Saks Fifth Avenue Announces 2017 Key To The Cure Campaign Benefitting Women’s Cancer Research Fund

Saks Fifth Avenue has teamed up with Women’s Cancer Research Fund (WCRF) for the 2017 Key To The Cure campaign. Now in its 19th year, Key To The Cure is Saks Fifth Avenue‘s annual fundraising and charitable initiative to fight cancer. This year, Women’s Cancer Research Ambassador Jennifer Lopez will act as the face of the campaign, and Missoni will design the exclusive, limited edition t-shirt.

Saks Fifth Avenue JLo

Saks Fifth Avenue Announces 2017 Key To The Cure Campaign Benefitting Women’s Cancer Research Fund With Women’s Cancer Research Ambassador Jennifer Lopez And Missoni.

For almost two decades, Key To The Cure has been one of the most iconic and valuable programs that Saks executes each year,” said Marc Metrick, President of Saks Fifth Avenue. “We look forward to raising funds for WCRF, as well as cancer research and treatment organizations around the country, and are confident that we will be successful, especially with the extraordinary support from both Jennifer Lopez and Missoni.

The Women’s Cancer Research Fund (WCRF), a program of the Breast Cancer Research Foundation, has supported innovative research directed at the development of more effective approaches to the prevention, early diagnosis, and treatment of women’s cancers since 1997. Founded by Jamie Tisch, Kate Capshaw, Rita Wilson, Anne Douglas, Quinn Ezralow, Kelly Chapman Meyer and Marion Laurie, WCRF has significantly moved the needle to advance life-saving research. Saks Fifth Avenue‘s annual KTTC Charity Shopping Weekend will kick off on Friday, Oct. 13, and will donate three percent of sales of designated merchandise up to $500,000 to WCRF from Friday to Sunday.

We are honored to partner with Saks Fifth Avenue on this year’s Key To The Cure campaign,” said Tisch. “We admire all that Saks has accomplished in support of cancer research over the years, and we are grateful to everyone who will participate in this event to raise critical funds.”

Saks Fifth Avenue MISSONI

Saks Fifth Avenue Key To The Cure 2017 t-shirt by MISSONI

Since the campaign’s inception 19 years ago, Saks Fifth Avenue has donated close to $40 million to cancer research and treatment organizations throughout the United States. Organizations that have benefitted from Saks Fifth Avenue’s charitable support include Stand Up To Cancer (SU2C), Cleveland Clinic, Boston’s Dana-Farber Cancer Institute, Nevada Cancer Institute and much more.

The Women’s Cancer Research Fund (WCRF) has supported innovative research directed at the development of more effective approaches to the prevention, diagnosis, treatment, and survivorship of women’s cancers since 1997. WCRF has significantly moved the needle to fast-track more effective approaches to the study of women’s cancers. In 2016, WCRF joined forces with the Breast Cancer Research Foundation (BCRF)—the largest private funder of breast cancer research worldwide. As a program of BCRF, the highest rated breast cancer organization in the country, WCRF will go even further in its ability to advance life-saving research. For more information, kindly visit www.wcrfcure.org or www.Instagram.com/wcrfcure.

Missoni, known for its colorful geometric motifs, created the exclusive 2017 Key To The Cure t-shirt. The design will be available for purchase from Oct. 1 through Oct. 31 at all Saks Fifth Avenue locations in the U.S. and Canada as well as on saks.com. One hundred percent of proceeds from the $35 t-shirt will be donated to twelve local cancer charities, including American Cancer Society, Breast Cancer Research Foundation, and TGen Foundation, among others.

It’s an honor to design the coveted Key To The Cure t-shirt for Saks Fifth Avenue,” said Angela Missoni. “This year marks my 20th anniversary as the Creative Director for Missoni and what better way to celebrate than to join the amazing roster of designers who have used their creative voices to support such an extraordinary cause.

