their caregivers, participants explore works of art on view and then create their own art in the studio. Each program includes a short story, a trip to the galleries, and art-making activities.
Learning Through Art (LTA), the Guggenheim’s pioneering arts education program, presents A Year with Children 2020.This annual presentation showcases select artworks by students in grades two through six from twelve public schools that participated in the LTA program during the 2019–20 school year. More than one hundred creative and imaginative works, including collages, drawings, found objects, installations, paintings, and prints, will be on display. Participating from the Bronx is PS 86 (Kingsbridge Heights); from Brooklyn, PS 8 (Brooklyn Heights), PS 9 (Prospect Heights), and PS 188 (Coney Island); from Manhattan, PS 28 (Washington Heights), PS 38 (East Harlem), and PS 145 (Harlem); from Queens, PS 219 (Flushing), PS 130 (Bayside), PS 144 (Forest Hills), and PS 317 (Rockaway Park); and from Staten Island, PS 48 (Grasmere).
Guggenheim for All: Sensory Sundays in Support of Autism Acceptance Month
Every Sunday in April 2020
Stop by the special sensory-friendly Open Studio during the month of April. Participate in art-making activities connected to the exhibitions on view and relax in the nearby sensory room. Direct access to the Studio Art Lab will be available via the ramp at 88th Street and 5th Avenue.
Free with museum admission. Through the Guggenheim for All initiative, the museum is able to offer reduced admission for families of children with autism. To request, please visit their website.
Guggenheim for All: Art for Families with Children on the Autism Spectrum, Sunday, March 8, 11 am–1 pm
For families with children ages 6 and up.
In this drop-in program designed for children on the autism spectrum and their families, explore works of art in sensory-friendly experiences in the galleries and create your own art in the studio.
Mack Lecture Series April 8–29, 7 pm$15 ($12 Walker members, students, and seniors)Walker Cinema
Hear directly from explorers of our culture and contemporary moment during the Mack Lecture Series. Throughout the month of April, artists, writers, and other great thinkers at the forefront of diverse fields share their vision on topics ranging from artificial intelligence in performance art to gender politics and gonzo journalism.
Writer-director Annie Dorsen tries “to make perceptible how ideas change over time: where they come from, how they influence and are influenced by politics and culture, and how they take root in the body, physically and emotionally.” For this conversation, she explores the intersection of algorithms and live performance with artificial intelligence researcher and computational linguist Catherine Havasi, moderated by Simon Adler, a producer for WNYC’s Radiolab.
Annie Dorsen’s performance work Yesterday Tomorrow, takes place in the Walker’s McGuire Theater March 27–28.
Genderqueer political activist, visual artist, and musician JD Samson is perhaps best known as leader of the band MEN and one-third of the electronic-feminist-punk band Le Tigre. As a self-defined “gender outlaw,” she will investigate the precarious masculinity of the butch/masculine-of-center body, play with traditional concepts of ownership and destruction, and break down the charged heteronormative history of queer sex dynamics.
February, March Public Programming Begins With Discussion on Interim Director Spencer Crew’s Latest Book “Thurgood Marshall: A Life in American History”
“Proud Shoes: The Story Of An American Family” Exhibition Opens In Family History Center
A discussion with Spencer Crew, interim director of the Smithsonian’s National Museum of African American History and Culture, on his new book Thurgood Marshall: A Life in American Historywill lead the winter programming at the museum. Crew will join in conversation with Paul Finkelman, president of Gratz College about the newly released biography, detailing the life of America’s first black Supreme Court justice and his cultural and historic significance. Several programs will celebrate Black History Month and Women’s History Month, including a musical performance and discussion on African American women in jazz, an interactive program on food accessibility and a discussion about African American women’s contributions in World War I at home and abroad. All programs held in the museum’s Oprah Winfrey Theater will stream live on the museum’s Ustream channel at ustream.tv
Historically Speaking: Thurgood Marshall—A Conversation Between Spencer Crew and Paul Finkelman
Spencer Crew, interim director of the National Museum of African American History and Culture, will discuss his recently published biography of America’s first black Supreme Court justice, Thurgood Marshall, with moderator Paul Finkelman, president of Gratz college and a specialist on American constitutional and legal history. Crew’s latest publication, Thurgood Marshall: A Life in American History, chronicles the justice’s legendary career as a civil rights litigator and founder of the NAACP Legal Defense Fund. A book sale and signing will follow the discussion, courtesy of Smithsonian Enterprises. Admission is free; however, registration is required at https://nmaahc.si.edu/events/upcoming.
STORY at Macy’s teams up with Well+Good to demystify wellness with curated products, health tips and experiences at 36 stores nationwide
STORY at Macy’s, the ever-changing, narrative-driven retail concept inside 36 Macy’s stores nationwide, unveils its latest theme: “Feel Good.” Now through April 2020, Feel Good STORY brings a fresh focus on wellness and uses merchandise curation and events to explore simple and actionable ways for customers to find greater balance, energy and nourishment. In partnership with the award-winning fitness and wellness media platform, Well+Good, Feel Good STORY leverages its expertise in the field to help define and demystify what it means to live a healthy life through both editorial tips and product picks.
The wellness-focused retail narrative invites discovery through three curatorial spaces and each introduces merchandise and experiences to help you feel Balanced, Energized and Nourished. The Balanced moment is all about mindfulness and invites guests to pause for a complimentary meditation in partnership with Calm, the number one app for sleep, meditation and relaxation. To feel Energized, customers are invited to explore something new, from weighted arm bangles by Bala to an in-store barre fitness class. Finally in Nourished, healthy habits are the focus with new takes on snacking from Dada Daily and alcohol-free elixirs by Seedlip.
STORY at Macy’s product curation meets with editor-approved intel from Well+Good to add a simple, informative layer to the experience. For example, shoppers will discover that to get a good night’s sleep, editors suggest “cooling down your bedroom,” alongside the dodow, a glowing timer that teaches you to fall asleep. Additional tips cover topics like the benefits of dark chocolate, relaxation techniques, and how to maximize your crystals. Well+Good also supports STORY’s merchandise curation by leveraging its 2020 Wellness Trends to inform product selections like snack-able chickpeas. Within these broad moments, STORY at Macy’s and Well+Good take aim at trending topics like sleep, self-care, exercise, hydration, muscle recovery and healthy snacking.
“Well+Good decodes and demystifies wellness to help our community live a healthy lifestyle in a way that works for them,” said Alexia Brue, co-founder of the award-winning media company Well+Good. “Partnering with STORY at Macy’s allows us to share our rigorously researched editorial content in a new and exciting way, giving people in-person tips to feel more Balanced, Energized and Nourished.”
To bring the Feel Good experience to life, STORY energizes its in-store environment with meditation spaces in partnership with the Calm app at all locations and a range of community-centered events focused on wellness. The concept will host events featuring local experts in the health and wellness space for cooking classes, panel discussions, journaling and meditation workshops, a manicure bar, yoga and barre classes, and mocktail-faking workshops.
A special selection of STORY at Macy’s wellness product will also be available on macys.com, curated by the three focus areas. From a lavender mimosa candle by Paddywax in Balanced and collapsible foam roller by Brazyn Life in Energized to a mocktail faking kit by Luckies of London in Nourished, online shoppers will be able to discover something that will make them feel good, too.
In 1976, the U.S. government introduced Black History Month in conjunction with the nation’s bicentennial to honor the achievements and cultural richness of the African-American community. Today, more than 44.5 million U.S. citizens identify as Black. As such, the company celebrates the gifts, voices and legacy of this diverse population.
Macy’s celebrates Black History Month 2020 at select locations nationwide with special appearances by influencer Monica Veloz, Hair Love writer, director and producer Matthew Cherry, comedian Phoebe Robinson, activist Marley Dias, NFL Hall of Famer Jerry Rice, celebrity hair stylist Kim Kimble, and many more.
