Artsy and UBS Release Multimedia Feature “The Year in Art”

Report Engages Audience with 2016’S Art Trends, People, News, and Events

Artsy, in collaboration with, today launched an immersive experience that will guide users through the most important art and culture moments, influential artists and curators, and most impactful exhibitions of 2016. Presented as an easily digestible, accessible look at the past year in art, the feature takes a broader look at the art world, connecting important moments in that sphere to current events in the world at large. This is the fourth iteration of Artsy and UBS’s ongoing partnership, following their collaboration on The Art Market (in Four Parts), a four part series exploring the contemporary art market.download

Earlier iterations of Artsy and UBS’s continuing collaboration include a series of short films about the 56th International Art Exhibition of la Biennale di Venezia, The Year in Art 2015, and the previously-mentioned The Art Market (in Four Parts).

The Year in Art feature is informed by data gleaned from UBS’s Planet Art mobile app (an aggregator of contemporary art news) and Artsy’s proprietary data, as well as input from Artsy’s close collaborators—artists, curators, collectors, critics, and others—which was then interpreted and filtered through Artsy’s editorial team. The feature highlights particularly impactful “moments” in the global art calendar from the past year, including Brexit (exploring a possible cooling of the art market); the re-emergence of Dread Scott’s flag (and its adoption by the Black Lives Matter movement); and the release of the Oculus Rift headset (focusing on the proliferation of virtual reality in society at large), amongst others. Articles announcing The Most Influential Living Artists of 2016, Most Influential Curators of 2016, Top Emerging Artists of 2016, and Artists to Watch in 2017 round out the feature, providing a robust snapshot of the past year, and a reference for years to come.

Artsy is the leading resource for learning about and collecting art from over 4,000 leading galleries, 700 museums and institutions, 60 international art fairs, and select auctions. Artsy provides free access via its website (Artsy.net) and iPhone and iPad apps to 500,000 images of art and architecture by 50,000 artists, which includes the world’s largest online database of contemporary art. Artsy’s encyclopedic database spans historical works, such as the Rosetta Stone and the Colosseum, to modern and contemporary works by artists such as Pablo Picasso, Willem de Kooning, Richard Serra, Sarah Lucas, and Cindy Sherman. Powered by The Art Genome Project, a classification system that maps the connections between artists and artworks, Artsy fosters new generations of art lovers, museum-goers, patrons, and collectors.

This is the latest initiative in our overarching mission to drive the conversation around art forward in a thoughtful and accessible way,” notes Marina Cashdan, Artsy’s editorial director. “As interest and engagement with visual culture grows, globally rich features such as this are important references and touchstones to understanding society’s relationship to the most influential art and artists of today. Partnering with UBS on our fourth project together, and having access to Planet Art’s detailed analytics, was integral to realizing this comprehensive feature.

UBS’s long and substantial record of patronage in contemporary art enables clients and audiences to participate in the international conversation about art and the global art world through the firm’s global art platform. In addition to the UBS Art Collection, considered one of the world’s largest and most important corporate collections of contemporary art, UBS has an extensive roster of contemporary art programs that include the firm’s long-term support for the premier international Art Basel shows in Basel, Miami Beach and Hong Kong, for which UBS serves as global Lead Partner; the Guggenheim UBS MAP Global Art Initiative with the Solomon R. Guggenheim Museum; and a global exhibition tour of WOMEN: New Portraits, an exhibition of newly commissioned photographs by renowned photographer Annie Leibovitz. Continue reading

UBS celebrates Art Basel Miami Beach 2016

First Major Publication About UBS’s Renowned Art Collection In Nearly A Decade – UBS Art Collection: To Art Its Freedom, Published By Hatje Cantz – Debuts At Art Basel In Miami Beach

Accompanying Display In UBS Lounge Will Showcase Seminal Works Featured In The New Ubs Publication Including Those By Artists Cy Twombly, Alex Katz, Ed Ruscha, Tracey Emin, Sarah Morris And Doug Aitken

UBS will celebrate the opening of Art Basel Miami Beach 2016 by releasing its first major print publication on the UBS Art Collection in nearly a decade. UBS Art Collection: To Art its Freedom is a 274-page, deluxe hardback overview of the UBS Art Collection that includes a text on the history of the collection written by Mary Rozell, Global Head UBS Art Collection, as well as an essay by noted scholar Dieter Buchhart. The volume features more than 200 color illustrations of works by acknowledged masters such as Cy Twombly, Alighiero Boetti, Mary Heilmann, Ed Ruscha and Christopher Wool alongside a number of the collection’s recent acquisitions and works by emerging artists.

