The Whitney To Present Hélio Oiticica: To Organize Delirium

Hélio Oiticica: To Organize Delirium, to be presented at The Whitney Museum of American Art from July 14 through October 1, 2017, is the first retrospective to survey the groundbreaking Brazilian artist’s entire career, including the formative years he spent in New York in the 1970s. One of the most influential Latin American artists of the post–World War II period, Oiticica (1937–80) was a tireless innovator, from his start with the Neo-Concrete movement to his groundbreaking environmental installations. Co-organized by the Whitney together with the Carnegie Museum of Art and the Art Institute of Chicago, the exhibition presents a wide array of his paintings, interactive sculptures, films, audiovisual works, writings, and environments.

Hélio Oiticica (b. 1937), PN1 Penetrable (PN1 Penetrável), 1960. César and Claudio Oiticica Collection, Rio de Janeiro. © César and Claudio Oiticica, Rio de Janeiro

Hélio Oiticica (b. 1937), PN1 Penetrable (PN1 Penetrável), 1960. César and Claudio Oiticica Collection, Rio de Janeiro. © César and Claudio Oiticica, Rio de Janeiro

Oiticica was one of the most daring artists to appear anywhere in the years following World War II,” said Elisabeth Sussman, co-curator of the exhibition. “In conceiving this show, it was particularly important to us to focus attention on Oiticica’s presence in New York City in the 1970s, a time when many international artists came to live and work here. The expansion of his ideas into film, photography, and writing has been fully explored, as never before, in the research for this exhibition, and the works, some displayed for the first time, identify Oiticica as a paradigmatic presence in the global expansion of art practice in that decade.

Co-curator Donna De Salvo commented: “Oiticica’s departure from traditional notions of the static art object and his transformation of the viewer into an active participant were part of a larger, international desire to integrate art and life. Though his reputation is due primarily to his earlier work in Brazil, Oiticica was drawn to the scene of artistic experimentation in New York, and the eight years he spent working in the United States had a huge impact on his thought and continued to shape his art after his return to Brazil. By calling attention to the distinct differences that he absorbed in each locale, we hope to further the notion of art history as one comprised of multiple stories, and emphasize the Whitney’s expansive definition of who belongs in a museum of American art. This openness to patterns of artistic migration and cross-cultural thinking has a long history at the Whitney, which we are delighted to extend with this important exhibition.”

During his brief but remarkable career, Oiticica seamlessly melded formal and social concerns in his art, seeking to be internationally relevant and, at the same time, specifically Brazilian. The exhibition begins with elegant, geometric works on paper (1955–58): formal investigations in painting and drawing. These dynamic compositions gave way to more radical works as Oiticica became increasingly interested in surpassing the limits of traditional painting. By 1959, his painterly-sculptural Spatial Reliefs and Nuclei broke free of the wall and morphed into three-dimensional investigations of color and form. The Nuclei, composed of panels suspended from the ceiling, created areas through which the viewer could walk.

Throughout the 1960s and ’70s, Oiticica moved further toward the destabilization of the art form, making art that is intended for the viewer to manipulate, wear, and inhabit, including his Parangolés, wearable paintings inspired in part by samba schools in the favelas of Rio de Janeiro, and Penetrables, colorful structures for viewers to navigate. In addition to viewing works on display, visitors will be invited to engage interactively with some of the artist’s works.

As Oiticica became further interested in bringing his art into the everyday, he began to create total environments suffused with color, texture, and tactile materials which were increasingly immersive in nature and transformed the viewer from a spectator to an active participant. The exhibition will include a number of these large-scale installations, including Tropicália and Eden. “Tropicália,” a name subsequently borrowed by the musician Caetano Veloso for his anthem against Brazil’s dictatorship, became an important and powerful movement in all the arts. Continue reading

The Whitney To Present Solo Exhibitions By Two Emerging Artists

Two New Exhibitions By Emerging Artists Will Be Presented By The Whitney This Summer.

Following close on the heels of the Biennial, The Whitney’s summer season builds on the strong energy of our emerging artists program,” remarked Scott Rothkopf, Deputy Director for Programs and Nancy and Steve Crown Family Chief Curator. “Both born in 1990, Bunny Rogers and Willa Nasatir offer a pair of distinct but complementary visions. Each explores mysterious, often dark, narratives within stagey, lapidary tableaus, Rogers through sculpture and video, Nasatir in photography.

