Culture Watch: Solomon R. Guggenheim Foundation Announces Short List for the 2020 Hugo Boss Prize

Six artists have been short-listed for the Hugo Boss Prize 2020, the biennial award for significant achievement in contemporary art. The short list is selected by a panel of international curators and critics in recognition of artists whose work is transforming the field. Since its inception in 1996, the prize has consistently functioned as a platform for the most relevant and influential art of the present, and has become a cornerstone of the Guggenheim’s contemporary programming.

On the occasion of the thirteenth Hugo Boss Prize, I’m delighted to announce the finalists for the 2020 cycle,” said Nancy Spector, Artistic Director and Jennifer and David Stockman Chief Curator, Solomon R. Guggenheim Museum and Foundation, and jury chair. “After a rigorous examination of today’s artistic landscape, the jury identified a group of artists whose practices are beacons of cultural impact. While diverse in their approaches and themes, they each exemplify the spirit of experimentation and innovation that the prize has always championed.

Solomon R. Guggenheim Museum, New York logo

The Hugo Boss Prize recognizes the achievements of both emerging and established artists, and sets no restrictions in terms of age, gender, nationality, or medium. The winner, who will receive a $100,000 honorarium, will be announced in the fall of 2020 and will present a solo exhibition at the Solomon R. Guggenheim Museum in spring 2021.

Since its inception in 1996, the Hugo Boss Prize has been awarded to twelve influential contemporary artists: American artist Matthew Barney (1996); Scottish artist Douglas Gordon (1998); Slovenian artist Marjetica Potrč (2000); French artist Pierre Huyghe (2002); Thai artist Rirkrit Tiravanija (2004); English artist Tacita Dean (2006); Palestinian artist Emily Jacir (2008); German artist Hans-Peter Feldmann (2010); Danish artist Danh Vo (2012); American artist Paul Chan (2014); American artist Anicka Yi (2016); and American artist Simone Leigh (2018). The related exhibitions have constituted some of the most compelling presentations in the museum’s history.

Previous finalists include Laurie Anderson, Janine Antoni, Cai Guo-Qiang, Stan Douglas, and Yasumasa Morimura in 1996; Huang Yong Ping, William Kentridge, Lee Bul, Pipilotti Rist, and Lorna Simpson in 1998; Vito Acconci, Maurizio Cattelan, Michael Elmgreen and Ingar Dragset, Tom Friedman, Barry Le Va, and Tunga in 2000; Francis Alÿs, Olafur Eliasson, Hachiya Kazuhiko, Koo Jeong-A, and Anri Sala in 2002; Franz Ackermann, Rivane Neuenschwander, Jeroen de Rijke and Willem de Rooij, Simon Starling, and Yang Fudong in 2004; Allora & Calzadilla, John Bock, Damián Ortega, Aïda Ruilova, and Tino Sehgal in 2006; Christoph Büchel, Patty Chang, Sam Durant, Joachim Koester, and Roman Signer in 2008; Cao Fei, Roman Ondák,Walid Raad, Natascha Sadr Haghighian, and Apichatpong Weerasethakul in 2010; Trisha Donnelly, Rashid Johnson, Qiu Zhijie, Monika Sosnowska, and Tris Vonna-Michell in 2012; Sheela Gowda, Camille Henrot, Hassan Khan, and Charline von Heyl in 2014; Tania Bruguera, Mark Leckey, Ralph Lemon, Laura Owens, and Wael Shawky in 2016; and Bouchra Khalili, Teresa Margolles, Emeka Ogboh, Frances Stark, and Wu Tsang in 2018.

The following artists are finalists for the Hugo Boss Prize 2020:

  • Nairy Baghramian (b. 1971, Isfahan, Iran)
  • Kevin Beasley (b. 1985, Lynchburg, Va.)
  • Deana Lawson (b. 1979, Rochester, N.Y.)
  • Elias Sime (b. 1968, Addis Ababa, Ethiopia)
  • Cecilia Vicuña (b. 1948, Santiago, Chile)
  • Adrián Villar Rojas (b. 1980, Rosario, Argentina)

The Hugo Boss Prize is our most prestigious engagement in the field of arts,” said Mark Langer, CEO and Chairman of HUGO BOSS AG. “We are excited about this diverse and distinguished short list for 2020 and looking forward to the announcement of the winner next fall.