2016-prolitteris-zurich-alex-katz-good-morning-i-1974-photo-business-wire

© 2016, ProLitteris, Zurich Alex Katz, Good Morning I, 1974 (Photo: Business Wire)

This publication, which will be launched at Art Basel Miami Beach 2016, provides the inspiration for the selection of artworks on view within the UBS lounge. UBS Art Collection: To Art its Freedom will feature more than 200 color illustrations and includes the text: “UBS Art Collection: A History and a Moment” written by Mary Rozell, Global Head UBS Art Collection, which presents a history of the Collection, as well as a view to its future. The central essay by noted art historian and curator Dieter Buchhart entitled “To Art its Freedom: A Collection as Emblem of Post-postmodern Polyphony” which contextualizes the Collection within the framework of art history and makes connections among the various featured works. The title of the publication is a quotation from the famous words above the entrance to the Secession Building in Vienna, “To Every Age its Art, to Art its Freedom,” which, according to Buchhart, reflects the spirit of the UBS Art Collection – one that endures and remains relevant, independent of changing circumstances or frameworks.

UBS And Contemporary Art

UBS’s long and substantial record of patronage in contemporary art enables clients and audiences to participate in the international conversation about art and the global art world through the firm’s global art platform. In addition to the UBS Art Collection, ucoxw1considered one of the world’s largest and most important corporate collections of contemporary art, UBS has an extensive roster of contemporary art programs that include the firm’s long-term support for the premier international Art Basel shows in Basel, Miami Beach and Hong Kong, for which UBS serves as global Lead Partner; the Guggenheim UBS MAP Global Art Initiative with the Solomon R. Guggenheim Museum; and a global exhibition tour of WOMEN: New Portraits, an exhibition of newly commissioned photographs by renowned photographer Annie Leibovitz. These activities are complemented by a number of regional partnerships with fine art institutions including the Fondation Beyeler in Switzerland, Galleria d’Arte Moderna in Milan, the Nouveau Musée National de Monaco, the Louisiana Museum of Modern Art in Denmark, the Deichtorhallen in Hamburg and the Art Gallery of New South Wales in Sydney, Australia. UBS also provides its clients with insight into the contemporary art world through the free art news app UBS Planet Art, collaborations with the Swiss Institute, and the online resource Artsy, as well as through the UBS Arts Forum. (For more information about UBS’s commitment to contemporary art, visit www.ubs.com/art.)

Today the UBS Art Collection is considered one of the largest and most important corporate collections of contemporary art in the world. Comprised of various individual art collections with unique attributes that have been integrated over time through a series of mergers and acquisitions – notably between Union Bank of Switzerland, Swiss Bank Corporation and PaineWebber Inc. – the UBS Art Collection currently includes more than 30,000 paintings, works on paper, photography, sculpture, video and installations by artists from 73 countries. The vast majority of these works are displayed in more than 800 UBS offices around the world, serving as an inspiration for employees and a platform for dialogue with clients and the public. Continue reading

Solomon R. Guggenheim Foundation Announces Short List for the Hugo Boss Prize 2016

Finalists for Milestone Twentieth Anniversary Are Tania Bruguera, Mark Leckey, Ralph Lemon, Laura Owens, Wael Shawky, and Anicka Yi

Six finalists have been selected for the Hugo Boss Prize 2016, the biennial award established in 1996 to recognize artists whose work is among the most innovative and influential of our time. Nancy Spector, Deputy Director and Jennifer and David Stockman Chief Curator, Solomon R. Guggenheim Foundation, and chair of the jury, announced the finalists chosen by a panel of international critics and curators. Over the past two decades juries have identified and selected as finalists paradigm-shifting artists from around the world, recognizing the achievements of both emerging and established figures, and setting no parameters in terms of age, gender, or medium.

Since its inception in 1996, the Hugo Boss Prize has been awarded to ten innovative and influential contemporary artists: American artist Matthew Barney (1996); Scottish artist Douglas Gordon (1998); Slovenian artist Marjetica Potrč (2000); French artist Pierre Huyghe (2002); Thai artist Rirkrit Tiravanija (2004); British artist Tacita Dean (2006); Palestinian artist Emily Jacir (2008); German artist Hans-Peter Feldmann (2010); Danish artist Danh Vo (2012); and American artist Paul Chan (2014). The related exhibitions have constituted some of the most compelling presentations in the museum’s history.

The following artists are finalists for the Hugo Boss Prize 2016:

Tania Bruguera (b. 1968, Havana)
Mark Leckey (b. 1964, Birkenhead, UK)
Ralph Lemon (b. 1952, Cincinnati)
Laura Owens (b. 1970, Euclid, Ohio)
Wael Shawky (b. 1971, Alexandria, Egypt)
Anicka Yi (b. 1971, Seoul)

Promoting the most innovative cultural production continues to be at the core of the Guggenheim’s institutional mission, and for the past twenty years, the Hugo Boss Prize has given us the opportunity to identify and honor artists who make a lasting impact on the landscape of contemporary art,” said Spector. “We are grateful for the sustained enthusiasm of Hugo Boss for a project that acknowledges today’s most prescient creative voices.

