Walker Art Center Presents a Dialogue and Retrospective, Julia Reichert: 50 Years in Film

Independent documentary filmmaker Julia Reichert has been asking defining questions about workers’ rights, gender roles, taboos, and social change in America since the early 1970s. The pioneering Emmy Award–winner and three-time Academy Award–nominee comes to the Walker Arts Center for a retrospective of her distinguished body of work, Julia Reichert: 50 Years in Film, Feb 1–29, 2020 (at the Walker’s Bentson Mediatheque). Reichert will be on-site February 28 and 29, 2020 to discuss her career and her two recent, widely celebrated documentaries, American Factory and 9 to 5: The Story of a Movement.

Julia Reichert. Image courtesy the artist.

Indiewire on Julia Reichert
Women and Hollywood on Julia Reichert

Schedule of Events

Double Feature: Growing Up Female and Union Maids

Julia Reichert’s Growing Up Female, 1971. Image courtesy the artist.
Julia Reichert’s Growing Up Female, 1971. Image courtesy the artist.

Growing Up Female Directed by Julia Reichert and Jim Klein

Thursday, February 20, 7 pm Free

I wish every high school kid in America could see this film.” —Susan Sontag on Growing Up Female

Growing Up Female is the very first feature-length film of the modern women’s movement. Considered controversial and exhilarating on its release, the film examines female socialization through a personal look into the lives of six women, ages four to 35, and the forces that shape them—teachers, counselors, advertisements, music, and the institution of marriage. A time capsule of a generation’s feminist issues, sometimes intersecting with race and class, the film illuminates a complex system of institutions upholding internal and external oppression. Selected to the National Film Registry in 2011. 1971, DCP, 52 min.

Julia Reichert’s Union Maids, 1976. Image courtesy the artist.
Julia Reichert’s Union Maids, 1976. Image courtesy the artist.

Union Maids, Directed by Julia Reichert, Jim Klein, and Miles Mogulescu

Reichert interviews three “Union Maids” on their experiences as organizing women of the Labor movement. Fighting for humanitarian rights, these radical workers reflect on their lives filled with purpose and struggle. Frustrated by the privileged class’ participation in the women’s movement and caught up in race and gender discrimination within class warfare, their voices echo and contextualize many social justice issues today. 1976, DCP, 48 min.

Julia Reichert at her film editing table in 1973. Image courtesy the artist.

Seeing Red: Stories of American Communists, Directed by Julia Reichert and Jim Klein

Julia Reichert’s Seeing Red, 1983. Image courtesy the artist.

Friday, February 21, 7 pm; $10 ($8 Walker members, students, and seniors)

Reichert brings to light the forgotten history of Americans who joined the Communist Party and the high price many of them paid for their beliefs. Boldly countering traditional myths, the film presents engaging interviews and personal accounts that take on a new resonance in today’s charged political climate. 1983, DCP, 100 min.

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Ninth Annual Napa Valley Film Festival Announces Film Line-Up

Festival to open with “Just Mercy,” close with World Premiere of “Verticals”

The ninth annual Napa Valley Film Festival (NVFF) has announced its film line-up, including Opening and Closing Night screenings. NVFF returns this fall with its five-day festival showcasing the year’s best new independent films, November 13-17. Organizers will showcase Napa Valley’s finest food and wine at all special events, including the Festival Gala, VIP receptions and Vintner Circle dinners, and will feature a lively series of filmmaker-chef collaborative demonstrations at the Monogram Appliances Demonstration Kitchen at the Oxbow Commons in downtown Napa. The seven screening venues located throughout the Valley include the Archer Hotel Napa, the historic Cameo Cinema, the CIA at Copia, Charles Krug Winery, Lincoln Theater, Native Sons, and the Uptown Theatre.

Napa Valley Film Festival Logo

We are excited to release another eclectic selection of highly-curated comedies and dramas from established and emerging filmmakers,” said Napa Valley Film Festival CEO Tom Tardio. “These films consist of inspiring and compelling stories that will thoroughly engage and entertain our festival-goers. At the intersections of film, food, and wine, the festival continues to deliver tremendously unique and exclusive experiences that only a world-class destination such as Napa Valley can provide and only that NVFF can deliver.”

Sneak Preview Night, Opening Night and Closing Night

NVFF will kick off with their Sneak Preview Night on Tuesday, November 12 with a special presentation of 20th Century Fox’s Ford v Ferrari. The film is inspired by the remarkable true story of visionary American car designer Carroll Shelby and the fearless British driver Ken Miles. Directed by James Mangold, the film stars Matt Damon, Christian Bale, Jon Bernthal, Caitriona Balfe, Tracy Letts, Josh Lucas, Noah Jupe, Remo Girone and Ray McKinnon.

The festival’s official Opening Night film on Wednesday, November 13 is Warner Bros.’ Just Mercy, a powerful and thought-provoking true story following young lawyer Bryan Stevenson and his history-making battle for justice. The film is directed by Destin Daniel Cretton and stars Michael B. Jordan, Brie Larson and Jamie Foxx.

Closing the festival on Sunday, November 17 is SOMMTV’s world premiere of Verticals, a series that showcases Napa Valley winemakers and the human condition through a bottle of wine. This premiere is also the launch of SOMMTV, the first food and wine dedicated streaming platform. The series is directed by Jason Wise.

Award Season Contenders

  • Clemency (Neon) – Years of carrying out death row executions have taken a toll on prison warden, Bernadine Williams. The emotional wedge in her marriage grows and memories of a recently botched execution plague her daily. As she prepares to end the life of another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to execute. Directed by Chinonye Chukwu and starring Alfre Woodard, Aldis Hodge, Wendell Price, Richard Schiff and Danielle Brooks.
  • Portrait of a Lady on Fire (Neon) – In 1760 France, Marianne is commissioned to paint the wedding portrait of Héloïse, a young woman who has just left the convent. Marianne arrives under the guise of companionship with the reluctant bride-to-be, observing Héloïse by day and secretly painting her by firelight at night. As the two women orbit one another, intimacy and attraction grow as they share Héloïse’s first moments of freedom. Héloïse’s portrait soon becomes a collaborative act of and testament to their love. Directed by Céline Sciamma and starring Noémie Merlant and Adèle Haenel.
  • To The Stars (Samuel Goldwyn Films) – Iris, a bespectacled and reclusive teen living in a god-fearing Oklahoma town in the 1960s, endures the booze-induced antics of her mother and daily doses of bullying from her classmates. She finds solace in Maggie, the charismatic and enigmatic new girl at school, who hones in on Iris’s untapped potential and coaxes her out of her shell. When Maggie’s mysterious past can no longer be suppressed, the small community is thrown into a state of panic, leaving Maggie to take potentially drastic measures and inciting Iris to stand up for her friend and herself. Directed by Martha Stephens and starring Kara Hayward, Liana Liberato, Malin Akerman, Tony Hale, Shea Whigham and Adelaide Clemens.
  • Troop Zero (Amazon Studios) – In a tiny Georgia town in 1977, a motherless girl named Christmas Flint dreams of life beyond the confines of her trailer-park home and hopes to make contact with outer space. When Christmas learns that the winners of the annual Birdie Scout Jamboree talent contest will be included on a recording to be sent into space for posterity, she tries to join the local Scouts troop. When she is rejected by the snobbish group of girls and their uptight leader Miss Massey, Christmas rallies a group of elementary-school outliers to start their own chapter. Troop Zero is an endearing and magical tale of friendship and individuality. Directed by Bert & Bertie and starring Viola Davis, Mckenna Grace, Jim Gaffigan, Mike Epps, Charles Shotwell and Allison Janney.