HUGO BOSS PRIZE 2020 SHORT LIST

Nairy Baghramian (b. 1971, Isfahan, Iran) lives and works in Berlin. In an oeuvre that probes the boundaries between the decorative, the utilitarian, and the art object, Baghramian has illuminated new possibilities for sculpture. The artist’s disarming biomorphic forms, made with a range of materials including steel, silicon, resin, and leather, elicit various unexpected art-historical and sociopolitical references, reimagining the workings of the body, gender, and public and private space.

Nairy Baghramian, Stay Downers: Nerd, Fidgety Philip, Dripper, Truant, Backrower and Grubby Urchin, 2017. Various media, dimensions variable
Installation view: Déformation Professionnelle, Walker Art Center, Minneapolis, 2017–18. Courtesy the artist and Marian Goodman Gallery. Photo: Timo Ohler

Baghramian’s work has been presented in solo exhibitions such as Privileged Points, Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean (2019), Breathing Spell (Un respire), Palacio de Cristal del Retiro, Madrid (2018); Déformation Professionnelle, Museum der Moderne Salzburg, and Walker Art Center, Minneapolis (2017); S.M.A.K. Museum of Contemporary Art, Ghent (2016); Nairy Baghramian: Scruff of the Neck (Supplements), Zurich Art Prize, Museum Haus Konstruktiv, Zurich (2016); Hand Me Down, Museo Tamayo, Mexico City (2015); Fluffing the Pillows, MIT List Visual Arts Center, Cambridge, Mass. (2013), and Kunsthalle Mannheim, Germany (2012); and Class Reunion, Contemporary Art Gallery, Vancouver (2012).

Kevin Beasley (b. 1985, Lynchburg, Va.) lives and works in New York. Working at the intersection of sculpture, installation, and performance, Beasley constructs revelatory formal and sonic experiences. In works that embed found objects in substances such as resin, foam, and tar, or incorporate unconventionally manipulated audio equipment, he amplifies the cultural resonances of his materials to excavate personal and shared histories of class, race, and institutional power.

Kevin Beasley, Your face is / is not enough, 2016. Performance view: Liverpool Biennial, July 14, 2018. © Kevin Beasley. Photo: Pete Carr, courtesy Casey Kaplan, New York

Beasley has presented and performed in solo exhibitions such as ASSEMBLY, The Kitchen, New York (2019); a view of a landscape, Whitney Museum of American Art, New York (2018); Kevin Beasley, The Institute of Contemporary Art, Boston (2018); Movement V: Ballroom, CounterCurrent Festival, Cynthia Woods Mitchell Center for the Arts, Houston (2017); Hammer Projects: Kevin Beasley, Hammer Museum at Art + Practice, Los Angeles (2017); Rubbings, Kim? Contemporary Art Center, Riga, Latvia (2017); and inHarlem: Kevin Beasley, The Studio Museum in Harlem, New York (2016).

Deana Lawson (b. 1979, Rochester, N.Y.) lives and works in New York. Her large-format photographs channel vernacular, art-historical, and documentary traditions within the medium, in compositions that valorize black diasporic culture. Picturing individuals she encounters over the course of her everyday life within carefully staged domestic settings, Lawson choreographs every nuance of scenery, lighting, and pose to create tableaux that powerfully evoke the agency of her subjects.

Deana Lawson, Mama Goma, Gemena, DR Congo, 2014. Pigment print
35 x 44.125 inches (88.9 x 112.1 cm). © Deana Lawson, courtesy Sikkema Jenkins & Co., New York, and Rhona Hoffman Gallery, Chicago

Lawson’s work has been presented in solo exhibitions including Deana Lawson, Huis Marseille, Museum voor Fotografie, Amsterdam (2019); Deana Lawson: Planes, The Underground Museum, Los Angeles (2018); Deana Lawson, Carnegie Museum of Art, Pittsburgh (2018); Deana Lawson, Contemporary Art Museum St. Louis (2017); Deana Lawson, The Art Institute of Chicago (2015); and Corporeal, Light Work, Syracuse, N.Y. (2009).