The prize, administered by the Solomon R. Guggenheim Foundation, has become an integral part of the Guggenheim’s contemporary art programming. The winner is awarded a $100,000 cash prize and featured in a solo exhibition at the Solomon R. Guggenheim Museum, New York. The Hugo Boss Prize catalogues, which have evolved over the years into ambitious collaborations between curators, artists, and designers, form a key component of the program’s legacy. The Hugo Boss Prize 2016 winner will be announced in the fall of 2016, and the exhibition will be held in 2017.

The Hugo Boss Prize has developed into a renowned accolade over the past two decades, and we are proud to celebrate its 20th anniversary next year. Together with the Guggenheim Foundation, we have since honored many excellent and successful artists,” said Claus-Dietrich Lahrs, Chairman and CEO, HUGO BOSS AG. “Our sincerest congratulations go out to our nominees for 2016.”

The Hugo Boss Prize 2016 Short List

Tania Bruguera Tatlin’s Whisper #5, 2008 Mounted police, crowd control techniques, audience, overall dimensions variable Installation view: UBS Openings: Live the Living Currency, Tate Modern, London, 2008 Photo: Sheila Burnet Courtesy the artist

Tania Bruguera, Tatlin’s Whisper #5, 2008
Mounted police, crowd control techniques, audience, overall dimensions variable
Installation view: UBS Openings: Live the Living Currency, Tate Modern, London, 2008
Photo: Sheila Burnet. Courtesy the artist

Tania Bruguera (b. 1968, Havana) lives and works in various cities depending on the location of her long-term projects. In her politically driven, performance-based social practice, Bruguera activates communities through participatory projects that she categorizes as arte útil (useful art). Bruguera’s activism calls attention to injustice and advocates social change, as in Immigrant Movement International, which operates as a community center representing the interests of immigrant populations in Queens, New York.

Solo exhibitions of Bruguera’s work have been presented at the Malmö Konsthall, Sweden (2015); Van Abbemuseum, Eindhoven, Netherlands (2013); Queens Museum of Art, New York (2013); Tate Modern, London (2012); Centre Georges Pompidou, Paris (2010); Beirut Art Center (2007); Kunsthalle Wien, Vienna (2006); Museo Nacional de Bellas Artes, Havana (2004); San Francisco Art Institute (2002); and Centro de Arte Contemporáneo Wifredo Lam, Havana (1996), among other venues.

Bruguera’s art has been included in group exhibitions such as the Venice Biennale (2015); Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York (2014); Revolution Not Televised, Bronx Museum of the Arts, New York (2012); Riwaq Biennial, Ramallah, Palestine (2009); Gwangju Biennial, South Korea (2008); Moscow Biennial of Contemporary Art (2007); Istanbul Biennial (2003); Documenta, Kassel, Germany (2002); SITE Santa Fe Biennial (1999); Johannesburg Biennial (1997); São Paulo Biennial (1996); New Art from Cuba, Whitechapel Art Gallery, London (1995); and Havana Biennial (1994).

Mark Leckey GreenScreenRefrigeratorAction, 2010 Installation view: Gavin Brown’s enterprise, 2010 Samsung refrigerator, rear screen projection rig, digital video, green screen set, PA, can of coolant Courtesy the artist and Gavin Brown’s enterprise

Mark Leckey, GreenScreenRefrigeratorAction, 2010. Installation view: Gavin Brown’s enterprise, 2010
Samsung refrigerator, rear screen projection rig, digital video, green screen set, PA, can of coolant. Courtesy the artist and Gavin Brown’s enterprise

Mark Leckey (b. 1964, Birkenhead, UK) lives and works in London. Leckey’s fluid practice ranges across video, sculpture, music, performance, installations, and the exhibition format. His work unravels the entwined forces of desire, imagination, and cultural allegiance that shape our everyday experience, absorbing both rarified and lowbrow references into a unique artistic vocabulary.

Leckey’s work has been presented in solo exhibitions at Secession, Vienna (2015); Haus der Kunst, Munich (2015); Kunsthalle Basel (2015); WIELS Contemporary Art Centre, Brussels (2014); Hammer Museum, Los Angeles (2013); Serpentine Gallery, London (2011); Institute of Contemporary Art, London (2009); Solomon R. Guggenheim Museum, New York (2008); Tate Britain, London (2003); and Migros Museum für Gegenwartskunst, Zurich (2003).

Leckey’s work has also been included in group exhibitions such as Carnegie International, Carnegie Museum of Art, Pittsburgh (2013); Venice Biennale (2013); Ghosts in the Machine, New Museum of Contemporary Art, New York (2012); Push and Pull, Tate Modern, London (2011); Gwangju Biennial, South Korea (2010); Pictures in Motion: Artists & Video/Film, Museum Ludwig, Cologne (2010); Turner Prize, Tate Britain, London (2008); Yokohama Triennial (2008); Tate Triennial, Tate Britain, London (2006); Istanbul Biennial (2005); Manifesta, San Sebastián, Spain (2004); and Protest & Survive, Whitechapel Gallery, London (2000).