Special Presentations

  • Code & Response – 2018 was the worst year on record for natural disasters. Code & Response takes us into the heart of the aftermath of some of those disasters as we meet the first responders who are supported by innovative technology. Follow four coders from around the world (Japan, Puerto Rico, California, and Mexico) to learn about why they are getting involved, as well as how they are building technologies to help first responders save lives. Directed by Austin Peck.
  • Elsewhere – Bruno is still mourning his wife’s passing when his in-laws evict him from the home he and wife built together. Unwilling to let his beloved home fall into disrepair, Bruno sneaks back to the house and meets the new owner of the home, Marie. Determined to be the only person to make any changes to the house he built, Bruno poses as a local handyman and Marie hires him for renovations. As the two begin work on the house, Bruno is forced to face the reality that his wife is gone, and he learns to move on from his grief. Directed by Hernán Jiménez and starring Aden Young, Parker Posey, Ken Jeong, Beau Bridges and Jacki Weaver. World Premiere
  • From the Vine – Mark, a downtrodden CEO, is experiencing an ethical crisis at work. In an attempt to re-calibrate his moral compass, he travels back to his hometown in rural Italy. He finds newfound purpose by reviving his grandfather’s old vineyard, offering the small town of Acerenza a sustainable future and reconnecting with his family in the process. Combining magical realism and Italian neorealism, and set against the backdrop of Italian wine country, From the Vine is about returning to your roots and redefining your life when you’re at the bottom of the barrel. Directed by Sean Cisterna and starring Joe Pantoliano, Wendy Crewson, Marco Leonardi, Paula Brancati and Tony Cisterna.
  • Gay Chorus Deep South – In response to a wave of discriminatory anti-LGBTQ laws in Southern states, the San Francisco Gay Men’s Chorus embarks on a tour of the American Deep South. The tour brings a message of music, love, and acceptance to communities and individuals confronting intolerance. What emerges is a less divided America, where the lines that separate us in faith, politics, and sexual identity are erased through the soaring power of music, humanity, and a little drag. Directed by David Charles Rodrigues.
  • I Want My MTV – A nostalgic and thrilling ride, I Want My MTV takes its audience back to the beginning, when the idea of a television channel devoted to only videos seemed destined for failure. The chronicling of this unique journey provides a peek into how a team of young executives were tasked with growing this seed of an idea, which would quickly flourish into a beloved and often controversial cultural juggernaut. Features commentary from Sting, Billy Idol, The Eurythmics, Jerry Cantrell, Pat Benatar, and more. Directed by Patrick Waldrop and Tyler Measom, and starring Sting, Billy Idol, Pat Benatar, Dee Snider, Norman Lear, The Eurythmics , Darryl McDaniel and Jerry Cantrell.
  • It All Begins with a Song: The Story of the Nashville Songwriter – It All Begins with a Song: The Story of the Nashville Songwriter is a celebration of one of music’s most important yet underrated forces: the songwriter. These songwriters have penned melodies and lyrics for some of the biggest stars in the music industry, yet few know their names. Pull back the curtain to reveal the process of creating a successful song and learn more about the origins of some of the world’s most iconic hits. Directed by Anthony ‘Chusy’ Haney-Jardine.
  • The Land of High Mountains – The Land of High Mountains is the inspiring true story of the only pediatric hospital in Haiti. In a country where one third of the population is under fourteen years of age and foreign NGOs consistently come and go, Saint Damien Pediatric Hospital has been providing life-saving healthcare to the most vulnerable families for over thirty years. This is a powerful account of the incredible people, both Haitian and foreign who, despite encountering every conceivable obstacle, are working together to create a brighter future for their patients and for Haiti. Directed by Will Agee and starring Liferne Forestal, Phadoul Amisial, Fr. Rick Frechette, Dr. Renee Alce, Dr. Jacqueline Gautier, Fr. Enzo Del Brocco, Veline , Gaelle , Lourdy , Pierre Nadine, Sainfleur Jean Israel, Marie Yolene, Vilaire Meralin and Christiana Liberis.
  • Making Waves: The Art of Cinematic Sound – Since the invention of sound in films, sound designers have been influencing the landscape of cinema. Making Waves: The Art of Cinematic Sound shines a spotlight on the unsung heroes of sound design throughout cinematic history. Through interviews with legendary directors and some of the industry’s most-respected sound designers, we revisit film classics that helped shape the way we listen to and experience films today. Making Waves: The Art of Cinematic Sound reveals the hidden impact of sound in cinema and how the auditory intake of a film holds so much power over an individual’s experience of storytelling. Directed by Midge Costin.
  • Martha: A Picture Story – In the 1970s, Martha Cooper was one of a handful of photographers documenting the first vivid images of graffiti appearing on New York City’s subway carriages. 20 years later, she discovers that her book Subway Art has become one of the most stolen books of all time – inspiring the spread of graffiti around the globe and making Martha an unexpected icon of the street art world. Now, at age 75, Martha must navigate her way through the vastly changed culture of the modern world. Directed by Selina Miles.
  • My Beautiful Stutter – After lifetimes of bullying, isolation, and failed fluency training, witness the incredible transformation of five kids who stutter when they enter a groundbreaking program through SAY, The Stuttering Association. Over the course of a year of events and workshops, these young people of wildly different backgrounds experience SAY’s revolutionary mantra: it’s okay to stutter. Directed by Ryan Gielen and starring Taro Alexander.
  • RUTH – Justice Ginsburg in Her Own Words – How does a person with three strikes against her rise to the highest court in the land, the U.S. Supreme Court? RUTH – Justice Ginsburg in Her Own Words tells the improbable story of how Ruth Bader Ginsburg became an Associate Justice of the Supreme Court. It also reveals both the public and private sides of a resilient, resourceful woman who has survived the hostility of the profoundly male universe of government and law to become a revered Justice and icon for gender equality and women’s rights. Directed by Freida Lee Mock and starring Justice Ruth Bader Ginsburg, Justice Goodwin Liu, Dean Erwin Chemerinsky, Irin Carmon, Shana Knizhnik, Delegate Jennifer Carroll Foy, M.E. Freeman, Lilly Ledbetter and Kathleen Peratis.
  • The Three Drinkers Do Scotch Whisky – Packed full of humour, personality, and flavour, The Three Drinkers do Scotch Whisky is a drinks-focussed travelogue, where three friends embark on a road trip through Scotland. From Dufftown and Islay to Elgin and Jura, they journey through breath-taking landscapes, visiting iconic distilleries and touching on Scottish culture, tourism and traditional dishes you can’t even pronounce. This is whisky for a new, global audience, from twenty-one to ninety-one. Directed by David Agrawal. World Premiere