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Solomon R. Guggenheim Foundation Announces Short List for the Hugo Boss Prize 2016

Finalists for Milestone Twentieth Anniversary Are Tania Bruguera, Mark Leckey, Ralph Lemon, Laura Owens, Wael Shawky, and Anicka Yi

Six finalists have been selected for the Hugo Boss Prize 2016, the biennial award established in 1996 to recognize artists whose work is among the most innovative and influential of our time. Nancy Spector, Deputy Director and Jennifer and David Stockman Chief Curator, Solomon R. Guggenheim Foundation, and chair of the jury, announced the finalists chosen by a panel of international critics and curators. Over the past two decades juries have identified and selected as finalists paradigm-shifting artists from around the world, recognizing the achievements of both emerging and established figures, and setting no parameters in terms of age, gender, or medium.

Since its inception in 1996, the Hugo Boss Prize has been awarded to ten innovative and influential contemporary artists: American artist Matthew Barney (1996); Scottish artist Douglas Gordon (1998); Slovenian artist Marjetica Potrč (2000); French artist Pierre Huyghe (2002); Thai artist Rirkrit Tiravanija (2004); British artist Tacita Dean (2006); Palestinian artist Emily Jacir (2008); German artist Hans-Peter Feldmann (2010); Danish artist Danh Vo (2012); and American artist Paul Chan (2014). The related exhibitions have constituted some of the most compelling presentations in the museum’s history.

The following artists are finalists for the Hugo Boss Prize 2016:

Tania Bruguera (b. 1968, Havana)
Mark Leckey (b. 1964, Birkenhead, UK)
Ralph Lemon (b. 1952, Cincinnati)
Laura Owens (b. 1970, Euclid, Ohio)
Wael Shawky (b. 1971, Alexandria, Egypt)
Anicka Yi (b. 1971, Seoul)

Promoting the most innovative cultural production continues to be at the core of the Guggenheim’s institutional mission, and for the past twenty years, the Hugo Boss Prize has given us the opportunity to identify and honor artists who make a lasting impact on the landscape of contemporary art,” said Spector. “We are grateful for the sustained enthusiasm of Hugo Boss for a project that acknowledges today’s most prescient creative voices.

The prize, administered by the Solomon R. Guggenheim Foundation, has become an integral part of the Guggenheim’s contemporary art programming. The winner is awarded a $100,000 cash prize and featured in a solo exhibition at the Solomon R. Guggenheim Museum, New York. The Hugo Boss Prize catalogues, which have evolved over the years into ambitious collaborations between curators, artists, and designers, form a key component of the program’s legacy. The Hugo Boss Prize 2016 winner will be announced in the fall of 2016, and the exhibition will be held in 2017.

The Hugo Boss Prize has developed into a renowned accolade over the past two decades, and we are proud to celebrate its 20th anniversary next year. Together with the Guggenheim Foundation, we have since honored many excellent and successful artists,” said Claus-Dietrich Lahrs, Chairman and CEO, HUGO BOSS AG. “Our sincerest congratulations go out to our nominees for 2016.”

The Hugo Boss Prize 2016 Short List

Tania Bruguera Tatlin’s Whisper #5, 2008 Mounted police, crowd control techniques, audience, overall dimensions variable Installation view: UBS Openings: Live the Living Currency, Tate Modern, London, 2008 Photo: Sheila Burnet Courtesy the artist

Tania Bruguera, Tatlin’s Whisper #5, 2008
Mounted police, crowd control techniques, audience, overall dimensions variable
Installation view: UBS Openings: Live the Living Currency, Tate Modern, London, 2008
Photo: Sheila Burnet. Courtesy the artist

Tania Bruguera (b. 1968, Havana) lives and works in various cities depending on the location of her long-term projects. In her politically driven, performance-based social practice, Bruguera activates communities through participatory projects that she categorizes as arte útil (useful art). Bruguera’s activism calls attention to injustice and advocates social change, as in Immigrant Movement International, which operates as a community center representing the interests of immigrant populations in Queens, New York.

Solo exhibitions of Bruguera’s work have been presented at the Malmö Konsthall, Sweden (2015); Van Abbemuseum, Eindhoven, Netherlands (2013); Queens Museum of Art, New York (2013); Tate Modern, London (2012); Centre Georges Pompidou, Paris (2010); Beirut Art Center (2007); Kunsthalle Wien, Vienna (2006); Museo Nacional de Bellas Artes, Havana (2004); San Francisco Art Institute (2002); and Centro de Arte Contemporáneo Wifredo Lam, Havana (1996), among other venues.