Macy’s Black History Month events will be held at the following stores:
Macy’s Baldwin Hills (Los Angeles) – Saturday, Feb. 8 at 2 p.m. with Monica Veloz
Macy’s State Street (Chicago) – Thursday, Feb. 20 at 6 p.m. with Matthew Cherry
Macy’s Herald Square (New York City) – Thursday, Feb. 20 at 6 p.m. with Phoebe Robinson and Marley Dias
Macy’s Union Square (San Francisco) – Saturday, Feb. 22 at 2 p.m. with Jerry Rice
Macy’s Lenox Square (Atlanta) – Saturday, Feb. 22 at 2 p.m. with Kim Kimble
Macy’s Aventura (Miami) – Saturday, Feb. 22 at 2 p.m. with The Workshop at Macy’s
The month’s events kick off at Macy’s Baldwin Hills in Los Angeles with a make-up tutorial and discussion about diversity and inclusion in the beauty industry from influencer Monica Veloz. At Macy’s State Street, Chicago native Matthew Cherry will screen his 2020 Oscar®-nominated short-film Hair Love and discuss how he used the power of family to tell a compelling story about real people. Comedian and co-star of podcast 2 Dope Queens, Phoebe Robinson, and 14-year-old activist and creator of #1000blackgirlbooks, Marley Dias, will appear at Macy’s Herald Square in New York City for an evening of insightful dialogue. Three-time Super Bowl® champion and Hall of Famer Jerry Rice will appear at Macy’s Union Square in San Francisco. At Macy’s Lenox Square in Atlanta, customers can enjoy a demonstration and celebration of the diversity of Black hair from celebrity stylist Kim Kimble. At Macy’s Aventura in Miami, representatives from Macy’s Diversity and Inclusion team and The Workshop at Macy’s will participate in a discussion on the diversity of Black people and Black culture as well as select a high potential Black-owned business to join The Workshop at Macy’s class of 2020.
In addition to appearances by these notable innovators, Macy’s will showcase Black History Month-themed windows throughout February in Chicago, New York City, Philadelphia, and Washington, D.C. Macy’s locations. The windows were created in partnership with Maplewood, New Jersey artist, Lisa Hunt. “My work explores the spatial and meditative relationships found within repeat patterns,” she commented. “The windows are expressed with a minimalist approach inspired by Art Deco, traditional African and Eastern textiles comprised of graphic shapes, symbols, and re-imagined typographic elements. The screen printed patterns employ an aesthetic use of gold leaf as a nod to its adorning use throughout art history.”
ONYX, Macy’s Black Employee Resource Group, was instrumental in developing this year’s campaign including the theme, display windows, and volunteer opportunities across the country. Throughout the campaign, Macy’s will contribute a total of $10,000 to charitable organizations such as Jerry Rice’s 127 Foundation and local Urban Leagues.
“Macy’s mission is to embed diversity and inclusion into how we think, act, and operate. We are strongest when we are representative of the many communities we serve and we are thrilled to offer our customers engaging Black History Month events that honor and reflect the Black experience and its impact on global culture,” said Shawn Outler, Macy’s chief diversity officer.
Open 365 days a year, the VMFA shares its growing collection of African American art all year long. During Black History Month 2020, it’s great time to visit the collection and join the ongoing celebration of African American art, history, and culture.
TALK Working Together: Louis Draper and the Kamoinge Workshop Dr. Sarah Eckhardt, Associate Curator of Modern and Contemporary Art, VMFA, in conversation with Nell Draper-Winston Thu, Jan 30 | 6:30–7:30 pm, $8 (VMFA members $5), Leslie Cheek Theater
VMFA’s Dr. Sarah Eckhardt, curator of Working Together: Louis Draper and the Kamoinge Workshop, will provide an overview of the exhibition, which features photography by members of the Kamoinge Workshop, an artist collective founded in New York City in 1963. Nell Draper-Winston, sister of photographer Louis Draper, will join Dr. Eckhardt in conversation to discuss her brother’s photographs and his roots in Richmond.
OPEN STUDIO PLUS PERFORMANCE Grandma’s Hands Sun, Feb 2 | 1–4 pm, Free, no tickets required. Art Education Center. Performances in the Atrium 2 pm & 3 pm
Join others as they encounter generational lessons from two sisters with remarkable stories to share from the perspective of the African American South. Through song, stories, and signed poetry, we will learn how women have made an impact on culture through practices passed down from family matriarchs.
RVA Community Makers Art Activity Sun, Feb 2 | 1–4 pm, Free, no tickets required. Art Education Center
During Open Studio Plus Performance, celebrate family with Richmond artist Hamilton Glass and local African American photographers.
Take your digital family portraits onsite at VMFA to become part of a mixed-media public art collaboration. Glass will guide attendees in hands-on participation. You can also capture fun memories in the Family Portrait Photo Booth.
Extending the meaning of family to community, the project also brings together six local photographers—Regina Boone, Courtney Jones, Brian Palmer, Sandra Sellars, Ayasha Sledge, and James Wallace— who will create portraits of six selected community leaders.
FIRST FRIDAY Spirituals, Fri, Feb 7 | 6–8 pm, Free, no tickets required. Atrium
Welcome sopranos Lisa Edwards Burrs and Olletta Cheatham to the First Friday series with an evening of Spirituals. Lisa and Olletta will sing many powerful songs of the genre and explore their resonating impact on history.
DANCE PARTY VMFA After Hours: VMFA Is for Lovers Sat, Feb 15 | 7–11:30 pm, $45/person ($35 VMFA members). Museum wide
Join host Kelli Lemon for a night of art, music, dancing, and love after dark. Catch DJ Lonnie B on the spin in the Marble Hall. Enjoy Legacy Band performing live music in the Atrium. Experience the exhibitions Edward Hopper and the American Hotel and Working Together: Louis Draper and the Kamoinge Workshop.
All galleries will be open during this event to give you access to our diverse collections of art from around the world.
LIVE JAZZ, Dominion Energy Jazz Café: Jazz Around the Museum. Thu, Feb 13 | 6–9 pm, Free, no tickets required. Marble Hall
Back by popular demand! Who says a Jazz band can’t party, get down, and get funky? Led by saxophonist Robert “Bo” Bohannon, Klaxton Brown combines the old with the new, and will rock you steady all night long. Prepare to get Klaxtonized!
Six-Week Massive Open Online Course (MOOC) Explores Art Created between 1980 and the Present, Including Over 70 Artworks from MoMA’s Collection
The Museum of Modern Art has launched the free massive open online course What Is Contemporary Art?, available now on Coursera. This course offers an in-depth look at over 70 works of art from MoMA’s collection—many of which are currently on view in the expanded Museum—from 1980 to the present, with a focus on art produced in the last decade. Learners will hear directly from artists, architects, and designers from around the globe about their creative processes, materials, and inspiration. What Is Contemporary Art? can be found at www.mo.ma/whatiscontemporaryart.
What Is Contemporary Art? is organized around five themes: Media from Television to the Internet, Territories & Transit, Materials & Making, Agency, and Power. These themes are explored through artworks drawn from every curatorial department at MoMA. Examples include 3-D–printed glass and fiber sculptures, performances in a factory and a museum, interventions into televisions and video games, painted portraits and those made with artificial intelligence, and explorations of the body and collective actions, among many others.
The course features four new, original films made with Sheila Hicks, Arthur Jafa, Pope.L, and Rael San Fratello, whose works are currently on view in the Museum. Additionally, the course features 30 audio and email interviews with artists in MoMA’s collection, including Beatriz González, Xiao Lu, Dayanita Singh, Amanda Williams, Sheela Gowda, JODI, and Revital Cohen and Tuur van Balen, among others. Learners will develop a deeper understanding of both artists’ practices today and some of the many ways they respond to pressing issues and questions of our time.
This course was created by MoMA’s Department of Education, in collaboration with curatorial staff including Sean Anderson, Associate Curator, Department of Architecture and Design; Erica Papernik, Associate Curator, Department of Media and Performance; Sophie Cavoulacos, Assistant Curator, Department of Film; Arièle Dionne-Krosnick, Curatorial Assistant, Department of Architecture and Design; and Christian Rattemey.
MoMA has offered free massive open online courses on Coursera since 2012, including three courses for K–12 teachers and courses for general audiences on photography, modern art, abstract painting, and fashion. To date, more than 700,000 learners have enrolled in MoMA courses on Coursera. Since 2011, Volkswagen Group of America has provided crucial support for MoMA’s groundbreaking digital learning initiatives and has helped the Museum reach a worldwide audience of learners. VW’s support has allowed MoMA to expand the reach of its courses from the classroom to digital, and toward interactive, self-guided learning.
With approximately 200 works by sixty U.S. and Mexican artists, Vida Americana: Mexican Muralists Remake American Art, 1925–1945 will reveal the profound impact of Mexico’s three leading muralists—José Clemente Orozco, David Alfaro Siqueiros, and Diego Rivera—on the style, subject matter, and ideology of art in the United States made between 1925 and 1945.
Organized by curator Barbara Haskell, with Marcela Guerrero, assistant curator; Sarah Humphreville, senior curatorial assistant; and Alana Hernandez, former curatorial project assistant, Vida Americana will be on view at the Whitney from February 17 through May 17. During a special event held today in the Museum’s lobby, Museum visitors were greeted with a surprise celebration at noon, complete with free ticket giveaways and an Instagram-worthy photo opportunity.
