The Whitney Announces 2020 Exhibition Schedule

It looks as if it will be another banner year of thought-provoking and wide-ranging exhibitions during the coming year at The Whitney Museum of American Art. (And one should not expect any less.) Announcing the schedule for 2020 at the Whitney Museum of American Art, Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator, noted: “In 2020 the Whitney will celebrate its ninetieth anniversary and fifth year downtown, so we’ve created a program that truly honors the spirit of artistic innovation both past and present. We remain focused on supporting emerging and mid-career artists, while finding fresh relevance in historical surveys from across the twentieth century. Also turning ninety, Jasper Johns closes out the year with an unprecedented retrospective that will reveal this American legend as never before to a new generation of audiences.”

Exterior shot of the The Whitney building. Photograph by Ben Gancsos ©2016

On February 17 the Museum opens Vida Americana: Mexican Muralists Remake American Art, 1925–1945, a major historical look at the transformative impact of Mexican artists on the direction of American art from the mid-1920s until the end of World War II. On October 28, in collaboration with the Philadelphia Museum of Art, a landmark retrospective of the work of Jasper Johns goes on view simultaneously at both museums, paying tribute to the foremost living American artist. In addition, the Whitney will devote exhibitions to Julie Mehretu and Dawoud Bey, prominent midcareer artists. The Mehretu exhibition, co-organized by the Whitney with the Los Angeles County Museum of Art, encompasses over two decades of the artist’s work, presenting the most comprehensive overview of her practice to date. In November, Dawoud Bey, one of the leading photographers of his generation, will receive his first full-scale retrospective, co-organized by the Whitney and the San Francisco Museum of Modern Art (SFMOMA).

The Whitney Museum of American Art

The Museum will also present Agnes Pelton: Desert Transcendentalist—organized by the Phoenix Art Museum—the first exhibition of work by the visionary symbolist in nearly a quarter century; and Working Together: The Photographers of the Kamoinge Workshop, an unprecedented exhibition organized by the Virginia Museum of Fine Arts, which chronicles the formative years of this collective of Black photographers who lived and worked in New York City. The year will also bring a range of focused exhibitions dedicated to emerging and midcareer artists, including Darren Bader, Jill Mulleady, Cauleen Smith, and Salman Toor, as well as Dave McKenzie and My Barbarian, who continue the Whitney’s commitment to performance and its many forms.

In September the Museum will also unveil David Hammons’s monumental public art installation Day’s End on Gansevoort Peninsula, across the street from the Whitney. The debut of this public artwork will be preceded by an exhibition entitled Around Day’s End: Downtown New York, 1970–1986, which will present a selection of works from the Museum’s collection related to the seminal work that inspired Hammons’s sculpture: Gordon Matta-Clark’s Day’s End (1975).

MAJOR EXHIBITIONS AND EVENTS

Vida Americana: Mexican Muralists Remake American Art, 1925–1945”, February 17–May 17, 2020

Jacob Lawrence. Panel 3 from The Migration Series, From every Southern town migrants left by the hundreds to travel north.,1940–41. Casein tempera on hardboard 12 × 18 in. (30.5 × 45.7 cm). The Phillips Collection, Washington, DC; acquired 1942. © 2019 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York

The cultural renaissance that emerged in Mexico in 1920 at the end of that country’s revolution dramatically changed art not just in Mexico but also in the United States. With approximately 200 works by sixty American and Mexican artists, Vida Americana reorients art history, acknowledging the wide-ranging and profound influence of Mexico’s three leading muralists—José Clemente Orozco, David Alfaro Siqueiros, and Diego Rivera—on the style, subject matter, and ideology of art in the United States made between 1925 and 1945. By presenting the art of the Mexican muralists alongside that of their American contemporaries, the exhibition reveals the seismic impact of Mexican art, particularly on those looking for inspiration and models beyond European modernism and the School of Paris.

