Publishing Giant Condé Nast Announces New Global Leadership Structure

U.S./New York-based Condé Nast and London-based Condé Nast International Are Integrated as One Global Team. New Consumer Marketing Function to Bring Focus on Direct-to-Consumer Efforts With Unified Commercial Team to Better Serve Global Clients’ Holistic Needs

New Leadership Structure is Expected to Help Further Turn the Financial Ship Around As Company Moves Beyond Closing and Selling Off Magazine Titles, Layoffs and Consolidation of Workforce Across All Titles

Long expected, Condé Nast yesterday appointed a new global leadership team designed to accelerate the company’s evolution into a 21st-century media company. The new organizational structure, which combines Condé Nast and Condé Nast International into a unified global team, was created with several guiding principles in mind, including the preservation of local editorial voice and authority, an enhanced focus on the consumer, unification of the company’s ad and commercial sales functions to reflect clients’ local and global needs and the development of new ways to share capabilities and best practices across the company.

Condé Nast is a global media company, home to iconic brands including Vogue, The New Yorker, GQ, Glamour, AD, Vanity Fair, and Wired, among many others. The company’s award-winning content reaches 84 million consumers in print, 367 million in digital and 379 million across social platforms, and generates more than 1 billion video views each month. The company is headquartered in London and New York and operates in 32 markets worldwide including China, France, Germany, India, Italy, Japan, Mexico & Latin America, Russia, Spain, Taiwan, the U.K., and the U.S., with local license partners across the globe. Launched in 2011, Condé Nast Entertainment is an award-winning production and distribution studio that creates programming across film, television, social and digital video and virtual reality.

One of my top priorities has been to define our organizational structure so that we can take full advantage of our unique growth opportunities and exceptional content around the world,” said the recently-appointed CEO of Condé Nast, RogerLynchI’m confident that our new global structure will better enable us to collaborate across teams and markets and, ultimately, deliver unparalleled experiences for our consumers and clients.

The new structure is as follows:

Global Content Functions:: Anna Wintour, U.S. Artistic Director, Editor-in-Chief of Vogue U.S. and (newly-appointed) Global Content Advisor, will continue in her role as U.S. Artistic Director and Editor-in-Chief of Vogue U.S., and will add Global Content Advisor and oversight of Vogue International to her responsibilities. In her expanded role, Wintour will advise the executive leadership team on global content opportunities and act as a resource to editors-in-chief and editorial talent worldwide.

Oren Katzeff, President of Condé Nast Entertainment (CNE), will expand the company’s digital video, film and television operations to create best-in-class video content experiences for audiences worldwide. The company has been increasing its focus on video content and currently generates 1.1 billion video views per month. Under Oren’s leadership, CNE will now be the core of our global network of video teams, supporting the growth of our video businesses in all markets.

David Remnick, Editor-in-Chief of The New Yorker, will also continue to report directly to Lynch.

Global Operations Organization: Wolfgang Blau, President, International & Chief Operating Officer will oversee all non-U.S. markets, as well as selected global strategic functions, including Product & Technology, Data, Licensing, Global Editorial Operations, Business Development, and Delivery & Business Transformation. This organization will ensure day-to-day operational excellence and capability sharing across the business.

Global Commercial Organization: Pamela Drucker Mann, Global Chief Revenue Officer & President, U.S. Revenue, will lead a new global revenue organization that brings together the company’s U.S. and international ad sales, creative and agency, B2B marketing and client service capabilities. Jamie Jouning, promoted to Chief Client Officer, will report to Drucker Mann and oversee key global accounts, multi-market deals, and central digital ad operations. Drucker Mann will define ad sales and ad product strategies globally, and work closely with Jamie and the central team and commercial leads in the company’s worldwide markets to drive overall ad, agency, and B2B revenue and share best practices.

