Publishing Giant Condé Nast Announces New Global Leadership Structure

U.S./New York-based Condé Nast and London-based Condé Nast International Are Integrated as One Global Team. New Consumer Marketing Function to Bring Focus on Direct-to-Consumer Efforts With Unified Commercial Team to Better Serve Global Clients’ Holistic Needs

New Leadership Structure is Expected to Help Further Turn the Financial Ship Around As Company Moves Beyond Closing and Selling Off Magazine Titles, Layoffs and Consolidation of Workforce Across All Titles

Long expected, Condé Nast yesterday appointed a new global leadership team designed to accelerate the company’s evolution into a 21st-century media company. The new organizational structure, which combines Condé Nast and Condé Nast International into a unified global team, was created with several guiding principles in mind, including the preservation of local editorial voice and authority, an enhanced focus on the consumer, unification of the company’s ad and commercial sales functions to reflect clients’ local and global needs and the development of new ways to share capabilities and best practices across the company.

Condé Nast is a global media company, home to iconic brands including Vogue, The New Yorker, GQ, Glamour, AD, Vanity Fair, and Wired, among many others. The company’s award-winning content reaches 84 million consumers in print, 367 million in digital and 379 million across social platforms, and generates more than 1 billion video views each month. The company is headquartered in London and New York and operates in 32 markets worldwide including China, France, Germany, India, Italy, Japan, Mexico & Latin America, Russia, Spain, Taiwan, the U.K., and the U.S., with local license partners across the globe. Launched in 2011, Condé Nast Entertainment is an award-winning production and distribution studio that creates programming across film, television, social and digital video and virtual reality.

One of my top priorities has been to define our organizational structure so that we can take full advantage of our unique growth opportunities and exceptional content around the world,” said the recently-appointed CEO of Condé Nast, RogerLynchI’m confident that our new global structure will better enable us to collaborate across teams and markets and, ultimately, deliver unparalleled experiences for our consumers and clients.

The new structure is as follows:

Global Content Functions:: Anna Wintour, U.S. Artistic Director, Editor-in-Chief of Vogue U.S. and (newly-appointed) Global Content Advisor, will continue in her role as U.S. Artistic Director and Editor-in-Chief of Vogue U.S., and will add Global Content Advisor and oversight of Vogue International to her responsibilities. In her expanded role, Wintour will advise the executive leadership team on global content opportunities and act as a resource to editors-in-chief and editorial talent worldwide.

Oren Katzeff, President of Condé Nast Entertainment (CNE), will expand the company’s digital video, film and television operations to create best-in-class video content experiences for audiences worldwide. The company has been increasing its focus on video content and currently generates 1.1 billion video views per month. Under Oren’s leadership, CNE will now be the core of our global network of video teams, supporting the growth of our video businesses in all markets.

David Remnick, Editor-in-Chief of The New Yorker, will also continue to report directly to Lynch.

Global Operations Organization: Wolfgang Blau, President, International & Chief Operating Officer will oversee all non-U.S. markets, as well as selected global strategic functions, including Product & Technology, Data, Licensing, Global Editorial Operations, Business Development, and Delivery & Business Transformation. This organization will ensure day-to-day operational excellence and capability sharing across the business.

Global Commercial Organization: Pamela Drucker Mann, Global Chief Revenue Officer & President, U.S. Revenue, will lead a new global revenue organization that brings together the company’s U.S. and international ad sales, creative and agency, B2B marketing and client service capabilities. Jamie Jouning, promoted to Chief Client Officer, will report to Drucker Mann and oversee key global accounts, multi-market deals, and central digital ad operations. Drucker Mann will define ad sales and ad product strategies globally, and work closely with Jamie and the central team and commercial leads in the company’s worldwide markets to drive overall ad, agency, and B2B revenue and share best practices.

Consumer Marketing Organization: Condé Nast is creating a new consumer marketing organization that will be led by a Chief Marketing Officer (CMO) and will bring added focus to the company’s direct-to-consumer efforts. As the company expands its consumer offerings, this team will be charged with developing best-in-class capabilities and consistency across consumer experiences on every platform. The team will also be responsible for consumer revenue, with a core focus on subscriptions and memberships. In addition, the team will have responsibility for global brand management, consumer research, and insights and global audience development, ensuring a data-driven approach to the company’s efforts. The search for a CMO to lead this new organization will begin immediately.

