RCA/Legacy Recordings Set to Release 40th Anniversar​y 2CD Edition of Elvis Recorded Live On Stage In Memphis, the King of Rock’s Triumphant 1974 Hometown Return Conce

Newly Remastered Album Includes All Concert Tracks Not Included on Original Vinyl

2nd Disc Premieres Previously Unreleased MONO “Test Run” of Entire Concert Recorded with a Live Audience at the Richmond Coliseum on March 18, 1974

"Elvis Recorded Live On Stage In Memphis" to be released March 18.  (PRNewsFoto/Legacy Recordings)

“Elvis Recorded Live On Stage In Memphis” to be released March 18. (PRNewsFoto/Legacy Recordings)

RCA Records and Legacy Recordings, the catalog division of Sony Music Entertainment, will celebrate the 40th Anniversary of Elvis Recorded Live On Stage In Memphis (http://smarturl.it/elvis_ERLOSIM_amzn) with an expanded 2CD release of the monumental concert experience featuring tracks left off the original album (because of the spatial limitations of vinyl) plus a wealth of previously unreleased material.

Disc 2 of the newly remastered expanded Legacy Edition of Elvis Recorded Live On Stage In Memphis presents for the first time a recently located recording of Elvis’ complete concert “test run” held for an ecstatic live audience on March 18, 1974, two days before his historic concert return to Memphis, where he’d last played live in 1957.  The remarkable “test run” performance was recorded in MONO, drenched in the reverb Elvis preferred, and provides new insight into the magic of Elvis.

As a special added bonus for Elvis aficionados, Disc 2 of Elvis Recorded Live On Stage In Memphis includes five intimate tracks (three of them previously unreleased) cut at the RCA Studios in Hollywood on August 16, 1974. Originally intended as reference recordings for an upcoming Las Vegas engagement, the performances–which include “Down In The Alley,” “Good Time Charlie’s Got The Blues,” “Softly As I Leave You,” “The First Time Ever I Saw Your Face” and “The Twelfth Of Never”–provide a rare fly-on-the-wall glimpse into Elvis’ consummate backstage artistry as he prepares these songs for concert.

The musicians backing Elvis on Elvis Recorded Live On Stage In Memphis include James Burton and John Wilkinson (guitars); Charlie Hodge (guitar and vocals); Duke Bardwell (bass); Ronnie Tutt (drums); Glen D. Hardin (piano); The Sweet Inspirations, J.D. Sumner & The Stamps, Kathy Westmoreland (vocals) with Joe Guercio and his Orchestra.

Elvis Recorded Live On Stage In Memphis will include a 24 page booklet featuring rare photos, previously unseen memorabilia, new liner notes, press clips and more.

Following the artistic success of his 1973 Stax sessions and the global phenomenon of the Aloha From Hawaii Via Satellite album and broadcast the same year, Elvis opened 1974 with a 15 city tour routed to end in Memphis and a state-of-the-art concert recording.

I wanted to record a live session in my hometown of Memphis,” said Elvis at the time.  “After all, this is where it all started out for me.”

Originally released on vinyl on July 7, 1974, Elvis Recorded Live On Stage In Memphis reached #1 on the Country charts and featured “How Great Thou Art,” the track that would bring Elvis his third (and third Gospel) Grammy win.

Elvis Recorded Live On Stage In Memphis
Disc 1
Also Sprach Zarathustra
See See Rider
I Got A Woman/Amen
Love Me
Trying To Get To You
All Shook Up (not included on original album)
Steamroller Blues (not included on original album)
Teddy Bear-Don’t Be Cruel (not included on original album)
Love Me Tender (not included on original album)
Long Tall Sally-Whole Lotta Shakin’ Goin’ On-Mama Don’t Dance-Flip, Flop And Fly-Jailhouse Rock-Hound Dog
Fever (not included on original album)
Polk Salad Annie (not included on original album)
Why Me Lord
How Great Thou Art
Suspicious Minds (not included on original album)
Introductions (not included on original album)
Help Me
An American Trilogy
Let Me Be There
My Baby Left Me
Lawdy, Miss Clawdy (not included on original album)
Funny How Time Slips Away (not included on original album)
Can’t Help Falling In Love
Closing Vamp