Jennifer Lopez will act as the official 2017 WCRF Ambassador, appearing in the KTTC advertising campaign as well as in a Saks Fifth Avenue-sponsored national public service announcement. Past ambassadors and designer collaborations have included Halle Berry and Christian Louboutin, Jennifer Aniston and Peter Dundas, Gwyneth Paltrow and Karl Lagerfeld, and Heidi Klum and Michael Kors, among many well-known others.

For more information, kindly visit saks.com, Facebook.com/saks, Instagram.com/saks, Twitter.com/saks, Pinterest.com/saks, and Snapchat.com/saks_official.

The Museum at FIT Explores “Global Fashion Capitals”

Fashion & Textile History Gallery, June 2 – November 14, 2015
All photographs © The Museum at FIT
The globalization of fashion has given rise to new fashion cities that now annually host hundreds of fashion weeks around the world. Each city’s cultural identity and particular economic, political, and social circumstances combine to elevate its designers to international attention. Global Fashion Capitals explores the history of the established fashion capitals, Paris, New York, Milan, and London, and the emergence of 16 new fashion cities (including Tokyo, Antwerp, Stockholm, Berlin, St. Petersburg/Moscow, Madrid, Sydney/Melbourne, Mexico City, Sao Paolo, Istanbul and Mumbai).
A fashion capital is a city which has a major influence on international fashion trends and in which the design, production and retailing of fashion products – plus events such as fashion weeks, awards and trade fairs – generate significant economic output. The cities considered the Big Four fashion capitals of the world are: London, Paris, Milan and New York.
Fashion capitals usually have a broad mix of business, financial, entertainment, cultural and leisure activities and are internationally recognised for having a unique and strong identity. It has also been noted that the status of a fashion capital has become increasingly linked to a city’s domestic and international profile. Fashion capitals are also likely be part of a wider design scene, with design schools, fashion magazines and a local market of affluent consumers.
The exhibition (at The Museum at the Fashion Institute of Technology, Seventh Avenue at 27 Street, New York City 10001-5992) opens with a digital style map that geographically locates the fashion capitals and showcases their latest runway and street style photographs. Global Fashion Capitals continues city-by-city, starting with Paris, the birthplace of haute couture, represented by designs from Charles Frederick Worth, Gabrielle Chanel, Christian Dior, and the emerging couturier, Bouchra Jarrar.

Fashion has always existed at the crossroads of art and consumerism and never more so than in today’s society. The way we perceive our desires, bodies, and eras shapes fashion every season, as it shapes us. Paris fashion is at the center of it all. The French were the first to make an industry out of fashion, not just dress-making, and they have been exporting their style since the 17th century which is frankly before most of the world had even realized what fashion was. It all kicked off in the 17th century when the association of France with fashion and style was initiated by, surprise surprise, Louis XIV’s court.

The House of Worth, Cape, Circa 1890. Paris. Gift of the Estate of Elizabeth Arden. 69.160.9 Hip-length cape in cream lace with wide neckline border of black silk velvet; trimmed with black silk chenille bobble tassels

The House of Worth, Cape, Circa 1890. Paris. Gift of the Estate of Elizabeth Arden. 69.160.9
Hip-length cape in cream lace with wide neckline border of black silk velvet; trimmed with black silk chenille bobble tassels

The House of Worth, Cape, Circa 1890. Paris. Gift of the Estate of Elizabeth Arden. 69.160.9 Hip-length cape in cream lace with wide neckline border of black silk velvet; trimmed with black silk chenille bobble tassels

The House of Worth, Cape, Circa 1890. Paris. Gift of the Estate of Elizabeth Arden. 69.160.9
Hip-length cape in cream lace with wide neckline border of black silk velvet; trimmed with black silk chenille bobble tassels

The Sun King made it his business to be at the center of all that was beautiful in the world so the luxury goods industry in France became a royal commodity. The creation of the fashion press in the 1670s catapulted French fashion into the spotlight and the notions of different fashion “seasons” and the changing of styles became available to a bigger audience. Louis XIV himself was responsible for starting the trend for outrageous wigs of curled hair. The king was going bald so he over-compensated and the rest of the court followed suit.