Corporate Functions: The company is also globalizing its three corporate functions to leverage skills, expertise and standardize processes and best practices: People, Finance and Communications. The company will begin an immediate search and selection process for these and other open roles. Until new leaders are identified, teams will maintain their existing reporting lines and responsibilities.

We’re bringing added focus to our direct-to-consumer efforts and will build a new consumer marketing function that will be charged with developing best-in-class subscription and membership capabilities, and maintaining the authenticity of our iconic global brands,” Lynch continued. “And by transforming our sales organization into a unified global team, Condé Nast will be better positioned to serve the holistic needs of our clients around the world and make it easier for them to do business with us.

The new structure and appointments take effect immediately.

The Whitney To Present The First Andy Warhol Retrospective Organized by a U.S. Institution Since 1989

Andy Warhol—From A To B And Back Again, The First Major Reexamination Of Warhol’s Art In A Generation, To Open At The Whitney On November 12

Andy Warhol—From A to B and Back Again—the first Andy Warhol retrospective organized in the U.S. since 1989, and the largest in terms of its scope of ideas and range of works—will be an occasion to experience and reconsider the work of one of the most inventive, influential, and important American artists. With more than 350 works of art, many assembled together for the first time, this landmark exhibition, organized by The Whitney Museum of American Art, will unite all aspects, media, and periods of Warhol’s forty-year career. Curated by Warhol authority Donna De Salvo, Deputy Director for International Initiatives and Senior Curator, with Christie Mitchell, curatorial assistant, and Mark Loiacono, curatorial research associate, the survey debuts at the Whitney on November 12, 2018, where it will run through March 31, 2019.

 

While Warhol’s Pop images of the 1960s are recognizable worldwide, what remains far less known is the work he produced in the 1970s and 80s. This exhibition positions Warhol’s career as a continuum, demonstrating that he didn’t slow down after surviving the assassination attempt that nearly took his life in 1968, but entered into a period of intense experimentation, continuing to use the techniques he’d developed early on and expanding upon his previous work. Taking the 1950s and his experience as a commercial illustrator as foundational, and including numerous masterpieces from the 1960s, Andy Warhol—From A to B and Back Again tracks and reappraises the later work of the 1970s and 80s through to Warhol’s untimely death in 1987.

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Andy Warhol (1928–1987), Self-Portrait, 1964. Acrylic, metallic paint, and silkscreen ink on linen, 20 x 16 in. (50.8 x 40.6 cm). The Art Institute of Chicago; gift of Edlis/Neeson Collection. © The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS) New York

(Following its premiere at the Whitney, the exhibition will travel to two other major American art museums, the San Francisco Museum of Modern Art, and The Art Institute of Chicago. Bank of America is the National Tour Sponsor)

Perhaps more than any artist before or since, Andy Warhol understood America’s defining twin desires for innovation and conformity, public visibility and absolute privacy,” noted De Salvo. “He transformed these contradictory impulses into a completely original art that, I believe, has profoundly influenced how we see and think about the world now. Warhol produced images that are now so familiar, it’s easy to forget just how unsettling and even shocking they were when they debuted. He pioneered the use of an industrial silkscreen process as a painterly brush to repeat images ‘identically’, creating seemingly endless variations that call the very value of our cultural icons into question. His repetitions, distortions, camouflaging, incongruous color, and recycling of his own imagery anticipated the most profound effects and issues of our current digital age when we no longer know which images to trust. From the 1950s until his death, Warhol challenged our fundamental beliefs, particularly our faith in images, even while he sought to believe in those images himself. Looking in this exhibition at the full sweep of his career makes it clear that Warhol was not just a twentieth-century titan but a seer of the twenty-first century as well.

