Preview (by Invitation Only)
Tuesday, March 22, 2016, 3pm to 8pm
Wednesday, March 23, 2016, 1pm to 5pm
Vernissage (by Invitation Only)
Wednesday, March 23, 2016, 5pm to 9pm
Thursday, March 24, 2016, 1pm to 9pm
Friday, March 25, 2016, 1pm to 8pm
Saturday, March 26, 2016, 11am to 6pm
Art Basel has announced the details of its fourth edition in Hong Kong, taking place for the second time in March. The Hong Kong show of Art Basel, whose Lead Partner is UBS, will feature 239 premier galleries from 35 countries and territories, presenting works of the highest quality that range from the Modern period of the early 20th century to the most contemporary artists of today. Once again, Art Basel will be a showcase for art from the region of Asia and Asia-Pacific, where half of its galleries have exhibition spaces. Art Basel Hong Kong will open to the public from Thursday, March 24 to Saturday, March 26, 2016, and will take place at the Hong Kong Convention and Exhibition Centre (HKCEC).
Art Basel stages the world’s premier art shows for Modern and contemporary works, sited in Basel, Miami Beach, and Hong Kong. Defined by its host city and region, each show is unique, which is reflected in its participating galleries, artworks presented, and the content of parallel programming produced in collaboration with local institutions for each edition. In addition to ambitious stands featuring leading galleries from around the globe, each show’s singular exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas and new inspiration.
Alongside a strong presence of returning galleries from across the globe, this year’s edition features 28 galleries that will participate in the Hong Kong show of Art Basel for the first time. Nine new galleries join from Asia including Antenna Space (Shanghai), galerie nichido (Tokyo, Nagoya, Fukuoka, Karuizawa, Kasama, Paris), Gallery 100 (Taipei), Ink Studio (Beijing), Lawrie Shabibi (Dubai), Longmen Art Projects (Shanghai), MEM (Tokyo), Vanguard Gallery (Shanghai) and Yeo Workshop (Singapore). Art Basel Hong Kong will also see the addition of 18 leading Western galleries showing for the first time including Cardi Gallery (Milan, London), Carlos/Ishikawa (London), David Kordansky Gallery (Los Angeles), Galerie 1900 – 2000 (Paris), Galerie Isabella Bortolozzi (Berlin), Galerie Jocelyn Wolff (Paris), Galerie Nagel Draxler (Berlin, Cologne), gb agency (Paris), Greene Naftali (New York), In Situ – fabienne leclerc (Paris), Kewenig (Berlin, Palma), Metro Pictures (New York), P.P.O.W (New York), Sabrina Amrani (Madrid), Société (Berlin), team (gallery, inc.) (New York, Los Angeles), Xavier Hufkens (Brussels) and Zeno X Gallery (Antwerp). Selma Feriani Gallery (Sidi Bou Said, London) joins Art Basel as the first African gallery outside of South Africa to ever participate in an Art Basel show.
The upcoming edition features a particularly strong representation of galleries with exhibition spaces in Japan, Singapore, South Korea and Taiwan, in addition to those with spaces in Hong Kong and Mainland China. The participating galleries have exhibition spaces in: Australia, Austria, Belgium, Brazil, Cuba, France, Germany, Greece, Hong Kong, India, Indonesia, Ireland, Italy, Japan, Mainland China, New Zealand, Norway, Pakistan, the Philippines, Poland, Romania, Saudi Arabia, Singapore, South Africa, South Korea, Spain, Sweden, Switzerland, Taiwan, Thailand, Tunisia, Turkey, the United Arab Emirates, the United Kingdom and the United States.
Galleries, the main sector of the show, will feature 187 Modern and contemporary art galleries, presenting the highest quality of painting, sculpture, drawing, installation, photography, video and editioned works. Exhibitors returning after a brief hiatus include Marianne Boesky Gallery (New York) and Applicat-Prazan (Paris), while many Asian galleries have moved from other sectors of the show into Galleries, where they will present a wider range of their gallery programs. These galleries are: Athr (Jeddah), Blindspot Gallery (Hong Kong), Chambers Fine Art (Beijing, New York), Galerie Ora-Ora (Hong Kong), Gallery Isabelle van den Eynde (Dubai, Brussels), Nanzuka (Tokyo), Nature Morte (New Delhi), Project Fulfill Art Space (Taipei), Taro Nasu (Tokyo), TKG+ (Taipei, Beijing), Yavuz Gallery (Singapore) and Yumiko Chiba Associates (Tokyo). Francesca Minini (Milan) and Galeria Plan B (Cluj, Berlin) are also showing for the first time in the Galleries sector.
The Insights sector will be dedicated to curatorial projects by 28 galleries with spaces in Asia and the Asia-Pacific region and will feature solo shows, exceptional historical material, and strong thematic group exhibitions. This year’s edition features a particularly strong presentation of Modern work, with around half of the galleries presenting material from this period. This year’s Insights will provide a particularly diverse and in-depth overview of art from across the region with featured artists from Australia, Bangladesh, India, Iran, Japan, Mainland China, South Korea, the Philippines, Singapore, Taiwan and Turkey. Highlights include eight large photographic works by Michael Cook (b. 1968, Australia), forming a panoramic narrative reflecting on colonial histories and drawing on the artist’s Bidjara heritage, presented by This Is No Fantasy + dianne tanzer gallery (Melbourne); Antenna Space (Shanghai) presents sculpture by artists Guan Xiao (b. 1983, Mainland China) and Yu Honglei (b. 1984, Mainland China) each responding to themes of ‘postproduction’ and ‘reproduction’; a new body of work by Stella Zhang (b. 1965, Mainland China), a continuation of her existing series ‘0-Viewpoint’ and comprising sculptural paintings and an installation, brought to Art Basel by Galerie du Monde (Hong Kong); experimental ink work by Li Huasheng (b. 1944, Mainland China), presented by Ink Studio (Beijing); ceramic sculptures by Kimiyo Mishimo (b. 1932, Japan), many of which will not have previously been seen outside of Japan, brought by MEM (Tokyo); performative video work by Tadasu Takamine (b. 1968, Japan), an artist whose work draws attention to the societal effects of the Fukushima nuclear disaster, presented by Arataniurano (Tokyo); and, brought by Pi Artworks (Istanbul, London), new sculptures by Tayeba Begum Lipi (b. 1969, Bangladesh) reflecting on her childhood, accompanied by video and audio work. Continue reading