Disc 2
The Richmond “Test Run” Concert – previously unreleased
Also Sprach Zarathustra
See See Rider
I Got A Woman/Amen
Love Me
Trying To Get To You
All Shook Up
Steamroller Blues
Teddy Bear-Don’t Be Cruel
Love Me Tender
Long Tall Sally-Whole Lotta Shakin’ Goin’ On-Mama Don’t Dance-Flip, Flop And Fly-Jailhouse Rock-Hound Dog
Fever
Polk Salad Annie
Why Me Lord
How Great Thou Art
Suspicious Minds
Introductions
Help Me
An American Trilogy
Let Me Be There
My Baby Left Me
Lawdy, Miss Clawdy
Funny How Time Slips Away
Can’t Help Falling In Love
Closing Vamp

Recorded live March 18, 1974 at the Coliseum, Richmond
The August 1974 RCA Rehearsal
Down In The Alley (previously unreleased)
Good Time Charlie’s Got The Blues (previously unreleased)
Softly As I Leave You
The First Time Ever I Saw Your Face (previously unreleased)
The Twelfth Of Never

Sundance Institute Announces Films in Contention in the U.S. and World Competitions, NEXT Section for the 2014 Sundance Film Festival

30TH ANNIVERSARY OF THE SUNDANCE FILM FESTIVAL WILL FEATURE 118 FEATURE-LENGTH FILMS The Sundance Institute has announced the films selected for the U.S. and World Cinema Dramatic and Documentary Competitions and the out-of-competition NEXT <=> (Wave) Section of the 2014 Sundance Film Festival, January 16-26 in Park City, Salt Lake City, Ogden and Sundance, Utah. pdc_sundance2014logo Celebrating its 30th anniversary in 2014, the Sundance Film Festival (www.sundance.org/festival) has introduced global audiences to some of the most groundbreaking films of the past three decades, including Beasts of the Southern Wild, Fruitvale Station, Little Miss Sunshine, An Education, sex, lies, and videotape, Reservoir Dogs, The Cove, Hedwig and the Angry Inch, An Inconvenient Truth, Precious, and Napoleon Dynamite, and through its New Frontier initiative, has showcased the cinematic works of media artists including Isaac Julien, Doug Aitken, Pierre Huyghe, Jennifer Steinkamp, and Matthew Barney.

Founded by Robert Redford in 1981, the Sundance Institute (www.sundance.org) is a global, nonprofit cultural organization dedicated to nurturing artistic expression in film and theater, and to supporting intercultural dialogue between artists and audiences. The Institute promotes independent storytelling to unite, inform and inspire, regardless of geo-political, social, religious or cultural differences. Internationally recognized for its annual Sundance Film Festival and its artistic development programs for directors, screenwriters, producers, film composers, playwrights and theatre artists, Sundance Institute has nurtured such projects as the ones previously mention and including Sin Nombre, Spring Awakening, Born into Brothels, Trouble the Water, Light in the Piazza and Angels in America.

Keri Putnam, Executive Director of Sundance Institute, said, “We are energized by the rich diversity of voices, characters and places represented in the films selected for our 2014 Sundance Film Festival. Independent filmmakers continue to engage us with stories from worlds both intimately familiar and unknown.”story-sundance-2014-logo-web-2-220492 For the 2014 Sundance Film Festival, 118 feature-length films were selected, representing 37 countries and 54 first-time filmmakers, including 34 in competition. These films were selected from 12,218 submissions (72 more than for 2013), including 4,057 feature-length films and 8,161 short films. Of the feature film submissions, 2,014 were from the U.S. and 2,043 were international. 97 feature films at the Festival will be world premieres. In addition to those announced, the Festival presents feature-length films in the Spotlight, Park City at Midnight, New Frontier, Premieres and Documentary Premieres sections. Those announcements, as well as selections for the Short Film section and new Sundance Kids section of films for younger audiences, are forthcoming.