At the event, Haskell highlighted the murals and easel paintings that will be on loan from Mexico, Japan, Argentina, and the United Kingdom for the exhibition. These include works that are rarely exhibited in the United States, including Rivera’s 1932 studies for his destroyed and infamous Rockefeller Center mural, Man at the Crossroads, on loan from the Museo Anahuacalli in Mexico City; María Izquierdo’s My Nieces (1940) and Siqueiros’s Proletarian Mother (1929), on loan from the Museo Nacional de Arte; and two paintings by Japanese-born artist Eitarō Ishigaki, on loan from Japan’s Museum of Modern Art in Wakayama.
Guerrero then discussed the Museum’s ongoing initiative to improve access for Spanish-speaking visitors.
For Vida Americana, a number of resources will be available in both English and Spanish, including all exhibition texts, the mobile guide, exhibition tours, and a Family Guide that will feature texts and in-gallery activities. The guide is available free of charge to all families who visit the Whitney as well as to elementary school-aged students who visit the Museum. The Museum also announced programs being organized by its education department on the occasion of the exhibition, including a full-day symposium featuring artists, curators, educators, and scholars presenting new perspectives on the role of Mexican Muralism in the United States. Other programming highlights include Tours for Immigrant Families, Teen Night, and a Community Partnership Mural Project with The Door and artist Sophia Dawson. Additional details and the full lineup of programs can be viewed below.
By presenting the art of the Mexican muralists alongside that of their American contemporaries, Vida Americana reveals the influence of Mexican art, particularly on those looking for inspiration and models beyond European modernism and the School of Paris, during the interwar period. Works by both well-known and underrecognized American artists will be exhibited, including those by Thomas Hart Benton, Elizabeth Catlett, Aaron Douglas, Marion Greenwood, William Gropper, Philip Guston, Eitarō Ishigaki, Jacob Lawrence, Harold Lehman, Fletcher Martin, Jackson Pollock, Ben Shahn, Thelma Johnson Streat, Charles White, and Hale Woodruff. In addition to Orozco, Rivera, and Siqueiros, other key Mexican artists included in the exhibition include Miguel Covarrubias, María Izquierdo, Frida Kahlo, Mardonio Magaña, Alfredo Ramos Martínez, and Rufino Tamayo. Tickets for Vida Americana are now available at whitney.org.
COMMUNITY AND ACCESS PROGRAMS
Tours for Immigrant Families, Feb 1, March 7, April 4, May 2, 2020
Bring your family to the Museum for a free tour and fun activities! We welcome immigrant families who speak any language and level of English. Spanish-speaking staff will be on the tour and two-trip MetroCards will be provided.
Immigrant Justice Night, April 29, 2020, 6–8 pm
Jointly organized with community partners, the Whitney will host its third Immigrant Justice Night. Join the museum for an evening of resource-sharing and artmaking dedicated to immigrant and undocumented communities. Youth, families, teachers, and community members are invited to connect with NYC immigrant justice organizations, participate in a “know your rights” training and explore Vida Americana. Spanish and English language guided tours of the exhibition will be offered throughout the evening.
Immersive Exhibition at the Smithsonian’s National Museum of Asian Art Highlights Importance of the Preservation of Cultural Heritage
Using the most recent digital techniques, the Freer Gallery of Art and the Arthur M. Sackler Gallery, the Smithsonian’s National Museum of Asian Art, take visitors on a virtual tour of three ancient cities—Palmyra and Aleppo in Syria and Mosul in Iraq.
The exhibition, located in the Sackler Gallery, highlights the devastation of these historically significant sites but also offers hope for their reconstruction and rehabilitation. By including the testimony of Iraqis and Syrians, the installation underscores the importance of place in the preservation of historical and architectural memory.
“Age Old Cities: A Virtual Journey from Palmyra to Mosul” will be on view at the Sackler Gallery from Jan. 25 through Oct. 26. It was organized by the Arab World Institute in Paris, and created in collaboration with Iconem, which specializes in digitizing cultural heritage sites in 3-D, and in partnership with UNESCO. The exhibition offers an immersive experience that emphasizes the importance of preserving the world’s fragile cultural and built heritage.
“‘Age Old Cities’ is a landmark exhibition, not only for its innovative use of digital technology within a museum context, but also for the poignant story it tells,” said Chase F. Robinson, the Dame Jillian Sackler Director of the Arthur M. Sackler Gallery and the Freer Gallery of Art. “This exhibition narrates the heartbreaking story of cultural destruction—and resilience—in these cities, and we are proud to be the exhibition’s inaugural U.S. venue. Palmyra, Mosul and Aleppo are cornerstones of world culture, and it is our shared responsibility to ensure that these cities are preserved to continue to tell their rich histories and inspire future generations.”
In the recent past, Iraq and Syria have suffered profound upheavals that have destroyed many significant cultural and religious sites—leaving little of the rich historical past. “Age Old Cities” sheds light on the devastating destruction, the important cultural heritage of Syria and Iraq, and the need to preserve these sites.
The exhibition invites visitors into the heart of each of the three cities with large-scale projections of dynamic imagery and 3-D reconstructions of damaged monuments. The projections shift gradually from destruction to progressive reconstruction. To contextualize the sites, visitors will also see projections of historical photographs of the structures.
“Beyond the stones, this heritage is a common good, and safeguarding it is the responsibility of all,” said Jack Lang, president of the Arab World Institute. “Citizens of every faith, archaeologists and curators have all worked and continue working today hand in hand to shelter, protect and rebuild.”
The exhibition offers more than a visual of potential reconstruction of mostly destroyed sites; it introduces visitors to the people who still live in the cities. Several videos throughout the exhibition feature interviews with residents, as well as archeologists and curators who work at great personal risk to protect and preserve these sites. Other videos explore unique parts of the cities such as the souks (markets) of Aleppo or the tomb of the Three Brothers in Palmyra (an underground burial chamber turned into an ISIS base of operations).
Throughout the run of the exhibition, the museum will offer a series of programs focusing on each city. Programming will include lectures and presentations on architectural heritage and current events, family programs and related film and music programs to enhance the visitor experience, further explore the rich cultures of these cities, as well as the challenges and opportunities of cultural restoration and public policies.
Museum Celebrates 100th Anniversary of Women’s Suffrage With Exhibitions and More
To mark the centennial of women’s suffrage, the Smithsonian’s National Museum of American History will celebrate the “Year of the Woman” in 2020 with two signature exhibitions designed to amplify women’s crucial role in history. On March 6, the museum will open “Creating Icons: How We Remember Women’s Suffrage,” and “Girlhood (It’s Complicated)” will open June 12.
The exhibitions will be mounted as part of the Smithsonian American Women’s History Initiative #BecauseOfHerStory. The initiative represents one of the country’s most ambitious efforts to collect, document, display and share the compelling story of women, deepening the understanding of women’s contributions to the nation and the world. It amplifies women’s voices to honor the past, inform the present and inspire the future. (Information is available at https://womenshistory.si.edu.)
The spotlight on women’s contributions will shine on other museum projects throughout 2020, including “Picturing Women Inventors,” a display celebrating the contributions of female inventors; “The Only One in the Room,” a showcase exploring women in business as part of the “American Enterprise” exhibition; and a focus on diverse female educators in the “Giving in America” exhibit. A variety of women’s history programs, and digital and education initiatives will expand this content.
The suffrage centennial exhibitions tie into other museum efforts under the tagline “Who Counts?” demonstrating that women’s history is political history. “Who Counts?” will link the museum’s efforts in collecting, documenting and creating civic engagement programs around the 2020 election, the census, the 15th Amendment and the 19th Amendment. The central messages of “Who Counts?” are broad and provide probing questions about the relationship between citizenship, resources and counting; how categories of belonging and exclusion are created and re-created over time; and how individuals and groups assert that they do count.
Exhibitions and Displays Opening in 2020
“Creating Icons: How We Remember Women’s Suffrage” Opens March 6, 2020; closes March 2021
To commemorate the 100th anniversary of the 19th Amendment, which recognized women’s right to vote, the museum will open “Creating Icons: How We Remember Women’s Suffrage.” Highlighting women’s achievements in winning suffrage, it invites audiences to explore how the country celebrates milestones, what people as a nation remember, what (and who) has been forgotten or silenced over time and how those exclusions helped create the cracks and fissures in a movement that continue to impact women’s politics and activism.
Using a jewel box approach, the museum will display a group of artifacts in conjunction with graphics and media, interweaving stories of the famous and the forgotten. The centerpiece of the exhibition will be a 6-foot-tall portrait of Susan B. Anthony. Painted by Sarah J. Eddy in 1900, the work depicts an idealized Anthony being presented with flowers by young boys and girls on her 80th birthday. The exhibition will also feature items donated between 1919 and 1920 by the National American Women’s Suffrage Association (now the League of Women Voters), materials related to Adelaide Johnson and Alice Paul, and contemporary items from the 2017 Women’s March as well as Speaker of the House Nancy Pelosi’s gavel.