Consumer Marketing Organization: Condé Nast is creating a new consumer marketing organization that will be led by a Chief Marketing Officer (CMO) and will bring added focus to the company’s direct-to-consumer efforts. As the company expands its consumer offerings, this team will be charged with developing best-in-class capabilities and consistency across consumer experiences on every platform. The team will also be responsible for consumer revenue, with a core focus on subscriptions and memberships. In addition, the team will have responsibility for global brand management, consumer research, and insights and global audience development, ensuring a data-driven approach to the company’s efforts. The search for a CMO to lead this new organization will begin immediately.

Corporate Functions: The company is also globalizing its three corporate functions to leverage skills, expertise and standardize processes and best practices: People, Finance and Communications. The company will begin an immediate search and selection process for these and other open roles. Until new leaders are identified, teams will maintain their existing reporting lines and responsibilities.

We’re bringing added focus to our direct-to-consumer efforts and will build a new consumer marketing function that will be charged with developing best-in-class subscription and membership capabilities, and maintaining the authenticity of our iconic global brands,” Lynch continued. “And by transforming our sales organization into a unified global team, Condé Nast will be better positioned to serve the holistic needs of our clients around the world and make it easier for them to do business with us.

The new structure and appointments take effect immediately.

The Whitney To Present The First Andy Warhol Retrospective Organized by a U.S. Institution Since 1989

Andy Warhol—From A To B And Back Again, The First Major Reexamination Of Warhol’s Art In A Generation, To Open At The Whitney On November 12

Andy Warhol—From A to B and Back Again—the first Andy Warhol retrospective organized in the U.S. since 1989, and the largest in terms of its scope of ideas and range of works—will be an occasion to experience and reconsider the work of one of the most inventive, influential, and important American artists. With more than 350 works of art, many assembled together for the first time, this landmark exhibition, organized by The Whitney Museum of American Art, will unite all aspects, media, and periods of Warhol’s forty-year career. Curated by Warhol authority Donna De Salvo, Deputy Director for International Initiatives and Senior Curator, with Christie Mitchell, curatorial assistant, and Mark Loiacono, curatorial research associate, the survey debuts at the Whitney on November 12, 2018, where it will run through March 31, 2019.

 

While Warhol’s Pop images of the 1960s are recognizable worldwide, what remains far less known is the work he produced in the 1970s and 80s. This exhibition positions Warhol’s career as a continuum, demonstrating that he didn’t slow down after surviving the assassination attempt that nearly took his life in 1968, but entered into a period of intense experimentation, continuing to use the techniques he’d developed early on and expanding upon his previous work. Taking the 1950s and his experience as a commercial illustrator as foundational, and including numerous masterpieces from the 1960s, Andy Warhol—From A to B and Back Again tracks and reappraises the later work of the 1970s and 80s through to Warhol’s untimely death in 1987.

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Andy Warhol (1928–1987), Self-Portrait, 1964. Acrylic, metallic paint, and silkscreen ink on linen, 20 x 16 in. (50.8 x 40.6 cm). The Art Institute of Chicago; gift of Edlis/Neeson Collection. © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York

(Following its premiere at the Whitney, the exhibition will travel to two other major American art museums, the San Francisco Museum of Modern Art, and The Art Institute of Chicago. Bank of America is the National Tour Sponsor)

Perhaps more than any artist before or since, Andy Warhol understood America’s defining twin desires for innovation and conformity, public visibility and absolute privacy,” noted De Salvo. “He transformed these contradictory impulses into a completely original art that, I believe, has profoundly influenced how we see and think about the world now. Warhol produced images that are now so familiar, it’s easy to forget just how unsettling and even shocking they were when they debuted. He pioneered the use of an industrial silkscreen process as a painterly brush to repeat images ‘identically’, creating seemingly endless variations that call the very value of our cultural icons into question. His repetitions, distortions, camouflaging, incongruous color, and recycling of his own imagery anticipated the most profound effects and issues of our current digital age when we no longer know which images to trust. From the 1950s until his death, Warhol challenged our fundamental beliefs, particularly our faith in images, even while he sought to believe in those images himself. Looking in this exhibition at the full sweep of his career makes it clear that Warhol was not just a twentieth-century titan but a seer of the twenty-first century as well.

