Experience Black History Month at Virginia Museum of Fine Arts

Open 365 days a year, the VMFA shares its growing collection of African American art all year long. During Black History Month 2020, it’s great time to visit the collection and join the ongoing celebration of African American art, history, and culture.

Boy and H, Harlem, 1961, Louis Draper (American, 1935–2002), gelatin silver print, Virginia Museum of Fine Arts, Arthur and Margaret Glasgow Endowment. Courtesy of the Louis H. Draper Preservation Trust, Nell D. Winston, trustee.

TALK
Working Together: Louis Draper and the Kamoinge Workshop
Dr. Sarah Eckhardt, Associate Curator of Modern and Contemporary Art, VMFA, in conversation with Nell Draper-Winston
Thu, Jan 30 | 6:30–7:30 pm, $8 (VMFA members $5), Leslie Cheek Theater

VMFA’s Dr. Sarah Eckhardt, curator of Working Together: Louis Draper and the Kamoinge Workshop, will provide an overview of the exhibition, which features photography by members of the Kamoinge Workshop, an artist collective founded in New York City in 1963. Nell Draper-Winston, sister of photographer Louis Draper, will join Dr. Eckhardt in conversation to discuss her brother’s photographs and his roots in Richmond.

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Celebrate African and African American Family Day: Mali

OPEN STUDIO PLUS PERFORMANCE
Grandma’s Hands
Sun, Feb 2 | 1–4 pm, Free, no tickets required. Art Education Center. Performances in the Atrium 2 pm & 3 pm

Join others as they encounter generational lessons from two sisters with remarkable stories to share from the perspective of the African American South. Through song, stories, and signed poetry, we will learn how women have made an impact on culture through practices passed down from family matriarchs.

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RVA Community Makers Art Activity
Sun, Feb 2 | 1–4 pm, Free, no tickets required. Art Education Center

During Open Studio Plus Performance, celebrate family with Richmond artist Hamilton Glass and local African American photographers.

Take your digital family portraits onsite at VMFA to become part of a mixed-media public art collaboration. Glass will guide attendees in hands-on participation. You can also capture fun memories in the Family Portrait Photo Booth.

Extending the meaning of family to community, the project also brings together six local photographers—Regina Boone, Courtney Jones, Brian Palmer, Sandra Sellars, Ayasha Sledge, and James Wallace— who will create portraits of six selected community leaders.

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FIRST FRIDAY
Spirituals, Fri, Feb 7 | 6–8 pm, Free, no tickets required. Atrium

Welcome sopranos Lisa Edwards Burrs and Olletta Cheatham to the First Friday series with an evening of Spirituals. Lisa and Olletta will sing many powerful songs of the genre and explore their resonating impact on history.

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DANCE PARTY
VMFA After Hours: VMFA Is for Lovers
Sat, Feb 15 | 7–11:30 pm, $45/person ($35 VMFA members). Museum wide

Join host Kelli Lemon for a night of art, music, dancing, and love after dark. Catch DJ Lonnie B on the spin in the Marble Hall. Enjoy Legacy Band performing live music in the Atrium. Experience the exhibitions Edward Hopper and the American Hotel and Working Together: Louis Draper and the Kamoinge Workshop.

All galleries will be open during this event to give you access to our diverse collections of art from around the world.

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LIVE JAZZ, Dominion Energy Jazz Café: Jazz Around the Museum. Thu, Feb 13 | 6–9 pm, Free, no tickets required. Marble Hall

Back by popular demand! Who says a Jazz band can’t party, get down, and get funky? Led by saxophonist Robert “Bo” Bohannon, Klaxton Brown combines the old with the new, and will rock you steady all night long. Prepare to get Klaxtonized!

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National Portrait Gallery Engages Audiences Across the Country With Five-City Tour of the Acclaimed Obama Portraits by Kehinde Wiley and Amy Sherald

Tour To Include Chicago, Brooklyn, Los Angeles, Atlanta, and Houston Starting June 2021

The Smithsonian’s National Portrait Gallery has announced a five-city tour next year of the portraits of President Barack Obama and Mrs. Michelle Obama by artists Kehinde Wiley and Amy Sherald, respectively, that will launch during the summer of 2021. Next year, in mid-May 2021, the Obama portraits, commissioned by the National Portrait Gallery, will temporarily go off view from the museum’s exhibitions for tour preparation.