Balenciaga , Cocktail dress , 1959, Paris. Gift of Kay Kerr Uebel. 75.170.1_20050512_01 Short evening dress in chartreuse ribbed silk with black chinÈ r; with bateau neckline; bubble skirt on hip yoke; and attached black satin ribbon tie; separate coordinating black satin ribbon sash

Balenciaga , Cocktail dress , 1959, Paris. Gift of Kay Kerr Uebel. 75.170.1_20050512_01
Short evening dress in chartreuse ribbed silk with black chinÈ r; with bateau neckline; bubble skirt on hip yoke; and attached black satin ribbon tie; separate coordinating black satin ribbon sash

In fact, he moved the needle towards extravagant fashion even more so because of his wigs. The French Royal court turned into a farcical game of one-upmanship where fashion was concerned – Whose wig is the tallest? Whose skirt is the widest and most covered in tiny bows? In Paris fashion big was the rage. This was most evident in the french movie, Ridicule, the 1996 French film set in the 18th century at the decadent court of Versailles, where social status can rise and fall based on one’s ability to mete out witty insults and avoid ridicule oneself, as well as one’s ability to be the most preening peacock in the room. The story also examines the social injustices of late 18th century France, in showing the corruption and callousness of the aristocrats.

The rebels were, of course, very quick to change all this and went very fast towards the opposite direction — what before had been of a baroque, almost decadent, excess, now everything was simple — as per the ideas of the era and also because hygiene had improved wonders by now and people had to buy more fabric to have at least one piece of clothing to wear while they cleaned the other one. And then the 1800s came and department stores were opened, giving a boost to Paris fashion. Instead of courtiers, France now had the bourgeoisie and, as the driving force that made the economy move from hand to hand (as in, they could actually move money around), French fashion found its way into society.

It wasn’t long until the couturier (designer) was born. It is, of course, as usually with designers, a controversial statement, but a man from England named Charles Frederick Worth is more or less accepted into the popular vernacular as the man who totally dominated the industry. He was the first to be considered a designer and not just a dressmaker – he invented the fashion show and the fashion label as a status symbol. He went on to become so successful and respected, in fact, that he earned the final say on whatever their customers were going to wear, regardless of their opinion. He also came up with the idea of actually sketching the design before producing an expensive sample garment. He was hailed as a genius for that.

In the late 19th and early 20th century, the French fashion industry exploded (Vogue was founded in 1892) and Jacques Doucet and Madeline Vionnet founded fashion houses. They were influenced by Art Nouveau and Orientalist trends and so finally women were “liberated” from corsets and heavy petticoats and instead wore their whimsical designs with flowing bias-cut dresses. In 1925 a little known designer called Coco Chanel first came into prominence and revolutionized Paris fashion and then the world’s.

In 1947, the world’s attention was on Paris once more as Christian Dior unveiled his “New Look” – the clinched in waists contrasted with majestic busts and full skirts delighted the post-war clientele in its femininity. Hubert de Givenchy and Pierre Balmain both opened fashion houses soon after and Paris was the center of the world again.

The 1960s saw the Parisian youth becoming disillusioned with French fashion, (apparently too elegant and elaborate) favoring instead the casual style seen in London. In 1966, Yves Saint Laurent put Paris in the spotlight again with his a prêt-à-porter (“ready to wear”) line which made fashion accessible to the masses. In fact, even though Paco Rabanne and Pierre Cardin pushed fashion towards the future, creating bold shapes they always had to stay under YSL’s shadow. He was undoubtedly king of the latter part of the century. He pioneered the tuxedo suit for women, seducing everyone with his androgynous style and Left Bank beatnik chic.***

The New York section begins with a circa 1938 iridescent evening gown by Nettie Rosenstein and ends with Alexander Wang’s sporty spring/summer 2015 neon orange dress. New York also includes styles by Claire McCardell, Halston, and Ralph Lauren.
Nettie Rosenstein, Evening dress, Circa 1938, New York, Gift of Gloria Carr de Veynac. 76.32.1