Occupying the entirety of the Whitney’s fifth-floor Neil Bluhm Family Galleries, the adjacent Kaufman Gallery, the John R. Eckel, Jr. Foundation Lobby Gallery, the Susan and John Hess Family Gallery and Theater, Andy Warhol—From A to B and Back Again will be the largest exhibition devoted to a single artist yet to be presented in the Whitney’s downtown location. Tickets will be available on the Whitney’s website beginning in August.large_68.25_warhol_resized

Through his carefully cultivated persona and willingness to experiment with non-traditional art-making techniques, Andy Warhol (1928–1987) understood the growing power of images in contemporary life and helped to expand the role of the artist in society, making him one of the most distinct and internationally recognized American artists of the twentieth century. This exhibition sets out to prove that there remains far more to Warhol and his work than is commonly known. While the majority of exhibitions, books, articles, and films devoted to Warhol’s art have focused on a single medium, subject, series, or period, Andy Warhol—From A to B and Back Again will employ a chronological and thematic methodology that illuminates the breadth, depth, and interconnectedness of the artist’s production: from his beginnings as a commercial illustrator in the 1950s, to his iconic Pop masterpieces of the early 1960s, to the experimental work in film and other mediums from the 1960s and 70s, to his innovative use of readymade abstraction and the painterly sublime in the 1980s. The show’s title is taken from Warhol’s 1975 book, The Philosophy of Andy Warhol (From A to B and Back Again), an aphoristic memoir in which the artist gathered his thoughts on fame, love, beauty, class, money, and other key themes.

Building on a wealth of new materials, research and scholarship that has emerged since the artist’s untimely death in 1987, as well as De Salvo’s own expertise and original research conducted by the Whitney’s curatorial team, the checklist of works has been carefully selected from amongst the thousands of paintings, drawings, prints, sculptures, films, videos, and photographs that Warhol produced during his lifetime.

Adam D. Weinberg, the Alice Pratt Brown Director of the Whitney, commented: “This exhibition takes a fresh focus, while continuing the Whitney’s decades-long engagement with Warhol’s work which we presented in 1971 in a traveling retrospective and in Andy Warhol: Portraits of the 70s, organized by the Whitney in 1979–80. Few have had the opportunity to see an in-depth presentation of his career, and account for the scale, vibrant color, and material richness of the objects themselves. This exhibition, to be presented in three cities, will allow visitors to experience the work of one of America’s greatest cultural figures firsthand, and to better comprehend Warhol’s artistic genius and fearless experimentation.”

Early Work

The exhibition covers the entirety of Warhol’s career, beginning with a concentrated focus on the commercial and private work he made between 1948 and 1960. Arriving in New York from his native Pittsburgh in the summer of 1949, Warhol began his career in an advertising world that was increasingly technological, and, concurrently, an art world obsessed with originality and the authenticity of the hand-made mark. The 1950s were a foundational period for the artist, a young gay man, beginning to find his way in the city. Though far less known than his later work, the commercial art that Warhol produced during his first decade in New York lays the groundwork for many of the themes and aesthetic devices that he would develop throughout the length of his career. Continue reading

David Wojnarowicz Retrospective At The Whitney Explores The Enduring Resonance Of An Artist Who Merged The Personal And The Political

This summer, the most complete presentation to date of the work of artist, writer, and activist David Wojnarowicz will be on view in a full-scale retrospective organized by the Whitney Museum of American Art. David Wojnarowicz: History Keeps Me Awake at Night is the first major re-evaluation since 1999 of one of the most fervent and essential voices of his generation.