OTHER FILM HIGHLIGHTS

Core Competitions (previously announced)

Narrative Competition

  • Bring Me an Avocado, Directed by Maria Mealla and starring Bernardo Peña, Sarah Burkhalter, Molly Ratermann, Candace Roberts.
  • Here Awhile, Directed by Tim True and starring Anna Camp, Steven Strait, and Joe Lo Truglio. World Premiere
  • Justine, Directed by Stephanie Turner and starring Glynn Turman, Darby Stanchfield, Josh Stamberg, Daisy Prescott, and Stephanie Turner.
  • Lucky Grandma, Directed by Sasie Sealy and starring Tsai Chin, Corey Ha, Michael Tow, Woody Fu, Yan Xi, Wai Ching Ho, and Clem Cheung.
  • The Nomads, Directed by Brandon Eric Kamin and starring Tika Sumpter and Tate Donovan.
  • Run This Town, Directed by Ricky Tollman and starring Ben Platt, Mena Massoud, Nina Dobrev, Damian Lewis, Jennifer Ehle, and Scott Speedman.
  • Standing Up, Falling Down, Directed by Matt Ratner and starring Billy Crystal, Ben Schwartz, Eloise Mumford, Grace Gummer, Caitlin McGee, David Castaneda, Debra Monk, and Jill Hennessy.
  • Stealing School, Directed by Li Dong and starring Celine Tsai, Jonathan Keltz, Michelle Monteith, Mpho Koaho, Darrin Baker, Jonathan Malen, Matthew Edison, and Vas Saranga. World Premiere

Documentary Competition

  • I Am Human, Directed by Taryn Southern and Elena Gaby.
  • Latter Day Jew, Directed by Aliza Rosen.
  • Motherload, Directed by Liz Canning.
  • The Pollinators, Directed by Peter Nelson.
  • The Remix: Hip Hop X Fashion, Directed by Lisa Cortes and Farah X.
  • The Story of Plastic, Directed by Deia Schlosberg.
  • This Is My Home, Directed by Karl Nickoley.
  • Well Groomed, Directed by Rebecca Stern.

Verge

  • Come As You Are, Directed by Richard Wong.
  • Greener Grass, Directed by Dawn Luebbe and Jocelyn DeBoer.
  • Hosea, Directed by Ryan Daniel Dobson. World Premiere
  • Last Call, Directed by Gavin Michael Booth.
  • Only, Directed by Takashi Doscher.
  • Speed of Life, Directed by Liz Manashil.
  • Treasure Trouble, Directed by Dan Erickson.
  • The Way You Look Tonight, Directed by John Cerrito.

Culinary Cinema

  • Breaking Bread, Directed by Beth Elise Hawk.
  • Funke, Directed by Gab Taraboulsy.
  • Nose to Tail, Directed by Jesse Zigelstein.
  • Nothing Fancy: Diana Kennedy, Directed by Elizabeth Carroll.
  • Stage: The Culinary Internship, Directed by Abby Ainsworth.
  • A Taste of Sky, Directed by Michael Lei.

The festival will also feature Short Film Programs with:

  • 17 Narrative Shorts
  • 11 Documentary Shorts

The Napa Valley Film Festival (NVFF) is a five-day celebration that blends the art of film, food, and wine together. Discover the best new independent films of the year, savor exquisite cuisine paired with legendary wines, and create lasting memories found only in the Napa Valley. The Napa Valley Film Festival is presented by Cinema Napa Valley, a registered 501c3 non-profit organization headquartered in Napa, California. Cinema Napa Valley’s mission is to celebrate the cinematic arts and enrich the community by presenting an annual world-class festival and year-round education and outreach programs. The Napa Valley Film Festival takes place November 13-17, 2019. Visit napavalleyfilmfest.org for more information on passes and festival events.

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Presenting Sponsor: Rolls-Royce

Major Sponsor: Meadowood Napa Valley

Leading Sponsors: AVMS, Charles Krug Winery, Colorzone, DoNapa, Monogram, Raymond Vineyards, Viking Cruises, Westin Verasa Napa


Supporting Sponsors: Archer Hotel Napa, Blackbird Vineyards, Blanc Creatives, Cathay Pacific, De’Longhi, Estate Events by Meadowood, Farmstead at Long Meadow Ranch, Materra | Cunat Family Vineyards, Peroni Italy, The Studio by Feast It Forward, Twin Dolphin Los Cabos, Whole Foods Market, Yountville Chamber of Commerce

Media Sponsors: Travel + Leisure, Variety, Wine Spectator

Major Exhibition, Exploring How Designers Today Are Shaping The Future, To Premiere At The Philadelphia Museum Of Art, October 22, 2019–March 8, 2020

Designs for Different Futures is organized by the Philadelphia Museum of Art, the Walker Art Center, and the Art Institute of Chicago.

The role of designers in shaping how we think about the future is the subject of a major exhibition that will premiere at the Philadelphia Museum of Art this fall. Designs for Different Futures (October 22, 2019–March 8, 2020) brings together some 80 works that address the challenges and opportunities that humans may encounter in the years, decades, and centuries ahead. Organized by the Philadelphia Museum of Art, the Walker Art Center, Minneapolis, and the Art Institute of Chicago, Designs for Different Futures will be presented at the Walker (September 12, 2020–January 3, 2021) and the Art Institute of Chicago (February 6–May 16, 2021) following its presentation in Philadelphia.

Among the questions today’s designers seek to answer are: What role can technology play in augmenting or replacing a broad range of human activities? Can intimacy be maintained at a distance? How can we negotiate privacy in a world in which the sharing and use of personal information has blurred traditional boundaries? How might we use design to help heal or transform ourselves, bodily and psychologically? How will we feed an ever-growing population?