Occupying the entirety of the Whitney’s fifth-floor Neil Bluhm Family Galleries, the adjacent Kaufman Gallery, the John R. Eckel, Jr. Foundation Lobby Gallery, the Susan and John Hess Family Gallery and Theater, Andy Warhol—From A to B and Back Again will be the largest exhibition devoted to a single artist yet to be presented in the Whitney’s downtown location. Tickets will be available on the Whitney’s website beginning in August.large_68.25_warhol_resized

Through his carefully cultivated persona and willingness to experiment with non-traditional art-making techniques, Andy Warhol (1928–1987) understood the growing power of images in contemporary life and helped to expand the role of the artist in society, making him one of the most distinct and internationally recognized American artists of the twentieth century. This exhibition sets out to prove that there remains far more to Warhol and his work than is commonly known. While the majority of exhibitions, books, articles, and films devoted to Warhol’s art have focused on a single medium, subject, series, or period, Andy Warhol—From A to B and Back Again will employ a chronological and thematic methodology that illuminates the breadth, depth, and interconnectedness of the artist’s production: from his beginnings as a commercial illustrator in the 1950s, to his iconic Pop masterpieces of the early 1960s, to the experimental work in film and other mediums from the 1960s and 70s, to his innovative use of readymade abstraction and the painterly sublime in the 1980s. The show’s title is taken from Warhol’s 1975 book, The Philosophy of Andy Warhol (From A to B and Back Again), an aphoristic memoir in which the artist gathered his thoughts on fame, love, beauty, class, money, and other key themes.

Building on a wealth of new materials, research and scholarship that has emerged since the artist’s untimely death in 1987, as well as De Salvo’s own expertise and original research conducted by the Whitney’s curatorial team, the checklist of works has been carefully selected from amongst the thousands of paintings, drawings, prints, sculptures, films, videos, and photographs that Warhol produced during his lifetime.

Adam D. Weinberg, the Alice Pratt Brown Director of the Whitney, commented: “This exhibition takes a fresh focus, while continuing the Whitney’s decades-long engagement with Warhol’s work which we presented in 1971 in a traveling retrospective and in Andy Warhol: Portraits of the 70s, organized by the Whitney in 1979–80. Few have had the opportunity to see an in-depth presentation of his career, and account for the scale, vibrant color, and material richness of the objects themselves. This exhibition, to be presented in three cities, will allow visitors to experience the work of one of America’s greatest cultural figures firsthand, and to better comprehend Warhol’s artistic genius and fearless experimentation.”

Early Work

The exhibition covers the entirety of Warhol’s career, beginning with a concentrated focus on the commercial and private work he made between 1948 and 1960. Arriving in New York from his native Pittsburgh in the summer of 1949, Warhol began his career in an advertising world that was increasingly technological, and, concurrently, an art world obsessed with originality and the authenticity of the hand-made mark. The 1950s were a foundational period for the artist, a young gay man, beginning to find his way in the city. Though far less known than his later work, the commercial art that Warhol produced during his first decade in New York lays the groundwork for many of the themes and aesthetic devices that he would develop throughout the length of his career. Continue reading

Halle Berry, Jamie Dornan, Chris Evans, Gael García Bernal, Samuel L. Jackson, Scarlett Johansson, Dakota Johnson, Kate Mckinnon, Shirley Maclaine, Hailee Steinfeld Will Be Presenters On Oscars® Stage

oscarnews_homepage2Producers Michael De Luca and Jennifer Todd today announced the second slate of presenters for the 89th Oscars® telecast. Hosted by Jimmy Kimmel, the Oscars will air live on Sunday, February 26, on the ABC Television Network.86thOscars_Logo

These actors are why we love to go to the movies,” said De Luca and Todd. “From blockbusters to art house films, these artists deliver every time and we’re thrilled to welcome them to the 89th Oscars stage.”

The presenters, including past Oscar® winners and nominees, are Halle Berry, Jamie Dornan, Chris Evans, Gael García Bernal, Samuel L. Jackson, Scarlett Johansson, Dakota Johnson, Shirley MacLaine, Kate McKinnon and Hailee Steinfeld.

Berry won an Oscar for Actress in a Leading Role for “Monster’s Ball” (2001). Her feature credits also include “X-Men: Days of Future Past” (2014), “Cloud Atlas” (2012), “Frankie & Alice” (2010), “X-Men The Last Stand” (2006), “X2” (2003), “Die Another Day” (2002) and “X-Men” (2000). She will next appear in “Kingsman: The Golden Circle” and “Kings.”

