Save The Date: “Rei Kawakubo/Comme des Garçons: Art of the In-Between” at The Metropolitan Museum of Art

Exhibition Dates: May 4–September 4, 2017

Member Previews: May 2–May 3, 2017

Exhibition Location: The Met Fifth Avenue, Iris and B. Gerald Cantor Exhibition Hall, Floor 2

The Metropolitan Museum of Art’s Costume Institute spring 2017 exhibition, Rei Kawakubo/Comme des Garçons: Art of the In-Between, on view from May 4 through September 4, will examine Kawakubo’s fascination with the space between boundaries. This in-between space is revealed in Kawakubo’s work as an aesthetic sensibility, establishing an unsettling zone of oscillating visual ambiguity that challenges conventional notions of beauty, good taste, and fashionability. Not a traditional retrospective, this thematic exhibition will be The Costume Institute’s first monographic show on a living designer since the Yves Saint Laurent exhibition in 1983.

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Rei Kawakubo (Japanese, born 1942) for Comme des Garçons (Japanese, founded 1969). Cubisme, spring/summer 2007; Courtesy of Comme des Garçons. Photograph by © Craig McDean

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Rei Kawakubo (Japanese, born 1942) for Comme des Garçons (Japanese, founded 1969). 18th-Century Punk, autumn/winter 2016–17; Courtesy of Comme des Garçons. Photograph by © Paolo Roversi

In blurring the art/fashion divide, Kawakubo asks us to think differently about clothing,” said Thomas P. Campbell, Director of The Met. “Curator Andrew Bolton will explore work that often looks like sculpture in an exhibition that will challenge our ideas about fashion’s role in contemporary culture.”

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Rei Kawakubo (Japanese, born 1942) for Comme des Garçons (Japanese, founded 1969). Inside Decoration, autumn/winter 2010–11; Courtesy of Comme des Garçons. Photograph by © Craig McDean

The exhibition will feature approximately 150 examples of Kawakubo’s womenswear designs for Comme des Garçons, dating from the early 1980s to her most recent collection. Objects will be organized into eight dominant and recurring aesthetic expressions of interstitiality in Kawakubo’s work: Fashion/Anti-Fashion, Design/Not Design, Model/Multiple, Then/Now, High/Low, Self/Other, Object/Subject, and Clothes/Not Clothes. Kawakubo breaks down the imaginary walls between these dualisms, exposing their artificiality and arbitrariness. Her fashions demonstrate that interstices are places of meaningful connection and coexistence as well as revolutionary innovation and transformation, providing Kawakubo with endless possibilities to rethink the female body and feminine identity.

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Rei Kawakubo (Japanese, born 1942) for Comme des Garçons (Japanese, founded 1969); Courtesy of Comme des Garçons. Photograph by © Paolo Roversi

Rei Kawakubo is one of the most important and influential designers of the past 40 years,” said Andrew Bolton, Curator in Charge of The Costume Institute. “By inviting us to rethink fashion as a site of constant creation, recreation, and hybridity, she has defined the aesthetics of our time. Continue reading

BARNEYS NEW YORK AND THE WALT DISNEY COMPANY LAUNCH ELECTRIC HOLIDAY, ITS HOLIDAY 2012 PROGRAM

BARNEYS NEW YORK, the luxury specialty retailer, and THE WALT DISNEY COMPANY, the world’s leading entertainment company, launched the 2012 HOLIDAY project ELECTRIC HOLIDAY at the BARNEYS NEW YORK MADISON AVENUE FLAGSHIP STORE last night. A multi-platform initiative infused with fashion and fantasy, ELECTRIC HOLIDAY merges the creativity and magic of DISNEY with the wit and surprise of the legendary BARNEYS NEW YORK annual holiday project to create a celebration of festive modern electric lights, music and fashion.

Barneys New York And The Walt Disney Company Announce Holiday 2012 Campaign: Electric Holiday. (PRNewsFoto/Barneys New York)

Disney is proud to be part of New York’s holiday magic this year,” said ROBERT A. IGER, CHAIRMAN AND CHIEF EXECUTIVE OFFICER OF THE WALT DISNEY COMPANY. “Together with Barneys, we’ve created a one-of-a-kind experience that combines Disney’s great characters and storytelling with high fashion for a spectacular celebration of the season.” Continue reading