Nettie Rosenstein, Evening dress, Circa 1938, New York, Gift of Gloria Carr de Veynac. 76.32.1

Claire McCardell, Dress, 1954, New York . Gift of Sally Kirkland. 76.33.34_20080425_01 Sleeveless dress in beige muslin with black windowpane check; fitted midriff panel; calf-length flared skirt; wide wrap & tie sash

Claire McCardell, Dress, 1954, New York . Gift of Sally Kirkland. 76.33.34_20080425_01
Sleeveless dress in beige muslin with black windowpane check; fitted midriff panel; calf-length flared skirt; wide wrap & tie sash

Milan claimed its place as Italy’s fashion capital during the 1970s. Milan has established a long history within the fields of fashion, textiles and design in general. Throughout the late 19th century, the Lombard capital was a major production centre, benefitting from its status as one of the country’s salient economic and industrial powerhouses. Milanese fashion, despite taking inspiration from the leading Parisian couture of the time, developed its own approach, which was by nature devoted to sobriety, simplicity and the quality of the fabric. Throughout the 20th century, the city expanded its role as a fashion centre, with a number of rising designers contributing to Milan’s image as a stylistic capital. Following this development, Milan emerged in the 1970s and 1980s as one of the world’s pre-eminent trendsetters, maintaining this stint well into the 1990s and 2000s and culminating with its entrenchment as one of the “big four” global fashion capitals. As of today, Milan is especially renowned for its role within the prêt-à-porter category of fashion.

Milan’s fashion history has evolved greatly throughout the years. Milan began as a center of fashion in the Middle Ages and Renaissance, as in Venice and Florence, the making of luxury goods was an industry of such importance that in the 16th century the city gave its name to the English word “milaner” or “millaner”, meaning fine wares like jewellery, cloth, hats and luxury apparel. By the 19th century, a later variant, “millinery”, had come to mean one who made or sold hats.

In the mid-19th century cheaper silk began to be imported from Asia and the pest phylloxera damaged silk and wine production. More land was subsequently given over to industrialisation. Textile production was followed by metal and mechanical and furniture manufacture. In 1865, the first major department store in the country opened in Milan by the Bocconi brothers (which was called Alle Città d’Italia and later in 1921 became La Rinascente). This was regarded as a novelty at the time with regards to retailing in Italy. Though, traditionally, artisans would sell the items they made directly or to small stores, the opening of these new department stores modernized the distributions of clothes in the city.

In the 1880s and late 19th century, the Milanese style was partially inspired by French fashion, which at the time was still dominant in terms of influence, yet adapted according to local tastes; this included a generally somber and simple style, which was moderate in terms of decoration and ornamentation, and put an emphasis on the quality of tailoring and the different fabrics and textiles. The general Milanese interest in styling was reflected in the number of fashion magazines which circulated in the city at the time, as well as the fact that the people were ready to follow trends; nevertheless, the Milanese style was relatively traditional. The city had several tailors and seamstresses which in 1881 amounted to 249 and in 1886 to 383 (which were listed in guides).

In this period, the city was one of the biggest industrial powerhouses in Italy, and had a diversified fashion and clothing economy which was mainly based on small workshops rather than large companies (highlighted in an 1881 census). The importance of this industry continued in the city into the early 20th century, where 42,711 out of 175,871 workers were in the clothing sector in 1911.
However, in the 1970s, Milan’s fashion image became more glamorous, and as Florentine designs were deemed to be “very formal and expensive”, the city became a more popular shopping destination, with numerous boutiques which sold both elegant and everyday clothes. Milanese designs were known for their practicality and simple elegance, and became more popular and affordable than Florentine and Parisian designs. The city became one of the main capitals for ready-to-wear female and male fashion in the 1970s.  Milan started to become an internationally successful and famous fashion capital towards the late-1980s and early 1990s.
Milan has been home to numerous fashion designers, including Giorgio Armani, Valentino Garavani, Gianni Versace, Gianfranco Ferrè,Domenico Dolce, Stefano Gabbana, Miuccia Prada, Mariuccia Mandelli alias Krizia, Antonio Marras, Alessandro Dell’Acqua, Franco Moschino, Gimmo Etro, Mila Schön, Nicola Trussardi, Ottavio Missoni, Donatella Versace, Maria Grazia Chiuri, Pierpaolo Piccioli and Giuseppe Zanotti in addition to Fausto Puglisi, Francesco Scognamiglio, Alessandra Facchinetti, Gabriele Colangelo, Simonetta Ravizza, Stella Jean and Marco De Vincenzo, just to name a few younger designers.
Prada , Ensemble , Fall 2007, Milan, Gift of Prada, 2007.20.1 Coat with black textured wool blazer fringed with plastic strips, stitched to orange fleece skirt with rust pile hem band; red silk ribknit toeless stockings; black satin shoes with hardware buckle, high curved heel and back covered in taupe satin