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David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983–84. Acrylic and collaged paper on gelatin silver print, 60 × 40 in. (152.4 × 101.6 cm). Collection of Brooke Garber Neidich and Daniel Neidich, Photograph by Ron Amstutz. (The exhibition is organized by David Breslin, DeMartini Family Curator and Director of the Collection, and David Kiehl, Curator Emeritus, Whitney Museum of American Art, New York.)

Opening at the Whitney on July 13 and running through September 30, David Wojnarowicz: History Keeps Me Awake at Night features more than a hundred works by the artist and is organized by two Whitney curators, David Breslin, DeMartini Family Curator and Director of the Collection, and David Kiehl, Curator Emeritus. The exhibition, which will be installed in the Museum’s fifth floor Neil Bluhm Family Galleries through September 30, draws upon the scholarly resources of the Fales Library and Special Collections (NYU), the repository of Wojnarowicz’s archive, and is also built on the foundation of the Whitney’s extensive holdings of Wojnarowicz’s work, including thirty works from the Museum’s collection. It will travel to the Museo Reina Sofía, Madrid, in May 2019, and to Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, Luxembourg City, in November 2019.

Scott Rothkopf, Deputy Director for Programs and Nancy and Steve Crown Family Chief Curator, remarked, “Since his death more than twenty-five years ago, David Wojnarowicz has become an almost mythic figure, haunting, inspiring, and calling to arms subsequent generations through his inseparable artistic and political examples. This retrospective will enable so many to confront for the first time, or anew, the groundbreaking multidisciplinary body of work on which his legacy actually stands.”

Beginning in the late 1970s, David Wojnarowicz (1954–1992) created a body of work that spanned photography, painting, music, film, sculpture, writing, performance, and activism. Joining a lineage of iconoclasts, Wojnarowicz (pronounced Voyna-ROW-vich) saw the outsider as his true subject. His mature period began with a series of photographs and collages that honored—and placed himself among—consummate countercultural figures like Arthur Rimbaud, William Burroughs, and Jean Genet. Even as he became well-known in the East Village art scene for his mythological paintings, Wojnarowicz remained committed to writing personal essays. Queer and HIV-positive, Wojnarowicz became an impassioned advocate for people with AIDS at a time when an inconceivable number of friends, lovers, and strangers—disproportionately gay men—were dying from the disease and from government inaction.

After hitchhiking across the U.S. and living for several months in San Francisco, and then in Paris, David Wojnarowicz settled in New York in 1978 and soon after began to exhibit his work in East Village galleries. Largely self-taught, Wojnarowicz came to prominence in New York in the 1980s, a period marked by great creative energy and profound cultural changes. Intersecting movements—graffiti, new and no wave music, conceptual photography, performance, neo-expressionist painting—made New York a laboratory for innovation. Unlike many artists, Wojnarowicz refused a signature style, adopting a wide variety of techniques with an attitude of radical possibility. Distrustful of inherited structures, a feeling amplified by the resurgence of conservative politics, Wojnarowicz varied his repertoire to better infiltrate the culture.

His essay for the catalog accompanying the exhibition Witnesses: Against Our Vanishing (curated by Nan Goldin at Artists Space in 1989–90) came under fire for its vitriolic attack on politicians and leaders who were preventing AIDS treatment and awareness. The National Endowment for the Arts (NEA) threatened to defund the exhibition, and Wojnarowicz fought against this and for the first amendment rights of artists. Continue reading

Campari Announces Campari Red Diaries (2018) – The Legend of Red Hand

Zoe Saldana Announced as the Star of the Short Movie Directed by Stefano Sollima

Following the international success of the 2017 edition, Campari, the iconic Italian aperitif, announces the return of Campari Red Diaries 2018 with an all-star short movie steeped in intrigue, leading viewers in the journey of a pursuit of the perfect cocktail. Evolving Campari’s ethos that ‘every cocktail tells a story‘, this year’s film is a celebration of bartenders’ talent around the world and most importantly, the Red Hands, masters of the world’s best cocktails.

