Walker Art Center Announces Extensive 2020–2021 Exhibition Schedule Highlights

The Walker Arts Center continues to flesh out what is considerably a very dynamic exhibition schedule for the next two years. Additions to the Walker Art Center’s 2020–2021 exhibition schedule include two new solo exhibitions by female artists, Faye Driscoll: Thank You for Coming (February 27–June 14, 2020) and Candice Lin (April 17–August 29, 2021) as well as a Walker collection show of women artists, Don’t let this be easy (July 16–March 14, 2021). For her first solo museum exhibition, Faye Driscoll incorporates a guided audio soundtrack, moving image works, and props to look back across the entirety of her trilogy of performances Thank You For ComingAttendance (2014), Play (2016), and Space (2019)—works that were presented and co-commissioned by the Walker and subsequently toured around the world over the past six years. Another newly added exhibition, Candice Lin, is the first US museum solo show by the artist, co-organized by the Walker Art Center and the Carpenter Center for Visual Arts (CCVA). Lin is creating a site-specific installation that responds to the space of the gallery at each institution, allowing the shape of the work to evolve over the course of its presentation.

The Walker-organized exhibition Don’t let this be easy highlights the diverse and experimental practices of women artists spanning some 50 years through a selection of paintings, sculptures, moving image works, artists’ books, and materials from the archives.

The initiative is presented in conjunction with the Feminist Art Coalition (FAC), a nationwide effort involving more than 60 museums committed to social justice and structural change.

Other upcoming exhibitions include An Art Of Changes: Jasper Johns Prints, 1960–2018 (February 16–September 20, 2020), a survey of six decades of Johns’ work in printmaking drawn from the Walker’s complete collection of the artists’ prints including intaglio, lithography, woodcut, linoleum cut, screenprinting, lead relief, and blind embossing; The Paradox of Stillness: Art, Object, and Performance (formerly titiled Still and Yet) (April 18–July 26, 2020), is an exhibition that rethinks the history of performance featuring artists whose works include performative elements but also embrace acts, objects, and gestures that refer more to the inert qualities of traditional painting or sculpture than to true staged action.

Additional exhibitions include Michaela Eichwald’s (June 13–November 8, 2020) first US solo museum presentation, bringing together painting, sculpture, and collage from across the past 10 years of her practice; Designs for Different Futures (September 12, 2020 – January 3, 2021)—a collaborative group show co-organized by the Walker Art Center, Philadelphia Museum of Art, and the Art Institute of Chicago—brings together about 80 dynamic works that address the challenges and opportunities that humans may encounter in the years, decades, and centuries to come; Rayyane Tabet (December 10, 2020– April 18, 2021), a solo show by the Beirut-based multidisciplinary artist featuring a new installation for the Walker that begins with a time capsule discovered on the site of what was once an IBM manufacturing facility in Rochester, Minnesota.

OPENING EXHIBITIONS

CONTINUING EXHIBITIONS



Photo Credit: Flags I, 1973. Screenprint on paper, 27 3/8 x 35 ½ in. ed. 3/65. Collection Walker Art Center, Gift of Judy and Kenneth Dayton, 1988. © Jasper Johns/VAGA at Artists Rights Society (ARS), New York

An Art Of Changes: Jasper Johns Prints, 1960–2018, February 16–September 20, 2020. Gallery B/Target

When Jasper Johns’s paintings of flags and targets debuted in 1958, they brought him instant acclaim and established him as a critical link between Abstract Expressionism and Pop Art. In the ensuing 60 years, Johns (US, b. 1930) has continued to astonish viewers with the beauty and complexity of his paintings, drawings, sculpture, and prints. Today, he is considered one of the 20th century’s greatest American artists.

Artist: Jasper Johns Title: Figure 7 from the Color Numeral Series Date: 1969 Medium: lithograph on paper Accession number: 1985.319 Credit Line: Gift of Kenneth Tyler, 1985. Repro Rights: VAGA; Art copyright Jasper Johns / Licensed by VAGA, New York, NY.
Artist: Jasper Johns Title: Target Date: 1960 Medium: lithograph on paper Accession number: 1988.181 Credit Line: Gift of Judy and Kenneth Dayton, 1988. Repro Rights: VAGA; Art copyright Jasper Johns / Licensed by VAGA, New York, NY.