Bunny Rogers (b. 1990), Clone State Bookcase, 2014

Bunny Rogers (b. 1990), Clone State Bookcase, 2014 (detail). Maple wood, metal, limited-edition Elliott Smith plush dolls, “Ferdinand the Bull” third-place mourning ribbons, and casters, 97 × 121.5 × 24 in. (246 × 309 × 61 cm). Courtesy the artist and Société. Photograph by Uli Holz

BUNNY ROGERS

For her first solo museum exhibition, Rogers will create a new body of work to be installed in the John R. Eckel, Jr. Foundation Gallery on the Museum’s first floor, which is free and open to the public. The exhibition goes on view on July 7.

In her work, Bunny Rogers (b. 1990, Houston, TX) draws from a personal cosmology to explore shared experiences of loss, alienation, and a search for belonging. Her layered installations, videos, and sculptures begin with wide-ranging references, from young-adult fiction and early 2000s cartoons, like Clone High, to autobiographical events and spectacles of mass violence, such as the 1999 Columbine High School shooting. Rogers’s techniques are as idiosyncratic as her subject matter. She borrows from theater costuming, design, and industrial furniture manufacturing, and often crafts her work by hand. This hybrid approach gives Rogers’s objects and spaces a distinct texture; they read simultaneously as slick and intimate, highly constructed, but also sincere.

Elisabeth Sherman, an assistant curator at the Whitney, who is co-curating the exhibition with curatorial assistant Margaret Kross, noted: “Rogers’s work reveals how certain emotions and traits that we consider to be completely opposite, like empathy and hate, sincerity and deceit, really exist in shades of grey. To paraphrase Rogers’s own words, the viewer may find that both extremes sit within themselves.

Rogers has had solo exhibitions at Greenspon Gallery, New York; Foundation de 11 Lijnen, Oudenburg, BE; Société, Berlin; and Musée d’Art Moderne, Paris. An artist book, Flowers for Orgonon, will be published in 2017. Continue reading

“Calder: Hypermobility” at The Whitney Museum of American Art

In the early 1930s, Alexander Calder invented an entirely new mode of art, the mobile— a kinetic form of sculpture in which carefully balanced components manifest their own unique systems of movement. These works operate in highly sophisticated ways, ranging from gentle rotations to uncanny gestures, and at times, trigger unpredictable percussive sounds.

Alexander Calder (1898–1976), Dancers and Sphere

Alexander Calder (1898–1976), Dancers and Sphere (maquette for 1939 New York World’s Fair) set in motion in Calder’s “small shop” New York City storefront studio, 1938. © 2017 Calder Foundation, New York / Artists Rights Society (ARS), New York. Photograph by Herbert Matter, courtesy Calder Foundation, New York

Calder: Hypermobility (June 9 – October 6, 2017) focuses on the extraordinary breadth of movement and sound in the work, which encompasses major examples of Calder’s work including early motor-driven abstractions, sound-generating Gongs, and standing and hanging mobiles. This exhibition brings together a rich constellation of key sculptures and provides a rare opportunity to experience the works as the artist intended—in motion. Regular activations will occur in the galleries, revealing the inherent kinetic nature of Calder’s work, as well as its relationship to performance and the theatrical stage. Influenced in part by the artist’s fascination and engagement with choreography, Calder’s sculptures contain an embedded performativity that is reflected in their idiosyncratic motions and the perceptual responses they provoke.

In collaboration with the Calder Foundation, the exhibition will feature an expansive series of performances and events, including a number of episodic, one-time demonstrations of rarely seen works, as well as new commissions, which will bring contemporary artists into dialogue with Calder’s innovations and illuminate the many ways in which his art continues to challenge and inform new generations.

The exhibition is organized by Jay Sanders, Engell Speyer Family Curator and Curator of Performance, with Greta Hartenstein, senior curatorial assistant, and Melinda Lang, curatorial assistant.

Major support for Calder: Hypermobility is provided by the Dalio Foundation, the Jerome L. Greene Foundation, and the Philip and Janice Levin Foundation. Generous Support is provided by Irma and Norman Braman, the Fisher Family, Norman and Melissa Selby, and Michelle Smith. Additional support is provided by the Mitzi & Warren Eisenberg Family Foundation.