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Lead protagonist Mia Parc, played by Zoe Saldana, enjoying the perfect Campari cocktail. Credit: Matteo Bottin (PRNewsfoto/Campari)

Launched in 2017, Campari Red Diaries is the evolution of the Campari Calendar. A 360o holistic campaign, with a short movie at the heart, Campari Red Diaries brings to life Campari’s ethos that “every cocktail tells a story”. Campari Red Diaries is launched digitally, with the short movie hosted on Campari’s official YouTube page.

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Davide, played by Adriano Giannini in The Legend of Red Hand short movie for Campari Red Diaries. Credit: Matteo Bottin (PRNewsfoto/Campari)

The short movie acts as the centerpiece of this year’s campaign, starring globally renowned actress Zoe Saldana – star of blockbuster film franchises Avatar and Guardians of the Galaxy – Italian actor Adriano Giannini and directed by the famous Italian director Stefano Sollima, known for his work on Gomorrah and upcoming movie, Soldado.

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Leading Italian director, Stefano Sollima is behind this year’s Campari Red Diaries short movie, The Legend of Red Hand. Credit: Matteo Bottin

Saldana comments: “The Campari Red Diaries campaign has a great legacy, so I was delighted to play the role of Mia Parc in The Legend of Red Hand. Mia’s character was a fascinating one to play, to portray her sheer determination to reach perfection and bringing this to life in Milan as the birthplace of Campari, the iconic Italian aperitif was very special.”

Entitled ‘The Legend of Red Hand‘, the story is a thrilling mystery that tells the journey of Mia Parc, played by an intrigued Saldana, in the pursuit of the perfect cocktail starting in Milan, the birthplace of Campari.

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Zoe Saldana announced as the star of The Legend of Red Hand short movie for Campari Red Diaries, aside Adriano Giannini and directed by Stefano Sollima. Credit: Matteo Bottin (PRNewsfoto/Campari)

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22nd Newport Flower Show to Celebrate Fete Des Fleurs

The 2017 Newport Flower Show, themed Fête Des Fleurs: Paintings and Parterres, will celebrate its 22nd year with a variety of special events, expert guest speakers, beautiful floral designs, impressive horticulture exhibits, stunning garden displays, unique shopping opportunities, and more. Inspired by France, America’s premier summer flower show will transport guests’ imaginations to the place that has inspired generations of artists and gardeners. Attendees will travel on a French adventure, from grand gardens to Paris chic, at Rosecliff, one of Newport’s most beautiful historic mansions modeled after the Grand Trianon at Versailles. The Show opens on Friday, June 23 and runs through Sunday, June 25, 2017.psnc-logo

With Newport’s largest private ballroom, Rosecliff was constructed in 1902 as a party pavilion for one of the leading society hostesses of the Gilded Age. This snow-white terra-cotta mansion was created for Theresa Fair Oelrichs, heir to the Comstock silver lode in Nevada. It hosted many of the most fabulous entertainments of the period, including a fairy-tale dinner and a party, featuring magician Harry Houdini.

The magnificent three-day event welcomes back Bartlett Tree Experts as the Presenting Sponsor of the Newport Flower Show, which benefits The Preservation Society of Newport County. Additional sponsors include ALEX AND ANI, Atria Senior Living , Brooks Brothers, Coca-Cola Bottling Company of Southeastern New England, Swarovski, United, and The Newport Daily News.