Ralph Lemon Untitled, 2010 Archival pigment print, 40 x 40 inches Courtesy the artist

Ralph Lemon, Untitled, 2010. Archival pigment print, 40 x 40 inches. Courtesy the artist

Ralph Lemon (b. 1952, Cincinnati) lives and works in New York. Lemon is a choreographer, writer, director, and visual artist whose interdisciplinary performance projects draw on political histories and personal relationships to illuminate the complexity and raw beauty of the human experience. Lemon combines dance, film, text, music, and sculptural installation in evocative programs that explore themes of identity, loss, and the body.

Lemon is Artistic Director of Cross Performance. His most recent projects include Scaffold Room (2015); Four Walls (2012); and How Can You Stay in The House All Day and Not Go Anywhere? (2008–10), a work that features live performance, film, and visual art and toured the United States. Lemon has curated the performance series Some sweet day at the Museum of Modern Art, New York (2012) and I Get Lost at Danspace Project, New York (2010).

His solo visual art exhibitions include 1856 Cessna Road, Studio Museum in Harlem, New York (2012); How Can You Stay in the House All Day and Not Go Anywhere?, Yerba Buena Center for the Arts, San Francisco (2010); (the efflorescence of) Walter, Contemporary Art Center, New Orleans (2008), The Kitchen, New York (2007), and Walker Art Center, Minneapolis (2006); and The Geography Trilogy, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut (2001). Group exhibitions featuring Lemon’s work include Move: Choreographing You, Hayward Gallery, London (2010) and The Record: Contemporary Art and Vinyl, Nasher Museum of Art, Duke University, Durham, North Carolina (2010).

Laura Owens Untitled, 2014 Oil, Flashe, and silkscreen ink on linen, 137.5 x 120 inches Courtesy the artist / Gavin Brown’s enterprise, New York / Sadie Coles HQ, London / Capitain Petzel, Berlin / Galerie Gisela Capitain, Cologne

Laura Owens, Untitled, 2014. Oil, Flashe, and silkscreen ink on linen, 137.5 x 120 inches. Courtesy the artist / Gavin Brown’s enterprise, New York / Sadie Coles HQ, London / Capitain Petzel, Berlin / Galerie Gisela Capitain, Cologne

Laura Owens (b. 1970, Euclid, Ohio) lives and works in Los Angeles. For the past two decades, Owens’s influential work has questioned the parameters and possibilities for making and viewing a painting today. She has continually shifted the terms of her practice, incorporating figuration, abstraction, digital techniques, and gestural mark making into multivalent compositions that confound expectations of pictorial space.

Owens’s work has been presented in solo exhibitions at Secession, Vienna (2015); Kunstmuseum Bonn (2011); Kunsthalle Zürich (2006); Camden Arts Centre, London (2006); Milwaukee Art Museum (2003); Aspen Art Museum, Colorado (2003); Museum of Contemporary Art, Los Angeles (2003); and Isabella Stewart Gardner Museum, Boston (2001), among other venues.

Owens’s art has also been featured in group exhibitions such as The Forever Now, Museum of Modern Art, New York (2014); Whitney Biennial, Whitney Museum of American Art, New York (2014); The Spectacular of Vernacular, Walker Art Center, Minneapolis (2011); Undiscovered Country, Hammer Museum, Los Angeles (2004); Whitney Biennial (2004); Public Offerings, Museum of Contemporary Art, Los Angeles (2001); Carnegie International, Carnegie Museum, Pittsburgh (1999); and Vertical Painting Show, P.S.1 Contemporary Art Center (1997). She is the founder of 356 S. Mission Rd., a contemporary art exhibition space in downtown Los Angeles. Continue reading

Premier Selection Of Galleries To Participate In Art Basel’s 2016 Edition In Hong Kong

Preview (by Invitation Only)

Tuesday, March 22, 2016, 3pm to 8pm

Wednesday, March 23, 2016, 1pm to 5pm

Vernissage (by Invitation Only)

Wednesday, March 23, 2016, 5pm to 9pm

Public Days

Thursday, March 24, 2016, 1pm to 9pm

Friday, March 25, 2016, 1pm to 8pm

Saturday, March 26, 2016, 11am to 6pm

Art Basel in Hong Kong 2015 - General Impression © Art Basel Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 – General Impression © Art Basel
Photo by Jessica Hromas/Art Basel 2015

Art Basel has announced the details of its fourth edition in Hong Kong, taking place for the second time in March. The Hong Kong show of Art Basel, whose Lead Partner is UBS, will feature 239 premier galleries from 35 countries and territories, presenting works of the highest quality that range from the Modern period of the early 20th century to the most contemporary artists of today. Once again, Art Basel will be a showcase for art from the region of Asia and Asia-Pacific, where half of its galleries have exhibition spaces. Art Basel Hong Kong will open to the public from Thursday, March 24 to Saturday, March 26, 2016, and will take place at the Hong Kong Convention and Exhibition Centre (HKCEC).