“Another Generosity,” designed 2018 by Eero Lundén, Ron Aasholm, and Carmen Lee of Lundén Architecture Company in collaboration with Bergent, BuroHappold Engineering, and Aalto University (Courtesy of the designers). Photograph © Andrea Ferro. Image courtesy of Philadelphia Museum of Art, 2019.

While no one can precisely predict the shape of things to come, the works in the exhibition are firmly fixed on the future, providing design solutions for a number of speculative scenarios. In some instances, these proposals are borne of a sense of anxiety, and in others of a sense of excitement over the possibilities that can be created through the use of innovative materials, new technologies, and, most importantly, fresh ideas.

Timothy Rub, the George D. Widener Director and Chief Executive Officer of the Philadelphia Museum of Art, stated: “We often think of art museums as places that foster a dialogue between the past and the present, but they also can and should be places that inspire us to think about the future and to ask how artists and designers can help us think creatively about it. We are delighted to be able to collaborate with the Walker Art Center and the Art Institute of Chicago on this engaging project, which will offer our visitors an opportunity to understand not only how designers are imagining—and responding to—different visions of the futures, but also to understand just how profoundly forward-looking design contributes in our own time to shaping the world that we occupy and will bequeath as a legacy to future generations.

“PhoeniX Exoskeleton,” designed around 2013 by Dr. Homayoon Kazerooni for suitX (Courtesy of the manufacturer). Photograph ©suitX. Image courtesy Philadelphia Museum of Art, 2019.
Lia: The Flushable and Biodegradable Pregnancy Test,” designed 2018 by Bethany Edwards and Anna Couturier Simpson (Courtesy of the designer). Photograph courtesy of LIA Diagnostics. Image courtesy Philadelphia Museum of Art, 2019.

Thinking about the future has always been part of the human condition. It has also been a perennial field of inquiry for designers and architects whose speculations on this subject—ranging from the concrete to the whimsical—can profoundly affect how we imagine what is to come. Among the many forward-looking projects on view, visitors to Designs for Different Futures will encounter lab-grown food, robotic companions, family leave policy proposals, and textiles made of seaweed.

Some of these possibilities will come to fruition, while others will remain dreams or even threats,” said Kathryn Hiesinger, the J. Mahlon Buck, Jr. Family Senior Curator of European Decorative Arts after 1700, who coordinated the exhibition in Philadelphia with former assistant curator Michelle Millar Fisher. “We’d like visitors to join us as we present designs that consider the possible, debate the inevitable, and weigh the alternatives. This exhibition explores how design—understood expansively—can help us all grapple with what might be on the horizon and allows our imaginations to take flight.”

Alien Nation: Parade 0,” designed 2017 by Lisa Hartje Moura for HEAD-Genève (Private Collection) Photograph © Head-Genève, Michel Giesbrecht, 2017. Image courtesy Philadelphia Museum of Art, 2019.

The exhibition is divided into 11 thematic sections. In Resources, visitors will encounter an inflatable pod measuring 15 feet in diameter, part of the work Another Generosity first created in 2018 by Finnish architect Eero Lundén and designed in this incarnation in collaboration with Ron Aasholm and Carmen Lee. The pod slowly expands and contracts in the space, responding to changing levels of carbon dioxide as visitors exhale around it, and provoking questions about the ongoing effect of the human footprint on the environment.

“Svalbard Global Seed Vault,” designed 2008 by Peter W. Søderman, Barlindhaug Consulting (Exhibition display courtesy of USDA Agricultural Research Service, National Laboratory for Genetic Resources Preservation). Photograph courtesy of Global Crop Diversity Trust. Image courtesy Philadelphia Museum of Art, 2019.
Recyclable and Rehealable Electronic Skin,” designed 2018 by Jianliang Xiao and Wei Zhang (Courtesy of the designer). Image courtesy Philadelphia Museum of Art, 2019

The section titled Generations will explore ways in which the choices we make today may contribute to the well-being or suffering of those who come after us. Here, visitors will find a model of the Svalbard Global Seed Vault, a repository that stores the world’s largest collection of crop seeds. Located within a mountain on a remote island near the Arctic Circle, the facility is designed to withstand natural or human-made disasters. The Earths section of the exhibition speculates on the challenges of extra-terrestrial communication in Lisa Moura’s Alien Nations installation and showcases typeface from the 2016 science-fiction film Arrival.

“Future Library,” 2014–2114, designed by Katie Paterson (Exhibition display gift of the Future Library Trust, 2018 and purchased with the European Decorative Arts Revolving Fund, 2018). Photograph © Bjørvika Utvikling by Kristin von Hirsch, 2017. Image courtesy Philadelphia Museum of Art, 2019.

In Bodies, designers grapple with choices about how our physical and psychological selves might look, feel, and function in different future scenarios. Featured here is one of the world’s lightest and most advanced exoskeletons, designed to help people with mobility challenges remain upright and active. Also notable is the CRISPR Kit, an affordable and accessible gene-editing toolbox, which has the potential to revolutionize biomedical research and open opportunities for gene therapy and genetic engineering.

“ZXX Typeface,” designed 2012, by Sang Mun (Courtesy of the designer). Photograph © Sang Mun. Image courtesy Philadelphia Museum of Art, 2019.

Intimacies is a section that explores how technologies and online interfaces may affect love, family, and community. Here, urban experiences of sex and love are the focus of Andrés Jaque’s Intimate Strangers, an audio-visual installation focusing on the gay dating app. Through internet-enabled devices, designers explore the possibility of digitally mediated love and sex, suggesting what advanced digital networks hold for human sexuality.

Cricket Shelter: Modular Edible Insect Farm,” designed 2016 by Mitchell Joachim (Courtesy of the designer). Photograph © Mitchell Joachim, Terreform ONE. Image courtesy Philadelphia Museum of Art, 2019.

Foods contains projects that explore the future of the human diet. Among them is a modular edible-insect farm, Cricket Shelter, by Terreform ONE, which offers a ready source of protein for impending food crises. A kitchen installation suggests how technology and design may contribute to new modes of food production, including an Ouroboros Steak made from human cells.

“Circumventive Organs, Electrostabilis Cardium (film still),” designed 2013 by Agi Haines (Courtesy of the designer). Image courtesy Philadelphia Museum of Art, 2019.