In celebration of the artist’s 90th birthday, An Art of Changes surveys six decades of Johns’s work in printmaking, highlighting his experiments with familiar, abstract, and personal imagery that play with memory and visual perception in endlessly original ways. The exhibition features some 90 works in intaglio, lithography, woodcut, linoleum cut, screenprinting, and lead relief—all drawn from the Walker’s comprehensive collection of the artist’s prints.

Target, 1974
Screenprint on paper
35 1/8 x 27 3/8 inches
Collection Walker Art Center, Gift of Judy and Kenneth Dayton, 1988
© Jasper Johns/VAGA at Artists Rights Society (ARS), NY
Artist: Jasper Johns Title: Untitled Date: 2000 Medium: linocut on paper Accession number: 2001.197 Credit Line: Gift of the artist, 2001. Repro Rights: VAGA; Art copyright Jasper Johns / Licensed by VAGA, New York, NY.
Artist: Jasper Johns Title: Untitled Date: 2016 Medium: Linoleum-cut on paper Accession number: 2017.6 Credit Line: Collection Walker Art Center, Minneapolis, Gift of the artist, 2017. Photo by Gene Pittman for Walker Art Center.
Artist: Jasper Johns Title: Fragment of a Letter Date: 2010 Medium: intaglio on paper Accession number: 2011.59.1-.2 Credit Line: Gift of the artist, 2011. Repro Rights: VAGA; Art copyright Jasper Johns / Licensed by VAGA, New York, NY.
Artist: Jasper Johns Title: Between the Clock and the Bed Date: 1989 Medium: Lithograph on paper Accession number: 1991.155 Credit Line: Collection Walker Art Center, Minneapolis, Gift of Dr. and Mrs. Stacy Roback, 1991. Repro Rights: VAGA, Art © Jasper Johns/Licensed by VAGA, New York, NY. Photo by Gene Pittman for Walker Art Center.

Organized in four thematic sections, the show follows Johns through the years as he revises and recycles key motifs over time, including the American flag, numerals, and the English alphabet, which he describes as “things the mind already knows.” Some works explore artists’ tools, materials, and techniques. Others explore signature aspects of the artist’s distinctive mark-making, including flagstones and hatch marks, while later pieces teem with autobiographical imagery. To underscore Johns’s fascination with the changes that occur when an image is reworked in another medium, the prints will be augmented by a small selection of paintings and sculptures.

Artist Jasper Johns at work in his studio
Artist: Jasper Johns Title: Savarin Date: 1977 Medium: Lithograph on paper Accession number: 1988.276 Credit Line: Collection Walker Art Center, Minneapolis, Gift of Judy and Kenneth Dayton, 1988. Repro Rights: VAGA, Art © Jasper Johns/Licensed by VAGA, New York, NY.

Curator: Joan Rothfuss, guest curator, Visual Arts.

  • Exhibition Tour
    Carnegie Museum of Art, Pittsburgh: October 12, 2019–January 20, 2020
    Walker Art Center, Minneapolis: February 16–September 20, 2020
    Grand Rapids Art Museum, Michigan: October 24, 2020–January 24, 20
    21
    Tampa Art Museum, Florida: April 28–September 6, 2021
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Pantone Reveals Color of the Year 2020: PANTONE® 19-4052 Classic Blue

A Reassuring Presence Instilling Calm, Confidence, And Connection

Tapping into sight, sound, smell, taste, and texture Pantone makes PANTONE 19-4052 Classic Blue the first multi-sensory Color of the Year in the company’s history.

Pantone, provider of professional color language standards and digital solutions, today announced PANTONE 19-4052, Classic Blue, as the Pantone® Color of the Year for 2020; a timeless and enduring hue elegant in its simplicity. Suggestive of the sky at dusk, the reassuring qualities of the thought-provoking PANTONE 19-4052 Classic Blue highlight our desire for a dependable and stable foundation from which to build as we cross the threshold into a new era.

Pantone Reveals Color of the Year 2020: PANTONE® 19-4052 Classic Blue

We are living in a time that requires trust and faith. It is this kind of constancy and confidence that is expressed by PANTONE 19-4052 Classic Blue, a solid and dependable blue hue we can always rely on,” said Leatrice Eiseman, Executive Director of the Pantone Color Institute. “Imbued with a deep resonance, PANTONE 19-4052 Classic Blue provides an anchoring foundation. A boundless blue evocative of the vast and infinite evening sky, PANTONE 19-4052 Classic Blue encourages us to look beyond the obvious to expand our thinking; challenging us to think more deeply, increase our perspective and open the flow of communication.”