Dornan’s film credits include “Fifty Shades Darker” (2017), “Fifty Shades of Grey” (2015) and the Oscar-winning film “Marie Antoinette” (2006). Additionally, he has appeared in “Anthropoid” (2016) and “The Siege of Jadotville” (2016). His upcoming films include “Fifty Shades Freed,” “Robin Hood” and “Untogether.”

Evans is known for “Captain America: Civil War” (2016) and the Oscar-nominated features “Captain America: The Winter Solider” (2014) and “Marvel’s The Avengers” (2012). His film credits also include “The Iceman” (2013), “Puncture” (2011), “Scott Pilgrim vs. the World” (2010) and “Fantastic Four” (2005). Evans will next appear in “Gifted,” “Avengers: Infinity War” and “Jekyll.”

García Bernal’s credits include the Oscar-winning films “Babel” (2006) and “The Motorcycle Diaries” (2004) as well as the Oscar-nominated films “Y Tu Mamá También” (2001) and “Amores Perros” (2000). Additionally, he has appeared in “Neruda” (2016), “Desierto” (2016) and “Bad Education” (2004). His upcoming films include “Z” and the animated feature “Coco.”

Jackson earned an Oscar nomination for Actor in a Supporting Role for “Pulp Fiction” (1994). Notably, he also appeared in the Oscar-winning films “The Hateful Eight” (2015), “Django Unchained” (2012) and “Inglourious Basterds” (2009). Jackson will next appear in “Kong: Skull Island,” “The Hitman’s Bodyguard,” “Avengers: Infinity War,” “The Incredibles 2” and “Inversion.”

Johansson appeared in the Oscar-winning features “Her” (2013), “Vicky Cristina Barcelona” (2008) and “Lost in Translation” (2003) as well as the Oscar-nominated films “Iron Man 2” (2010), “Match Point” (2005) and “Girl with a Pearl Earring” (2003). Her credits also include “Captain America: Civil War” (2016) and “Lucy” (2014). Johansson will next be seen in “Ghost in the Shell,” “Rock That Body” and “Avengers: Infinity War. Continue reading

CuriosityStream™ Launches Print Ad Campaign That Positions The New SVOD Service As “the Antidote To ‘Reality’ TV”

TV Commercials To Increase Brand Awareness Will Air Concurrently On Networks Including Fox News, CNN and Bloomberg

The Independently-Owned, Ad-Free SVOD Service Created By The Discovery Channel Founder Now Offers Over 1,500 Titles In History, Science, Nature, And Technology

All Titles Are Available For Instant Access By Subscribers With Annual And Monthly Subscription Plans Available for SD, HD, and 4K Streamingcuriositystream

John Hendricks, the Founder of CuriosityStream and the Founder and Former Chairman of Discovery Communications, announced today that CuriosityStream, which is currently available in 196 countries worldwide, is launching its first print ad campaign with a theme of positioning the SVOD service as “the antidote to ‘reality’ TV.curiositystream-logo-1

During the week of February 6, 2017, the print campaign will launch in the New York Times, Wall Street Journal and other major newspapers. Concurrent with the print campaign, CuriosityStream has begun to test television commercials designed to increase brand awareness. With commercials currently being tested on networks such as CNN, Fox News, and Bloomberg, the TV campaign has been created around the theme “Long Live the Curious.”

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John Hendricks

Hendricks stated, “The economic realities of ad-supported linear television have understandably driven most cable networks toward ‘reality’ TV programming which appeals to the large audiences for amusement content. As a result, the curious 25% of television viewers have witnessed a dramatic loss of choice in high-quality programs in science, history, nature, and technology. CuriosityStream is now available worldwide with a mission to satisfy the demand of audiences who are eager to learn about the mysteries of civilization, recent advances in science, fascinating breakthroughs in technology, in-depth explorations of current events, and the wonders of nature.” Continue reading

National Geographic and Katie Couric Launch Screening Tour for Upcoming Documentary “Gender Revolution: A Journey With Katie Couric”

Two-Hour Documentary Hosted and Executive Produced by Couric Is Available for Free to All Schools and Nonprofits That Will Host Inclusive Screenings and Conversations

First look clip from GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC: https://files.natgeonetworks.com/_Sp2gXfxhvt1d5R

Every day all around the world, gender is making headlines, weaving its way into conversations big and small, in settings from the government to households, from schools to places of employment. The two-hour National Geographic documentary GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC (trailer here) approaches the topic of gender through the lens of science, society, and culture, all woven together by personal stories and experiences.