Additional sections of the exhibition will focus on the future of Jobs and how Cities will function and look 100 years from now—with robotic baby feeders, driverless cars, and other developments—affording a glimpse at how we might navigate living beyond this planet. Shoes grown from sweat are among the innovations visitors will find in a section devoted to Materials, while Power will look at how design may affect our citizenship and help us retain agency over such essentials as our DNA, our voices, and our electronic communications in a future where the lines between record-keeping, communication, and surveillance blur. Data acknowledges and questions the different ways that information might be collected and used, with all its inherent biases and asymmetries, to shape different futures.

Raising Robotic Natives,” designed 2016 by Stephen Bogner, Philipp Schmitt, and Jonas Voigt (Courtesy of the designers) Photograph © Stephan Bogner, Philipp Schmitt, and Jonas Voigt. Image courtesy of Philadelphia Museum of Art, 2019.

The curatorial team is comprised of: at the Philadelphia Museum of Art, Kathryn B. Hiesinger, The J. Mahlon Buck, Jr. Family Senior Curator of European Decorative Arts after 1700, and Michelle Millar Fisher, formerly The Louis C. Madeira IV Assistant Curator of European Decorative Arts after 1700; At the Walker Art Center, Emmet Byrne, Design Director and Associate Curator of Design; and at the Art Institute of Chicago, Maite Borjabad López-Pastor, Neville Bryan Assistant Curator of Architecture and Design, and Zoë Ryan, the John H. Bryan Chair and Curator of Architecture and Design. Consulting curators are Andrew Blauvelt, Director, Cranbrook Art Museum, Bloomfield Hills, Michigan, and Curator-at-Large, Museum of Arts and Design, New York; Colin Fanning, Independent Scholar, Bard Graduate Center, New York; and Orkan Telhan, Associate Professor of Fine Arts (Emerging Design Practices), University of Pennsylvania School of Design, Philadelphia.

Kathryn B. Hiesinger is the J. Mahlon Buck, Jr. Family Senior Curator of European Decorative Arts after 1700 at the Philadelphia Museum of Art. Her work focuses on decorative arts and design from the mid-nineteenth century to the present and includes the exhibitions and publications Zaha Hadid: Form in Motion (2011), Out of the Ordinary: The Architecture and Design of Robert Venturi, Denise Scott Brown and Associates (2001), Japanese Design: A Survey since 1950 (1994) and Design since 1945 (1983).

Michelle Millar Fisher is the Ronald C. and Anita L Wornick Curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston. She is a graduate of the University of Glasgow, Scotland, and is currently completing her doctorate in architectural history at the Graduate Center of the City University of New York. She is the co-author, with Paola Antonelli, of Items: Is Fashion Modern? (2017).

Emmet Byrne is the Design Director and Associate Curator of Design at the Walker Art Center in Minneapolis. He provides creative leadership and strategic direction for the Walker in all areas of visual communication, branding, publishing, while overseeing the award-winning in-house design studio. He was one of the founders of the Task Newsletter in 2009 and is the creator of the Walker’s Intangibles platform.

Maite Borjabad López-Pastor is the Neville Bryan Assistant Curator of Architecture and Design at the Art Institute of Chicago. She is an architect and curator educated at the Universidad Politécnica de Madrid and Columbia University, New York. She is the author and curator of Scenographies of Power: From the State of Exception to the Spaces of Exception (2017). Her work revolves around diverse forms of critical spatial practices, operating across architecture, art, and performance.

Zoë Ryan is the John H. Bryan Chair and Curator of Architecture and Design at the Art Institute of Chicago. She is the editor of As Seen: Exhibitions That Made Architecture and Design History (2017) and curator of In a Cloud, in a Wall, in a Chair: Six Modernists in Mexico at Midcentury (2019) and the 2014 Istanbul Design Biennial, The Future is Not What it Used to Be. Her projects explore the impact of architecture and design on society.

Centered on the innovative contemporary design objects, projects, and speculations of the exhibition’s checklist, the accompanying volume proposes design as a means through which to understand, question, and negotiate individual and collective futures, giving provocative voice to the most urgent issues of today. It asks readers to contemplate the design context within broader historical, social, political, and aesthetic spectrums. Designs for Different Futures addresses futures near and far, exploring such issues as human-digital interaction, climate change, political and social inequality, resource scarcity, transportation, and infrastructure.

The primary authors are Kathryn B. Hiesinger, Michelle Millar Fisher, Emmet Byrne, Maite Borjabad López-Pastor, and Zoë Ryan, with Andrew Blauvelt, Colin Fanning, Orkan Telhan, Juliana Rowen Barton, and Maude de Schauensee. Additional contributions include texts by V. Michael Bove Jr. and Nora Jackson, Christina Cogdell, Marina Gorbis, Srećko Horvat, Bruno Latour, Marisol LeBrón, Ezio Manzini, Chris Rapley, Danielle Wood, LinYee Yuan, and Emma Yann Zhang; and interviews with Gabriella Coleman, Formafantasma (Andrea Trimarchi and Simone Farresin), Aimi Hamraie and Jillian Mercado, Francis Kéré, David Kirby, Helen Kirkum, Alexandra Midal, Neri Oxman, and Eyal Weizman.

Designs for Different Futures will be distributed by Yale University Press. The book was overseen by Philadelphia Museum of Art publishing director Katie Reilly and editors Katie Brennan and Kathleen Krattenmaker. It is designed by Ryan Gerald Nelson, Senior Graphic Designer at the Walker Art Center, under the direction of Walker design director Emmet Byrne.

Futures Therapy Lab

As part of the exhibition, visitors to the Philadelphia Museum of Art galleries will also encounter a space for community meetups, public programs, school visits, and self-directed activities. The Futures Therapy Lab will weave personal connections between visitors and the exhibition as part of a collaboration between the museum’s Education Department and the curatorial team. Weekly programs, many of which will occur on Pay-What-You-Wish Wednesday Nights, will connect visitors with designers, artists, and locally based creatives. The Futures Therapy Lab will contain a crowdsourced Futures Library that includes everything from science-fiction books to the exhibition catalogue. “Thinking about possible futures is both exhilarating and anxiety-provoking,” said Emily Schreiner, the Zoë and Dean Pappas Curator of Education, Public Programs. “The Futures Therapy Lab is a place for conversation, critique, and creativity in which visitors can imagine their own hopes, fears and solutions for the future through reflection, discussion, and art making.”

View Full Schedule of Related Public Programs

In Philadelphia, this exhibition is generously supported by the Annenberg Foundation Fund for Major Exhibitions, the Robert Montgomery Scott Endowment for Exhibitions, the Kathleen C. and John J.F. Sherrerd Fund for Exhibitions, Lisa Roberts and David Seltzer in Honor of Collab’s 50th Anniversary, the Women’s Committee of the Philadelphia Museum of Art, the Laura and William C. Buck Endowment for Exhibitions, the Harriet and Ronald Lassin Fund for Special Exhibitions, the Jill and Sheldon Bonovitz Exhibition Fund, and an anonymous donor.