The official portraits of President Barack Obama and Mrs. Michelle Obama, on permanent view at The Smithsonian’s National Portrait Gallery, by artists Kehinde Wiley and Amy Sherald (Image provided by The Smithsonian’s National Portrait Gallery)

The tour will commence in Chicago, June 18, 2021, and will continue, with the works traveling across the country, through May 30, 2022. This is one of several initiatives being set by the Portrait Gallery to engage communities nationwide throughout the next four years. The artworks are expected to reach millions of people who may not be able to visit Washington, D.C.

We view the country as our community,” said Kim Sajet, director of the National Portrait Gallery. “Since the unveiling of these two portraits of the Obamas, the Portrait Gallery has experienced a record number of visitors, not only to view these works in person, but to be part of the communal experience of a particular moment in time. This tour is an opportunity for audiences in different parts of the country to witness how portraiture can engage people in the beauty of dialogue and shared experience.”

The paintings were commissioned by the National Portrait Gallery and revealed in a special unveiling ceremony Feb. 12, 2018, in the presence of President Barack Obama and former First Lady Michelle Obama, and the artists. Wiley and Sherald are the first African American artists to have been selected for the National Portrait Gallery’s official portraits of a President or First Lady.

In addition to the paintings, the tour will include an audio-visual element, Portrait Gallery-led teacher workshops and curatorial presentations in each location. In anticipation of the tour, the Portrait Gallery is also publishing a book in partnership with Princeton University Press. The Obama Portraits will be released Feb. 11.

With the Obama portraits, the National Portrait Gallery continues its more than 45-year legacy of touring exhibitions. American presidents, in particular, have been the subject of several Portrait Gallery exhibitions. The exhibition “Theodore Roosevelt: Icon of the American Century” (1998 to 2000) traveled to several cities as did “Portraits of the Presidents from the National Portrait Gallery” (2000 to 2005). The museum’s acclaimed “Lansdowne” portrait of George Washington by Gilbert Stuart toured to seven venues in “George Washington: A National Treasure” (2002 to 2004). The National Portrait Gallery’s collection includes more than 1,600 portraits of U.S. presidents and is the nation’s only complete collection of U.S. presidents accessible to the public.

Tour venues include:

  • Art Institute of Chicago; Chicago—June 18, 2021–Aug. 15, 2021
  • Brooklyn Museum; Brooklyn, New York—Aug. 27, 2021–Oct. 24, 2021
  • Los Angeles County Museum of Art; Los Angeles—Nov. 5, 2021–Jan. 2, 2022
  • High Art Museum; Atlanta—Jan. 14, 2022–March 13, 2022
  • The Museum of Fine Arts, Houston; Houston—March 25, 2022–May 30, 2022
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Conductor Sir John Eliot Gardiner Celebrates Beethoven at Carnegie Hall

Sir John Eliot Gardiner Curates Carnegie Hall Perspectives Series Featuring His Orchestre Révolutionnaire et Romantique Performing A Complete Beethoven Symphony Cycle on Period Instruments in Five Concerts, February 19-24

Winter Concerts Are Part of Carnegie Hall’s Beethoven Celebration in Honor of the 250th Anniversary of the Composer’s Birth

This February, Sir John Eliot Gardiner, Artistic Director and Conductor of the internationally acclaimed period instrument ensemble Orchestre Révolutionnaire et Romantique (ORR), curates a five-concert Perspectives series at Carnegie Hall, featuring a complete Beethoven symphony cycle performed as part of Carnegie Hall’s season-long celebration of the 250th anniversary year of Beethoven’s birth.

The five New York City concerts by Sir John Eliot Gardiner and the Orchestre Révolutionnaire et Romantique are part of Carnegie Hall’s season-long Beethoven Celebration featuring more than 35 events highlighting the immensity of the composer’s transformative impact on music, performed by a remarkable line-up of internationally renowned musicians.


Grounded in Maestro Gardiner’s exacting study of Beethoven’s original manuscripts, the symphonies will be performed as the composer would have experienced them, played on period instruments, including valveless brass, woodwinds without additional keys and levers, gut strings, and hide-covered timpani struck with hard sticks.