NATIONAL GEOGRAPHIC SOCIETY LOGO

National Geographic logo. (PRNewsFoto/National Geographic Society)

In GENDER REVOLUTION: A JOURNEY WITH KATIE COURIC, premiering Monday, Feb. 6, at 9/8c, National Geographic set out to explore this evolving concept of gender through the lens of science, society, and culture. Produced by Katie Couric Media with National Geographic Studios and World of Wonder Productions, the special will also air on National Geographic around the globe in 171 countries and in 45 languages.

To extend the life of this important documentary beyond its Feb. 6 television broadcast, National Geographic and Picture Motion are partnering on the Gender Revolution Tour, allowing any high school, college, university or nonprofit to sign up to host a free screening and discussion. The tour will harness the momentum of the conversations happening around the globe and offer an opportunity to have an informed dialogue on one of the most complicated and evolving issues in the current zeitgeist. The Gender Revolution Tour is being managed by impact agency Picture Motion.gender-revolution-national-geographic-magazine

Requests to participate in the Gender Revolution Tour can be made by filling out the request form at http://bit.ly/NatGeoGenderRevolution. Screening hosts will be sent a DVD of the film and an extensive discussion guide (LINK), created by Journeys in Film, that provides additional resources on understanding gender.

At the time of this release, more than 100 universities, high schools, and non-profit groups have already scheduled screening events of the GENDER REVOLUTION leading up to and during the week of the film’s television premiere on National Geographic.

Katie Couric Media develops and produces content, programming, and documentaries for TV networks and digital distribution platforms, focusing on compelling issues the award-winning journalist and best-selling author has covered throughout her career. Katie Couric Media projects include the “Katie Couric” podcast from Earwolf, which features the host in candid, unscripted conversations about American life and politics; the National Geographic documentary GENDER REVOLUTION; and the upcoming movie “Flint” with Craig Zadan and Neil Meron, about the drinking water contamination in Flint, Michigan. Katie Couric is the executive producer of “Fed Up” (2014) and “Under the Gun” (2016), both documentaries that premiered at the Sundance Film Festival.

From the very start, it was my hope that as many people as possible would be given the opportunity to see this film,” said Couric. “I am thrilled that along with National Geographic and Picture Motion we are going to be able to share GENDER REVOLUTION and our accompanying discussion guide with groups all over the country.

National Geographic is about exploration and discovery. Through the Gender Revolution Tour we want to encourage constructive conversations that will allow people to connect with each other over material that is science-based, investigative and in some cases deeply personal,” said Chris Albert, Executive Vice President, Global Communications for National Geographic. “We believe this is a timely and groundbreaking documentary, and are thrilled to make it available for free to any organization interested in expanding its knowledge on the gender discussion.”

We are so thrilled, but not entirely surprised, to see GENDER REVOLUTION so embraced. From Catholic Colleges to LGBT advocacy groups, city-based Sororities to mid-west High Schools, Gender Studies programs to Trans Support Groups for Parents; there has been an outpour of support for a film like GENDER REVOLUTION,” said Christie Marchese, CEO and Founder, Picture Motion.

GENDER REVOLUTION is produced by Katie Couric Media, World of Wonder Productions and National Geographic Studios for National Geographic. For Katie Couric Media, executive producers are Katie Couric and Mitch Semel. For World of Wonder, Fenton Bailey, Randy Barbato, and Jeremy Simmons serve as executive producers. For National Geographic Studios, executive producers are Jeff Hasler and Brian Lovett. For National Geographic, Tim Pastore is president, original programming and production, and Michael J. Miller is executive producer. Continue reading

89th Oscars® Nominations Announced

Meryl Streep Extends Her Lead As The Most Nominated Performer With Her 20th Nomination.oscars2017_keyart_statue-1

With 14 Nominations, La La Land Ties The Record Held By All About Eve (1950) And Titanic (1997).