Related Programs

The Futures Therapy Lab will host a series of weekly happenings:

Artists in the Lab

Artists and designers share their work through talks, demonstrations, and workshops. Wednesday Nights, 5:00–8:45 p.m.

The Designer is In

Talk it out. One-on-one sessions with local designers offer new perspectives on your everyday life. Thursdays & Saturdays, 2:00–4:00 p.m.

Sci-Fi Sundays

Drop-in readings that explore narratives of the future. Select Sundays, 2:00–3:00pm

Dr.Organic® Lands in The United States

Dr.Organic®, a full range, award-winning personal care brand founded in the United Kingdom is now available in the US. Inspired by a need for naturally-sourced, effective and affordable skincare products, the brand prides itself on a selection of organic, active ingredients that are cruelty free and free from parabens, sodium lauryl sulfate (SLS), artificial colors, phthalates, petroleum, glycols, cocamide diethanoalamine (DEA), butylated hydroxytoluene (BHT), isothiazolinones, mineral oil, and silicones. Dr.Organic is now available on Ulta.com and will be available exclusively in-store at select Ulta locations nationwide beginning Sunday, October 20.

Dr.Organic®

Today, more than 40% of women say that “made with organic or natural ingredients” is one of their top three reasons for choosing new skincare products, making Dr.Organic a must-have for skincare enthusiasts this fall.§

Clean beauty^ means the world to us, and more importantly, consumers are looking for organic, naturally-sourced options. That’s why we knew we had to bring this premium UK brand stateside,” says Rimma Fehling, VP of Incubator and New Ventures at The Nature’s Bounty Co. “Until now, it was difficult to find a collection that is organic while also being affordable and effective – Dr.Organic fills this important gap in the beauty space.

Dr.Organic® Full Product Line

Dr.Organic includes four key ingredient ranges – Aloe Vera, Rose, Snail Gel, and Tea Tree. Each collection targets a different skin area, from fine lines and oil control to dryness. Additionally, Aloe Vera provides deep nourishing and hydrating benefits to the skin. Collection details include:

Dr.Organic® Rose Collection
  • Aloe Vera: Harvested from Mexico, organic Aloe Vera is a naturally hydrating ingredient renowned for cooling, calming and soothing dry, irritated and sun-exposed skin.
  • Rose: This heavenly scented essence restores and hydrates all skin types. Extracted from organic roses, Rose Otto is one of the highest quality rose oils in the world. Renowned for its beautiful floral fragrance and naturally soothing properties.
  • Snail Gel: Rich in collagen, elastin and glycolic acid, snail mucin naturally hydrates and rejuvenates aging skin. Snail farmers discovered the healthy aging properties of snail mucin when they realized how soft their hands felt after a day’s work. Dr.Organic gel is humanely sourced from snails living in natural habitats in France.
  • Tea Tree: Known for its purifying properties, Tea Tree oil is ideal for balancing out oily and combination skin. Hailing from Australia, organic Tea Tree Oil is a stimulating essential oil trusted by the Aborigines for centuries.
Dr.Organic® Snail Collection

The full 20-piece collection includes:

Aloe Vera

Dr.Organic® Aloe Collection
Dr.Organic® Tea Tree Collection

The Nature’s Bounty Co. is a privately held, global leader in health and wellness with a rich history and proven track record in the nutritional market. As a manufacturer, marketer and online seller of vitamins, dietary supplements, minerals, herbals, protein bars and powders, and ethical beauty products, the company is committed to supporting consumers’ wellness needs through high quality products backed by science. The brands of The Nature’s Bounty Co. are some of the most trusted in the world including Nature’s Bounty®, Pure Protein®, Solgar®, Osteo Bi-Flex®, Dr.Organic®, Sundown®, Body Fortress®, MET-Rx® and Ester-C®.

§ Source: Kantar Consulting 2018 USM Beauty Concerns for Females Data

^Clean defined as all products free from parabens, sodium lauryl sulfate (SLS), artificial colors, phthalates, petroleum, glycols, cocamide diethanoalamine (DEA), butylated hydroxytoluene (BHT), isothiazolinones, mineral and silicones

Burberry And The RealReal Join Forces To Make Fashion Circular

Today, global luxury brand Burberry and authenticated luxury consignment marketplace The RealReal announced they are teaming up to promote a more sustainable future for fashion. Through a new partnership, Burberry and The RealReal are aiming to support and promote the benefits of a circular economy for fashion by encouraging customers to extend the life of their products through resale. Through the pilot launching today, customers who consign Burberry pieces at The RealReal are being offered an exclusive personal shopping experience in select Burberry stores across the U.S.

Burberry And The RealReal Join Forces To Make Fashion Circular

The Ellen MacArthur Foundation estimates that more than $500 billion of value is lost every year due to clothing not being utilized or recycled effectively, with some garments in the U.S. discarded after just seven to 10 wears.

Burberry has been at the forefront of sustainability in fashion, with social and environmental programmes in place for more than 15 years. Driving a more circular economy for fashion is central to Burberry’s five-year Responsibility agenda to 2022 and as part of this Burberry continues to expand ways to reuse, repair, donate and recycle products and materials. During 2018/19, Burberry reduced its market-based emissions by 43% and procured 58% of its total energy (including 68% of its electricity) from renewable sources. Burberry is now carbon neutral across the Americas region, its EMEIA retail stores and UK operations, and aims to be 100% carbon neutral by 2022.

A key figure in driving industry collaboration, Burberry is a founding signatory of the UNFCCC’s Fashion Industry Charter for Climate Action, a signatory of the UN Global Compact, and a core partner of the Ellen MacArthur Foundation’s Make Fashion Circular initiative, working with industry and NGOs to address key impacts of the fashion industry. Burberry is also a signatory of The Fashion Pact, a global alliance between 32 of the world’s leading fashion companies to tackle climate change announced at the 2019 G7 Summit in Biarritz.

Leading the way in creating a more circular economy for fashion is a key element of our Responsibility agenda,” said Pam Batty, VP Corporate Responsibility, Burberry. “The RealReal shares our ambition to promote the circular economy and keep clothing in use for longer. We know that the enduring quality of Burberry pieces means their appeal and value is long-lasting. Through this new partnership we hope to not only champion a more circular future but encourage consumers to consider all the options available to them when they’re looking to refresh their wardrobes.”