22nd Newport Flower Show to Celebrate Fete Des Fleurs

The 2017 Newport Flower Show, themed Fête Des Fleurs: Paintings and Parterres, will celebrate its 22nd year with a variety of special events, expert guest speakers, beautiful floral designs, impressive horticulture exhibits, stunning garden displays, unique shopping opportunities, and more. Inspired by France, America’s premier summer flower show will transport guests’ imaginations to the place that has inspired generations of artists and gardeners. Attendees will travel on a French adventure, from grand gardens to Paris chic, at Rosecliff, one of Newport’s most beautiful historic mansions modeled after the Grand Trianon at Versailles. The Show opens on Friday, June 23 and runs through Sunday, June 25, 2017.psnc-logo

With Newport’s largest private ballroom, Rosecliff was constructed in 1902 as a party pavilion for one of the leading society hostesses of the Gilded Age. This snow-white terra-cotta mansion was created for Theresa Fair Oelrichs, heir to the Comstock silver lode in Nevada. It hosted many of the most fabulous entertainments of the period, including a fairy-tale dinner and a party, featuring magician Harry Houdini.

The magnificent three-day event welcomes back Bartlett Tree Experts as the Presenting Sponsor of the Newport Flower Show, which benefits The Preservation Society of Newport County. Additional sponsors include ALEX AND ANI, Atria Senior Living , Brooks Brothers, Coca-Cola Bottling Company of Southeastern New England, Swarovski, United, and The Newport Daily News.

Show Highlights:

The Show will feature celebrity floral designer Jeff Leatham and noted scholar on French garden history Dr. Eric T. Haskell as special guest speakers, scheduled on Friday and Saturday. Guests will have the rare opportunity to learn from the uniquely talented Leatham, who works as the Artistic Director of the Four Seasons Hotel George V in Paris in addition to designing events for celebrities and world leaders like His Holiness the Dalai Lama, Oprah Winfrey, Madonna, and many more. Leatham is considered the most exciting floral designer in the world. Awarded the prestigious “Knighthood” (“Chevalier de L’Order des Arts et Letters”), the French Government’s highest honor for artists, Jeff designed the first major event to be held in the famed “Galerie des Glaces” (Hall of Mirrors) at Versailles since the time of Louis XVI and Marie Antoinette. His work is compared to contemporary art (and is featured at international cultural, business and entertainment events). His vase designs were so exquisite that the Dallas Museum purchased them for their permanent collection. His work.

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Celebrity floral designer Jeff Leatham

Haskell, Professor of French Studies & Humanities and Director of the Clark Humanities Museum at Scripps College in California, will share his knowledge on French gardens, their history, and more with guests. Dr. Haskell will share his vast knowledge on French gardens during his lecture “Lasting Landscapes: The French Formal Garden.” He received his Ph.D. in French Literature from the University of California, Irvine, and also studied Art History and Architecture in the graduate program at UCI and at the École du Louvre in Paris. He has delivered over 550 public lectures and scholarly papers in 28 states and 11 foreign countries. In 2013 Haskell received two of France’s highest honors: Chevalier de l’Ordre des Palmes Académics (Knight of the Order of Academic Palms) and Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters).

Other free lectures and demonstrations by noted plant experts, flower designers and gardeners will

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Dr. Eric T. Haskell

also be presented throughout the weekend.

Fashion icon and interior designer Iris Apfel will also join the Newport Flower Show’s Afternoon Tea reception on Friday, June 23 for a conversation on her fabulous life, fashion, and style. The Afternoon Tea reception will be held on the front lawn of Rosecliff at 3:00 p.m. where guests will be treated to a sampling of savory and sweet delicacies as well as flavored versions of iced or hot teas.

The Opening Night Party, the unofficial “kickoff to summer in Newport,” will take place on Friday, June 23 from 6:00 p.m. to 9:00 p.m. with a cocktail buffet, live music and dancing, a seaside supper, and other entertaining surprises. The show will continue through the weekend with unforgettable garden exhibits, horticultural entries, floral designs, and children’s programs, all staged

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Iris Apfel

throughout the elegant reception rooms of Rosecliff, its oceanfront terrace and lawn.