John Cooper, Director of the Sundance Film Festival, said, “The films selected for our 2014 Festival show that filmmakers are empowered and emboldened by the 30-year legacy of the independent film movement. The confidence to play with the medium and to surprise audiences indicates the vital role independent film has come to serve in the cultural landscape.”

On Day One, January 16, 2014, the Festival will screen one film from each of the four Competition sections, as well as one shorts program. A selection of films from the 2014 Festival will be among those presented at other Sundance Institute programs throughout the year, including the Sundance London film and music festival, April 25-27 at The O2, and the NEXT WEEKEND summer film festival in Los Angeles.

Robert Redford, President & Founder of Sundance Institute said, “That the Festival has evolved and grown as it has over the past 30 years is a credit to both our audiences and our artists, who continue to find ways to take risks and open our minds to the power of story. This year’s films and artists promise to do the same.”

U.S. DRAMATIC COMPETITION

Presenting the world premieres of 16 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film.

Camp X-Ray, Sundance Film Festival 2014

Camp X-Ray, Sundance Film Festival 2014

Camp X-Ray / U.S.A. (Director and screenwriter: Peter Sattler) — A young woman is stationed as a guard in Guantanamo Bay, where she forms an unlikely friendship with one of the detainees. Cast: Kristen Stewart, Payman Maadi, Lane Garrison, J.J. Soria, John Carroll Lynch.

Cold in July, Sundance Film Festival 2014

Cold in July, Sundance Film Festival 2014

Cold in July / U.S.A. (Director: Jim Mickle, Screenwriters: Jim Mickle, Nick Damici) — After killing a home intruder, a small town Texas man’s life unravels into a dark underworld of corruption and violence. Cast: Michael C. Hall, Don Johnson, Sam Shepard, Vinessa Shaw, Nick Damici, Wyatt Russell. Dear White People/ U.S.A. (Director and screenwriter: Justin Simien) — Four black students attend an Ivy League college where a riot breaks out over an “African American” themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in postracial America while weaving a story about forging one’s unique path in the world. Cast: Tyler Williams, Tessa Thompson, Teyonah Parris, Brandon Bell.

Dear White People/ U.S.A. (Director and screenwriter: Justin Simien) — Four black students attend an Ivy League college where a riot breaks out over an “African American” themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in postracial America while weaving a story about forging one’s unique path in the world. Cast: Tyler Williams, Tessa Thompson, Teyonah Parris, Brandon Bell.

Fishing Without Nets, Sundance Film Festival 2014

Fishing Without Nets, Sundance Film Festival 2014

Fishing Without Nets, Sundance Film Festival 2014

Fishing Without Nets, Sundance Film Festival 2014

Fishing Without Nets, Sundance Film Festival 2014

Fishing Without Nets, Sundance Film Festival 2014

Fishing Without Nets / U.S.A., Somalia, Kenya (Director: Cutter Hodierne, Screenwriters: Cutter Hodierne, John Hibey, David Burkman) — A story of pirates in Somalia told from the perspective of a struggling, young Somali fisherman. Cast: Abdikani Muktar, Abdi Siad, Abduwhali Faarah, Abdikhadir Hassan, Reda Kateb, Idil Ibrahim.

God's Pocket - Philip Seymour Hoffman and Eddie Marsan (Photo credit: Lance Acord)

God’s Pocket – Philip Seymour Hoffman and Eddie Marsan (Photo credit: Lance Acord)

God's Pocket - Christina Hendricks (Photo credit: Lance Acord)

God’s Pocket – Christina Hendricks (Photo credit: Lance Acord)

God's Pocket - Philip Seymour Hoffman and John Turturro (Photo credit: Lance Acord)

God’s Pocket – Philip Seymour Hoffman and John Turturro (Photo credit: Lance Acord)

God’s Pocket/ U.S.A. (Director: John Slattery, Screenwriters: John Slattery, Alex Metcalf) — When Mickey’s stepson Leon is killed in a construction “accident,” Mickey tries to bury the bad news with the body. But when the boy’s mother demands the truth, Mickey finds himself stuck between a body he can’t bury, a wife he can’t please, and a debt he can’t pay. Cast: Philip Seymour Hoffman, Richard Jenkins, Christina Hendricks, John Turturro. Continue reading