The Color of the Year selection process requires thoughtful consideration and trend analysis. To arrive at the selection each year, Pantone’s color experts at the Pantone Color Institute comb the world looking for new color influences. This can include the entertainment industry and films in production, traveling art collections and new artists, fashion, all areas of design, popular travel destinations, as well as new lifestyles, playstyles, and socio-economic conditions. Influences may also stem from new technologies, materials, textures, and effects that impact color, relevant social media platforms and even up-coming sporting events that capture worldwide attention. For 21 years, Pantone’s Color of the Year has influenced product development and purchasing decisions in multiple industries, including fashion, home furnishings, and industrial design, as well as product packaging and graphic design. Past selections for Color of the Year include:

  • PANTONE 16-1546 Living Coral (2019)
  • PANTONE 18-3838 Ultra Violet (2018)
  • PANTONE 15-0343 Greenery (2017)
  • PANTONE 15-3919 Serenity and PANTONE 13-1520 Rose Quartz (2016)
  • PANTONE 18-1438 Marsala (2015)
  • PANTONE 18-3224 Radiant Orchid (2014)
  • PANTONE 17-5641 Emerald (2013)
  • PANTONE 17-1463 Tangerine Tango (2012)
  • PANTONE 18-2120 Honeysuckle (2011)
  • PANTONE 15-5519 Turquoise (2010)
  • PANTONE 14-0848 Mimosa (2009)
  • PANTONE 18-3943 Blue Iris (2008)
  • PANTONE 19-1557 Chili Pepper (2007)
  • PANTONE 13-1106 Sand Dollar (2006)
  • PANTONE 15-5217 Blue Turquoise (2005)
  • PANTONE 17-1456 Tigerlily (2004)
  • PANTONE 14-4811 Aqua Sky (2003)
  • PANTONE 19-1664 True Red (2002)
  • PANTONE 17-2031 Fuchsia Rose (2001)
  • PANTONE 15-4020 Cerulean (2000)

The color selected as the Pantone Color of the Year 2020 was taken from the Pantone Fashion, Home + Interiors Color System, the most widely used and recognized color standards system for fashion, textile, home, and interior design.

Imprinted in our psyches as a restful color, PANTONE 19-4052 Classic Blue brings a sense of peace and tranquility to the human spirit, offering refuge. Aiding concentration and bringing laser-like clarity, PANTONE 19-4052 Classic Blue re-centers our thoughts. A reflective blue tone, Classic Blue fosters resilience.

As technology continues to race ahead of the human ability to process it all, it is easy to understand why we gravitate to colors that are honest and offer the promise of protection. Non-aggressive and easily relatable, the trusted PANTONE 19-4052, Classic Blue lends itself to relaxed interaction. Associated with the return of another day, this universal favorite is comfortably embraced.

The Pantone Color of the Year highlights the relationship between trends in color and what is taking place in our global culture at a moment in time, a color that reflects what individuals feel they need that color can hope to answer.” added Laurie Pressman, Vice President of the Pantone Color Institute. “As society continues to recognize color as a critical form of communication, and a way to express and affect ideas and emotions, designers and brands should feel inspired to use color to engage and connect. The Pantone Color of the Year selection provides strategic direction for the world of trend and design, reflecting the Pantone Color Institute’s year-round work doing the same for designers and brands.”

To fully bring to life the true meaning of PANTONE 19-4052 Classic Blue, Pantone has translated PANTONE 19-4052 Classic Blue into a multi-sensory experience. By extending the sensory reach of PANTONE 19-4052 Classic Blue, Pantone is hoping to reach a greater diversity of people to provide everyone with an opportunity to engage with the Color of the Year 2020 in their own unique way.

As we all head into a new era, we wanted to challenge ourselves to find inspiration from new sources that not only evolve our Color of the Year platform, but also help our global audiences achieve richer and more rewarding color experiences,” added Pressman. “This desire, combined with the emotional properties of PANTONE 19-4052 Classic Blue, motivated us to expand beyond the visual, to bring the 2020 Pantone Color of the Year to life through a multi-sensory experience.”

