Wildlife Photographer of the Year 2013 Winners Announced

Reposted from www.theatlanticwire.com

The annual Wildlife Photographer of the Year competition, founded in 1964, is an annual international showcase of the very best in nature photography. Owned by the Natural History Museum and BBC Worldwide, the contest includes 18 individual categories, ranging from birds and mammals to “Creative Visions” and “Nature in Black & White.” The Wildlife Photographer of the Year Competition harnesses the power of photography to promote the discovery, understanding, and responsible enjoyment of the natural world.

Now in its 49th year, the Wildlife Photographer of the Year competition provides a global showcase of the very best nature photography. The competition is co-owned by two UK institutions that pride themselves on revealing and championing the diversity of life on Earth. Being shortlisted in this competition is something to which photographers across the world aspire. Every year emerging talents compete with established names for a chance to be hailed Wildlife Photographer of the Year. Each of the thousands of annual entries is evaluated individually by an international jury of photography experts, before being awarded a place in the top 100 images of the year.

This year, the 49th annual competition, drew tens of thousands of entries from dozens of countries. Starting today, the winning photos will be on exhibit at the Natural History Museum in London until March 23, 2014. The owners and sponsors have been kind enough to share the following 10 images from their group of overall winners. Be sure to visit their website (http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/wpy/onlineGallery.do) to see all of the winners and find out more about the competition. To view the entire collection of winners and runner-ups in all categories for the Wildlife Photographer of the Year 2013 competition, please visit http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/wpy/index.jsp

The 50th Wildlife Photographer of the Year competition will open for entries on 9 December 2013 for 12 weeks and details will be released soon. The organizers will be looking for fresh, innovative, creative and challenging images of the natural world from photographers young and old.

2013 Wildlife Photographer of the Year: Greg du Toit

Essence of elephants: Ever since he first picked up a camera, Greg du Toit has photographed African elephants. "For many years, I've wanted to create an image that captures their special energy and the state of consciousness that I sense when I'm with them. This image comes closest to doing that." The shot was taken at a waterhole in Botswana's Northern Tuli Game Reserve, from a hide (a sunken freight container) that provided a ground-level view. Greg chose to use a slow shutter speed to create the atmosphere he was after and try "to depict these gentle giants in an almost ghostly way." He used a wide-angle lens tilted up to emphasize the size of whatever elephant entered the foreground, and chose a narrow aperture to create a large depth of field so that any elephants in the background would also be in focus. Greg had hoped the elephants would turn up before dawn, but they arrived after the sun was up. To emphasize the "mysterious nature" of these "enigmatic subjects", he attached a polarizing filter and set his white balance to a cool temperature. The element of luck that added the final touch to his preparation was the baby elephant, which raced past the hide, so close that Greg could have touched her. The slow shutter speed conveyed the motion, and a short burst of flash at the end of the exposure froze a fleeting bit of detail. (Greg du Toit / Wildlife Photographer of the Year 2013) #

Essence of elephants: Ever since he first picked up a camera, Greg du Toit has photographed African elephants. “For many years, I’ve wanted to create an image that captures their special energy and the state of consciousness that I sense when I’m with them. This image comes closest to doing that.” The shot was taken at a waterhole in Botswana’s Northern Tuli Game Reserve, from a hide (a sunken freight container) that provided a ground-level view. Greg chose to use a slow shutter speed to create the atmosphere he was after and try “to depict these gentle giants in an almost ghostly way.” He used a wide-angle lens tilted up to emphasize the size of whatever elephant entered the foreground, and chose a narrow aperture to create a large depth of field so that any elephants in the background would also be in focus. Greg had hoped the elephants would turn up before dawn, but they arrived after the sun was up. To emphasize the “mysterious nature” of these “enigmatic subjects”, he attached a polarizing filter and set his white balance to a cool temperature. The element of luck that added the final touch to his preparation was the baby elephant, which raced past the hide, so close that Greg could have touched her. The slow shutter speed conveyed the motion, and a short burst of flash at the end of the exposure froze a fleeting bit of detail. (Greg du Toit / Wildlife Photographer of the Year 2013) #

2013 Young Wildlife Photographer of the Year: Udayan Rao Pawar

This award is given to the photographer whose single image is judged to be the most striking and memorable of all the pictures entered by young photographers.

Mother's little headful: One night, Udayan Rao Pawar camped near a nesting colony of gharials on the banks of India's Chambal River -- two groups of them, each with more than 100 hatchlings. Before daybreak, he crept down and hid behind rocks beside the babies. "I could hear them making little grunting sounds. Very soon a large female surfaced near the shore, checking on her charges. Some of the hatchlings swam to her and climbed onto her head. Perhaps it made them feel safe." It turned out that she was the chief female of the group, looking after all the hatchlings. Gharials were once found in rivers all over the Indian subcontinent. Today, just 200 or so breeding adults remain in just 2 per cent of the former range. "The Chambal River is the gharial's last stronghold," says Udayan, "but is threatened by illegal sand-mining and fishing." (Udayan Rao Pawar / Wildlife Photographer of the Year 2013) #

Mother’s little headful: One night, Udayan Rao Pawar camped near a nesting colony of gharials on the banks of India’s Chambal River — two groups of them, each with more than 100 hatchlings. Before daybreak, he crept down and hid behind rocks beside the babies. “I could hear them making little grunting sounds. Very soon a large female surfaced near the shore, checking on her charges. Some of the hatchlings swam to her and climbed onto her head. Perhaps it made them feel safe.” It turned out that she was the chief female of the group, looking after all the hatchlings. Gharials were once found in rivers all over the Indian subcontinent. Today, just 200 or so breeding adults remain in just 2 per cent of the former range. “The Chambal River is the gharial’s last stronghold,” says Udayan, “but is threatened by illegal sand-mining and fishing.” (Udayan Rao Pawar / Wildlife Photographer of the Year 2013) #

The spat: For several hours, the noisy sounds of courtship and mating were all Joe McDonald was treated to as he sat, sweltering in the hot sun, in a boat on the Three Brothers River in Brazil's Pantanal. So when the female jaguar finally emerged from the undergrowth and walked down to the river to drink, he was grateful for the photo opportunity. But that was just a start. After slaking her thirst, the female flopped down on the sand. Then the male appeared. After drinking and scent-marking, he approached the female, who was lying in what appeared to be a pose of enticement. At least, that's what both Joe and the male thought. She rose, growled and suddenly charged, slamming the male back as he reared up to avoid her outstretched claws. His own claws were sheathed. "I couldn't believe the energy and intensity of those three seconds," says Joe. The pair then disappeared into the undergrowth to resume their courtship, leaving Joe with a sense of awe and a rare, winning image. (Joe McDonald / Wildlife Photographer of the Year 2013)

The spat: For several hours, the noisy sounds of courtship and mating were all Joe McDonald was treated to as he sat, sweltering in the hot sun, in a boat on the Three Brothers River in Brazil’s Pantanal. So when the female jaguar finally emerged from the undergrowth and walked down to the river to drink, he was grateful for the photo opportunity. But that was just a start. After slaking her thirst, the female flopped down on the sand. Then the male appeared. After drinking and scent-marking, he approached the female, who was lying in what appeared to be a pose of enticement. At least, that’s what both Joe and the male thought. She rose, growled and suddenly charged, slamming the male back as he reared up to avoid her outstretched claws. His own claws were sheathed. “I couldn’t believe the energy and intensity of those three seconds,” says Joe. The pair then disappeared into the undergrowth to resume their courtship, leaving Joe with a sense of awe and a rare, winning image. (Joe McDonald / Wildlife Photographer of the Year 2013)

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