Sir John Eliot Gardiner (www.monteverdi.co.uk)

A key figure both in the early music revival and as a pioneer of historically informed performances, Maestro Gardiner kicks off the ORR’s five-concert series on Wednesday, February 19 at 8:00 p.m. with selections from Beethoven’s rarely heard ballet score, The Creatures of Prometheus; the concert aria, “Ah! perfido;” excerpts from Leonore; and the composer’s Symphony No. 1; Soprano Lucy Crowe joins the orchestra as soloist. On Thursday, February 20 at 8:00 p.m., the orchestra performs Beethoven’s Symphony No. 2 and Symphony No. 3, “Eroica.” The series continues Friday, February 21 at 8:00 p.m. with symphonies Nos. 4 and 5. On Sunday, February 23 at 2:00 p.m., the program includes Symphony No. 6, “Pastoral” and Symphony No. 7. For the series’ final concert on Monday, February 24 at 8:00 p.m. the ORR’s Beethoven cycle culminates with the symphonies Nos. 8 and 9, with the orchestra joined by soprano Lucy Crowe, contralto Jess Dandy, tenor Ed Lyon, and bass Tareq Nazmi, alongside The Monteverdi Choir. As a prelude to the cycle, Maestro Gardiner will be joined by distinguished Beethoven scholar William Kinderman for a discussion in Carnegie Hall’s Weill Recital Hall to illuminate Sir John Eliot’s approach to these symphonic masterworks (Tuesday, February 18 at 7:00 p.m.). In addition to the public discussion with Sir John Eliot on February 18, Carnegie Hall Debs Composer’s Chair Jörg Widmann will present a talk later this spring (Mar. 29, WRH), enabling audiences to gain greater insights into Beethoven’s music.

The ORR’s final February 24 concert will be heard by listeners around the world as part of the ninth annual Carnegie Hall Live broadcast and digital series with a live radio broadcast on WQXR 105.9 FM in New York and online at wqxr.org and carnegiehall.org/wqxr. Produced by WQXR and Carnegie Hall and co-hosted by WQXR’s Jeff Spurgeon and Clemency Burton-Hill, select Carnegie Hall Live broadcasts featured throughout the season include special digital access to the broadcast team, from backstage and in the control room, connecting national and international fans to the music and to each other.

When asked to reflect on thirty years of music making with the ORR and his upcoming Beethoven symphony performances, Sir John Eliot Gardiner said “When we started the Orchestre Révolutionnaire et Romantique 30 years ago, our mission statement included trying to recover the world of Beethoven’s sound. Our aim was to provide bold new perspectives on the glorious orchestral works of the 19th and early 20th centuries. Since the ensemble’s inception, we have used our time together productively and creatively to explore fresh approaches to this much-loved music, some of it familiar but also some of it neglected or undervalued. Through the use and mastery of period instruments, the ORR musicians bring out the subtle and pervasive differences in the palette of sounds that composers as different as Beethoven, Berlioz, Schumann, Debussy, and Verdi were committed to revealing. Time and again, the players have shown vision and tenacity in demonstrating the techniques and sounds required to recapture the true essence of this music. Every time we embark on a fresh project together, I am amazed and touched by the way the players seem willing to put their necks on the block in order to bring this music back to intoxicating life once again.”

The Carnegie Hall performances are part of Maestro Gardiner and the ORR’s Beethoven 250, a yearlong celebration of the composer’s milestone anniversary, and are also part of the ORR’s 30th anniversary season. The orchestra’s transatlantic tour, February 9-June 27, also includes engagements and complete symphony cycles at Chicago’s Harris Theater, London’s Barbican Hall, and Barcelona’s Palau de la Música.