Classic Blue in Fashion

PANTONE 19-4052 Classic Blue is a poised and self-assured blue hue elegant in its simplicity. Genderless in outlook and seasonless in endurance, this foundational anchor shade enables color mixes throughout the spectrum, as well as making a strong statement on its own. Emblematic of heritage but at the same time highly contemporary, versatile PANTONE 19-4052 Classic Blue takes on distinct appearances through application to different materials, finishes and textures from shimmering metallics, lustrous sheens and high-tech materials to hand crafted looks and more fragile fabrics.

Classic Blue in Beauty

In the ultimate display of personal expression, PANTONE 19-4052 Classic Blue makes a dramatic statement for eyes, nails and hair in a variety of finishes from glittery and glam to dusty matte.

Classic Blue in Home Décor

Offering the promise of protection PANTONE 19-4052 Classic Blue is a pervasive favorite for home. Creating a stable foundation from which to build, PANTONE 19-4052 Classic Blue injects creative confidence into interiors, transforming a space through unique color combinations and tonal statements. Easily applied across so many different materials, textures and finishes, PANTONE 19-4052 Classic Blue is a dependable blue that can take you in different directions expressing tradition and elegance as well as unexpected boldness.

Classic Blue in Graphic Design and Packaging

Because of PANTONE 19-4052 Classic Blue’s relation to the sky at dusk, something we see every day, it maintains a perception of dependability and constancy. A color we respond to viscerally as being trustworthy, PANTONE 19-4052 Classic Blue is an ideal shade for many applications of graphic design. This is especially true for packaging where PANTONE 19-4052 Classic Blue conveys the message of honesty, credibility and reliability that today’s consumers are connecting to.

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Publishing Giant Condé Nast Announces New Global Leadership Structure

U.S./New York-based Condé Nast and London-based Condé Nast International Are Integrated as One Global Team. New Consumer Marketing Function to Bring Focus on Direct-to-Consumer Efforts With Unified Commercial Team to Better Serve Global Clients’ Holistic Needs

New Leadership Structure is Expected to Help Further Turn the Financial Ship Around As Company Moves Beyond Closing and Selling Off Magazine Titles, Layoffs and Consolidation of Workforce Across All Titles

Long expected, Condé Nast yesterday appointed a new global leadership team designed to accelerate the company’s evolution into a 21st-century media company. The new organizational structure, which combines Condé Nast and Condé Nast International into a unified global team, was created with several guiding principles in mind, including the preservation of local editorial voice and authority, an enhanced focus on the consumer, unification of the company’s ad and commercial sales functions to reflect clients’ local and global needs and the development of new ways to share capabilities and best practices across the company.

Condé Nast is a global media company, home to iconic brands including Vogue, The New Yorker, GQ, Glamour, AD, Vanity Fair, and Wired, among many others. The company’s award-winning content reaches 84 million consumers in print, 367 million in digital and 379 million across social platforms, and generates more than 1 billion video views each month. The company is headquartered in London and New York and operates in 32 markets worldwide including China, France, Germany, India, Italy, Japan, Mexico & Latin America, Russia, Spain, Taiwan, the U.K., and the U.S., with local license partners across the globe. Launched in 2011, Condé Nast Entertainment is an award-winning production and distribution studio that creates programming across film, television, social and digital video and virtual reality.

One of my top priorities has been to define our organizational structure so that we can take full advantage of our unique growth opportunities and exceptional content around the world,” said the recently-appointed CEO of Condé Nast, RogerLynchI’m confident that our new global structure will better enable us to collaborate across teams and markets and, ultimately, deliver unparalleled experiences for our consumers and clients.

The new structure is as follows:

Global Content Functions:: Anna Wintour, U.S. Artistic Director, Editor-in-Chief of Vogue U.S. and (newly-appointed) Global Content Advisor, will continue in her role as U.S. Artistic Director and Editor-in-Chief of Vogue U.S., and will add Global Content Advisor and oversight of Vogue International to her responsibilities. In her expanded role, Wintour will advise the executive leadership team on global content opportunities and act as a resource to editors-in-chief and editorial talent worldwide.

Oren Katzeff, President of Condé Nast Entertainment (CNE), will expand the company’s digital video, film and television operations to create best-in-class video content experiences for audiences worldwide. The company has been increasing its focus on video content and currently generates 1.1 billion video views per month. Under Oren’s leadership, CNE will now be the core of our global network of video teams, supporting the growth of our video businesses in all markets.