Bruguera’s art has been included in group exhibitions such as the Venice Biennale (2015); Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York (2014); Revolution Not Televised, Bronx Museum of the Arts, New York (2012); Riwaq Biennial, Ramallah, Palestine (2009); Gwangju Biennial, South Korea (2008); Moscow Biennial of Contemporary Art (2007); Istanbul Biennial (2003); Documenta, Kassel, Germany (2002); SITE Santa Fe Biennial (1999); Johannesburg Biennial (1997); São Paulo Biennial (1996); New Art from Cuba, Whitechapel Art Gallery, London (1995); and Havana Biennial (1994).

Mark Leckey GreenScreenRefrigeratorAction, 2010 Installation view: Gavin Brown’s enterprise, 2010 Samsung refrigerator, rear screen projection rig, digital video, green screen set, PA, can of coolant Courtesy the artist and Gavin Brown’s enterprise

Mark Leckey, GreenScreenRefrigeratorAction, 2010. Installation view: Gavin Brown’s enterprise, 2010
Samsung refrigerator, rear screen projection rig, digital video, green screen set, PA, can of coolant. Courtesy the artist and Gavin Brown’s enterprise

Mark Leckey (b. 1964, Birkenhead, UK) lives and works in London. Leckey’s fluid practice ranges across video, sculpture, music, performance, installations, and the exhibition format. His work unravels the entwined forces of desire, imagination, and cultural allegiance that shape our everyday experience, absorbing both rarified and lowbrow references into a unique artistic vocabulary.

Leckey’s work has been presented in solo exhibitions at Secession, Vienna (2015); Haus der Kunst, Munich (2015); Kunsthalle Basel (2015); WIELS Contemporary Art Centre, Brussels (2014); Hammer Museum, Los Angeles (2013); Serpentine Gallery, London (2011); Institute of Contemporary Art, London (2009); Solomon R. Guggenheim Museum, New York (2008); Tate Britain, London (2003); and Migros Museum für Gegenwartskunst, Zurich (2003).

Leckey’s work has also been included in group exhibitions such as Carnegie International, Carnegie Museum of Art, Pittsburgh (2013); Venice Biennale (2013); Ghosts in the Machine, New Museum of Contemporary Art, New York (2012); Push and Pull, Tate Modern, London (2011); Gwangju Biennial, South Korea (2010); Pictures in Motion: Artists & Video/Film, Museum Ludwig, Cologne (2010); Turner Prize, Tate Britain, London (2008); Yokohama Triennial (2008); Tate Triennial, Tate Britain, London (2006); Istanbul Biennial (2005); Manifesta, San Sebastián, Spain (2004); and Protest & Survive, Whitechapel Gallery, London (2000).

Ralph Lemon Untitled, 2010 Archival pigment print, 40 x 40 inches Courtesy the artist

Ralph Lemon, Untitled, 2010. Archival pigment print, 40 x 40 inches. Courtesy the artist

Ralph Lemon (b. 1952, Cincinnati) lives and works in New York. Lemon is a choreographer, writer, director, and visual artist whose interdisciplinary performance projects draw on political histories and personal relationships to illuminate the complexity and raw beauty of the human experience. Lemon combines dance, film, text, music, and sculptural installation in evocative programs that explore themes of identity, loss, and the body.

Lemon is Artistic Director of Cross Performance. His most recent projects include Scaffold Room (2015); Four Walls (2012); and How Can You Stay in The House All Day and Not Go Anywhere? (2008–10), a work that features live performance, film, and visual art and toured the United States. Lemon has curated the performance series Some sweet day at the Museum of Modern Art, New York (2012) and I Get Lost at Danspace Project, New York (2010).

His solo visual art exhibitions include 1856 Cessna Road, Studio Museum in Harlem, New York (2012); How Can You Stay in the House All Day and Not Go Anywhere?, Yerba Buena Center for the Arts, San Francisco (2010); (the efflorescence of) Walter, Contemporary Art Center, New Orleans (2008), The Kitchen, New York (2007), and Walker Art Center, Minneapolis (2006); and The Geography Trilogy, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut (2001). Group exhibitions featuring Lemon’s work include Move: Choreographing You, Hayward Gallery, London (2010) and The Record: Contemporary Art and Vinyl, Nasher Museum of Art, Duke University, Durham, North Carolina (2010).