Diego Rivera. The Uprising, 1931. Fresco on reinforced cement in a galvanized-steel framework, 74 × 94 1/8 in. (188 × 239 cm). Collection of Marcos and Vicky Micha Levy © 2019 Banco de México–Rivera–Kahlo/ARS. Reproduction authorized by the National Institute of Fine Arts and Literature (INBAL), 2019

Works by both well-known and underrecognized American artists will be exhibited, including Thomas Hart Benton, Elizabeth Catlett, Aaron Douglas, Marion Greenwood, Philip Guston, Eitarō Ishigaki, Jacob Lawrence, Isamu Noguchi, Jackson Pollock, Ben Shahn, Thelma Johnson Streat, Charles White, and Hale Woodruff. In addition to Orozco, Rivera, and Siqueiros, other key Mexican artists in the exhibition include Miguel Covarrubias, María Izquierdo, Frida Kahlo, Mardonio Magaña, Alfredo Ramos Martínez, and Rufino Tamayo.

María Izquierdo. My Nieces, 1940. Oil on composition board, 55 1/8 × 39 3/8 in. (140 × 100 cm). Museo Nacional de Arte, INBAL, Mexico City; constitutive collection, 1982 © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. Reproduction authorized by El Instituto Nacional de Bellas Artes y Literatura, 2019.

Organized by Barbara Haskell, curator, with Marcela Guerrero, assistant curator; Sarah Humphreville, senior curatorial assistant; and Alana Hernandez, former curatorial project assistant. (See previously-posted article here.)

Julie Mehretu, June 26–September 20, 2020

Julie Mehretu, Invisible Sun (algorithm 4, first letter form), 2014, ink and acrylic on canvas 119 1⁄2 × 167 in., private collection, © Julie Mehretu, photograph by Carolina Merlano
Julie Mehretu, Black City, 2007. Ink and acrylic on canvas, 120 x 192 in. (304.8 x 487.7 cm). François Pinault Collection, Paris | Photo credit: Tim Thayer

This mid-career survey of Julie Mehretu (b. 1970; Addis Ababa, Ethiopia), co-organized by The Whitney with the Los Angeles County Museum of Art (LACMA), covers over two decades of the artist’s career and presents the most comprehensive overview of her practice to date. Featuring approximately forty works on paper and more than thirty paintings dating from 1996 to today, the exhibition includes works ranging from her early focus on drawing and mapping to her more recent introduction of bold gestures, saturated color, and figuration. The exhibition will showcase her commitment to interrogating the histories of art, architecture, and past civilizations alongside themes of migration, revolution, climate change, and global capitalism in the contemporary moment. Julie Mehretu is on view at LACMA November 3, 2019–March 22, 2020, and following its presentation at the Whitney from June 26 through September 20, 2020, the exhibition will travel to the High Museum of Art, Atlanta, GA (October 24, 2020–January 31, 2021); and the Walker Art Center, Minneapolis, MN (March 13–July 11, 2021).

Julie Mehretu, Hineni (E. 3:4), 2018, ink and acrylic on canvas, 96 × 120 in., Centre Pompidou, Paris, Musée national d’art moderne/Centre de création industrielle; gift of George Economou, 2019, © Julie Mehretu, photograph by Tom Powel Imaging
Julie Mehretu, Stadia II, 2004, ink and acrylic on canvas, 108 × 144 in., Carnegie Museum of Art, Pittsburgh, gift of Jeanne Greenberg Rohatyn and Nicolas Rohatyn and A. W. Mellon Acquisition Endowment Fund 2004.50, © Julie Mehretu, photograph courtesy of the Carnegie Museum of Art

Julie Mehretu is curated by Christine Y. Kim, associate curator in contemporary art at LACMA, and Rujeko Hockley, assistant curator at the Whitney.

Jasper Johns, Opens October 28, 2020

Jasper Johns (b. 1930), Three Flags, 1958. Encaustic on canvas, 30 5/8 × 45 1/2 × 4 5/8 in. (77.8 × 115.6 × 11.7 cm). Whitney Museum of American Art, New York; purchase with funds from the Gilman Foundation, Inc., The Lauder Foundation, A. Alfred Taubman, Laura-Lee Whittier Woods, Howard Lipman, and Ed Downe in honor of the Museum’s 50th Anniversary 80.32. Art © Jasper Johns/Licensed by VAGA, New York, NY

Jasper Johns (b. 1930) is arguably the most influential living American artist. Over the past sixty-five years, he has produced a radical and varied body of work marked by constant reinvention. In an unprecedented collaboration, the Philadelphia Museum of Art and the Whitney will stage a retrospective of Johns’s career simultaneously across the two museums, featuring paintings, sculptures, drawings, and prints, many shown publicly for the first time. Inspired by the artist’s long-standing fascination with mirroring and doubles, the two halves of the exhibition will act as reflections of one another, spotlighting themes, methods, and images that echo across the two venues. A visit to one museum or the other will provide a vivid chronological survey; a visit to both will offer an innovative and immersive exploration of the many phases, facets, and masterworks of Johns’s still-evolving career.