David Remnick, Editor-in-Chief of The New Yorker, will also continue to report directly to Lynch.

Global Operations Organization: Wolfgang Blau, President, International & Chief Operating Officer will oversee all non-U.S. markets, as well as selected global strategic functions, including Product & Technology, Data, Licensing, Global Editorial Operations, Business Development, and Delivery & Business Transformation. This organization will ensure day-to-day operational excellence and capability sharing across the business.

Global Commercial Organization: Pamela Drucker Mann, Global Chief Revenue Officer & President, U.S. Revenue, will lead a new global revenue organization that brings together the company’s U.S. and international ad sales, creative and agency, B2B marketing and client service capabilities. Jamie Jouning, promoted to Chief Client Officer, will report to Drucker Mann and oversee key global accounts, multi-market deals, and central digital ad operations. Drucker Mann will define ad sales and ad product strategies globally, and work closely with Jamie and the central team and commercial leads in the company’s worldwide markets to drive overall ad, agency, and B2B revenue and share best practices.

Consumer Marketing Organization: Condé Nast is creating a new consumer marketing organization that will be led by a Chief Marketing Officer (CMO) and will bring added focus to the company’s direct-to-consumer efforts. As the company expands its consumer offerings, this team will be charged with developing best-in-class capabilities and consistency across consumer experiences on every platform. The team will also be responsible for consumer revenue, with a core focus on subscriptions and memberships. In addition, the team will have responsibility for global brand management, consumer research, and insights and global audience development, ensuring a data-driven approach to the company’s efforts. The search for a CMO to lead this new organization will begin immediately.

Corporate Functions: The company is also globalizing its three corporate functions to leverage skills, expertise and standardize processes and best practices: People, Finance and Communications. The company will begin an immediate search and selection process for these and other open roles. Until new leaders are identified, teams will maintain their existing reporting lines and responsibilities.

We’re bringing added focus to our direct-to-consumer efforts and will build a new consumer marketing function that will be charged with developing best-in-class subscription and membership capabilities, and maintaining the authenticity of our iconic global brands,” Lynch continued. “And by transforming our sales organization into a unified global team, Condé Nast will be better positioned to serve the holistic needs of our clients around the world and make it easier for them to do business with us.

The new structure and appointments take effect immediately.

CuriosityStream™ Launches Print Ad Campaign That Positions The New SVOD Service As “the Antidote To ‘Reality’ TV”

TV Commercials To Increase Brand Awareness Will Air Concurrently On Networks Including Fox News, CNN and Bloomberg

The Independently-Owned, Ad-Free SVOD Service Created By The Discovery Channel Founder Now Offers Over 1,500 Titles In History, Science, Nature, And Technology

All Titles Are Available For Instant Access By Subscribers With Annual And Monthly Subscription Plans Available for SD, HD, and 4K Streamingcuriositystream

John Hendricks, the Founder of CuriosityStream and the Founder and Former Chairman of Discovery Communications, announced today that CuriosityStream, which is currently available in 196 countries worldwide, is launching its first print ad campaign with a theme of positioning the SVOD service as “the antidote to ‘reality’ TV.curiositystream-logo-1

During the week of February 6, 2017, the print campaign will launch in the New York Times, Wall Street Journal and other major newspapers. Concurrent with the print campaign, CuriosityStream has begun to test television commercials designed to increase brand awareness. With commercials currently being tested on networks such as CNN, Fox News, and Bloomberg, the TV campaign has been created around the theme “Long Live the Curious.”

john-hendricks_headshot

John Hendricks

Hendricks stated, “The economic realities of ad-supported linear television have understandably driven most cable networks toward ‘reality’ TV programming which appeals to the large audiences for amusement content. As a result, the curious 25% of television viewers have witnessed a dramatic loss of choice in high-quality programs in science, history, nature, and technology. CuriosityStream is now available worldwide with a mission to satisfy the demand of audiences who are eager to learn about the mysteries of civilization, recent advances in science, fascinating breakthroughs in technology, in-depth explorations of current events, and the wonders of nature.” Continue reading

Immigrant Contributions To American Society Recognized With 2017 Vilcek Prizes

Visual Artist Nari Ward And Biophysicists Lily And Yuh-Nung Jan Receive $100,000 Vilcek Prizes