In The Acting Categories, Seven Individuals Are First-Time Nominees (Andrew Garfield, Mahershala Ali, Lucas Hedges, Dev Patel, Isabelle Huppert, Ruth Negga And Naomie Harris). Six Of The Nominees Are Previous Acting Winners (Denzel Washington, Jeff Bridges, Natalie Portman, Meryl Streep, Nicole Kidman And Octavia Spencer).

The Academy of Motion Picture Arts and Sciences President Cheryl Boone Isaacs, joined by Oscar®-winning and nominated Academy members Demian Bichir, Dustin Lance Black, Glenn Close, Guillermo del Toro, Marcia Gay Harden, Terrence Howard, Jennifer Hudson, Brie Larson, Jason Reitman, Gabourey Sidibe and Ken Watanabe, announced the 89th Academy Awards® nominations today (January 24).oscars2017_27x40poster_jimmy

This year’s nominations were announced in a pre-taped video package at 5:18 a.m. PT via a global live stream on Oscar.com, Oscars.org, and the Academy’s digital platforms; a satellite feed and broadcast media. In keeping with tradition, PwC delivered the Oscars nominations list to the Academy on the evening of January 23.

SideBar Information You Could Use

  • With their Best Picture nominations for Moonlight, Dede Gardner and Jeremy Kleiner become the first individual producers to have nominations in the Best Picture category in four consecutive years.
  • La La Land is the first musical with original music and story to receive a Best Picture nomination since All That Jazz (1979) and the second since Anchors Aweigh (1945).
  • With his Best Picture nomination for Manchester by the Sea, Matt Damon becomes only the third individual to be nominated in the Acting, Writing and Best Picture categories. The others are Warren Beatty and George Clooney.
  • Denzel Washington is the seventh individual to receive Acting and Best Picture nominations for the same film, joining Warren Beatty, Kevin Costner, Clint Eastwood, Brad Pitt, Leonardo DiCaprio and Bradley Cooper.
  • Thomas Newman’s nomination for Original Score for Passengers is his 14th and brings the total for members of the Newman family (Alfred, Lionel, Emil, Thomas, David, and Randy) to 90, more than any other family.
  • Stuart Craig has the most nominations for Production Design of any living person with 11. The all-time record in the category belongs to Cedric Gibbons with 38 nominations.
  • Kevin O’Connell and Andy Nelson, each with 21 nominations for Sound Mixing, are tied for the most nominations in the category since nominations began going to individuals in 1961.
  • With their nomination for Sound Editing for La La Land, Ai-Ling Lee and Mildred Iatrou Morgan become the first female team to be nominated in the category. Six other women have a combined total of 10 nominations and five wins for Sound Editing.
  • Kim Magnusson, with his sixth nomination for Live Action Short Film, has produced the most films nominated in the short film categories of any living person.
  • “The Empty Chair” from Jim: The James Foley Story is the seventh song from a documentary feature to be nominated and the fifth in the past five years.

And The Nominees Are:

BEST MOTION PICTURE OF THE YEAR

  • Arrival” (Paramount) A Paramount Pictures Production, Shawn Levy, Dan Levine, Aaron Ryder and David Linde, Producers
  • Fences” (Paramount) A Paramount Pictures Production, Scott Rudin, Denzel Washington and Todd Black, Producers
  • Hacksaw Ridge” (Summit Entertainment) A Pandemonium Films/Permut Presentations Production, Bill Mechanic and David Permut, Producers
  • Hell or High Water” (CBS Films and Lionsgate) A Sidney Kimmel Entertainment/Film 44/LBI Entertainment/OddLot Entertainment Production, Carla Hacken and Julie Yorn, Producers
  • Hidden Figures” (20th Century Fox) A Fox 2000 Pictures Production, Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, Producers
  • La La Land” (Summit Entertainment) An Impostor Pictures/Gilbert Films/Marc Platt Production, Fred Berger, Jordan Horowitz and Marc Platt, Producers
  • Lion” (The Weinstein Company) A See-Saw Films Production, Emile Sherman, Iain Canning and Angie Fielder, Producers
  • Manchester by the Sea” (Amazon Studios) A Pearl Street Films/The Media Farm/K Period Media/The A | Middleton Project/B Story Production, Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck and Kevin J. Walsh, Producers
  • Moonlight” (A24) A Dos Hermanas Production, Adele Romanski, Dede Gardner and Jeremy Kleiner, Producers