New this year, the Newport Flower Show will offer a Fête de la Lune (Feast by Moonlight) at Rosecliff on Saturday, June 24 from 6:00 p.m. to 8:00 p.m. Guests can spend an evening strolling through the display gardens, shopping with Flower Show vendors on the front lawn, and viewing the floral designs inside Rosecliff before the sun sets, then can enjoy a summer picnic basket supper on the grounds while viewing the display gardens. Attendees can also opt to stay after supper for a viewing of the 2015 hit movie “A Little Chaos” starring Alan Rickman, Kate Winslet, and Stanley Tucci; film tickets are sold separately. Continue reading

Miami Museum Month Celebrates New Openings and Great Offers

Throughout May, Locals and Visitors Can Enjoy BOGO Deals and Special Offers

The Greater Miami Convention & Visitors Bureau will celebrate Miami Museum Month during the month of May, with much-anticipated museum openings and can’t miss “Buy One, Get One Free” admissions and membership savings.

(Visit MiamiMuseumMonth.com to download coupons and incentives to explore Miami & The Beaches’ most renowned collections of art and culture. Official sponsor Citibank® will also provide cardholders with a 10% discount at participating museum stores for the month-long program.)Miami_Museum_Month_logo

Miami Museum Month is part of the GMCVB’s increasingly popular Miami Temptations Program, which takes a thematic focus on the best that Miami has to offer with monthly deals and special events. Temptations programs include: Miami Cruise Month (January), Miami Romance Month (February), Miami Shop Month (March), Miami Sports & Wellness Month (April), Miami Film Month (June), Miami Spa Month (July-August), Miami Spice Restaurant Month (August-September), Miami Attractions Month (October), Miami Live Arts Month (November), and Miami Heritage Month (December).

Interior of the Planetarium at The Phillip and Patricia Frost Museum of Science. (Photo Business Wire)

Interior of the Planetarium at The Phillip and Patricia Frost Museum of Science. (Photo: Business Wire)

The Phillip and Patricia Frost Museum of Science is slated to open on May 8, 2017, in Downtown Miami‘s Museum Park. During Miami Museum Month, visitors can enjoy an exclusive 10 percent off Family and Family Plus membership packages. (Please see coupon for more details; valid from May 9 through May 31, 2017.) Poised to be one of the only institutions worldwide boasting both a state-of-the-art planetarium and cutting edge aquarium, the 250,000 square-foot facility sits on four acres of land overlooking Biscayne Bay surrounded by Downtown Miami’s dazzling skyline. For more details, visit MiamiMuseumMonth.com. Continue reading

The Jewish Museum Announces New, Major Collection Exhibition to Open Fall 2017

The Jewish Museums long-running collection exhibition, Culture and Continuity: The Jewish Journey, originally mounted in 1993, recently close, making way for a major, new collection display, Scenes from the Collection, opening in Fall 2017. Culture and Continuity’s last day on view was Sunday, February 12, 2017.

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The Jewish Museum (New York) logo

The Jewish Museum‘s unparalleled collection spans 4,000 years of Jewish culture through nearly 30,000 objects, including painting, sculpture, photography, decorative arts, ceremonial objects, antiquities, works on paper, and media. Scenes from the Collection will transform the Museum’s third floor and feature over 650 works from antiquities to contemporary art – many of which will be on view for the first time at the Museum. The exhibition was designed by Tsao & McKown Architects.

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Hanukkah Lamp, Orivit-Aktiengesellschaft (1900-1905), Köln-Braunsfeld (Germany), 1900-05. White metal: cast and silver-plated; glass: mold formed, 13⅞ x 12¾ x 5 5/16 in. (35.3 x 32.4 x 13.5 cm). The Jewish Museum, New York, Gift of Dr. Harry G. Friedman (?), F 3573.

The new exhibition will be divided into eight different sections, or scenes, highlighting the diversity and depth of the collection. The new installation will present the collection as a reflection of the continual evolution that is the essence of Jewish identity, as well as a powerful expression of artistic and cultural creativity.

Scenes from the Collection will immerse our visitors in a dynamic and engaging experience. Developed collaboratively among the Museum’s curatorial staff, the new installation is a reflection of the Jewish Museum’s unique position as an art museum exploring Jewish culture and identity through a contemporary lens,” said Claudia Gould, Helen Goldsmith Menschel Director of the Jewish Museum.

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Torah Binder, Rabat (Morocco), 19th century. Cotton: embroidered with silk thread, 9 1/2 × 103 3/4 in. (24.1 × 263.5 cm). The Jewish Museum, New York, Gift of Sonia Cohen Azagury, 2004-64.