Winners Of Vilcek Prizes For Creative Promise Each Receive $50,000 Awards

The Vilcek Foundation is pleased to announce the winners of the annual Vilcek Prizes, recognizing outstanding immigrant contributions to the American arts and sciences. The Vilcek Prize in Biomedical Science will be awarded jointly to Chinese-born Lily and Yuh-Nung Jan, a collaborative research duo and professors of molecular physiology at the University of California, San Francisco. The Vilcek Prize in the Arts recognizes Jamaican-born Nari Ward, a New York-based visual artist known for found-object assemblage art. Each prize includes a $100,000 cash award. The prizewinners were selected by panels of experts in each field; they will be honored at an awards gala in New York City in April 2017.1083773.jpg

Like all great artists and scientists, these immigrant prizewinners challenge our very perceptions of the world,” said Rick Kinsel, president of the Vilcek Foundation. “Their works are attempts to understand fundamental questions and concepts in American society, from the neurological underpinnings of the self to the institution of democracy.”vilcek_logo_black_xsmall

The Vilcek Foundation was established in 2000 by Jan and Marica Vilcek, immigrants from the former Czechoslovakia. The mission of the foundation, to honor the contributions of immigrants to the United States and to foster an appreciation of the arts and sciences, was inspired by the couple’s respective careers in biomedical science and art history, as well as their personal experiences and appreciation for the opportunities they received as newcomers to this country. The foundation awards annual prizes to prominent immigrant biomedical scientists and artists and manages the Vilcek Foundation Art Collections, a promised gift from its founders.

This year, the Vilcek Prize in the Arts is awarded in the fine arts, marking the completion of an 11-year cycle through various disciplines in the arts and humanities. The recipient, Nari Ward, was born in Jamaica and immigrated to the U.S. at the age of 12. He is known for found-object assemblage artworks that invite both a public conversation and an intimate dialogue with the viewer around topics of race, immigration, and the Caribbean diaspora identity. His usage of found objects aims to highlight the history of a place and the urgency of the moment; his installation Naturalization Drawing Table features a large desk—built out of Plexiglas bodega barriers—covered with dense linear drawings made over copies of Immigration and Naturalization Service applications. On select days during the exhibition, viewers are invited to “apply” for naturalization by lining up and filling out an application, giving them a taste of the bureaucratic process of applying for citizenship. Ward has won several prestigious art prizes, including the Joyce Award, the Rome Prize, a Bessie Award, and several other awards from the American Academy of Arts and Letters, the National Endowment for the Arts, and the John Simon Guggenheim Foundation.

Lily and Yuh-Nung Jan were both born in China and raised in Taiwan. They came to the U.S. as graduate students of physics at the California Institute of Technology but switched their focus to biology, in part inspired by their mentor, the renowned biophysicist Max Delbrück. Over the course of a collaborative career spanning over four decades, the husband-and-wife team has made many significant discoveries in the field of neuroscience, with far-reaching clinical implications. They isolated the gene encoding a protein that shuttles potassium ions across cell membranes, enabling the characterization of a molecular player important to functions as vital as maintaining heart rate and controlling muscle movement. Today, this type of ion channel is implicated in diseases such as epilepsy, ataxia, and hypertension. Simultaneously, the Jans identified genes and principles underlying the processes by which neurons acquire distinct identities, burgeon into thickets, and establish precise circuits; their work in this area may help unravel human diseases such as autism and schizophrenia. Currently, professors of molecular physiology at the University of California, San Francisco, the Jans have been honored with membership in the United States National Academy of Sciences, as well as with Howard Hughes Medical Institute Investigator awards.

The Vilcek Foundation also awards the Vilcek Prizes for Creative Promise, given to younger immigrants who have shown substantial talent and ability early in their careers. Each prize includes a $50,000 cash award. The winners in the fine arts are the following:

Iman Issa, born in Egypt, a conceptual artist, creates objects and installations in an attempt to address complex philosophical questions. Her original area of study was phenomenology, a branch of philosophy that examines the structures of consciousness that organize subjective experience—or, put another way, how we take meaning from things we individually experience. Later, Issa realized that art allowed for nuanced exploration of those topics, and continued her philosophical questioning through art. She is particularly interested in monuments and memorials—aesthetic forms tasked with a function that holds a shifting relevance based on their location in time and relationship to history. Her work has been shown at the Solomon R. Guggenheim Museum, the 8th Berlin Biennial, and the New Museum, and she has received the DAAD 2017 Artist in Residence Award, the Louis Comfort Tiffany Foundation Award, and the HNF-MACBA Award.