Internationally renowned scholar and activist Ronald W. Walters, Ph.D., was recognized as a leading political strategist and expert on issues affecting the African diaspora. A dedicated leader, Walters served as a professor in Howard University’s Department of Political Science for 25 years and was department chair for nearly a decade. In honor of Walters’ legacy, his wife, Patricia Turner Walters, is gifting Howard University with her coveted collection of African American art, valued at $2,519,950.
“It is an incredible honor to receive this generous gift of precious art from the Walters family,” said President Wayne A. I. Frederick. “This collection of sculptures and portraits and paintings will be an excellent complement to our gallery and a beneficial focus of training in our art history courses.”
Additionally, the University will establish the first Ronald W. Walters Endowed Chair for Race and Black Politics to continue Walters’ legacy of expanding the University’s capacity as a leader in emerging scholarship in Black politics. The chair will be housed in the Ronald W. Walters Leadership and Public Policy Center at Howard University. It is intended to spur interdisciplinary collaborations across the University on critical issues of race and Black politics, especially those issues that affect Americans of the African diaspora.
“Dr. Walters was a giant among scholars here at Howard University, nationally and internationally, and this endowed chair is designed to be a reflection of his unique history as an activist, a political strategist and a trailblazing academic professor. This gift comes at the perfect moment to expand our students’ involvement in the political conversations of our time,” said Frederick.
The gift of art includes 152 pieces of African American art of various forms. The collection includes original pieces, sculptures, rare prints, photographs and pieces from notable eras, including the Harlem Renaissance.
“I could not be more delighted about the decision to give my art collection to Howard, the institution that my husband cared so deeply about,” said Walters. “I always knew I wanted to do something like this to honor my husband’s legacy, but I never imagined that I would get to see it happen in my lifetime. I am grateful to President Frederick for working with me to make this possible. I could not be happier.”
Patricia Walters began her collection in the late 1980s, amassing most of her pieces after 2002. The collection, dear to the Walters family, became a notable part of the couple’s collective legacy as people in their community reveled at the collection over the years. It features artists like Robert S. Duncanson, Edward M. Bannister, Grafton Tyler Brown, Aaron Douglas, Norman Lewis and Romare Bearden, as well as contemporary artists like Kehinde Wiley, Barkley Hendricks, Kerry James Marshall and others.
More information about the art collection and endowed chair will be available during the spring semester. For more information about Ronald W. Walters, Ph.D., visit the Ronald W. Walters Leadership and Public Policy Center website.
Named by Architectural Digest as one of the “15 Breathtaking Botanical Gardens to Visit This Season,” the Dallas Arboretum and Botanical Garden presents Dallas Blooms, the largest annual floral festival in the Southwest, from February 29 to April 12. Themed “Sounds of Spring,” the spring festival showcases an explosion of color from 100 varieties of spring bulbs and more than 500,000 spring-blooming blossoms, thousands of azaleas and hundreds of Japanese cherry trees. Presented by IBERIABANK, Dallas Blooms features six majestic musical topiaries including a harp, guitar, saxophone, bass, violin and piano, some of which are eight feet in length—perfect for photos and social media posts.
Alan Walne, Dallas Arboretum board chairman, said, “Dallas Blooms marks that spring has arrived in the South! We invite the community to experience one of the country’s most colorful floral displays this spring where more than 250,000 people will visit this season.”
Each week showcases a different genre of music from Texas country to classical rock, including live bands each weekend. Dallas Arboretum‘s A Tasteful Place, a garden that celebrates growing, harvesting and preparing fresh food, also features classes in theme with each music genre.
Reopened for the spring, the nationally acclaimed Rory Meyers Children’s Adventure Garden features 17 indoor/outdoor galleries, 150 interactive science games, four plant labs at new times that vary daily and an abundance of themed adventures throughout the Dallas Blooms festival. The Children’s Adventure Garden is open daily from 9 a.m.–5 p.m. For a full list of upcoming events and activities, visit www.dallasarboretum.org/childrensadventuregarden.
Throughout the week, there are special days and festivities including Mommy and Me Mondays, Tiny Tot Tuesdays, BOGO Wednesdays and CC Young Senior Living Thursdays.
Mary Brinegar, Dallas Arboretum president and CEO, added, “There is something for everyone at Dallas Blooms, and we’ve been told we have the largest display of tulips in a public garden outside of Holland. As the tulips bloom throughout the festival, the finale is the mass flowering of the garden’s collection of 3,000 azaleas that bloom along with the Japanese cherry trees, ushering in spring with vibrant color everywhere.”
Grand Prize Includes Festival Screening and Filmmaking Expedition Abroad
In partnership with theSun Valley Film Festival, Nat Geo WILD announces the seventh annual Wild to Inspire short-film contest. This year, the contest is seeking short films inspired by the milestone 50th anniversary of Earth Day. National Geographic has a storied history of inspiring people to care about the planet and is now looking for films to help with this mission. Films should celebrate the natural world, inspire viewers to work toward a planet in balance in the 21st century and draw a connection to the Earth Day anniversary.
The grand-prize winner will receive a once-in-a-lifetime, all-expenses-paid excursion to one of the far corners of the globe to find out firsthand what it’s like to be a National Geographic filmmaker. Past winners have traveled to Africa and Peru.
U.S. residents are invited to submit a short film of three minutes or less using the submission platform Submittable™. Up to three finalists, announced in early March 2020, will receive an invitation to attend SVFF, which unites filmmakers and industry insiders from around the world, in Sun Valley, Idaho, March 18-22. At SVFF, the finalists will screen their films for festival attendees and before a panel of judges that includes Nat Geo WILD executives. The grand-prize winner will be announced at the festival’s closing ceremony.
“National Geographic has always been at the forefront of storytelling excellence, having redefined the natural history genre throughout the decades,” says Chris Albert, EVP of global communications at National Geographic and Nat Geo WILD. “Which is why it’s so relevant to inspire the next generation of filmmakers who are eager to put our planet in the spotlight and encourage guardianship and sustainability through heightened awareness of our living, breathing and dynamic planet.”
Since 2012, the Sun Valley Film Festival has invited fans and filmmakers to America’s first ski resort to celebrate the magic of storytelling. The year-round Sun Valley Film Initiative develops professionals and illuminates the process of filmmaking, propelling emerging voices with grants and education. Each March, SVFF celebrates with a slate of cutting-edge films and TV premieres, industry panels, engaging Coffee Talks with entertainment luminaries, a Screenwriters Lab led by award-winning writers and a series of parties culminating with the spectacular SVFF Awards Bash. The 2020 SVFF will be held March 18-22. SVFF is a 501(c)(3) nonprofit. (Learn more at sunvalleyfilmfestival.org.)
“Sun Valley is committed to bringing together the best and brightest in filmmaking while also celebrating the aspiring creators whose work deserves our attention,” says Teddy Grennan, executive director of the Sun Valley Film Festival. “Screening Wild to Inspire finalists during our annual festival is just one way this contest helps foster new talent.”
It’s the Most Wonderful Time of the Year! Catch up on all your NGC favorites from the past year, including The Hot Zone, Gordon Ramsay: Uncharted, Running Wild with Bear Grylls and more!
See why IndieWire named National Geographic one of the top five Best Television Platforms of 2019!
Don’t forget to plan movie night! Academy Award-winning documentary film Free Solo airs Dec. 26 at 9/8c.
Tune in for two full weeks of marathon programming beginning today.
That’s a wrap! National Geographic is saying goodbye to 2019 with some of your all-time favorite National Geographic Channel programs of the year. From the dangerously frigid Alaskan terrain to the 3,200-foot summit of El Capitan, explore breathtaking sights, heart-pounding adventure and groundbreaking science from wherever you’re spending the holidays. After a year of such amazing content, we won’t judge if you stay on the couch for the whole two weeks.
This year’s breadth of programming continued to break boundaries through thrilling exploration, risk-taking and transcendent storytelling. Highlights of the two-week blitz include the following:
To kick things off, Nat Geo is exploring new life and old legends with Expedition Amelia: Bob Ballard’s Search (Dec. 23 at 8 p.m.), on the search for renowned aviator Amelia Earhart’s remains, and episodes of Lost Cities with Albert Lin (Dec. 23 at 9 and 10 p.m.), as the National Geographic Explorer uncovers the greatest mysteries of ancient cities from El Dorado, to Stonehenge, to Petra!
You thought the cold weather was tough! Catch the animal kingdom’s most epic survival stories as Bear Grylls guides you through Hostile Planet (Dec. 24 at 11 a.m.), showcasing the world’s most extreme environments and the animals that have adapted to cruel evolutionary curveballs.
