Exhibition Brings Large-Scale Installations From Famed Desert Gathering to Washington
Cutting-edge artwork created at Burning Man, the annual desert gathering that is one of the most influential events in contemporary art and culture, will be exhibited in the nation’s capital for the first time this spring. “No Spectators: The Art of Burning Man” will take over the entire Renwick Gallery building, exploring the maker culture, ethos, principles and creative spirit of Burning Man. Several artists will debut new works in the exhibition. In addition to the in-gallery presentation, the Renwick exhibition will expand beyond its walls for the first time through an outdoor extension titled “No Spectators: Beyond the Renwick,” displaying sculptures throughout the surrounding neighborhood.
Burning Man is both a cultural movement and a thriving temporary city of more than 75,000 people that rises out of the dust for a single week each year in late summer in Nevada’s Black Rock Desert. During that time, enormous experimental art installations are erected, some of which are then ritually burned to the ground. The desert gathering is a uniquely American hotbed of artistic ingenuity, driving innovation through its philosophies of radical self-expression, community participation, rejection of commodification and reverence for the handmade.
“The scale, the communal effort and the technical challenges inherent in creating works for the desert are part of what sets Burning Man apart from other art experiences,” said Stephanie Stebich, The Margaret and Terry Stent Director of the Smithsonian American Art Museum. “It is an amazingly creative laboratory where innovators go to play and to push the boundaries of their craft. Displaying the art of Burning Man at the Renwick is the latest example of our focus on new directions in craft and making.”
Nora Atkinson, the museum’s Lloyd Herman Curator of Craft, is organizing the exhibition in collaboration with the Burning Man Project, the nonprofit organization responsible for producing the annual Burning Man event in Black Rock City, for facilitating and extending the culture that has issued from Burning Man into the wider world and for cultivating its principles reflecting an immediate, non-commercial and participatory culture. The outdoor extension of the exhibition is presented in partnership with Washington, D.C.’s Golden Triangle Business Improvement District, a 43-square-foot neighborhood that stretches from the White House to Dupont Circle. The Burning Man community across the globe was instrumental in suggesting artworks for inclusion in the exhibition.
“No Spectators: The Art of Burning Man” opens March 30, 2018. The Renwick is the sole venue for the exhibition, which will close in two phases. The first floor will showcase works by Candy Chang, Marco Cochrane, Duane Flatmo, Michael Garlington and Natalia Bertotti, Five Ton Crane Arts Collective, Scott Froschauer, Android Jones and Richard Wilks and will close Sept. 16, 2018. The second floor, featuring works by David Best, FoldHaus Art Collective, Aaron Taylor Kuffner, HYBYCOZO (Yelena Filipchuk and Serge Beaulieu), Christopher Schardt and Leo Villareal, will remain on view through Jan. 21, 2019. “No Spectators: Beyond the Renwick,” will be presented in the surrounding neighborhood through December 2018. Continue reading