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Upcoming Exhibition Brings Together 200 Works By 60 American And Mexican Artists At The Whitney Museum In February 2020

The cultural renaissance that emerged in Mexico in 1920 at the end of that country’s revolution dramatically changed art not just in Mexico but also in the United States. Vida Americana: Mexican Muralists Remake American Art, 1925–1945 will explore the profound influence Mexican artists had on the direction American art would take. With approximately 200 works by sixty American and Mexican artists, Vida Americana reorients art history, acknowledging the wide-ranging and profound influence of Mexico’s three leading muralists—José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros—on the style, subject matter, and ideology of art in the United States made between 1925 and 1945.

The Whitney Museum’s own connection to the Mexican muralists dates back to 1924 when the Museum’s founder Gertrude Vanderbilt Whitney presented an exhibition of the work of three Mexican artists—José Clemente Orozco, Luis Hidalgo, and Miguel Covarrubias—at the Whitney Studio Club, organized by artist Alexander Brook. It was Orozco’s first exhibition in the United States. A few years later, in 1926, Orozco also showed watercolors from his House of Tears series at the Studio Club; and the following year Juliana Force, Mrs. Whitney’s executive assistant and future director of the Whitney Museum, provided critical support for Orozco at a time when he desperately needed it by acquiring ten of his drawings. The Mexican muralists had a profound influence on many artists who were mainstays of the Studio Club, and eventually the Whitney Museum, including several American artists featured in Vida Americana, such as Thomas Hart Benton, William Gropper, Isamu Noguchi, and Ben Shahn.

Diego Rivera. The Uprising, 1931. Fresco on reinforced cement in a galvanized-steel framework, 74 × 94 1/8 in. (188 × 239 cm). Collection of Marcos and Vicky Micha Levy © 2019 Banco de México–Rivera–Kahlo/ARS. Reproduction authorized by El Instituto Nacional de Bellas Artes y Literatura, 2019.

Curated by Barbara Haskell, with Marcela Guerrero, assistant curator; Sarah Humphreville, senior curatorial assistant; and Alana Hernandez, former curatorial project assistant, Vida Americana: Mexican Muralists Remake American Art, 1925–1945 will be on view at the Whitney Museum of American Art from February 17 through May 17, 2020 and will travel to the McNay Art Museum in San Antonio, Texas, where it will be on display from June 25 through October 4, 2020. At the McNay Art Museum, the installation will be overseen by René Paul Barrilleaux.

Jacob Lawrence. Panel 3 from The Migration Series, From every Southern town migrants left by the hundreds to travel north.,1940–41. Casein tempera on hardboard 12 × 18 in. (30.5 × 45.7 cm). The Phillips Collection, Washington, DC; acquired 1942. © 2019 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York

Vida Americana is an enormously important undertaking for the Whitney and could not be more timely given its entwined aesthetic and political concerns,” said Scott Rothkopf, Senior Deputy Director and Nancy and Steve Crown Family Chief Curator. “It not only represents the culmination of nearly a decade of scholarly research and generous international collaboration but also demonstrates our commitment to presenting a more comprehensive and inclusive view of twentieth-century and contemporary art in the United States.”

María Izquierdo. My Nieces, 1940. Oil on composition board, 55 1/8 × 39 3/8 in. (140 × 100 cm). Museo Nacional de Arte, INBAL, Mexico City; constitutive collection, 1982 © 2019 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. Reproduction authorized by El Instituto Nacional de Bellas Artes y Literatura, 2019.

Comprised of paintings, portable frescoes, films, sculptures, prints, photographs, and drawings, as well as reproductions of in-situ murals, Vida Americana will be divided into nine thematic sections and will occupy the entirety of the Whitney’s fifth-floor Neil Bluhm Family Galleries. This unprecedented installation, and the catalogue that accompanies it, will provide the first opportunity to reconsider this cultural history, revealing the immense influence of Mexican artists on their American counterparts between 1925 and 1945.