The RealReal (PRNewsFoto/The RealReal)

The RealReal is the world’s largest online marketplace for authenticated, consigned luxury goods. With an expert behind every item, the company provide a safe and reliable platform for consumers to buy and sell their luxury items. With morethan 100+ in-house gemologists, horologists and brand authenticators who inspect thousands of items available online each day, The RealReal make consigning effortless with free in-home pickup, drop-off service and direct shipping for both individual consignors and estates. At its stores in Los Angeles as well as SoHo and the Upper East Side NYC, customers can shop and consign and meet with experts to learn more about luxury authenticity and sustainability. At its 11 Luxury Consignment Offices, three of which are located in our retail stores, the expert staff provides free valuations for high-value pieces.

According to The RealReal, resale demand for Burberry has increased by 64% year-on-year, with searches for Burberry on the site rising fastest among Millennial and Gen Z customers.

A brand as storied as Burberry embracing the circular economy demonstrates the power of resale’s impact on both the luxury market and the planet,” said Julie Wainwright, CEO of The RealReal. “I hope together we’ll be a part of pioneering a future in which circularity is a consideration for every luxury brand.”

Building on their shared ambition to make fashion circular, Burberry and The RealReal have made a donation to Materials for the Arts to support its work in helping people rethink the way they look at materials and waste, as well as educating the public on the importance of creative reuse.

Burberry and The RealReal’s generous donation will support MFTA’s nonprofit partner, Friends of Materials for the Arts, which guides and supports MFTA’s education and outreach initiatives including free field trips for students, warehouse operation improvements, public programming, and professional development for educators. Contributions like this are essential to its mission to encourage creative reuse and environmental sustainability in NYC, which, in turn, empower students to make art, train teachers to bring creative hands-on projects into the classroom, and keep the warehouse open later for itsmembers.

A program of the NYC Department of Cultural Affairs, with support from the Department of Education and Friends of Materials for the Arts, MFTA is NYC’s largest reuse center supporting nonprofits with arts programming, public schools, and city agencies. On average MFTA collects over 1.5m lbs. (approx.700,000 kilograms) of supplies each year which it provides, free of charge, to its member organizations. In addition to providing materials, MFTA has an Artist-in-Residence program, an education center, and holds public events which include gallery openings and community workshops.

For more information about consigning Burberry pieces with The RealReal, please visit therealreal.com/Burberry.

Tiffany & Co. Releases Its New Sustainability Website

A Comprehensive Update Of The Luxury Jeweler’s Progress And Longstanding Commitment To Sustainability And Transparency, Including Its 2018 Progress.

Tiffany & Co. has published its enhanced Tiffany.com/Sustainability website representing the next chapter in Tiffany’s industry-leading legacy of social and environmental responsibility. The website outlines the luxury jeweler’s commitments, actions and longterm vision to promote the well-being of people and the planet at the heart of the brand. The site is designed to increase transparency and be accessible to all of Tiffany’s stakeholders, including Tiffany customers and employees, and includes formal reporting updates on Tiffany’s 2018 sustainability performance.

Tiffany & Co logo

As a global company and luxury leader, Tiffany has a bigger role to play beyond careful and responsible stewardship in our own business operations,” said Alessandro Bogliolo, chief executive officer, Tiffany & Co. “We can, and do, leverage our legacy and our reach to drive positive change in the industry and in the world.”

The website summarizes the great strides in socially and environmentally sustainable efforts that Tiffany made in 2018 and so far in 2019. Among these are:

• The launch of the Diamond Source Initiative, which identifies for Tiffany customers the provenance of all newly sourced, individually registered diamonds.. This new initiative is a significant step in diamond transparency and continues Tiffany’s longstanding commitment to responsible sourcing.

• In 2018, the luxury house continued to provide a living wage for artisans in Tiffany’s manufacturing workforce in developing countries.

• In 2019, Tiffany established Employee Resource Groups to maintain inclusion that focus on working parents, communities of color, the LGBTQcommunity and women.

• In addition to strong female representation throughout the Company and its leadership, Tiffany achieved a gender ratio of 45% women on the Tiffany & Co. Board of Directors in June 2019.

• Tiffany is ahead of schedule in its goals for reaching net zero emissions, LEED-certified green buildings, sustainable packaging and 100 percent renewable electricity.In 2018, over 80% of Tiffany’s global electricity came from clean, renewable sources.

• The Tiffany & Co. Foundation has awarded more than $80 million in grants to help preserve the world’s seascapes and landscapes—from Australia’s Great Barrier Reef to the majestic natural monuments of the American West.

• The Save the Wild collection, now in its second year, which has garnered over $5 million since its inception benefitting the Wildlife Conservation Network, including the Elephant Crisis Fund, to protect endangered species.

Tiffany’s has long been transparent about its sustainability efforts and progress. Building upon Tiffany’s legacy of social and environmental stewardship over the past two decades, the enhanced Tiffany.com/Sustainability website provides a comprehensive look at the luxury jeweler’s history and recent action. In addition, Tiffany formally reports on 2018 metrics, a sub-set of which are assured by PwC, and its alignment to internationally recognized external reporting frameworks, including the Global Reporting Initiative, United Nations Global Compact Communication on Progress and the United Nations Sustainable Development Goals. For more details on these highlights, please visit Tiffany.com/Sustainability or follow #TIFFANYSUSTAINABILITY

TIFFANY & CO. and TIFFANY are trademarks of Tiffany and Company.

Virtuoso® Unveils The Coveted Best Of The Best Awards Honoring The World’s 10 Finest Properties And Hoteliers

Global luxury travel network Virtuoso® revealed the winners of the celebrated 2019 Best of the Best awards last night, before more than 1,800 industry leaders at the 31st annual Virtuoso Travel Week. The ceremony at the 13th annual Hotels & Resorts Dinner recognized the year’s top 10 hotels and hoteliers in categories ranging from best wellness program to best dining experience. Four Seasons Hotel George V triumphed with the most prestigious prize: Hotel of the Year.

Virtuoso® is the leading international travel agency network specializing in luxury and experiential travel. This by-invitation-only organization comprises over 1,000 travel agency partners with 20,000 elite travel advisors in 50 countries throughout North America, Latin America, the Caribbean, Europe, Asia-Pacific, Africa and the Middle East.

Drawing upon its preferred relationships with over 1,800 of the world’s best hotels and resorts, cruise lines, airlines, tour companies and premier destinations, the network provides its upscale clientele with exclusive amenities, rare experiences and privileged access. More than (U.S.) $26.4 billion in annual travel sales makes Virtuoso a powerhouse in the luxury travel industry.

With a wide-ranging portfolio of more than 1,400 hotels, resorts, villas, tented camps and private island retreats in over 100 countries, Virtuoso Hotels & Resorts is the industry’s most renowned program. Started in 1992 with 20 hotels, today it includes more five-star properties than any other group.