Prada , Ensemble , Fall 2007, Milan, Gift of Prada, 2007.20.1
Coat with black textured wool blazer fringed with plastic strips, stitched to orange fleece skirt with rust pile hem band; red silk ribknit toeless stockings; black satin shoes with hardware buckle, high curved heel and back covered in taupe satin

Most of the major Italian fashion houses and labels are based in Milan, even though many of them were founded in other cities. They include: Armani, Bottega Veneta, Canali, Costume National, Dolce & Gabbana, Dsquared2, Etro, Iceberg, Les Copains, Marni, Missoni, Miu Miu, Moncler, Frankie Morello, Moschino, MSGM, N°21, Prada, Fausto Puglisi, Tod’s, Trussardi, Valentino, Versace, Giuseppe Zanotti, Zagliani, Ermenegildo Zegna, and the eyewear company Luxottica.
Christopher Kane, Dress, Fall 2014, London, Museum Purchase, 2015.15.1

Christopher Kane, Dress, Fall 2014, London, Museum Purchase, 2015.15.1

Christopher Kane, Dress, Fall 2014, London, Museum Purchase, 2015.15.1

Christopher Kane, Dress, Fall 2014, London, Museum Purchase, 2015.15.1

London captured international attention with “youthquake” fashions during the 1960s. Provocative designers such as Vivienne Westwood, John Galliano, and Alexander McQueen established London as a creative fashion hub during the decades since.

 

When selecting which emerging fashion capitals to include in the exhibition, the curators considered a number of indicators to show that a city’s fashion scene is growing. All the featured cities are home to forward-thinking designers who have achieved domestic success and attracted international interest. They also hold fashion weeks attended by international press and fashion buyers.

 

 

Several factors drive the development of a city’s fashion scene—politics, economics, and government support among them. For example, Johannesburg fashion blossomed during the post-apartheid era, led by designers such as Nkhensani Nkosi of Stoned Cherrie. Current events in Ukraine have ignited the creativity of designers such as Anton Belinskiy, who staged a photoshoot amid Kiev’s street protests.
China’s economic growth over the last decade created consumer demand for international fashion, developing into support for successful domestic designers, such as Shanghai’s Masha Ma. Nigeria’s economy, the largest in Africa, supports Lagos’ developing fashion industry and the growing international reach of brands like Maki Oh and Lisa Folwaiyo. The governments of Copenhagen and Seoul actively fund and promote their fashion industries.
On October 13, 2015, The Museum at FIT, in conjunction with CUNY Graduate Center, will host a one day symposium on the topic of global fashion capitals. The morning session will take place on the FIT campus and will consist of a student fair, where visitors can interact with members of the international fashion community. The morning will also include a fashion show featuring five designers from emerging fashion capitals and a panel discussion moderated by MFIT curators Ariele Elia and Elizabeth Way. The afternoon session will take place at the CUNY Graduate Center, details to follow.
Global Fashion Capitals is organized by Ariele Elia, assistant curator of costume and textiles, and Elizabeth Way, curatorial assistant, The Museum at FIT.