In addition, Scenes from the Collection will be flexible, with four scenes changing annually, and one changing every six months, so that different subjects can be examined while more of the collection is on view. The stories the works of art tell will illuminate multiple perspectives on being Jewish in the past and present, how Jewish culture intersects with art and the art world, and how it is part of the larger world of global interconnections.

The eight scenes are:

Origins

Scenes from the Collection will start from the beginning – the year 1904 when the Museum was founded with a gift of ceremonial objects from Judge Mayer Sulzberger. Central to this section will be the question of what, why, and how the Museum has collected and what this says about the changing identity of the institution, the Jewish community, and the art world.

Constellations

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Laurie Simmons (American, b. 1949), Woman Listening to Radio, 1978. Gelatin silver print, sheet: 7 15/16 × 9 15/16 in. (20.2 × 25.2 cm); image: 5 3/16 × 8 in. (13.2 × 20.3 cm). The Jewish Museum, New York, Purchase: Horace W. Goldsmith Foundation Fund, 2013-1. © Laurie Simmons, image courtesy of the artist and Salon 94, New York

In “Constellations,” over 50 of the most visually powerful and culturally significant works in the collection – from antiquities to the twenty-first century – will be exhibited as individual gems but with powerful thematic connections to one another. Such issues will be explored as transforming and transcending tradition, cultural distinctiveness and universality, and ever-changing notions of identity. Groups of works will relate to each other aesthetically or contextually, creating multiple conversations. For example, three works that can be seen as challenging tradition are Peter Blume’s Pig’s Feet and Vinegar (1927), Laurie SimmonsWoman Listening to Radio (1978), and Nicole Eisenman’s Seder (2011).

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Nicole Eisenman (American, b. France, 1965), Seder, 2010. Oil on canvas, 39 1/16 × 48 in. (99.2 × 121.9 cm). The Jewish Museum, New York, Purchase Lore Ross Bequest; Milton and Miriam Handler Endowment Fund; and Fine Arts Acquisitions Committee Fund, 2011-3 © Nicole Eisenman.

Continue reading

Everson Museum of Art Opens “Bradley Walker Tomlin: A Retrospective,” a Major Retrospective Exhibition of the Syracuse Native

The Everson Museum of Art, in partnership with the Dorsky Museum, presents the first retrospective of American painter Bradley Walker Tomlin (1899-1953)

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Bradley Walker Tomlin, As They Walked Along Together, 1921 Pencil, ink, and gouache on paper, 14 in x 1 ¼ in. Everson Museum of Art Gift of Isabelle McConnel

since 1975. This major exhibition, including more than 40 paintings, works on paper, and printed materials, charts Tomlin’s development from Art Nouveau illustrations of the 1920s to large-scale Abstract Expressionist paintings of the 1950s, for which he is best known. Bradley Walker Tomlin: A Retrospective will be on view February 11 May 14, 2017. The exhibition originated at the Samuel Dorsky Museum of Art, the State University of New York at New Paltz and is accompanied by a fully illustrated scholarly catalog.

Born in Syracuse, NY in 1899 and active in New York City and Woodstock, Tomlin bridged two generations and participated in the evolution of American art from local modernism to international avant-garde. 

He participated in the famous ‘’Ninth Street Show.’’ According to John I. H. Baur, Curator of the Whitney Museum of American Art, “Tomlin’s life and his work were marked by a persistent, restless striving toward perfection, in a truly classical sense of the word, towards that “inner logic” of form which would produce a total harmony, an unalterable rightness, a

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Bradley Walker Tomlin. Photograph by Eugene Reynal

sense of miraculous completion…It was only during the last five years of his life that the goal was fully reached, and his art flowered with a sure strength and authority”.

Organized chronologically, Bradley Walker Tomlin: A Retrospective considers Tomlin’s accomplishments as an illustrator, educator, and modern painter as equally significant. Highlights include original cover designs for Condé Nast’s House & Garden magazine, decorative still life paintings, Cubist-Surrealist compositions, and major Abstract Expressionist canvases. Photographs of Tomlin and his professional peers and related archival materials reveal the artist’s contexts and influences.

A century ago, Syracuse native Bradley Walker Tomlin was considered one of the city’s most promising young artists. This exhibition not only serves to restore attention to a hometown talent but more importantly, to shed new light on a fascinating yet overlooked figure in the history of modern American art,” says Elizabeth Dunbar, Director, and CEO of the Everson Museum of Art Continue reading