Program Information

SIR JOHN ELIOT GARDINER ON THE BEETHOVEN SYMPHONIES

  • Tuesday, February 18, 2020 at 7:00 PM, Weill Recital Hall
  • Sir John Eliot Gardiner, Speaker
  • with William Kinderman, Moderator
  • Robin Michael, Principal Cello
  • Anneke Scott, Principal Horn

BEETHOVEN’S SYMPHONIES AND THE EMPIRE OF THE MIND

Sir John Eliot Gardiner’s groundbreaking interpretations of Beethoven’s music have cast this magnificent body of work in a new light. Joined by distinguished Beethoven scholar William Kinderman and ORR principals Robin Michael and Anneke Scott for this illuminating discussion, Gardiner shares his insights about his approach to this immortal music. Tickets: $25

ORCHESTRE RÉVOLUTIONNAIRE ET ROMANTIQUE

  • Wednesday, February 19, 2020 at 8:00 PM
  • Stern Auditorium / Perelman Stage
  • Sir John Eliot Gardiner, Artistic Director and Conductor
  • Lucy Crowe, Soprano

ALL-BEETHOVEN PROGRAM

  • Overture, Introduction, and Act I from The Creatures of Prometheus, Op. 43
  • “Ah! perfido,” Op. 65
  • Symphony No. 1 in C Major, Op. 21
  • Leonore Overture No. 1, Op. 138
  • “Ach, brich noch nicht, du mattes Herz!” – “Komm, Hoffnung, lass den letzten Stern” from Act II of Leonore, Op. 72
  • Finale to The Creatures of Prometheus, Op. 43

Tickets: $32-$105

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Denver Art Museum Presents Untitled: Creative Fusions

Evening programming features collaborations with local artists, pop-up art installations, performances and more

The Denver Art Museum (DAM) will kick off its new season of Untitled: Creative Fusions on January 31, 2020, with an unprecedented night of pop-up art installations, performances, interactive elements and more created by local artists Eileen Roscina Richardson and Joshua Ware in collaboration with 17 local creatives.

Untitled: Creative Fusions is a newly reimagined version of Untitled, presenting a bigger, bolder program at the Denver Art Museum in 2020. Taking place four times a year, Untitled: Creative Fusions will bring local creatives together to merge their artistic practices with the DAM’s exhibitions and artworks.

(Untitled is included in general museum admission, however, a special exhibition ticket is required for Claude Monet: The Truth of Nature.)

Creatives Eileen Roscina Richardson & Joshua Ware. Image courtesy of Denver Art Museum.

Inspired by Claude Monet: The Truth of Nature and The Light Show, Richardson and Ware join forces to investigate the wild and the constructed through the theme Entanglements. Visitors are invited to explore the space between the man-made and the natural, where humans and nature are irrevocably intertwined.

With can’t-miss moments including live ice sculpting by Jess Parris, pop-up installations by the lead creators, wheat pasting with We Were Wild, a complimentary liquid nitrogen popcorn station courtesy of The Inventing Room, beats by Dance the NightShift and more, visitors can expect a once-in-a-lifetime night at the DAM during Untitled.

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Walker Art Center Announces Extensive 2020–2021 Exhibition Schedule Highlights

The Walker Arts Center continues to flesh out what is considerably a very dynamic exhibition schedule for the next two years. Additions to the Walker Art Center’s 2020–2021 exhibition schedule include two new solo exhibitions by female artists, Faye Driscoll: Thank You for Coming (February 27–June 14, 2020) and Candice Lin (April 17–August 29, 2021) as well as a Walker collection show of women artists, Don’t let this be easy (July 16–March 14, 2021). For her first solo museum exhibition, Faye Driscoll incorporates a guided audio soundtrack, moving image works, and props to look back across the entirety of her trilogy of performances Thank You For ComingAttendance (2014), Play (2016), and Space (2019)—works that were presented and co-commissioned by the Walker and subsequently toured around the world over the past six years. Another newly added exhibition, Candice Lin, is the first US museum solo show by the artist, co-organized by the Walker Art Center and the Carpenter Center for Visual Arts (CCVA). Lin is creating a site-specific installation that responds to the space of the gallery at each institution, allowing the shape of the work to evolve over the course of its presentation.

The Walker-organized exhibition Don’t let this be easy highlights the diverse and experimental practices of women artists spanning some 50 years through a selection of paintings, sculptures, moving image works, artists’ books, and materials from the archives.

The initiative is presented in conjunction with the Feminist Art Coalition (FAC), a nationwide effort involving more than 60 museums committed to social justice and structural change.