Art Basel in Hong Kong 2015 - General Impression © Art Basel Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 – General Impression © Art Basel
Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 - General Impression © Art Basel Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 – General Impression © Art Basel
Photo by Jessica Hromas/Art Basel 2015

Art Basel stages the world’s premier art shows for Modern and contemporary works, sited in Basel, Miami Beach, and Hong Kong. Defined by its host city and region, each show is unique, which is reflected in its participating galleries, artworks presented, and the content of parallel programming produced in collaboration with local institutions for each edition. In addition to ambitious stands featuring leading galleries from around the globe, each show’s singular exhibition sectors spotlight the latest developments in the visual arts, offering visitors new ideas and new inspiration.

Art Basel in Hong Kong 2015 - General Impression © Art Basel Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 – General Impression © Art Basel
Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 - General Impression © Art Basel Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 – General Impression © Art Basel
Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 - General Impression © Art Basel Photo by Jessica Hromas/Art Basel 2015

Art Basel in Hong Kong 2015 – General Impression © Art Basel
Photo by Jessica Hromas/Art Basel 2015

Alongside a strong presence of returning galleries from across the globe, this year’s edition features 28 galleries that will participate in the Hong Kong show of Art Basel for the first time. Nine new galleries join from Asia including Antenna Space (Shanghai), galerie nichido (Tokyo, Nagoya, Fukuoka, Karuizawa, Kasama, Paris), Gallery 100 (Taipei), Ink Studio (Beijing), Lawrie Shabibi (Dubai), Longmen Art Projects (Shanghai), MEM (Tokyo), Vanguard Gallery (Shanghai) and Yeo Workshop (Singapore). Art Basel Hong Kong will also see the addition of 18 leading Western galleries showing for the first time including Cardi Gallery (Milan, London), Carlos/Ishikawa (London), David Kordansky Gallery (Los Angeles), Galerie 1900 – 2000 (Paris), Galerie Isabella Bortolozzi (Berlin), Galerie Jocelyn Wolff (Paris), Galerie Nagel Draxler (Berlin, Cologne), gb agency (Paris), Greene Naftali (New York), In Situ – fabienne leclerc (Paris), Kewenig (Berlin, Palma), Metro Pictures (New York), P.P.O.W (New York), Sabrina Amrani (Madrid), Société (Berlin), team (gallery, inc.) (New York, Los Angeles), Xavier Hufkens (Brussels) and Zeno X Gallery (Antwerp). Selma Feriani Gallery (Sidi Bou Said, London) joins Art Basel as the first African gallery outside of South Africa to ever participate in an Art Basel show.

Tokyo Gallery + BTAP, Ushio Shinohara, Samurai Sword, 1967. Courtesy the artist and the gallery

Galleries 2016: Tokyo Gallery + BTAP, Ushio Shinohara, Samurai Sword, 1967. Courtesy the artist and the gallery

Project Fulfill Art Space, Sung-chih Chen《Untitled-Room 1》mixed media installation, 300x300x240cm,2008 (Museum of Contemporary Art, Taipei) Courtesy the artist and the gallery

Galleries 2016: Project Fulfill Art Space, Sung-chih Chen《Untitled-Room 1》mixed media installation, 300x300x240cm,2008 (Museum of Contemporary Art, Taipei) Courtesy the artist and the gallery

The upcoming edition features a particularly strong representation of galleries with exhibition spaces in Japan, Singapore, South Korea and Taiwan, in addition to those with spaces in Hong Kong and Mainland China. The participating galleries have exhibition spaces in: Australia, Austria, Belgium, Brazil, Cuba, France, Germany, Greece, Hong Kong, India, Indonesia, Ireland, Italy, Japan, Mainland China, New Zealand, Norway, Pakistan, the Philippines, Poland, Romania, Saudi Arabia, Singapore, South Africa, South Korea, Spain, Sweden, Switzerland, Taiwan, Thailand, Tunisia, Turkey, the United Arab Emirates, the United Kingdom and the United States.

de Sarthe Gallery, Zao Wou-Ki, Untitled, 1963. Courtesy the artist and de Sarthe Gallery

Galleries 2016: de Sarthe Gallery, Zao Wou-Ki, Untitled, 1963. Courtesy the artist and de Sarthe Gallery

Gallery Exit, LUI Chun Kwong. Courtesy of the artist and the gallery

Galleries 2016: Gallery Exit, LUI Chun Kwong. Courtesy of the artist and the gallery

Galleries, the main sector of the show, will feature 187 Modern and contemporary art galleries, presenting the highest quality of painting, sculpture, drawing, installation, photography, video and editioned works. Exhibitors returning after a brief hiatus include Marianne Boesky Gallery (New York) and Applicat-Prazan (Paris), while many Asian galleries have moved from other sectors of the show into Galleries, where they will present a wider range of their gallery programs. These galleries are: Athr (Jeddah), Blindspot Gallery (Hong Kong), Chambers Fine Art (Beijing, New York), Galerie Ora-Ora (Hong Kong), Gallery Isabelle van den Eynde (Dubai, Brussels), Nanzuka (Tokyo), Nature Morte (New Delhi), Project Fulfill Art Space (Taipei), Taro Nasu (Tokyo), TKG+ (Taipei, Beijing), Yavuz Gallery (Singapore) and Yumiko Chiba Associates (Tokyo). Francesca Minini (Milan) and Galeria Plan B (Cluj, Berlin) are also showing for the first time in the Galleries sector.