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Neiman Marcus Presents The 87th Edition Of Its Legendary Christmas Book

THE 2013 NEIMAN MARCUS CHRISTMAS BOOK FEATURES A SELECTION OF FANTASY GIFTS AND EXPERIENCES, INCLUDING A LIMITED-EDITION ASTON MARTIN, INDIAN LARRY’S “WILD CHILD” MOTORCYCLE, AND A FOREVERMARK DIAMOND EXPERIENCE.

The 2013 Neiman Marcus Christmas Book was unveiled yesterday by luxury retailer Neiman Marcus in Dallas. The 87th edition of this legendary book continues Neiman Marcus’s unmatched tradition of offering its customers a selection of spectacular and unique holiday gifts sure to make even their wildest dreams come true.

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Neiman Marcus represents the finest and most unique merchandise the world has to offer. It evokes images of preeminent designers and elegant fashion, luxurious furnishings and incomparable gifts. Since its inception in 1907, Neiman Marcus has operated by a fundamental and abiding principle: to exceed the customer’s expectations. Today, the tradition behind Neiman Marcus supports one of the nation’s leading specialty retail organizations with more than five million gross square feet of store operations in the United States, including 41 Neiman Marcus stores, two Bergdorf Goodman stores and 36 Last Call outlet centers. The company’s Neiman Marcus Online division also operates web sites that offer customers the leading assortment of luxury merchandise for women, men and home. In addition, the company has a thriving direct marketing and catalog business.

The arrival of the annual Christmas Book is considered by many to mark the official start of the holiday shopping season. This year’s edition of the Christmas Book carries on the Neiman Marcus tradition of presenting a refined selection of items across a broad range of categories for everyone on your holiday shopping list. With a new collection of fantasy gifts certain to satisfy even the most indulgent appetite, the Christmas Book features exceptional and distinctive gifts and experiences, including a Bespoke Global Falconry Companion, Ciclotte Exercise Bicycle, and a Glass House Experience. This year’s featured car is a Neiman Marcus 2014 Aston Martin Vanquish Volante. The “His & Hers” Fantasy Gift tradition continues this year with the Ultimate Outdoor Entertainment System, a 201” outdoor telescoping screen with surround sound speakers.

First published in 1926 as a 16-page booklet, the Neiman Marcus Christmas Book was initially intended as a Christmas card to the store’s best customers. Building on tradition through the years, the book has maintained its personal touch while evolving into a legendary source for alluring and mystical gifts.

The annual holiday tradition continues this year with a new selection of fantasy gifts that cater to people’s wildest dreams and promise to provide truly unique, once-in-a-lifetime experiences,” said John E. Koryl, President of Neiman Marcus Direct. “This year’s gifts live up to the time honored tradition of presenting our customers with the rare and unusual, while also incorporating our long legacy of always giving back.”

Neiman Marcus recently announced that it would begin offering free standard shipping and returns for all domestic purchases made online.

Among the selection of fantasy gifts in the 2013 Neiman Marcus Christmas Book are some exceptional items, including:

Ultimate Outdoor Entertainment System

Ultimate Outdoor Entertainment System

“His & Hers” 2013 ULTIMATE OUTDOOR ENTERTAINMENT SYSTEM
A true audio- and video-phile’s dream, you click a button and your television emerges from its discreet, underground cache, telescoping upward and unfolding to reveal its mega 201″ C SEED screen. The accompanying speakers, developed by CAT-California Audio Technology, Inc., use the most advanced marine-grade components specifically developed for super yachts. The system includes technologically advanced speakers, subwoofers, and amplifiers that project unparalleled sound, a DirecTV® satellite and DVD management system, and a built-in movie package featuring up to 300 movies and concerts (The American Film Institute’s 100 Most Thrilling American Films and 100 Greatest Love Stories, the remaining 100 are your choice). That never-ending argument over who controls the remote is no longer an issue. Two Apple® mini iPadsTM serve as the remotes; one for him and one for her. With every Ultimate Outdoor Entertainment System purchase, Neiman Marcus will donate $10,000 to The Heart of Neiman Marcus Foundation. ($1,500,000; pages 48-49) Continue reading