Other upcoming exhibitions include An Art Of Changes: Jasper Johns Prints, 1960–2018 (February 16–September 20, 2020), a survey of six decades of Johns’ work in printmaking drawn from the Walker’s complete collection of the artists’ prints including intaglio, lithography, woodcut, linoleum cut, screenprinting, lead relief, and blind embossing; The Paradox of Stillness: Art, Object, and Performance (formerly titiled Still and Yet) (April 18–July 26, 2020), is an exhibition that rethinks the history of performance featuring artists whose works include performative elements but also embrace acts, objects, and gestures that refer more to the inert qualities of traditional painting or sculpture than to true staged action.

Additional exhibitions include Michaela Eichwald’s (June 13–November 8, 2020) first US solo museum presentation, bringing together painting, sculpture, and collage from across the past 10 years of her practice; Designs for Different Futures (September 12, 2020 – January 3, 2021)—a collaborative group show co-organized by the Walker Art Center, Philadelphia Museum of Art, and the Art Institute of Chicago—brings together about 80 dynamic works that address the challenges and opportunities that humans may encounter in the years, decades, and centuries to come; Rayyane Tabet (December 10, 2020– April 18, 2021), a solo show by the Beirut-based multidisciplinary artist featuring a new installation for the Walker that begins with a time capsule discovered on the site of what was once an IBM manufacturing facility in Rochester, Minnesota.

OPENING EXHIBITIONS

CONTINUING EXHIBITIONS



Photo Credit: Flags I, 1973. Screenprint on paper, 27 3/8 x 35 ½ in. ed. 3/65. Collection Walker Art Center, Gift of Judy and Kenneth Dayton, 1988. © Jasper Johns/VAGA at Artists Rights Society (ARS), New York

An Art Of Changes: Jasper Johns Prints, 1960–2018, February 16–September 20, 2020. Gallery B/Target

When Jasper Johns’s paintings of flags and targets debuted in 1958, they brought him instant acclaim and established him as a critical link between Abstract Expressionism and Pop Art. In the ensuing 60 years, Johns (US, b. 1930) has continued to astonish viewers with the beauty and complexity of his paintings, drawings, sculpture, and prints. Today, he is considered one of the 20th century’s greatest American artists.

Artist: Jasper Johns Title: Figure 7 from the Color Numeral Series Date: 1969 Medium: lithograph on paper Accession number: 1985.319 Credit Line: Gift of Kenneth Tyler, 1985. Repro Rights: VAGA; Art copyright Jasper Johns / Licensed by VAGA, New York, NY.
Artist: Jasper Johns Title: Target Date: 1960 Medium: lithograph on paper Accession number: 1988.181 Credit Line: Gift of Judy and Kenneth Dayton, 1988. Repro Rights: VAGA; Art copyright Jasper Johns / Licensed by VAGA, New York, NY.

In celebration of the artist’s 90th birthday, An Art of Changes surveys six decades of Johns’s work in printmaking, highlighting his experiments with familiar, abstract, and personal imagery that play with memory and visual perception in endlessly original ways. The exhibition features some 90 works in intaglio, lithography, woodcut, linoleum cut, screenprinting, and lead relief—all drawn from the Walker’s comprehensive collection of the artist’s prints.

Target, 1974
Screenprint on paper
35 1/8 x 27 3/8 inches
Collection Walker Art Center, Gift of Judy and Kenneth Dayton, 1988
© Jasper Johns/VAGA at Artists Rights Society (ARS), NY
Artist: Jasper Johns Title: Untitled Date: 2000 Medium: linocut on paper Accession number: 2001.197 Credit Line: Gift of the artist, 2001. Repro Rights: VAGA; Art copyright Jasper Johns / Licensed by VAGA, New York, NY.
Artist: Jasper Johns Title: Untitled Date: 2016 Medium: Linoleum-cut on paper Accession number: 2017.6 Credit Line: Collection Walker Art Center, Minneapolis, Gift of the artist, 2017. Photo by Gene Pittman for Walker Art Center.
Artist: Jasper Johns Title: Fragment of a Letter Date: 2010 Medium: intaglio on paper Accession number: 2011.59.1-.2 Credit Line: Gift of the artist, 2011. Repro Rights: VAGA; Art copyright Jasper Johns / Licensed by VAGA, New York, NY.
Artist: Jasper Johns Title: Between the Clock and the Bed Date: 1989 Medium: Lithograph on paper Accession number: 1991.155 Credit Line: Collection Walker Art Center, Minneapolis, Gift of Dr. and Mrs. Stacy Roback, 1991. Repro Rights: VAGA, Art © Jasper Johns/Licensed by VAGA, New York, NY. Photo by Gene Pittman for Walker Art Center.