Show Highlights:

The Show will feature celebrity floral designer Jeff Leatham and noted scholar on French garden history Dr. Eric T. Haskell as special guest speakers, scheduled on Friday and Saturday. Guests will have the rare opportunity to learn from the uniquely talented Leatham, who works as the Artistic Director of the Four Seasons Hotel George V in Paris in addition to designing events for celebrities and world leaders like His Holiness the Dalai Lama, Oprah Winfrey, Madonna, and many more. Leatham is considered the most exciting floral designer in the world. Awarded the prestigious “Knighthood” (“Chevalier de L’Order des Arts et Letters”), the French Government’s highest honor for artists, Jeff designed the first major event to be held in the famed “Galerie des Glaces” (Hall of Mirrors) at Versailles since the time of Louis XVI and Marie Antoinette. His work is compared to contemporary art (and is featured at international cultural, business and entertainment events). His vase designs were so exquisite that the Dallas Museum purchased them for their permanent collection. His work.

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Celebrity floral designer Jeff Leatham

Haskell, Professor of French Studies & Humanities and Director of the Clark Humanities Museum at Scripps College in California, will share his knowledge on French gardens, their history, and more with guests. Dr. Haskell will share his vast knowledge on French gardens during his lecture “Lasting Landscapes: The French Formal Garden.” He received his Ph.D. in French Literature from the University of California, Irvine, and also studied Art History and Architecture in the graduate program at UCI and at the École du Louvre in Paris. He has delivered over 550 public lectures and scholarly papers in 28 states and 11 foreign countries. In 2013 Haskell received two of France’s highest honors: Chevalier de l’Ordre des Palmes Académics (Knight of the Order of Academic Palms) and Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters).

Other free lectures and demonstrations by noted plant experts, flower designers and gardeners will

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Dr. Eric T. Haskell

also be presented throughout the weekend.

Fashion icon and interior designer Iris Apfel will also join the Newport Flower Show’s Afternoon Tea reception on Friday, June 23 for a conversation on her fabulous life, fashion, and style. The Afternoon Tea reception will be held on the front lawn of Rosecliff at 3:00 p.m. where guests will be treated to a sampling of savory and sweet delicacies as well as flavored versions of iced or hot teas.

The Opening Night Party, the unofficial “kickoff to summer in Newport,” will take place on Friday, June 23 from 6:00 p.m. to 9:00 p.m. with a cocktail buffet, live music and dancing, a seaside supper, and other entertaining surprises. The show will continue through the weekend with unforgettable garden exhibits, horticultural entries, floral designs, and children’s programs, all staged

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Iris Apfel

throughout the elegant reception rooms of Rosecliff, its oceanfront terrace and lawn.

New this year, the Newport Flower Show will offer a Fête de la Lune (Feast by Moonlight) at Rosecliff on Saturday, June 24 from 6:00 p.m. to 8:00 p.m. Guests can spend an evening strolling through the display gardens, shopping with Flower Show vendors on the front lawn, and viewing the floral designs inside Rosecliff before the sun sets, then can enjoy a summer picnic basket supper on the grounds while viewing the display gardens. Attendees can also opt to stay after supper for a viewing of the 2015 hit movie “A Little Chaos” starring Alan Rickman, Kate Winslet, and Stanley Tucci; film tickets are sold separately. Continue reading

National Geographic Announces Five Days Of Supplementary SXSW Programming (AND Free Drinks!) At The “NAT Geo Further Base Camp”

Located One Block From the Convention Center on 6th Between Trinity and Neches, Nat Geo Further Base Camp Open Daily March 10-14

Lineup Includes Groundbreaking Augmented Reality; Interactive Robotic Art; Inspirational Talks and Interviews With Ron Howard, Brian Grazer, Ridley Scott, Neil deGrasse Tyson, Jason Silva, Cory Richards, Steven Kolter, David Guttenfelder and Aaron Huey; Plus a Birthday Party and Pi Day Celebration for Albert Einstein

Live Musical Performances From R.LUM.R, Ponytrap and Little Hurricane

This year at SXSW, National Geographic presents Nat Geo Further Base Camp (Nat Geo Further Base Camp, 418 East 6th Street, Austin, TX 78701): an interactive hub open daily to festival attendees to explore their own genius through brain-boosting and mind-boggling activities. Nat Geo Further Base Camp comes to life in advance of the April 25 premiere of GENIUS, starring Geoffrey Rush as Albert Einstein, Johnny Flynn as the younger Einstein and Emily Watson as his wife Elsa.