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amfAR’s CINEMA AGAINST AIDS GALA RAISES A RECORD BREAKING $35 MILLION FOR RESEARCH TO FIGHT HIV/AIDS AND TO HELP FIND A CURE

EVENT SPONSORED BY WORLDVIEW ENTERTAINMENT, BOLD FILMS, BVLGARI, MERCEDES-BENZ and THE WEINSTEIN COMPANY

The 21st annual Cinema Against AIDS raised a record $35 million last night, helping amfAR in its continued fight against HIV/AIDS. The star-studded black-tie event was held at the Hotel du Cap Eden Roc and was presented by Worldview Entertainment, Bold Films, and BVLGARI.
CAP D'ANTIBES, FRANCE - MAY 22:  Harvey Weinstein and Heidi Klum speak onstage during amfAR's 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d'Antibes, France.  (Photo by Tim P. Whitby/Getty Images for amfAR)

CAP D’ANTIBES, FRANCE – MAY 22: Harvey Weinstein and Heidi Klum speak onstage during amfAR’s 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d’Antibes, France. (Photo by Tim P. Whitby/Getty Images for amfAR)

CAP D'ANTIBES, FRANCE - MAY 22:  Dean Caten, Sharon Stone and Dan Caten attend amfAR's 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d'Antibes, France.  (Photo by Pascal Le Segretain/amfAR14/WireImage)

CAP D’ANTIBES, FRANCE – MAY 22: Dean Caten, Sharon Stone and Dan Caten attend amfAR’s 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d’Antibes, France. (Photo by Pascal Le Segretain/amfAR14/WireImage)

Since amfAR’s late Founding International Chairman Dame Elizabeth Taylor hosted the first Cinema Against AIDS in 1993, the event has become the most coveted ticket in Cannes. Past events have been chaired by amfAR Global Fundraising Chairman Sharon Stone, President Bill Clinton, Demi Moore, Sir Elton John, and Madonna, among many others.
Like the epidemic itself, AIDS research knows no borders. amfAR’s programs have had a global reach since 1986, when the Foundation began awarding international grants. Today, amfAR continues to fund HIV/AIDS researchers worldwide and works to translate their research into effective policy, prevention, and treatment programs around the globe.
CAP D'ANTIBES, FRANCE - MAY 22:  (L-R) Eva Herzigova and Sharon Stone speak onstage during amfAR's 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d'Antibes, France.  (Photo by Dominique Charriau/WireImage)

CAP D’ANTIBES, FRANCE – MAY 22: (L-R) Eva Herzigova and Sharon Stone speak onstage during amfAR’s 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d’Antibes, France. (Photo by Dominique Charriau/WireImage)

CAP D'ANTIBES, FRANCE - MAY 22:  Kellan Lutz attends amfAR's 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d'Antibes, France.  (Photo by Andreas Rentz/amfAR14/WireImage)

CAP D’ANTIBES, FRANCE – MAY 22: Kellan Lutz attends amfAR’s 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d’Antibes, France. (Photo by Andreas Rentz/amfAR14/WireImage)

Sharon Stone was once again a Chair of the event, along with Harvey Weinstein, amfAR ambassador Milla Jovovich, Heidi Klum, BVLGARI Ambassador Carla Bruni-Sarkozy, John Travolta, Kelly Preston, Aishwarya Rai Bachchan and Abhishek Bachchan, Carine Roitfeld, amfAR Chairman Kenneth Cole, Bulgari Group Chief Executive Officer Jean-Christophe Babin, amfAR Global Fundraising Ambassador Milutin Gatsby, Michel Litvak, Vincent Roberti, Remo Ruffini, Worldview Entertainment chairman and CEO Christopher Woodrow, and Worldview Entertainment COO Molly Conners.

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Academy of Arts University Fashion Design and Textile Design Students Shine at Fall/Winter 2014 New Fashion Week

Designer Profile and Inspiration Images by David Dooley/Runway Images by Randy Brooke/WireImage 

Every designer dreams of showing their collection at Mercedes- Benz Fashion Week, and on Friday, February 7th that dream came true for 13 designers from the School of Fashion at Academy of Art University. “Since 2005, the School of Fashion has premiered the collections of students and recent graduates during New York Fashion Week. Part of our commitment to our students is to help launch their careers and have their work seen by industry professionals,” said Dr. Elisa Stephens, President of Academy of Art University. “Debuting these designers’ collections during Mercedes-Benz Fashion Week is an incredible opportunity for each of them.”