Organized in four thematic sections, the show follows Johns through the years as he revises and recycles key motifs over time, including the American flag, numerals, and the English alphabet, which he describes as “things the mind already knows.” Some works explore artists’ tools, materials, and techniques. Others explore signature aspects of the artist’s distinctive mark-making, including flagstones and hatch marks, while later pieces teem with autobiographical imagery. To underscore Johns’s fascination with the changes that occur when an image is reworked in another medium, the prints will be augmented by a small selection of paintings and sculptures.

Artist Jasper Johns at work in his studio
Artist: Jasper Johns Title: Savarin Date: 1977 Medium: Lithograph on paper Accession number: 1988.276 Credit Line: Collection Walker Art Center, Minneapolis, Gift of Judy and Kenneth Dayton, 1988. Repro Rights: VAGA, Art © Jasper Johns/Licensed by VAGA, New York, NY.

Curator: Joan Rothfuss, guest curator, Visual Arts.

  • Exhibition Tour
    Carnegie Museum of Art, Pittsburgh: October 12, 2019–January 20, 2020
    Walker Art Center, Minneapolis: February 16–September 20, 2020
    Grand Rapids Art Museum, Michigan: October 24, 2020–January 24, 20
    21
    Tampa Art Museum, Florida: April 28–September 6, 2021
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Boundary-Pushing Hip-Hop Duo Soul Science Lab To Perform Make A Joyful Noize in Zankel Hall on June 2, 2020

Carnegie Hall-Commissioned Production Blends Music, Spoken Word, and Media to Explore Black Joy

Carnegie Hall announced that boundary pushing hip-hop duo Soul Science Lab will perform Make a Joyful Noize on Tuesday, June 2, 2020 at 6:00 p.m. in Zankel Hall. Commissioned by Carnegie Hall as part of its 125 Commission Project, Make A Joyful Noize explores the affirming and unifying experiences that uplift the human spirit in the face of oppression. The immersive production blends sound and multimedia using music, affirmations, projected images, spoken word, and dance to celebrate unapologetic Black joy as a healing force for cultural resistance. (Ticketing Information)

Soul Science Lab is a Brooklyn-based music and multimedia duo that translates stories into soul stirring sounds and dynamic visuals and was formed by artist educator and creative director Chen Lo and multi-instrumentalist, composer, and producer Asante’ Amin. Soul Science Lab produces high quality music, provides innovative arts education, and creates culturally responsive experiences. In addition to international touring, Soul Science Lab’s projects include Chen Lo’s album Footprints, Amin’s album The Visitor: Alter Destiny, the live concert and multimedia documentary Soundtrack’63, and their interactive album, Plan for Paradise.

Co-founder Chen Lo is a seasoned artist, educator, and creative director. He has toured the globe, performing and leading master classes with a number of cultural arts institutions including Jazz at Lincoln Center, the August Wilson Center, 651 ARTS, and others. Chen Lo has also shared the stage with the likes of Common, Erykah Badu, KRS-ONE, A Tribe Called Quest, Rapsody, Sunni Patterson, and Last Poets. To date, he has recorded notable collaborations with K’Naan and Jean Grae as well as international artists Stogie T and Cheikh Lô.

Co-founder Asante’ Amin is a gifted multi-instrumentalist, composer, and producer. He has shared the stage with several globally renowned artists, including Rhiannon Giddens, Jessica Care Moore Blitz, Ismael Kouyaté, GZA, and others. Amin is also a MetLife Meet the Composer award-winner.

Make a Joyful Noize was commissioned as a part of Create Justice. Lead funding was provided by The Kresge Foundation, The Andrew W. Mellon Foundation, and an anonymous donor. Support for the 125 Commissions Project is provided by members of Carnegie Hall’s Composer Club. Bank of America is the Proud Season Sponsor of Carnegie Hall.

Tickets, priced at $25, are available at the Carnegie Hall Box Office, 154 West 57th Street, or can be charged to major credit cards by calling CarnegieCharge at 212-247-7800 or by visiting the Carnegie Hall website, carnegiehall.org.