Virtuoso’s 20,000 professional travel advisors from 50 countries served as Best of the Best award voters. Editors of Virtuoso Life, the network’s multi-award-winning magazine, lent insights to narrow the field of nominees for which the advisors voted. Winners will be showcased in the September/October issue of the magazine, reaching 200,000 affluent households.

The exceptional contributions of these Best of the Best winners are emblematic of the caliber of creativity, service and guest experiences that are the hallmark of the Virtuoso Hotels & Resorts program,” said Albert Herrera, senior vice president of Global Product Partnerships for Virtuoso. “Every year our winners raise the bar even higher for global luxury hospitality, and we are proud to honor their accomplishments while expressing gratitude for the inspiration they provide to us all.

The 2019 Virtuoso Best of the Best winners are:

Hotel of the Year: An iconic hotel that epitomizes excellence in luxury hospitality and encourages positive change in its community.
Winner: Four Seasons Hotel George V, Paris, France
The property delights guests with impeccable service, fine art and antiques and stunning floral displays. A new spa features an indoor pool and dozens of treatments and fitness programs, including a staff-led jog past landmarks including the Louvre and Eiffel Tower. The hotel offers three restaurants: the three-Michelin-starred Le Cinq as well as Le George and L’Orangerie, which each boast a star of their own.

Best Achievement in Design: Outstanding architecture and design of a hotel or component (room or suite, restaurant, spa, public space, etc.), whether a new property, renovation, or restoration.
Winner: Rosewood Hong Kong, China
Soaring 65 stories above Victoria Dockside, a new art and design district on the Kowloon waterfront, Rosewood’s glass tower enhances Hong Kong’s skyline. Inside, Western and Asian aesthetics blend seamlessly, from the octagonal Chinese bagua symbol on carpets and walls to copper-mesh-lined French pendant lights, Damien Hirst artwork, and Indian artist Bharti Kher’s life-size elephant sculpture.

Best Dining Experience: Excellence in hotel dining encompassing outstanding food, wine list, service, ambiance, or even a stunning view.
Winner: La Reserve Paris Hotel and Spa – Restaurant Le Gabriel, Paris, France
The gilded dining room of the two-Michelin-starred restaurant in a 19th-century mansion-turned-hotel makes an unforgettable impression. And that’s before chef Jérôme Banctel brings his notable pedigree, Breton upbringing, and influences from his travels to the table with modern takes on French classics such as coriander-spiced artichoke heart and pigeon with cacao and buckwheat.

Best Bar: A hotel bar that offers a social meeting spot where innovative drinks, lively mixologists and servers, and an enticing atmosphere create a “see and be seen” buzz.
Winner: Four Seasons Hotel at The Surf Club – Le Sirenuse Champagne Bar, Surfside, Florida, U.S.
Amalfi Coast bars perfected the art of aperitivo, and that spirit is exemplified in this stylish import from Positano’s Le Sirenuse hotel. The lounge in the historic hotel’s original ballroom serves the largest selection of Champagne in the Miami area, plus grappas, liqueurs, and bubbly-infused cocktails, in handblown Venetian glasses.

Sustainable Tourism Leadership: A property that exhibits a commitment to the pillars of sustainable tourism including environmentally friendly practices, protection of cultural and natural heritage, and social and economic benefits for local people.
Winner: Emirates One&Only Wolgan Valley, Wolgan Valley, Australia
This 7,000-acre success story shows how degraded ranchland can be restored to its natural grandeur. Kangaroos, wombats, and other wildlife roam the resort grounds, which was the world’s first to achieve internationally accredited carbon-neutral certification. Guest experiences focus on the outdoors, such as guided glowworm walks, stargazing, nocturnal animal viewing and tree planting.

Best Family Program: A property offering children’s programs, from creative activities to educational endeavors and active adventures.
Winner: Grand Velas Riviera Maya, Playa del Carmen, Mexico
Families bond over horseback riding, boogie boarding, snorkeling and more, then relax at the pool or spa (with a kids’ treatment menu). The Kids’ Club offers 4- through 12-year-olds storytelling, movies, and games, while teens enjoy karaoke, pool tables, and dancing. Family accommodations lie near the pool and beach, and a “baby concierge” stocks everything from strollers to bottles – and arranges sitters too.

Best Wellness Program: A hotel focusing on mind/body balance through excellence in nutrition or diet programs, fitness and wellness classes, spa experiences, and inspiring location.
Winner: Miraval Arizona Resort & Spa, Tucson, Arizona, U.S.
Miraval helped pioneer the modern spa resort, and its flagship property continues to lead the way. Guests choose from more than 100 workshops, classes, and activities that include cooking, private and group workouts, beekeeping, and even equine therapy. Healthy gourmet meals fuel guests’ paths to wellness, as do rituals including massages and acupuncture at the Life in Balance Spa.

Best Virtuoso Newcomer: The most noteworthy network addition from April 2018 onward.
Winner: Montage Los Cabos, Cabo San Lucas, Mexico
This contemporary retreat offers an abundance of memorable experiences. Guests sip mezcal and dine at the two restaurants, play the 18-hole golf course, enjoy Baja-inspired spa treatments, and snorkel and paddleboard in Santa Maria Bay – a marine sanctuary and one of the area’s few swimmable beaches.

Best Virtuoso Hotel Ambassador: An executive (other than general manager or managing director) who embodies Virtuoso’s power of human connection and strives for the mutual benefit of network advisors and their brand, property, or properties.
Winner: Carlos Quereda, Querido Representation Co.
During his decade-long tenure at the Marbella Club on Spain’s Costa del Sol, Quereda was inspired by cofounder Count Rudolf von Schönburg’s ritual of greeting guests and staff, converting them into lifelong friends of the hotel. Quereda brings this hospitality to life to satisfy travelers’ quests for unique properties that embody local traditions and soul.

Hotelier of the Year:An experienced manager who demonstrates leadership and vision, a passion for the industry, a commitment to Virtuoso advisors, and an appreciation for detail.
Winner: Amanda Hyndman, Mandarin Oriental Hyde Park, London, U.K.
Hyndman’s career spans more than 30 years and some of the world’s most prestigious hotels, including Mandarin’s Bangkok flagship, where she was the first female general manager. She arrived at the Hyde Park property in June 2018, one week after a two-year renovation was completed – and two days before a fire shuttered the hotel. Hyndman transitioned staff to help with rebuilding, weathering the nine-month closure with no layoffs. The hotel reopened last spring with Hyndman and her kindness and commitment at the helm.

For more on Virtuoso and its properties in over 100 countries, including booking a stay online at the global portfolio of luxury hotels, visit www.virtuoso.com.