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National Geographic logo. (PRNewsFoto/National Geographic Society)

Beyond nonstop programming and content, Nat Geo Further Base Camp will offer premium Wi-Fi, charging stations and meeting spaces, in addition to a free premium bar available daily, featuring GENIUS-inspired cocktails.

Hosted by TV personality Jason J. Carter (“#SayWhat?!,” “RuPaul’s Drag Race”), Base Camp will feature enhanced experiences inspired by the network’s highly anticipated global event series GENIUS from Academy Award winners Brian Grazer and Ron Howard. Highlights of the five-day activation include:

  • See FURTHER: Experience the world’s first commercially available untethered augmented reality headset, the Microsoft Hololens, a cutting-edge blend of the digital and physical worlds that will bring the theory of relativity to life through powerful visualizations as if Einstein himself were there to explain it.
  • Sketch Like Einstein: Einstein’s iconic chalkboard will be transformed into a first-of-its-kind interactive robotic artist, sketching art from guest-submitted Twitter photos through a genius algorithm using Einstein’s words, symbols and equations as pixels.
  • Celebrate Pi Day and the Birth of a Genius: Fete the greatest genius of all time, Albert Einstein, whose birthday also happens to be Pi Day (March 14). Coincidence? We think not! Guests will help Einstein blow out all 138 candles, enjoy a cocktail menu inspired by the trials and tribulations of the iconic genius and snack on a pi-inspired dessert bar.

Explore Genius: Hear from the forces behind Nat Geo’s commitment to content that pushes the boundaries of human curiosity, including:

  • Entertainment Weekly chat with GENIUS executive producer and director Ron Howard, executive producer Brian Grazer, actor Johnny Flynn (young Einstein) and actress Samantha Colley (Mileva Maric);
  • Live recording of StarTalk with Neil deGrasse Tyson;
  • Breakthrough panel on cyberterror with security expert and author Jayson Street, social psychologist Nafees Hamid, Breakthrough series producer and showrunner Kurt Sayenga and director and producer Steven Hoggard, moderated by Jason Silva (Breakthrough, premiering May 2, is Nat Geo’s anthology series that shines a light on the world’s leading scientists and how their cutting-edge innovations and advancements will change our lives in the immediate future and beyond);
  • Origins panel with modern-day philosopher Jason Silva and author, journalist and entrepreneur Steven Kotler (new series Origins, premiering March 6, is a full-sensory, time-travel adventure that delves deep into history to find the pivotal “origin” moments that made the world modern);
  • Daily recording of podcasts from The Verge reporting on the festival’s hottest news, including special SXSW recordings of “The Vergecast”, “Decode,” “Too Embarrassed to Ask” and “Recode Decode” with SXSW Hall of Fame inductee Kara Swisher; and
  • Various musical performances highlighting genius in its many forms including LUM.R., Ponytrap and Little Hurricane.
  • Chasing Genius With Nerd Night: For the third year in a row, National Geographic partners with the popular Nerd Nite at SXSW. This year’s presentation will feature speakers including National Geographic Explorer and submarine pilot Erika Bergman, science and tech journalist Seth Porges and MIT researcher Adam Haar Horowitz. It is themed to Chasing Genius, a new platform being unveiled by National Geographic ahead of SXSW.
  • Travel Further: Win a 10-day National Geographic Expeditions trip for two to the Galapagos Islands by visiting Base Camp to learn about the Nat Geo Further Photo Contest.