For more information on discount ticket programs, including those for students, Notables members, and Bank of America customers, visit carnegiehall.org/discounts. Artists, programs, and prices are subject to change.

Carnegie Hall’s Weill Music Institute (WMI) creates visionary programs that embody Carnegie Hall’s commitment to music education, playing a central role in fulfilling the Hall’s mission of making great music accessible to as many people as possible. With unparalleled access to the world’s greatest artists, WMI’s programs are designed to inspire audiences of all ages, nurture tomorrow’s musical talent, and harness the power of music to make a meaningful difference in people’s lives. An integral part of Carnegie Hall’s concert season, these programs facilitate creative expression, develop musical skills and capacities at all levels, and encourage participants to make lifelong personal connections to music. The Weill Music Institute generates new knowledge through original research and is committed to giving back to its community and the field, sharing an extensive range of online music education resources and program materials for free with teachers, orchestras, arts organizations, and music lovers worldwide. More than 600,000 people each year engage in WMI’s programs through national and international partnerships, in New York City schools and community settings, and at Carnegie Hall. This includes more than half a million students and teachers worldwide who participate in WMI’s Link Up music education program for students in grades 3 through 5, made possible through Carnegie Hall partnerships with over 115 orchestras in the US from Alaska to Puerto Rico, as well as internationally in Brazil, Canada, China, Japan, Kenya, and Spain.

For more information, please visit: carnegiehall.org/education

Sports Illustrated Brings “The Party” to Miami Beach to Celebrate the Biggest Weekend in Sports*

Event will Feature Musical Performances by Marshmello and The Black Eyed Peas

The Legendary Big-Game Celebration* will be held on February 1 at the Fontainebleau Miami Beach

Sports Illustrated today announced that it will be heading to Miami Beach with The Party, its annual marquee event. The legendary sports enterprise is joining forces with The Undisputed Group for this year’s VIP big-game night on Saturday, February 1, 2020, at the world-famous Fontainebleau in Miami Beach, Florida.

The merging of these industry titans will bring together some of the top names in entertainment and sports at one of the most luxurious oceanfront hotels in Miami Beach. Guests can expect a night of unforgettable musical performances by Marshmello and the Black Eyed Peas and dancing complemented by live video mixing by DJ Irie.

We are thrilled to bring Sports Illustrated back to the big-game weekend and to join forces with The Undisputed Group, who has unrivaled expertise in spectacular event production,” said Corey Salter, Group President, Entertainment at Authentic Brands Group, owner of the Sports Illustrated brand. “SI is the source that connects audiences to athletes and teams across the sports world, and we are certain that not only will this be an unforgettable experience for fans, but our most memorable big-game event to date.”

Last year’s Sports Illustrated big-game event* was held at the College Football Hall of Fame in Atlanta and featured performances by Snoop Dogg, Lil Wayne, DJ Irie and Dallas Austin. Top musicians, celebrities, models and athletes were in attendance, including will.i.am, Lil Jon, Danielle Herrington, Jasmine Sanders, Aly Raisman, Kyler Murray and Baker Mayfield.

Each year, we aim to make our big-game event with Sports Illustrated bigger and better than ever,” said David Spencer, Founder and Co-CEO of The Undisputed Group. “This year, we’re presenting an immersive, elite playground for partygoers with a curated mix of talent, sponsors, photo opportunities and more.”

Casamigos is the official partner of The Party. Sponsors of The Party will include StubHub, Reign Total Body Fuel, and Dewar’s Scotch Whisky.

StubHub is all about connecting fans to the live experiences they love,” said Akshay Khanna, General Manager of Sports at StubHub. “We’re thrilled to partner with media powerhouse Sports Illustrated to offer VIP treatment to football fans at The Party in Miami, along with a secure and seamless ticket buying and selling experience.”

For additional information and to purchase tickets, visit www.sportsillustratedtheparty.com.

* Because one has to pay many, many, many sponsorship dollars to actually use the words “SuperBowl” in their marketing, the NFL highly discourages people from piggybacking on its yearly event. Ergo, the “Big Game”, the “Biggest Weekend in Sports”, etc. Now you know.