Meleko Mokgosi, born in Botswana, is a slow, considered painter; behind every painting he produces are hours of research, reading, and conversations with people. Mokgosi is interested in depictions of Africa and its people; he believes that the widespread misrepresentation of Africa and Africans has done a violence to the people of the continent, and through his art he attempts a representation that is fair and just. He is deeply concerned with politics and seeks to understand and illuminate the relations of power that shape people, families, villages, regions, and nations. Mokgosi has been named the recipient of the Joan Mitchell Foundation Painters Grant and the Jarl and Pamela Mohn Award, and he has shown his work at Art Basel, the Armory, the Hammer Museum, and the Whitney Museum. Continue reading

Smart & Blue Unveils 3 New Smart Shower Products plus First International Availability at CES 2017 in Las Vegas

In the run-up to CES 2017 in Las Vegas, French Eco-Tech company Smart & Blue today announced three new HYDRAO smart showerhead products, the much-awaited international availability of its products, plus new industry awards. Smart & Blue is an innovation leader in smart solutions for water conservation. Headquartered in Grenoble, France, the company was founded by founder Gabriel Dell Monica in 2015. The company now employs 10 people directly.sb_logo

The new HYDRAO Loop and First smart showerheads and HYDRAO Drop smart shower light bring innovation, color, enjoyment – and now French design chic – to the bathroom. They are designed to increase awareness of water usage and encourage reduced water and energy consumption. HYDRAO First will be the first product to become available internationally – starting tomorrow.

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Smart & Blue Founder Gabriel Dell Monica

The designs of HYDRAO Loop and Drop have already won two new CES Innovation Awards: HYDRAO Loop in the Smart Home category and HYDRAO Drop in Tech for a Better World category.

THREE NEW SMART SHOWER SOLUTIONS

HYDRAO Loop: a combination of advanced Smart & Blue technology innovation with French luxury design to bring smart-shower capabilities to stylish, modern bathrooms.

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HYDRAO Loop smart shower set (Photo: Business Wire)

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HYDRAO Loop Hand shower

HYDRAO Drop: adds smart-shower water saving capabilities to an existing shower. It is simple to install, and has a flexible arm that can be positioned to illuminate any shower surface or water jet.

hydrao-loop-on-a-showerhead

HYDRAO Loop on a showerhead

HYDRAO First: a fun, educational and affordable smart hand shower. Launched in France at the end of 2016, HYDRAO First is available internationally from Jan. 4th 2017.

hydrao_first-in-shower

HYDRAO First is a LED-illuminated showerhead that brings color and enjoyment to families, while educating users on water usage.

SMART-SHOWER INNOVATION WITH LUXURY DESIGN

DESIGN INNOVATION AND WATER EFFICIENCY: Both HYDRAO Loop and Drop benefit from a new miniaturized version of Smart & Blue’s patented smart shower technology, allowing users to benefit from a sleek, streamlined design, with no compromise to HYDRAO’s water conservation guidance. Also new is the ability to allow individual users to monitor their own personal usage and savings – on either one or multiple HYDRAO smart showers.

New smart water pressure innovations also let users enjoy an enhanced shower experience, even at low pressure levels.1 These enhancements include increased energy efficiency for the internal turbine, new water pressure regulation capabilities and an innovative aerated water flow feature. Together they ensure optimum water flow and lighting intensity, while decreasing overall water consumption.

For professional customers, the fully modular, interchangeable design of HYDRAO Loop and Drop allow for design customization. Smart & Blue smart shower technology can also be integrated into own designs. Continue reading

.ART, The First Internet Domain Dedicated To The Arts And Culture Is Launched

RESPONSIBLY ADVANCING THE ART WORLD THROUGH TECHNOLOGY AND CREATIVITY.