Insights 2016: 1335Mabini, Kiri Dalena, Erased Slogans. Courtesy the artist and the gallery

Insights 2016: 1335Mabini, Kiri Dalena, Erased Slogans. Courtesy the artist and the gallery

Lawrie Shabibi, Farhad Ahrarnia, Intuitive Notion of a Rotation, 2015. Courtesy The artist and Lawrie Shabibi

Lawrie Shabibi, Farhad Ahrarnia, Intuitive Notion of a Rotation, 2015. Courtesy The artist and Lawrie Shabibi

The Insights sector will be dedicated to curatorial projects by 28 galleries with spaces in Asia and the Asia-Pacific region and will feature solo shows, exceptional historical material, and strong thematic group exhibitions. This year’s edition features a particularly strong presentation of Modern work, with around half of the galleries presenting material from this period. This year’s Insights will provide a particularly diverse and in-depth overview of art from across the region with featured artists from Australia, Bangladesh, India, Iran, Japan, Mainland China, South Korea, the Philippines, Singapore, Taiwan and Turkey. Highlights include eight large photographic works by Michael Cook (b. 1968, Australia), forming a panoramic narrative reflecting on colonial histories and drawing on the artist’s Bidjara heritage, presented by This Is No Fantasy + dianne tanzer gallery (Melbourne); Antenna Space (Shanghai) presents sculpture by artists Guan Xiao (b. 1983, Mainland China) and Yu Honglei (b. 1984, Mainland China) each responding to themes of ‘postproduction’ and ‘reproduction’; a new body of work by Stella Zhang (b. 1965, Mainland China), a continuation of her existing series ‘0-Viewpoint’ and comprising sculptural paintings and an installation, brought to Art Basel by Galerie du Monde (Hong Kong); experimental ink work by Li Huasheng (b. 1944, Mainland China), presented by Ink Studio (Beijing); ceramic sculptures by Kimiyo Mishimo (b. 1932, Japan), many of which will not have previously been seen outside of Japan, brought by MEM (Tokyo); performative video work by Tadasu Takamine (b. 1968, Japan), an artist whose work draws attention to the societal effects of the Fukushima nuclear disaster, presented by Arataniurano (Tokyo); and, brought by Pi Artworks (Istanbul, London), new sculptures by Tayeba Begum Lipi (b. 1969, Bangladesh) reflecting on her childhood, accompanied by video and audio work. Continue reading

Opening Soon: Guggenheim Examines New Developments in Contemporary Photography in Photo-Poetics: An Anthology

Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York

Location: Tower Levels 2, 4, and 5

Dates: November 20, 2015–March 23, 2016

The Solomon R. Guggenheim Museum presents Photo-Poetics: An Anthology, an exhibition documenting recent developments in contemporary photography and consisting of photographs, videos, and slide installations by ten international artists. With more than 70 works by Claudia Angelmaier, Erica Baum, Anne Collier, Moyra Davey, Leslie Hewitt, Elad Lassry, Lisa Oppenheim, Erin Shirreff, Kathrin Sonntag, and Sara VanDerBeek, the exhibition runs from November 20, 2015–March 23, 2016, and presents a focused study into the nature, traditions, and magic of photography in the context of the rapid digital transformation of the medium.

Lisa Oppenheim, The Sun is Always Setting Somewhere Else, 2006 Slide projection of 15 35 mm slides, continuous loop, dimensions variable Solomon R. Guggenheim Museum, New York Purchased with funds contributed by the Photography Committee, 2009 2009.60

Lisa Oppenheim, The Sun is Always Setting Somewhere Else, 2006, Slide projection of 15 35 mm slides, continuous loop, dimensions variable, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee, 2009. 2009.60

Moyra Davey, Les Goddesses, 2011, HD color video, with sound, 61 min., Courtesy the artist and Murray Guy, New York. © Moyra Davey

Moyra Davey, Les Goddesses, 2011, HD color video, with sound, 61 min., Courtesy the artist and Murray Guy, New York. © Moyra Davey

Organized by Jennifer Blessing, Senior Curator, Photography, with Susan Thompson, Assistant Curator, Solomon R. Guggenheim Museum, Photo-Poetics: An Anthology offers an opportunity to define the concerns of a new generation of photographic artists and contextualize their work within the history of art and visual culture. These artists mainly pursue a studio-based approach to still-life photography that centers on the representation of objects, often printed matter such as books, magazines, and record covers. The result is often an image imbued with poetic and evocative personal significance that resonates with larger cultural and historical meanings.