With more than 18,000 students, Academy of Art University is the nation’s largest accredited private art and design university. Established in 1929, the school offers accredited A.A., B.A., B.F.A., M.A., M.F.A., and M.Arch degree programs in Acting, Advertising, Animation & Visual Effects, Architecture, Art Education, Art History, Fashion, Fine Art, Game Design, Graphic Design, Illustration, Industrial Design, Interior Architecture & Design, Jewelry & Metal Arts, Landscape Architecture, Motion Pictures & Television, Multimedia Communications, Music Production & Sound Design for Visual Media, Photography, Visual Development, and Web Design & New Media. Online degrees are offered in most areas. Academy of Art University is an accredited member of WASC (Western Association of Schools and Colleges), NASAD (National Association of Schools of Art and Design), NAAB (Master of Architecture), and CIDA (Council for Interior Design Accreditation offered for BFA-IAD, MFA-IAD).

For the Fall 2014 season, 13 designers presented eight collections, four of which were collaborations between Fashion Design and Textile Design students. In total, six womenswear and two menswear collections were presented at the Academy of Art University Mercedes-Benz Fashion Week show.

Jaci_Hodges_Nisha_Hanna_Btesh_lineup

Jaci Hodges, M.F.A. Fashion Design, collaborated with Nisha Hanna Btesh, B.F.A. Textile Design, on a 1960s-inspired womenswear collection that was created with the use of Shibori, the Japanese technique of resistance felting. Originally from Austin, TX, Jaci holds a B.B.A. in Marketing with a minor in Philosophy. Additionally, she recently completed a design internship with gr.dano, a Bay Area ready-to-wear company co-founded by fellow alumna Jill Giordano. Nisha is a California native, born and raised in San Diego. Jaci and Nisha were inspired by the excess of prints worn during the late 1960s, in particular to those seen on the Brady Bunch, and the costumes worn by Mia Farrow in the film Dandy in Aspic.

Frank_Tsai_Andrea_Nieto_lineup

Frank Tsai, M.F.A. Fashion Design, collaborated with Andrea Nieto, B.F.A. Textile Design, on a menswear collection inspired by the mood and emotion of an international photography collection, “Beauty in Decay,” personal struggle, raw emotion, and the different stages of the healing process. Frank was born and raised in Kaohsiung, Taiwan, earned a B.S. Degree in Fashion Design and Merchandising, was awarded high honors for his undergraduate fashion show, and worked as the Marketing Manager for FU YU Clothing Company. Andrea grew up in Cali, Valle del Cauca, Colombia, is on the Academy of Art University President’s Honor List, was awarded a $10,000 scholarship through the YMA Scholarship Fund as a Geoffrey Beene National Scholar, and recently finished a design internship at BCBGMAXAZRIA. Continue reading

NEIMAN MARCUS UNVEILS THE 2013 SPRING ART OF FASHION CAMPAIGN FEATURING ARTIST WALTER CHIN

Neiman Marcus Art of Fashion Alexander McQueen.  (PRNewsFoto/Neiman Marcus)

Neiman Marcus Art of Fashion Alexander McQueen. (PRNewsFoto/Neiman Marcus)

Neiman Marcus announced WALTER CHIN as the photographer of THE ART OF FASHION campaign for SPRING 2013. The campaign, featuring models KARLIE KLOSS and VIKA FALILEEVA, includes twenty-two images of spring fashions and will appear in the March edition of the Neiman Marcus publication, the book.  The campaign is presently running in the March 2013 issue of Vogue.

Neiman Marcus Art of Fashion Christian Louboutin.  (PRNewsFoto/Neiman Marcus)

Neiman Marcus Art of Fashion Christian Louboutin. (PRNewsFoto/Neiman Marcus)

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