ACHIEVEMENT IN DIRECTING

  • Arrival” (Paramount) Denis Villeneuve
  • Hacksaw Ridge” (Summit Entertainment) Mel Gibson
  • La La Land” (Summit Entertainment) Damien Chazelle
  • Manchester by the Sea” (Amazon Studios) Kenneth Lonergan
  • Moonlight” (A24) Barry Jenkins

PERFORMANCE BY AN ACTRESS IN A LEADING ROLE

  • Isabelle Huppert in “Elle” (Sony Pictures Classics)
  • Ruth Negga in “Loving” (Focus Features)
  • Natalie Portman in “Jackie” (Fox Searchlight)
  • Emma Stone in “La La Land” (Summit Entertainment)
  • Meryl Streep in “Florence Foster Jenkins” (Paramount)

PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE

  • Viola Davis in “Fences” (Paramount)
  • Naomie Harris in “Moonlight” (A24)
  • Nicole Kidman in “Lion” (The Weinstein Company)
  • Octavia Spencer in “Hidden Figures” (20th Century Fox)
  • Michelle Williams in “Manchester by the Sea” (Amazon Studios)

PERFORMANCE BY AN ACTOR IN A LEADING ROLE

  • Casey Affleck in “Manchester by the Sea” (Amazon Studios)
  • Andrew Garfield in “Hacksaw Ridge” (Summit Entertainment)
  • Ryan Gosling in “La La Land” (Summit Entertainment)
  • Viggo Mortensen in “Captain Fantastic” (Bleecker Street)
  • Denzel Washington in “Fences” (Paramount)

PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE

  • Mahershala Ali in “Moonlight” (A24)
  • Jeff Bridges in “Hell or High Water” (CBS Films and Lionsgate)
  • Lucas Hedges in “Manchester by the Sea” (Amazon Studios)
  • Dev Patel in “Lion” (The Weinstein Company)
  • Michael Shannon in “Nocturnal Animals” (Focus Features)

BEST FOREIGN LANGUAGE FILM OF THE YEAR

  • Land of Mine” A Nordisk Film Production, Denmark
  • A Man Called Ove” A Tre Vänner Production, Sweden
  • The Salesman” An Asghar Farhadi/Memento Films Production, Iran
  • Tanna” A Contact Films Production, Australia
  • Toni Erdmann” A Komplizen Film Production, Germany

BEST ANIMATED FEATURE FILM OF THE YEAR

  • Kubo and the Two Strings” (Focus Features) Travis Knight and Arianne Sutner “Moana” (Walt Disney) John Musker, Ron Clements and Osnat Shurer
  • My Life as a Zucchini” (GKIDS) Claude Barras and Max Karli
  • The Red Turtle” (Sony Pictures Classics) Michael Dudok de Wit and Toshio Suzuki
  • Zootopia” (Walt Disney) Byron Howard, Rich Moore and Clark Spencer

BEST DOCUMENTARY FEATURE

  • Fire at Sea” (Kino Lorber) A Stemal Entertainment Production, Gianfranco Rosi and Donatella Palermo
  • I Am Not Your Negro” (Magnolia Pictures) A Velvet Film Production, Raoul Peck, Rémi Grellety and Hébert Peck
  • Life, Animated” (The Orchard) A Motto Pictures and A&E IndieFilms Production, Roger Ross Williams and Julie Goldman
  • O.J.: Made in America” (ESPN Films) A Laylow Films and ESPN Films Production, Ezra Edelman and Caroline Waterlow
  • 13th” (Netflix) A Forward Movement Production, Ava DuVernay, Spencer Averick and Howard Barish

Continue reading

Princess Grace Foundation-USA Announces 2017 Applications for Princess Grace Awards in Theater, Playwriting, Dance Performance, Choreography and Film

The Princess Grace Foundation-USA (PGF-USA) announces the availability of applications for the 34th annual Princess Grace Awards in Theater, Playwriting, Dance Performance, Choreography, and Film. Founded in 1982, in memory of Princess Grace (Kelly) of Monaco, The Princess Grace Foundation-USA is a non-profit, publicly-supported charity, headquartered in New York City and established 34 years ago by Prince Rainier III of Monaco to honor his wife, Princess Grace’s [Kelly] legacy. Its mission is dedicated to identifying and assisting emerging talent in theater, dance, and film by awarding grants in the form of scholarships, apprenticeships, and fellowships.princess-grace-foundation-usa-awards