Anne Collier, Crying, 2005, Chromogenic print, 99.1 x 134 cm, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Mr. and Mrs. Aaron M. Tighe 2005.47 © Anne Collier

Anne Collier, Crying, 2005, Chromogenic print, 99.1 x 134 cm, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Mr. and Mrs. Aaron M. Tighe 2005.47 © Anne Collier

Erin Shirreff, UN 2010, 2010, HD color video, silent 17 min., Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Erica Gervais, 2010.29 © 2010 Erin Shirreff

Erin Shirreff, UN 2010, 2010, HD color video, silent 17 min., Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Erica Gervais, 2010.29 © 2010 Erin Shirreff

The artists in the exhibition attempt to rematerialize the photograph through meticulous printing, using film and other disappearing photo technologies. Drawing on the legacies of Conceptualism and invested in exploring the processes and techniques of photography, they are also deeply interested in how photographic images circulate. Theirs is a sort of “photo poetics,” an art that self-consciously investigates the laws of photography and the nature of photographic representation, reproduction, and the photographic object. The works in the exhibition, rich with detail, reward close and prolonged regard; they ask for a mode of looking that is closer to reading than the cursory scanning fostered by the clicking and swiping functionalities of smartphones and social media. Both the exhibition and its accompanying catalogue are conceived as anthologies, as independent vehicles to introduce each artist’s important and unique practice.

Erica Baum, Jaws, 2008 (from the series Naked Eye), Inkjet print, 47 x 41.6 cm, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Mr. and Mrs. Aaron M. Tighe, 2011 2011.48 © Erica Baum

Erica Baum, Jaws, 2008 (from the series Naked Eye), Inkjet print, 47 x 41.6 cm, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by Mr. and Mrs. Aaron M. Tighe, 2011
2011.48 © Erica Baum

Photo-Poetics: An Anthology is accompanied by a fully illustrated catalogue featuring an introduction, afterword, and ten monographic essays by Jennifer Blessing that provide focused, contemplative readings of each artist’s work. The catalogue’s design, in which each artist’s practice is presented individually, reflects the exhibition’s structure as a series of solo presentations. The catalogue will be available for $50 at the Guggenheim Store and online at guggenheimstore.org.

Leslie Hewitt, Riffs on Real Time (3 of 10), 2006–09, Chromogenic print, 76.2 x 61 cm, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee, 2010. 2010.55

Leslie Hewitt, Riffs on Real Time (3 of 10), 2006–09, Chromogenic print, 76.2 x 61 cm, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee, 2010. 2010.55

Elad Lassry, Untitled (Woman, Blond), 2013, Chromogenic print in walnut frame with four-ply silk, 36.8 x 29.2 x 3.8 cm, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee, 2013.72 © Elad Lassry

Elad Lassry, Untitled (Woman, Blond), 2013, Chromogenic print in walnut frame with four-ply silk, 36.8 x 29.2 x 3.8 cm, Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee, 2013.72 © Elad Lassry

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The Solomon R. Guggenheim Museum and The UBS MAP Global Art Initiative Presents UNDER THE SAME SUN: ART FROM LATIN AMERICA TODAY, Opening June 13

Curator Pablo León de la Barra Investigates Contemporary Art Practices in Latin America in Exhibition of Artists from 16 Countries 

Exhibition: Under the Same Sun: Art from Latin America Today
Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York
Location: Annex Levels 2 and 4; Monitor 4; Thannhauser 4; and the New Media Theater
Dates: June 13–October 1, 2014

From June 13 through October 1, 2014, the Solomon R. Guggenheim Museum in New York will present the exhibition, UNDER THE SAME SUN: ART FROM LATIN AMERICA TODAY, which marks the second phase of the Guggenheim UBS MAP Global Art Initiative. Organized by Pablo Leon de la Barra, Guggenheim UBS MAP CuratorLatin America, the exhibition features works by 37 artists and collaborative duos from 16 countries, including ArgentinaBoliviaBrazilChileColombiaCosta RicaCubaEcuadorGuatemalaHondurasMexicoPanamaPeruPuerto Rico (United States), Uruguay, and Venezuela.

Jonathas de Andrade  Posters for the Museum of the Northeast Man (Cartazes para o museu do homem do nordeste), 2013 77 chromogenic prints, mounted on acrylic panels, 10 inkjet prints, and 6 photocopies on acetate with overhead projector, edition 2/5, overall dimensions variable, chromogenic prints 28 3/8 x 19 5/8 x 11/4 inches (72 x 50 x 3 cm) each; inkjet prints dimensions variable; photocopies 8 1/2 x 11 inches each Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund Installation view, Kunsthalle Lissabon, Jonathas de Andrade: Posters for the Museum of the Northeast Man, June 20–August 17, 2013 Courtesy the artist and Galeria Vermelho, São Paulo. Photo: Jonathas de Andrade