Laura Owens Untitled, 2014 Oil, Flashe, and silkscreen ink on linen, 137.5 x 120 inches Courtesy the artist / Gavin Brown’s enterprise, New York / Sadie Coles HQ, London / Capitain Petzel, Berlin / Galerie Gisela Capitain, Cologne

Laura Owens, Untitled, 2014. Oil, Flashe, and silkscreen ink on linen, 137.5 x 120 inches. Courtesy the artist / Gavin Brown’s enterprise, New York / Sadie Coles HQ, London / Capitain Petzel, Berlin / Galerie Gisela Capitain, Cologne

Laura Owens (b. 1970, Euclid, Ohio) lives and works in Los Angeles. For the past two decades, Owens’s influential work has questioned the parameters and possibilities for making and viewing a painting today. She has continually shifted the terms of her practice, incorporating figuration, abstraction, digital techniques, and gestural mark making into multivalent compositions that confound expectations of pictorial space.

Owens’s work has been presented in solo exhibitions at Secession, Vienna (2015); Kunstmuseum Bonn (2011); Kunsthalle Zürich (2006); Camden Arts Centre, London (2006); Milwaukee Art Museum (2003); Aspen Art Museum, Colorado (2003); Museum of Contemporary Art, Los Angeles (2003); and Isabella Stewart Gardner Museum, Boston (2001), among other venues.

Owens’s art has also been featured in group exhibitions such as The Forever Now, Museum of Modern Art, New York (2014); Whitney Biennial, Whitney Museum of American Art, New York (2014); The Spectacular of Vernacular, Walker Art Center, Minneapolis (2011); Undiscovered Country, Hammer Museum, Los Angeles (2004); Whitney Biennial (2004); Public Offerings, Museum of Contemporary Art, Los Angeles (2001); Carnegie International, Carnegie Museum, Pittsburgh (1999); and Vertical Painting Show, P.S.1 Contemporary Art Center (1997). She is the founder of 356 S. Mission Rd., a contemporary art exhibition space in downtown Los Angeles. Continue reading

Fall 2015 Art Preview: “Walid Raad” Career Survey at The Musueum of Modern Art

Special Exhibitions Gallery, Third Floor And The Donald B. And Catherine C. Marron Atrium, Second Floor, October 12, 2015–January 31, 2016

MoMA presents the first comprehensive American survey of the artist Walid Raad (b. 1967, Lebanon), whose work in the last 25 years investigates distinctions between fact and fiction, and the ways in which we represent, remember, and make sense of history. The exhibition brings together over 20 bodies of work across various mediums—including photography, video, sculpture, and performance—identifying Raad as a pivotal figure in contemporary art. Dedicated to exploring the veracity of archives and photographic documents in the public realm, the role of memory and narrative within discourses of conflict, and the construction of histories of art in the Arab world, Raad’s work is informed by his upbringing in Lebanon during the civil war (1975–90), and by the socioeconomic and military policies that have shaped the Middle East in the past few decades.

Walid Raad. Hostage: The Bachar tapes (English version). 2001. Video (color, sound), 16:17 min. The Museum of Modern Art, New York. Gift of the Jerome Foundation in honor of its founder, Jerome Hill, 2003. © 2015 Walid Raad

Walid Raad. Hostage: The Bachar tapes (English version). 2001. Video (color, sound), 16:17 min. The Museum of Modern Art, New York. Gift of the Jerome Foundation in honor of its founder, Jerome Hill, 2003. © 2015 Walid Raad

Walid Raad. My Neck is Thinner Than a Hair: Engines (detail). 1996-2004. One hundred pigmented inkjet prints, 9 7/16 x 13 3/8″ (24 x 34 cm) each. The Museum of Modern Art, New York. Fund for the Twenty-First Century. © 2015 Walid Raad

Walid Raad. My Neck is Thinner Than a Hair: Engines (detail). 1996-2004. One hundred pigmented inkjet prints, 9 7/16 x 13 3/8″ (24 x 34 cm) each. The Museum of Modern Art, New York. Fund for the Twenty-First Century. © 2015 Walid Raad

The exhibition focuses on two of the artist’s long-term projects: The Atlas Group (1989–2004) and Scratching on things I could disavow (2007–ongoing). Under the rubric of The Atlas Group, a 15-year project exploring the contemporary history of Lebanon, Raad produced fictionalized photographs, videotapes, notebooks, and lectures that related to real events and authentic research in audio, film, and photographic archives in Lebanon and elsewhere. Raad’s recent work has expanded to address the Middle East region at large. His current ongoing project, Scratching on things I could disavow, examines the recent emergence in the Arab world of new infrastructure for the visual arts—comprised of art fairs, biennials, museums, and galleries—alongside the geopolitical, economic, and military conflicts that have consumed the region in the past few decades.