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National Geographic and Katie Couric Launch Screening Tour for Upcoming Documentary “Gender Revolution: A Journey With Katie Couric”

Two-Hour Documentary Hosted and Executive Produced by Couric Is Available for Free to All Schools and Nonprofits That Will Host Inclusive Screenings and Conversations

First look clip from GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC: https://files.natgeonetworks.com/_Sp2gXfxhvt1d5R

Every day all around the world, gender is making headlines, weaving its way into conversations big and small, in settings from the government to households, from schools to places of employment. The two-hour National Geographic documentary GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC (trailer here) approaches the topic of gender through the lens of science, society, and culture, all woven together by personal stories and experiences.

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National Geographic logo. (PRNewsFoto/National Geographic Society)

In GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC, premiering Monday, Feb. 6, at 9/8c, National Geographic set out to explore this evolving concept of gender through the lens of science, society, and culture. Produced by Katie Couric Media with National Geographic Studios and World of Wonder Productions, the special will also air on National Geographic around the globe in 171 countries and in 45 languages.

To extend the life of this important documentary beyond its Feb. 6 television broadcast, National Geographic and Picture Motion are partnering on the Gender Revolution Tour, allowing any high school, college, university or nonprofit to sign up to host a free screening and discussion. The tour will harness the momentum of the conversations happening around the globe and offer an opportunity to have an informed dialogue on one of the most complicated and evolving issues in the current zeitgeist. The Gender Revolution Tour is being managed by impact agency Picture Motion.gender-revolution-national-geographic-magazine

Requests to participate in the Gender Revolution Tour can be made by filling out the request form at http://bit.ly/NatGeoGenderRevolution. Screening hosts will be sent a DVD of the film and an extensive discussion guide (LINK), created by Journeys in Film, that provides additional resources on understanding gender.

At the time of this release, more than 100 universities, high schools, and non-profit groups have already scheduled screening events of the GENDER REVOLUTION leading up to and during the week of the film’s television premiere on National Geographic.

Katie Couric Media develops and produces content, programming, and documentaries for TV networks and digital distribution platforms, focusing on compelling issues the award-winning journalist and best-selling author has covered throughout her career. Katie Couric Media projects include the “Katie Couric” podcast from Earwolf, which features the host in candid, unscripted conversations about American life and politics; the National Geographic documentary GENDER REVOLUTION; and the upcoming movie “Flint” with Craig Zadan and Neil Meron, about the drinking water contamination in Flint, Michigan. Katie Couric is the executive producer of “Fed Up” (2014) and “Under the Gun” (2016), both documentaries that premiered at the Sundance Film Festival.

From the very start, it was my hope that as many people as possible would be given the opportunity to see this film,” said Couric. “I am thrilled that along with National Geographic and Picture Motion we are going to be able to share GENDER REVOLUTION and our accompanying discussion guide with groups all over the country.

National Geographic is about exploration and discovery. Through the Gender Revolution Tour we want to encourage constructive conversations that will allow people to connect with each other over material that is science-based, investigative and in some cases deeply personal,” said Chris Albert, Executive Vice President, Global Communications for National Geographic. “We believe this is a timely and groundbreaking documentary, and are thrilled to make it available for free to any organization interested in expanding its knowledge on the gender discussion.”

We are so thrilled, but not entirely surprised, to see GENDER REVOLUTION so embraced. From Catholic Colleges to LGBT advocacy groups, city-based Sororities to mid-west High Schools, Gender Studies programs to Trans Support Groups for Parents; there has been an outpour of support for a film like GENDER REVOLUTION,” said Christie Marchese, CEO and Founder, Picture Motion.

GENDER REVOLUTION is produced by Katie Couric Media, World of Wonder Productions and National Geographic Studios for National Geographic. For Katie Couric Media, executive producers are Katie Couric and Mitch Semel. For World of Wonder, Fenton Bailey, Randy Barbato, and Jeremy Simmons serve as executive producers. For National Geographic Studios, executive producers are Jeff Hasler and Brian Lovett. For National Geographic, Tim Pastore is president, original programming and production, and Michael J. Miller is executive producer. Continue reading