The year 2019 was a milestone one for the multi-Emmy-winning series Life Below Zero (Dec. 25 at 9 a.m.) as it celebrated its 100th episode. Meet some of the toughest individuals in the world as they attempt to survive in the most unforgiving and remote corners of America. After watching all day, tune in to a new special episode on Dec. 25 at 9 p.m.
Spend the holidays with some of Hollywood’s most beloved celebrities as they push physical and mental limitations on Running Wild with Bear Grylls (Dec. 26 at 9 a.m.). With guests including Brie Larson, Cara Delevingne, Armie Hammer, Channing Tatum, Bobby Bones and more, you won’t want to miss the chance to catch up on the boldest season yet.
Grab some popcorn (and your seats!) — don’t miss the Academy Award-winning documentary film Free Solo (Dec. 26 at 9 p.m.), as climber Alex Honnold sets out to achieve his lifelong dream: climbing the world’s most famous rock, 3,200-foot El Capitan in Yosemite National Park, without a rope.
Looking for some not family-related drama? Tune in to Nat Geo’s most-watched scripted series yet, The Hot Zone (Dec. 28 at 5 p.m.). An edge-of-your-seat thriller inspired by Richard Preston’s international bestseller, The Hot Zone recounts the appearance of Ebola on U.S. soil in 1989 and the courageous heroine who put her life at risk to stop this deadly killer. These episodes will include never-before-seen enhancements with real archival footage, scientific interviews and more, diving into the true story behind this lethal outbreak.
Forget your classic holiday libations! Gordon Ramsay serves up a taste of adventure in Gordon Ramsay: Uncharted (Dec. 29 at 9 a.m.) as he travels across the globe to learn about local flavors. His journey takes him to Peru’s Sacred Valley, Alaska’s panhandle, New Zealand’s rugged south, Morocco’s mountains, Hawaii’s Hana Coast and Laos’ Mekong River.
In addition to the marathons highlighted above, there’s even more. Don’t miss your chance to watch wildlife prosper in America’s National Parks (Dec. 24 at 5 p.m.) or explore the depths of the oceans with all kinds of sharks (When Sharks Attack beginning Dec. 30 at 9 a.m.) (yes, that rhyme was intentional). And better yet, see what’s in store for 2020 with a sneak peek of the reimagined Brain Games hosted by Keegan-Michael Key (Dec. 29 at 10 p.m.).
For more information on the two-week best of Nat Geo Channel marathon, visit www.natgeotv.com
New Museum Openings Enhance Month Of Significant Discounts At More Than 40 Museums
Every February, savvy travelers look to Seattle, also known as the Emerald City, where big savings can stack up for arts and culture lovers of all ages with Seattle Museum Month. From Feb. 1-29, 2020, travelers who stay at any one of nearly 60 participating downtown Seattle hotels receive 50 percent off admission prices to more than 40 museums and cultural institutions. February also historically offers lower rates for airfare to Seattle-Tacoma International Airport and special hotel packages to entice winter travelers. To see the full list of participating museums and hotels, visit the Seattle Museum Month website at www.seattlemuseummonth.com.
Seattle Museum Month is produced by Visit Seattleand funded by the Seattle Tourism Improvement Area (STIA), a dedicated marketing fund assessed from guests at 73 downtown Seattle hotels. The program was created to encourage travelers to visit Seattle in February and celebrate the remarkable collection of unique museums in the region.
“Seattle has a richly diverse and world-renowned collection of museums that draw people to our city year-round, but Seattle Museum Month offers unparalleled discounts for our visitors,” Visit Seattle Senior Director of Cultural Tourism Tracey Wickersham said. “Engaging hands-on experiences with history-making computers, vintage pinball machines, and experiential music galleries where you can look, listen and re-create some of rock ‘n’ roll’s greatest moments mean our museums entertain as well as educate. You’ll find mind-blowing gardens made of glass and ancient artifacts that explore all facets of life on earth, and art from around the globe. A trip to Seattle for Museum Month will make memories that last a lifetime.”
Seattle Museum Month celebrates with a host of museum openings that give travelers the opportunity to explore Seattle’s cultural legacy.
The Seattle Art Museum hosts the grand re-opening of the Seattle Asian Art Museum February 8 and 9. After a two-year renovation and expansion, the museum reopens with a reimagined collection installation that breaks boundaries with a thematic, rather than geographic or chronological, exploration of art from the world’s largest continent. Set in Seattle’s picturesque Volunteer Park, the historic Art Deco-era museum underwent a $56 million renovation and expansion to more fully display one of the largest collections of Asian art in the nation. Visitors wishing to attend the historic re-opening weekend on February 8 and 9 can reserve free timed tickets online. Beginning Feb. 12, Museum Month passes will be accepted.
With 16 million objects in its collections and infinite stories to tell, the recently re-openedBurke Museum of Natural History and Culture– the oldest museum in Washington state – welcomes visitors to an entirely new experience. Locally known as The Burke, the museum is located at the north end of The University of Washington Seattle campus and re-opened in October 2019. The new building designed by Olson Kundig creates unprecedented opportunities for visitors to see university faculty, researchers and students uncovering dinosaur skeletons, analyzing insects and collaborating with Native communities every day.
Enjoy renowned favorites as well like Museum of History & Industry (MOHAI), The Museum of Flight, Museum of Pop Culture (MoPOP) and explore other regional museums, like LeMay – America’s Car Museum in Tacoma, USS Turner Joy Museum Ship in Bremerton or the Bellevue Arts Museum in downtown Bellevue.
Seattle Museum Month discounts are only valid for guests staying at one of the participating hotels, up to four people, during hotel stay dates. Visitors must present an official Seattle Museum Month guest pass at participating museums to redeem the discounts.
Covering nearly 100 years of history, from 1865 to 1963, the exhibition is divided into three sections: Pre-War, During the War and Post-War. and explores the full range of African American participation in the war—from serving in segregated units as laborers and supply handlers in the United States and France to earning major military awards after fighting alongside the French in Europe. The exhibition goes beyond war history to show how that global conflict changed African American life, contributing to the birth of the Negro Renaissance and the Civil Rights and Labor Movements.
“Some 17 to 21 million soldiers and civilians died in what was the worst war in modern history,” said Spencer D. Crew, interim director of the Smithsonian’s National Museum of African American History and Culture. “Empires fell, maps were redrawn and the lives of countless people were forever changed. For African Americans, the war tested the meaning of citizenship and patriotism. They went to war fighting for democracy abroad; they returned fighting for democracy at home.”
African Americans returned to a segregated America where lynchings were on the rise and poor black sharecroppers were leaving the South in search of factory jobs in the North and the West. Those who were highly vocal with their protests became known as “The New Negro,” aggressively pursuing social justice and civil rights.
Carnegie Hall’s Largest-Ever Celebration of One Composer Features More Than 35 Events at the Hall with Internationally Renowned Artists Exploring the Revolutionary Composer’s Works and His Transformative Impact on Music
Plus, 35+ Events Citywide at Prestigious Partner Organizations Including Music, Dance, Exhibitions, Talks, and Poetry
As the 250th anniversary year of Beethoven’s birth approaches, Carnegie Hall announces a wider schedule of partner events by leading cultural institutions, complementing the Hall’s programming as part of its Beethoven Celebration which includes an unprecedented range of performances by renowned artists exploring the composer’s works and his transformative impact on music. The Beethoven Celebration presents one of the largest explorations of the great master’s music in our time and marks the largest-ever exploration of one composer by Carnegie Hall, with 86 works of music performed by more than 58 artists and ensembles in New York City and beyond from January through June 2020. Ticketing Information.
Beyond Carnegie Hall, public programming, performances, exhibitions, and events at partner organizations—leading cultural and academic institutions in New York City and beyond—highlight the many dimensions of the great music master. The more than 35 partner events range from music and dance to poetry, exhibitions, and talks, many of which have a contemporary slant. Together, the Beethoven Celebration features more than 70 programs, creating an extraordinary view of this revolutionary composer.
“This rich series of events across New York City celebrates Beethoven’s unique place in the pantheon of the greatest artists in history as a composer whose music, perhaps more than any other, changed the course of Western classical music,” said Clive Gillinson, Executive and Artistic Director of Carnegie Hall. “Beethoven was audacious and absolutely fearless, a true revolutionary who never stopped challenging himself and who redefined every area of music that he touched. His music is timeless, and he continues to connect people worldwide with sounds that remain idealistic, compelling, fearsome, and personal. It’s no surprise that people around the globe continue to turn to his music to celebrate some of the most important turning points in history. We hope this opportunity to immerse ourselves in his music during this anniversary year will highlight the transformational impact he has had on culture, inspiring fresh perspectives on his life and work.”