Walid Raad. Scratching on things I could disavow: Walkthrough. 2011. Performance, Kustenfestivaldesarts, Les Halles de Schaerbeek, Brussels, 2011. Photo © Piet Janssens

Walid Raad. Scratching on things I could disavow: Walkthrough. 2011. Performance, Kustenfestivaldesarts, Les Halles de Schaerbeek, Brussels, 2011. Photo © Piet Janssens

Walid Raad. Civilizationally, we do not dig holes to bury ourselves_Plate 922. 1958-59/2003. Pigmented inkjet print, 10 x 8” (25.4 x 20.3 cm). Courtesy the artist and Paula Cooper Gallery, New York. © 2015 Walid Raad

Walid Raad. Civilizationally, we do not dig holes to bury ourselves_Plate 922. 1958-59/2003. Pigmented inkjet print, 10 x 8” (25.4 x 20.3 cm). Courtesy the artist and Paula Cooper Gallery, New York. © 2015 Walid Raad

Walid Raad. Section 88: Views from outer to inner compartments. 2010. Single-channel HD video (color, silent), 14:36 min. Courtesy the artist and Paula Cooper Gallery, New York. © 2015 Walid Raad

Walid Raad. Section 88: Views from outer to inner compartments. 2010. Single-channel HD video (color, silent), 14:36 min. Courtesy the artist and Paula Cooper Gallery, New York. © 2015 Walid Raad

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Art Basel 2013: Outstanding Quality Results in Strong Sales

All Images Courtesy of Art Basel (www.artbasel.com)

Upcoming Art Basel shows:

Miami Beach, December 5 – 8, 2013

Hong Kong, May 15 – 18, 2014

Basel, June 19 – 22, 2014

‘Art Basel is undoubtedly the most eminent of all art fairs. But it still surprises – alongside its perfect mix of international participants and quality it is able to continue to improve every year, not only in terms of interest and sales but also in efficiency and attendance. 2013 was another highlight – beyond our expectation!’ – Thaddaeus Ropac, Galerie Thaddaeus Ropac, Paris, Salzburg

General view from art Basel 2013 held in early June. (Image courtesy of Art basel)

General outside view from Art Basel 2013 held in early June. (Image courtesy of Art Basel)

The 44th edition of Art Basel closed on Sunday, June 16, 2013, with galleries reporting exceptionally strong sales across all levels, as Basel once again became the central meeting place for the international art world. Many visitors to the show commented on the exceptional quality of the work being exhibited, which was undoubtedly reflected in the strength of the sales made by galleries across all sectors of the show throughout the week. Many exhibitors reported stronger sales on the opening preview day of the show than ever before.

Cherry and Martin, Robert Heinecken, Surrealism on TV, 1986, Courtesy the artist and the gallery

Cherry and Martin, Robert Heinecken, Surrealism on TV, 1986, Courtesy the artist and the gallery

Art Basel, whose lead partner is UBS, attracted a record of 70,000 visitors, generating an attendance of 86,000 over the six show days. Representatives and groups from over 70 museums around the world attended the show, alongside major private collectors from North and South America, Europe, and Asia. A significant number of artists attended this year’s edition, including: Kader Attia, Tom Burr, Thomas Demand, Meschac Gaba, Theaster Gates, Isa Genzken, Dominique Gonzalez-Foerster, Joana Hadjithomas & Khalil Joreige, Noriyuki Haraguchi, Roni Horn, Christian Jankowski, Idris Khan, Jorge Macchi, Steve McQueen, Matt Mullican, Sean Scully, Jim Shaw, John Stezaker, Eduardo Terrazas, Mickalene Thomas, Tunga and Danh Vo.

Art Basel 2013 | Unlimited | David Altmejd | Hufkens, Modern Art, Rosen

Art Basel 2013 | Unlimited | David Altmejd | Hufkens, Modern Art, Rosen

Art Basel presented 304 galleries from around the world exhibiting the work of over 4,000 artists, with many choosing to present thematic and solo-artist exhibitions. Galleries from across the globe debuted at the Basel show this year, coming from Belgium, Brazil, China, France, Germany, Greece, India, Italy, Japan, the Netherlands, the Philippines, Republic Singapore, South Korea, Spain, Turkey, United Arab Emirates, USA. Continue reading