More Than 60 World-Famous Museums, International Art Galleries And Renowned Art Organizations Will Be The First To Launch Websites Using .ART

.ART, the first domain created exclusively for the global art community, is pleased to announce that more than 60 museums and world – renowned arts organizations launched websites dedicated to the new domain first class, including The Art Institute of Chicago , Centre Pompidou, Fondation Beyeler, Fondation Cartier, Guggenheim Museum, Hauser & Wirth, ICA Miami, LACMA, MAXXI, Tate and Walker Art Center, and more. These first. .ART users have entertained plans to activate their new domains, some of which include full migration or consolidation of their existing web sites .ART, while others are launching new websites dedicated to exhibit unique content of its artists and/or collections.DotArt-Logo-Black-RGB Logo

The rights holder in charge of operating and selling the .ART domain is UK Creative Ideas Ltd. (UKCI), an international team based in London. In spring 2016 UKCI signed an agreement with ICANN, the Internet Corporation for Assigned Names and Numbers, to be the exclusive operator of the top-level domain.

Our mission is to preserve the cultural heritage of the world of global art. We are honored that so many respected institutions around the world share our vision and conviction that .ART transform the relationship of the arts community with Internet and help protect your online brand heritage , “said Ulvi Kasimov , founder of .ART.

John Matson , CEO of .ART added: “.ART Provides a new way for the art world online identified The domain is short, simple, easy to remember and have immediate association with the arts for our first users, .ART domain is a natural expression of your brand.

The first users will first receive access to domain names. .ART; therefore, they have the opportunity to launch content on their respective web sites before the domains are available for purchase by the general public in the summer of 2017. The first .ART users have shared their enthusiasm:

The digital director of the Tate, Ros Lawler, said the museum “is delighted to participate in the launch of this new domain, which will help promote some of the art collections, galleries and museums the world ‘s largest.”

Benoît Parayre, Director of Communications and Partnerships in the Centre Pompidou, said: “A domain name for the art world took enough to appear, but now allow many leaders of the cultural industry, museums, art centers, galleries, collectors, etc., have more relevant domain names to promote their collections and programming. “

The Fondation Cartier pour l’art contemporain is very excited to be part of the new digital neighborhood .ART and evolve further their programs, ” said his digital manager, David Desrimais.

Anton Vidokle, artist and founder ofe-flux, added: “The Internet carries a profound educational potential, and a reliable and informative domain dedicated to art will provide an invaluable source of knowledge The domain….. .art will become an effective platform to dignify. the excellent work of arts organizations and artists from all over the world for all those who love and care about the arts.

Dominique Chevalier, president of the Syndicat National des Antiquaires Antiquaires (SNA), which organizes the Biennale des Antiquaires at the Grand Palais in Paris, said: “For us, and for our galleries, ‘.com’ is too commercial and ‘.fr’ too . generic the problem with most domain names that say nothing about the activity that one performs, ‘.ART’ solves that.

Lelia Pissarro, co-owner of the Stern Pissarro Gallery and great – granddaughter of the artist Camille Pissarro, said:.. “The Internet has the greatest impact on the market of global art has taken the art to every corner of the world the way forward in terms of domain names is clearly categorizing industries. We have the impression that they represent the names Pissarro, combined with ‘.com’ detracted elegance. Now to be able to use ‘pissarro.art’ simply is the perfect solution. it comes to cover an old gap in our marketing strategy and how we project.

The first users have comprehensive plans for their respective sites:

Tate, LACMA, Multimedia Art Museum and the Solomon R. Guggenheim Museum will create websites that highlight the various aspects of their collections, while the Fondation Cartier will use the domain to make its collection available to the public for the first time in its history. Meanwhile, the Centre Pompidou will launch a dedicated website with useful information in English and other languages for their foreign visits.

Hauser & Wirth celebrate the 25th anniversary of the gallery by launching an interactive website that displays a visual chronology detailing the nearly three decades of history gallery. In addition, Canesso Gallery, Galerie Meyer Oceanic & Eskimo Art, Galerie Perrin, Tomasso Brothers Fine Art , Stern Pissarro Gallery and Venus migrated completely its current websites to their new .ART domains.

TIMELINE

  • December 2016 – February 2017: ICANN (TMCH)-registered trademarks will be able to register their .ART domains in this phase, also called Sunrise.
  • February – May 2017: The registration process will be open to members of the art world only.
  • May 2017 onwards: Anyone with an interest in the arts can register .ART domains.

To see the complete list of the first users of .ART, visit http://www.art.art.