HIGHLIGHTS OF BEETHOVEN CELEBRATION EVENTS AT CARNEGIE HALL
At Carnegie Hall, the Beethoven Celebration features more than 35 events including two complete symphony cycles, the complete piano sonatas and complete string quartets, chamber music, choral works, plus additional concerts and lectures as well as an ambitious global project that explores the themes found in Beethoven’s “Ode to Joy,” led by Marin Alsop.
A highlight of the Beethoven Celebration—never before presented by Carnegie Hall in one season—are two complete symphony cycles, one in February 2020 by Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique (ORR), performed on period instruments, and another in March and April 2020 by Yannick Nézet-Séguin and The Philadelphia Orchestra, contrasting their two different interpretive perspectives on these pillars of the orchestral repertoire.
A key figure both in the early music revival and as a pioneer of historically informed performances, Sir John Eliot Gardiner leads his internationally acclaimed early music ensemble ORR in Beethoven’s Symphony No. 1, along with the rarely-heard score for the ballet, The Creatures of Prometheus (February 19 at 8:00 p.m.). The six-day symphony cycle in Stern Auditorium/Perelman Stage continues with the Symphony Nos. 2 and No. 3, “Eroica” (February 20 at 8:00 p.m.); Symphony Nos. 4, and 5—with its famous opening motif—(February 21 at 8:00 p.m.); Symphony No. 6, “Pastoral” and No. 7 (February 23 at 2:00 p.m.); and Symphony Nos. 8 and 9 (February 24 at 8:00 p.m.). The soloists for the Ninth Symphony include soprano Lucy Crowe, contralt Jess Dandy, tenor Ed Lyon, and bass Tareq Nazmi alongside The Monteverdi Choir. As a prelude to the cycle, Maestro Gardiner will be joined by distinguished Beethoven scholar William Kinderman for a discussion in Weill Recital Hall that illuminates Gardiner’s approach to these symphonic masterworks (February 18 at 7:00 p.m.). These Beethoven Celebration events comprise Sir John Eliot Gardiner’s Perspectives series, which the celebrated conductor has curated for the 2019-20 season.
One of the most remarkable talents of his generation, Yannick Nézet-Séguin leads The Philadelphia Orchestra in the second complete cycle of Beethoven symphonies this season in Stern Auditorium/Perelman Stage, beginning with Symphony Nos. 5 and 6, “Pastoral” (March 13 at 8:00 p.m.). The four-concert cycle continues with Symphony Nos. 2 and 3, “Eroica” (March 20 at 8:00 p.m.); Symphony Nos. 4, 7, and 8 (March 26 at 8:00 p.m.); and Symphony Nos. 1 and 9 (April 3 at 8:00 p.m.). The soloists for the Ninth Symphony include soprano Angel Blue, mezzo-soprano Mihoko Fujimura, tenor Rolando Villazón, and baritone Quinn Kelsey alongside the Westminster Symphonic Choir. Maestro Nézet-Séguin also leads The MET Orchestra in a program that features virtuoso superstar Anne-Sophie Mutter in Beethoven’s groundbreaking Violin Concerto and Romance for Violin and Orchestra in F Major (June 12 at 8:00 p.m.). These five Beethoven Celebration performances are part of conductor Yannick Nézet-Séguin’s nine-concert Perspectives series this season.
First Ballet Class With American Ballet Theatre’s First African American Principal Ballerina
MasterClass, the platform that makes it possible for anyone to learn from the best, announced today that decorated prima ballerina Misty Copeland will teach ballet. Credited with both broadening the audience for classical ballet and invigorating the art form with a renewed energy, Copeland’s MasterClass will offer an intimate look at how she’s navigated challenges throughout her life and career to defy boundaries and become American Ballet Theatre‘s first African American female principal dancer. Now available exclusively at MasterClass.com, students can subscribe for unlimited access to all new and existing classes of 70+ instructors through the All-Access Pass. MasterClass categories include leadership, cooking, photography, writing, performance, and much more.
“Misty has single handedly transformed ballet,” said David Rogier, co-founder and CEO of MasterClass. “In her MasterClass, she not only teaches her balance of craft and artistry, but she also brings us into her world, sharing the stories that have made her the athlete and artist she is today.”
In 2015, Copeland became the first African American woman to be promoted to principal dancer in American Ballet Theatre’s 75-year history. She has been an advocate for diversity and, in 2014, President Barack Obama appointed her to the President’s Council on Fitness, Sports and Nutrition. She was named one of TIME’s 100 most influential people, and later interviewed by President Obama for TIME and Essence magazines to discuss race, gender, achievement and creating opportunity for young people. She is an advocate and volunteer for the Boys & Girls Club of America, where she first learned ballet, as well as an ambassador for MindLeaps, a dance-centered nonprofit providing vocational training to at-risk youth in post-conflict and developing countries. She was recently featured as the lead ballerina in Disney’s “The Nutcracker and The Four Realms.”
“As a mentor, it’s important to me to set a positive example for athletes and artists and show that with the right work ethic, dreams are possible,” said Copeland. “I hope students walk away from my MasterClass with a simple way of approaching ballet technique. But, more importantly, what it takes to be confident, to accept who you are and embrace who you want to be in the future.”
Dancers and performers of all kinds will learn more deeply how they can embody characters, tell stories through movement, and own a stage with a dynamic presence. Copeland’s MasterClass offers an intimate look at ballet artistry and technique, and diversity and inclusion in the world of classical ballet and her journey to becoming a principal dancer at American Ballet Theatre. In her class, Copeland will reveal the technical transformation she’s worked on for the past year, how to work with different choreographers, the value of seeking guidance from mentors and how working with Prince resulted in a life-changing moment for her as an artist.
Exhibition to Examine Radical Changes Transforming the Surface of the World beyond Cities
R. Guggenheim Museum will
an exhibition addressing urgent environmental, political, and
socioeconomic issues through the lens of architect and urbanist Rem
the think tank of the Office
for Metropolitan Architecture (OMA).
A unique exhibition for the Guggenheim rotunda, Countryside,
The Future will
explore radical changes in the vast nonurban areas of Earth with an
immersive installation premised on original research. The project
extends investigative work already underway by AMO, Koolhaas, and
students at the Harvard
Graduate School of Design;
Academy of Fine Arts, Beijing;
and the University
the past decades, I have noticed that while much of our energies and
intelligence have been focused on the urban areas of the world—under
the influence of global warming, the market economy, American tech
companies, African and European initiatives, Chinese politics, and
other forces—thecountryside has
changed almost beyond recognition,”
stated Koolhaas. “The
story of this transformation is largely untold, and it is
particularly meaningful for AMO to present it in one of the world’s
great museums in one of the world’s densest cities.”
(b. 1944, Rotterdam) founded the Office
for Metropolitan Architecture (OMA) in
1975 together with Elia
and Zoe Zenghelis
He graduated from the
Architectural Association School of Architecture
in London and in 1978 published Delirious
New York: A Retroactive Manifesto for Manhattan.
His 1995 book S,M,L,XL,
summarizes the work of OMA in “a novel about architecture.” In
2001 Koolhaas published with his students two volumes of the Harvard
Project on the City, The
Harvard Design School Guide to Shopping and
and in 2011 Project
Japan: Metabolism Talks looked
back at the Metabolism
His built work includes the
Garage Museum of Contemporary Art in Moscow
Prada in Milan
(2015), the headquarters for
China Central Television (CCTV) in
Beijing (2012), Casa
da Música in Porto, Portugal
(2004), and the Embassy
of the Netherlands in Berlin
(2003). Koolhaas designed the Guggenheim
in Las Vegas, open from 2001 to 2008, and, in 1978, The
Sparkling Metropolis, an
exhibition on the top ramp of the rotunda of the Guggenheim in New
York. Current projects include the Qatar
Performing Arts Center,
a new building for Axel
in Berlin, and the Factory
Manchester. Koolhaas is a professor at Harvard University and in 2014
was the director of the 14th
Venice Architecture Biennale,
New Leadership and Directors Elected to FIT Foundation
its October 10, 2019, meeting, the Fashion Institute of Technology
Board of Trustees officially installed two new trustees—Gabrielle
Fialkoff and Mona Aboelnaga Kanaan—to its 16-member
board. Fialkoff and Kanaan, appointees of the Panel for
Educational Policy of the New York City Department of
Education, FIT’s local sponsor, have commenced terms that end on
June 30, 2023, and June 30, 2024, respectively. They
are replacing former trustees Jay H. Baker, who served for 16
years, and Amsale Aberra, who served 10 years.
the FIT Foundation, the primary fundraising arm for the
college, recently elected new board leadership as well as new
directors, who will each serve a three-year term. Gary Sheinbaum,
chief executive officer of Tommy Hilfiger Americas, was elected chair
of the FIT Foundation and Eric Fisch, Carmen Nestares,
and Ivan Bart were all elected as new directors.
am so honored to be the new chair of the FIT Foundation,”
Gary Sheinbaum said. “FIT is such an iconic institution
bringing together design, fashion, and technology. To be able to
support the foundation’s efforts to promote creativity, innovation,
equality, and inclusivity in the fashion and creative industries is a
privilege, and I look forward to being a part of all the incredible
work they do.”
am so pleased to have this distinguished group of individuals joining
FIT’s boards,” FIT Board of Trustees Chair Elizabeth T.