Since its inception, more than 800 recipients have been awarded, totaling over $13 million. Some notable Princess Grace Awards recipients include:

FILM: Emmy Award winner Cary Fukunaga, director of HBO‘s “True Detective,”Jane Eyre and Netflix‘s Beasts of No Nation; Jon M. Chu director, and Stephen Hillenburg, creator of Nickelodeon‘s most iconic cartoon, “SpongeBob SquarePants.”

THEATER: Tony Award winners for Best Direction of a Play, Anna D. Shapiro (August

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Princess Grace of Monaco. Archives of the Princely Palace of Monaco

Osage County) and Sam Gold (Fun Home); Pulitzer and Tony Award-winning playwright Tony Kushner, Academy Award winner Eric Simonson and Golden Globe Award winner for HBO’s “Show Me A Hero,” Oscar Isaac.

DANCE: Alvin Ailey American Dance Theater Artistic Director Robert Battle; American Ballet Theatre’s Gillian Murphy and Isabella Boylston and New York City Ballet’s Tiler Peck; as well as choreographers and MacArthur “Genius” grant winners, Kyle Abraham and Michelle Dorrance.

As this year’s applications become available on our website, we invite non-profit theater, dance, & film schools and theater & dance companies to nominate candidates. We are eager to select the next group of emerging artists ready to soar to new heights, break down barriers, and reach their fullest potential,” says Executive Director, Toby E. Boshak.

Videos about the Award opportunities in each discipline highlight the outstanding and diverse artistry supported by the Princess Grace Foundation-USA. Click here to watch theater, dance, and film videos.*

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Grace Kelly – Rear Window. The Kobal Collection

Theater Awards are offered via scholarships, apprenticeships and fellowships. Awards are based on the quality of the emerging artist’s past work, potential for future excellence, and impact the collaboration between the nominating organization and the artist will have on the individual’s artistic growth. DEADLINE: MARCH 31, 2017.

The Playwriting Award includes a residency at New Dramatists and opportunity for the winning play to be licensed and published by Samuel French, Inc. Submission window: March 1-March 31, 2017 through New Dramatists’ website at www.newdramatists.org/princess-grace.

Dance Performance Awards are offered via scholarships and fellowships. Awards are based on the applicant’s artistic merit, significance of the Award to current artistic development, and the potential for future excellence and impact on the field. Choreography Awards offer emerging choreographers the opportunity to create a new work with organizations with which they have little experience. DEADLINE for both: May 1, 2017.

Film scholarships, awarded to undergraduate and graduate students, are by invitation-only and support the filmmaker’s thesis projects. Approved film programs are invited to submit applicants via their Department Chairs or Deans. A complete list of accepted schools is in the FAQ section under “Grants” at www.pgfusa.org/grants-program/FAQs. DEADLINE: JUNE 1, 2017

Applicants must be U.S. citizens or have permanent resident status. All applicants (except playwriting) must be nominated by a non-profit organization (school or company) with which they will be affiliated during the grant period (September 1, 2017 – August 31, 2018).

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Grace Kelly. Photo Credit: The Kobal Collection

Visit www.pgfusa.org/grants-program/applications.

Born November 12, 1929, Grace Kelly grew up in a boisterous, loving Irish Catholic family. The strong personalities of her father John B. Kelly, Olympic medalist in rowing, politician and successful businessman, and her mother, Margaret, competitive swimmer, and community activist, fostered achievement in their children. Sisters, Peggy and Lizanne were outgoing and vivacious. Brother Jack, following in his father’s footsteps, became a rowing champion and public figure. Civic responsibilities, a wide circle of friends, and a large close-knit extended family kept life busy at the Kelly homes in Philadelphia and at the Jersey shore.

Grace’s personality was shy and gentle. In contrast to her outer reserve, the determination that led her to leave her comfortable life in suburban Philadelphia to attend the American Academy of Dramatic Arts in New York City at age 17 was an indication of an inner strength that would characterize her adult life. Continue reading