Jonathas de Andrade
Posters for the Museum of the Northeast Man (Cartazes para o museu do homem do nordeste), 2013
77 chromogenic prints, mounted on acrylic panels, 10 inkjet prints, and 6 photocopies on acetate with overhead projector, edition 2/5, overall dimensions variable, chromogenic prints 28 3/8 x 19 5/8 x 11/4 inches (72 x 50 x 3 cm) each; inkjet prints dimensions variable; photocopies 8 1/2 x 11 inches each
Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund
Installation view, Kunsthalle Lissabon, Jonathas de Andrade: Posters for the Museum of the Northeast Man, June 20–August 17, 2013
Courtesy the artist and Galeria Vermelho, São Paulo. Photo: Jonathas de Andrade

The Guggenheim UBS MAP online platform encourages a cross-cultural dialogue about contemporary art and cultural practice in the initiative’s three regions of focus. Guggenheim.org/MAP features videos about and featuring the artists, curators, public programs, and exhibitions; access to learning tools, such as Curriculum Guides and Family Guides; archival transcripts and audio from symposia and workshops, in-depth artist profiles, and three blog series which examine cultural production, research, and dialogue in the regions. Perspectives includes written texts, audio, and video from curators, art historians, artists, and regional experts who share their viewpoints about artistic production and everyday life in their respective countries; Dispatches highlights research visits by Pablo León de la Barra across the region; and On the MAP features upcoming programming, insights, and highlights from the Initiative, as well as links to events relevant to the MAP regions.

Regina José Galindo  Blind Spot (Punto ciego), 2010 Digital color video, with sound, 17 min., 2 sec., A.P. 1/3, edition of 5 Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund Courtesy the artist and prometeogallery di Ida Pisani, Milan/Lucca, Italy

Regina José Galindo
Blind Spot (Punto ciego), 2010
Digital color video, with sound, 17 min., 2 sec., A.P. 1/3, edition of 5
Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund
Courtesy the artist and prometeogallery di Ida Pisani, Milan/Lucca, Italy

With a selection of nearly 50 works including installations, mixed media works, paintings, photographs, sculptures, videos, and works on paper, Under the Same Sun surveys the most significant contemporary art practices in Latin America today. This presentation is the second of three exhibitions for the Guggenheim UBS MAP Global Art Initiative. The artworks in the exhibition, along with others acquired as part of the initiative, will become part of the Guggenheim’s permanent collection under the auspices of the Guggenheim UBS MAP Purchase Fund.

Federico Herrero  Pan de azucar, 2014 Acrylic, oil, spray paint, and felt-tip pen on canvas, 65 x 59 inches (165 x 150 cm) Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund Courtesy the artist. Photo: Isaac Martinez

Federico Herrero, Pan de azucar, 2014, Acrylic, oil, spray paint, and felt-tip pen on canvas, 65 x 59 inches (165 x 150 cm), Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund
Courtesy the artist. Photo: Isaac Martinez

Richard Armstrong, Director of the Solomon R. Guggenheim Museum and Foundation, stated: “The Guggenheim has a long history of engagement with Latin American art, beginning with The Emergent Decade: Latin American Painters and Painting in the 1960s, an exhibition organized by former Guggenheim Director Thomas Messer in 1964. With Under the Same Sun: Art from Latin America Today, the Guggenheim UBS MAP Global Art Initiative adds to our growing collection of contemporary Latin American art and provides the opportunity to engage visitors in meaningful dialogue about the many variations of identity and culture in Latin America.”

Marta Minujín Statue of Liberty Laid Down I (with Public Watching) (Estatua de la Libertad acostada I [con público que la mira]), 1979 Ink on paper vellum, 31 1/2 x 43 1/2 inches (80 x 110.5 cm) Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund Courtesy the artist and Henrique Faria Fine Art, New York. Photo: Glenn Castellano

Marta Minujín
Statue of Liberty Laid Down I (with Public Watching) (Estatua de la Libertad acostada I [con público que la mira]), 1979. Ink on paper vellum, 31 1/2 x 43 1/2 inches (80 x 110.5 cm)
Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund
Courtesy the artist and Henrique Faria Fine Art, New York. Photo: Glenn Castellano

The Guggenheim UBS MAP Global Art Initiative helps provide a holistic view of some of the world’s most dynamic and fast-changing regions,” says CEO, UBS Wealth Management Jürg Zeltner. “With this collaboration we align a global, cultural perspective with our experience in the emerging markets.

GUGGENHEIM UBS MAP GLOBAL ART INITIATIVE Design by Johnson Banks © Solomon R. Guggenheim Foundation, New York

GUGGENHEIM UBS MAP GLOBAL ART INITIATIVE
Design by Johnson Banks
© Solomon R. Guggenheim Foundation, New York

Under the Same Sun: Art from Latin America Today is organized by Pablo León de la Barra, Guggenheim UBS MAP Curator, Latin America. Nancy Spector, Deputy Director and Jennifer and David Stockman Chief Curator at the Solomon R. Guggenheim Foundation, New York, and Joan Young, Director of Curatorial Affairs, Solomon R. Guggenheim Museum, provide curatorial oversight for the entire initiative. Continue reading