Peek said. “I am confident that with their talent,
experience, and enthusiasm for FIT, they will have much to contribute
to our efforts—and I look forward to working with them.”
will benefit from the experience and expertise of each of these
accomplished individuals,” FIT President Joyce F. Brown
said, “all of whom broaden our outreach to relevant sectors
of the creative economy. I am delighted to welcome them to the
college and to the foundation.”
FIALKOFF, FOUNDER, GKF GROUP: Gabrielle Fialkoff’s extensive
experience working with the nonprofit, philanthropic, government, and
business communities provides a unique perspective into the inner
workings of other sectors. She is the founder of GKF Group, an
advisory firm offering dynamic strategies on social impact,
partnerships, and public affairs. Fialkoff has more than 13 years of
political experience, previously serving as director of the Office of
Strategic Partnerships for the Mayor’s Office, where she brought
together the business, nonprofit, and philanthropic communities to
create high-impact partnerships across an array of issue areas,
including initiatives like the Center for Youth Employment and
Computer Science for All, which put private funds toward combatting
income inequality. She oversaw the city’s many city-affiliated
nonprofits and served as a principal liaison to the business
community for New York Mayor Bill de Blasio’s administration.
Fialkoff also has extensive experience in the business sector as the
former owner, president, and chief operating officer of Haskell
Jewels LLC—a leading designer, marketer, and distributor of costume
jewelry and watches—and as a former director of Investor Relations
at Perry Capital. She is active on the Mayor’s Fund to Advance New
York City Board of Advisors, which is comprised of prominent
individuals in the business communities of New York who advise and
assist the board of directors in identifying projects and programs
that the fund might undertake to facilitate high-impact
public-private partnerships throughout the city.
ABOELNAGA KANAAN, MANAGING PARTNER, K6 INVESTMENTS LLC: Mona
Aboelnaga Kanaan is an experienced CEO, serial entrepreneur,
investor, and corporate director with more than 25 years of
experience in global finance and investment. She is currently
managing partner at K6 Investments LLC, a private investment firm she
founded to invest in a wide array of industries, including financial
services, technology, consumer products, and entertainment.
Previously, Aboelnaga Kanaan was president and chief executive
officer of Proctor Investment Managers, a firm she co-founded in 2002
to make private equity investments in the traditional and alternative
asset management industry. She sold Proctor Investment Managers to
National Bank of Canada in 2006 and continued as Proctor’s president
and CEO until 2013. She worked as senior vice president at
Communications Equity Associates, where she expanded the firm’s
principal investment activities in the U.S. and Middle East. Prior to
joining CEA, she was a vice president and portfolio manager at
Siguler Guff & Company. Earlier, she held various positions at
PaineWebber Investment Banking in the Leveraged Transactions and
Financial Institutions Groups. A qualified financial expert,
Aboelnaga Kanaan serves as a member of the boards of directors of
Sterling Bancorp, Siguler Guff Small Business Credit Opportunities
Fund, Inc., as a trustee for International House, and as an
investment advisor and member of the board of pioneers of the Arab
Fashion Council. She is also a member of the board of advisors of
Ibancar, a fintech specializing in collateralized auto lending in
Spain. A recognized expert in private equity, asset management,
entrepreneurship, and the Middle East, Aboelnaga Kanaan is a frequent
speaker and commentator in forums and publications such as the annual
meetings of the IMF and World Bank, Pensions & Investments, The
Wall Street Journal, Bloomberg, New York, HFM, FundFire, and the
Private Equity Analyst.
New York State law, FIT is governed by its own Board of
Trustees. It is comprised of eight trustees appointed by FIT’s local
sponsor, the New York City Department of Education, through
the Panel for Educational Policy; seven are appointed by the
Governor of the State of New York; and there is one student
board members are Elizabeth T. Peek, chair; Robin
Burns-McNeill, vice chair; Richard A. Anderman; Judith
I. Byrd; Yaz Hernández; Joan B. Hornig; Jaqui
Lividini;Beverly S. Mack; Deirdre Quinn; Robert
Savage; Sally Singer; and Sallie Haas, student
Independent documentary filmmaker Julia Reichert has been asking defining questions about workers’ rights, gender roles, taboos, and social change in America since the early 1970s. The pioneering Emmy Award–winner and three-time Academy Award–nominee comes to the Walker Arts Center for a retrospective of her distinguished body of work, Julia Reichert: 50 Years in Film, Feb 1–29, 2020 (at the Walker’s Bentson Mediatheque). Reichert will be on-site February 28 and 29, 2020 to discuss her career and her two recent, widely celebrated documentaries, American Factory and 9 to 5: The Story of a Movement.
Up Female Directed
by Julia Reichert and Jim Klein
February 20, 7 pm Free
wish every high school kid in America could see this film.”
—Susan Sontag on Growing
Growing Up Female is the very first feature-length film of the modern women’s movement. Considered controversial and exhilarating on its release, the film examines female socialization through a personal look into the lives of six women, ages four to 35, and the forces that shape them—teachers, counselors, advertisements, music, and the institution of marriage. A time capsule of a generation’s feminist issues, sometimes intersecting with race and class, the film illuminates a complex system of institutions upholding internal and external oppression. Selected to the National Film Registry in 2011. 1971, DCP, 52 min.
by Julia Reichert, Jim Klein, and Miles Mogulescu
Reichert interviews three “Union Maids” on their experiences as organizing women of the Labor movement. Fighting for humanitarian rights, these radical workers reflect on their lives filled with purpose and struggle. Frustrated by the privileged class’ participation in the women’s movement and caught up in race and gender discrimination within class warfare, their voices echo and contextualize many social justice issues today. 1976, DCP, 48 min.
Red: Stories of American Communists,
Directed by Julia Reichert and Jim Klein
7 pm; $10 ($8 Walker members, students, and seniors)
Reichert brings to light the forgotten history of Americans who joined the Communist Party and the high price many of them paid for their beliefs. Boldly countering traditional myths, the film presents engaging interviews and personal accounts that take on a new resonance in today’s charged political climate. 1983, DCP, 100 min.
New Fellows Welcomed for the 2019–2020 Academic Year
New-York Historical Society is now accepting applications for
its prestigious fellowship program for the 2020–2021 academic
year. Leveraging its rich collections that detail American
history through the lens of New York City, New-York Historical’s
fellowships are open to scholars at various times during their
academic careers and provides them with the resources and community
to develop new research and publications that illuminate complex
issues of the past. The available fellowships include:
W. Mellon Foundation Predoctoral Awards in Women’s History
two recipients of the Andrew
W. Mellon Foundation Predoctoral Awards in Women’s History should
have a strong interest in women’s and public history and the
applications of these fields outside the academy. Functioning as
research associates and providing programmatic support for New-York
Historical’s Center for Women’s History, pre-doctoral awardees
will assist in the development of content for the Women’s History
exhibitions, associated educational curriculum, and on-site
experiences for students, scholars, and visitors. They must be
currently enrolled students in good standing in a relevant Ph.D.
program in the humanities. The Predoctoral Awardees, whose work at
New-York Historical may not directly correspond with their
dissertation research, will be in residence part time at New-York
Historical for one academic year, between
September 9, 2020,
and will receive a stipend of $20,000 per year. This position is not
full time and will not receive full benefits.
and Robert Appel Fellowship in History and Technology
fellowship will be awarded to a candidate who has earned a Ph.D. no
later than 2019. Research projects should be based on New-York
Historical’s collections and explore the impact of technology on
history. The fellowship will carry a stipend of $60,000, plus
benefits. It begins September
and lasts through
June 30, 2021.
Endowment for the Humanities Fellowship
fellowship for the length of an academic year is supported by the
National Endowment for the Humanities for the sake of research at
New-York Historical. The fellowship is available to individuals who
have completed their formal professional training and have received
their final degree or certificate by 2019. They should have a strong
record of accomplishment within their field. There is no restriction
relating to age or academic status of applicants. Foreign nationals
are eligible to apply if they meet visa requirements for working in
the U.S. The 10-month residency will carry a stipend of $42,000, plus
benefits. This fellowship will begin September
9, 2020 and
will end June
David Lion Gardiner Foundation—Andrew W. Mellon Foundation
fellowship will be awarded to a candidate who has earned a Ph.D. no
later than 2019. Research projects should expand public understanding
of New York State and City history and include research based on the
collections and resources of New-York Historical. This 10-month
residency will carry a stipend of $60,000, plus benefits. It begins
and lasts through June
short term fellowships will be awarded to scholars at any academic
level working in the Library collections of New-York
Research is to be conducted for two to four weeks for a stipend of
between $2,000. The fellowship period will begin
July 1, 2020
and end June
at the New-York Historical Society are made possible through the
generous endowments of the Andrew W. Mellon Foundation, Robert
David Lion Gardiner Foundation, and Helen and Robert Appel.
Major support for fellowships is provided by Bernard L. Schwartz
and the Lehrman Institute. All fellows receive research
stipends while in residency. Short term fellowships are made possible
by support from Helen Appel, Richard Brown and Mary Jo
Otsea, Causeries du Lundi, Patricia Klingenstein, Sid Lapidus,
Peck Stacpoole Foundation, Pine Tree Foundation of New York, Pam and
Scott Schafler, Society of Colonial Wars, and Society of
Daughters of Holland Dames.
instructions and application checklists for each fellowship. The
application deadline for all fellowships is
January 3, 2020.
Fellows at the New-York Historical Society
Historical is also pleased to announce fellows now in residence
during the 2019–2020 academic year. This year’s fellows are:
Nagaraja comes to New-York Historical from the Charles Warren
Center for American History at Harvard University. He is
working on a major book project, Soldiers of the American Dream:
War Work, Jim Crow and Freedom Movements in the Shadow of U. S.
Power. With a Ph.D. from NYU, Nagaraja will continue to work on
his project during his tenure at New-York Historical. Based on deep
archival research, oral histories, and interviews, Nagaraja’s
project documents the racism and discrimination that veterans and
others in the war industry faced after WW II. This is Nagaraja’s
“greatest generation,” disillusioned and angry black veterans who
turned their mounting discontent into the beginnings of the Civil
Rights movement of the 1950s. New York is the central node in
Nagaraja’s story, a hub of activists and activism, and while he is
here he will be using Library materials from the era to finish up his
Manevitz holds a Ph.D. from NYU, where he began work on
the project that brings him to New-York Historical: The Rise and
Fall of Seneca Village: Remaking Race and Space in 19th-Century New
York City. In the centuries old story of the manifold ways in
which New York City builds, demolishes, and rebuilds, Seneca Village
occupies a unique place. The compelling strength of Manevitz’s
project derives from its ability to recast the rise and fall of
Seneca Village in terms of gentrification projects today, projects
which have the effect of erasing neighborhoods and memories of those
neighborhoods. According to Manevitz, Seneca Village was a unique
experiment in which African Americans sought to build an experimental
community in the face of racism and class tensions. Looking at that
community provides a window onto African American attempts to create
their own brand of capitalism and urban planning.
Endowment for the Humanities Fellow
a Ph.D. from CUNY, Dr. Lauren Santangelo is an accomplished
scholar in the field of women’s studies. Her first book, Suffrage
and the City: New York Women Battle for the Ballot (Oxford), has
been recently published, and some of the research for that book was
done at New-York Historical, where Dr. Santangelo was a Schwartz
Fellow in 2013-14. Her current project, which will draw on
several recently acquired collections, focuses on Ladies Mile
and the gendered consumer culture it spawned. Ladies Mile flourished
during the Gilded Age, a time of retail innovation, electrification,
the introduction of elevators, etc.—all of which inflected the
experience of women as an important, new consumer class.
and Robert Appel Fellow in History and Technology Fellow
Kennedy comes out of the Harvard History of Science program,
where he worked with Professor Peter Galison. Kennedy’s area
of particular interest is the impact of technology on the operations
of Wall Street in the 1960s and ’70s. He sees Wall Street as a site
of continuous technological innovation and proposes to tell the story
of the machines, computer programs, cables, and satellites that
rewired Wall Street during that period. In particular, he will be
examining the partnership of the NYSE with the American
Stock Exchange to rewire lower Manhattan and the development by
the National Association of Securities Dealers (NASD) of an
automated quotation and dealer communication system called NASDAQ. He
will be making extensive use of New-York Historical’s important
oral history project, Remembering Wall Street, 1950-1980.
David Lion Gardiner Foundation—Andrew W. Mellon Foundation Fellow
her Ph.D. from the University of Chicago, Sarah
Miller-Davenport is a Permanent Lecturer in 20th century U. S.
history at the University of Sheffield in the UK. Her project
seeks to address a crucial conundrum in the history of New York City:
with city teetering on the brink of financial and social collapse in
the 1970s how and why did New York embark on an ambitious globalist
agenda symbolized by the building of the Twin Towers in 1973.
Moreover, why was it so successful in this most unlikely of
undertakings? Professor Miller-Davenport does not see
globalization as an inevitable force with its own dynamic. Rather,
the pursuit of global capital by the city was the result of conscious
decisions made by politicians, business men, bureaucrats, and
analysts. Her work will focus on the actors, their motives, their
successes, and failures. Finally she will look at the impact of
globalization on the fabric of the city, its diverse peoples, and its
W. Mellon Postdoctoral Fellow in Women’s History and Public History
K. Danziger Halperin completed her doctorate in history at
Columbia University in 2018, focusing on comparative social
policy, gender, and childhood. She has previously taught at Columbia
University and St. Joseph’s College, Brooklyn. Her
dissertation, “Education or Welfare? American and British
Child Care Policy, 1965-2004,” analyzed child care policies
in the turn to neoliberalism in both the U.S. and Britain. As the
Mellon Postdoctoral Fellow, she will be in residence full-time
at New-York Historical through 2021, assisting in the programs of the
Center for Women’s History.
W. Mellon Predoctoral Fellows in Women’s History and Public History
Walker is a doctoral candidate in the Department of History at
Rutgers University. She specializes in African American
History and Women and Gender History. She received a B.A. in
History and Journalism from the University of Tennessee at
Knoxville and an M.A. in History from the University of
New Orleans. Pamela’s dissertation, “‘Everyone Must
Think We Really Need Freedom’: Black and White Mothers, The
Mississippi Box Project, and the Civil Rights Movement,”
examines the relationship between motherhood, the black freedom
struggle, white benevolence, and political consciousness during the
Wiesner is a doctoral candidate in the Department of History
at Rutgers University, specializing in the history of women,
gender, and sexuality in the 20th century United States. She earned
her Bachelor of the Arts with Distinguished Honors in
History and Women’s & Gender Studies from the College of
New Jersey in 2015. Her forthcoming dissertation, “Controlling
Rape: Black Women, the Feminist Movement Against Sexual Violence, and
the State, 1974-1994,” explores how black women’s anti-rape
activity in Philadelphia, Washington, D.C., and Chicago evolved in
response to the state’s growing interest in punishing rape during
the War on Crime. In addition to the Mellon Fellowship at
New-York Historical, her research has been supported by the
Graduate School of New Brunswick, the Rutgers Center for
Historical Analysis, Rutgers Oral History Archives, Smith College
Libraries, and the P.E.O. International.
New-York Historical Society, one of America’s preeminent
cultural institutions, is dedicated to fostering research and
presenting history and art exhibitions and public programs that
reveal the dynamism of history and its influence on the world of
today. Founded in 1804, New-York Historical has a mission to explore
the richly layered history of New York City and State and the
country, and to serve as a national forum for the discussion of
issues surrounding the making and meaning of history. Among the more
than 1.6 million works that comprise the museum’s art collections
are all 435 preparatory watercolors for John James Audubon’s Birds
of America; a preeminent collection of Hudson River School
landscapes; and an exceptional collection of decorative and fine arts
spanning four centuries.
Patricia D. Klingenstein Library at the New-York Historical
Society is home to over 350,000 books, nearly 20,000 linear
feet of manuscripts and archives, and distinctive collections of
maps, photographs, and prints, as well as ephemera and family papers
documenting the history of the United States from a distinctly New
York perspective. The Library’s collections are particularly rich
in material pertaining to the American Revolution and the
early Republic, the Civil War, and the Gilded Age.
Significant holdings relate to Robert Livingston and the
Livingston family, Rufus King, Horatio Gates, Albert Gallatin,
Cadwallader Colden, Robert Fulton, Richard Varick, and many other
notable individuals. Also well documented within the Library’s
collections are major social movements in American history,
especially abolitionism, temperance, and social welfare. The
Library’s visual archives include some of the earliest photographs
of New York; a significant collection of Civil War images; and the
archives of major architectural firms of the later 19th century.