INDIgenesis: GEN 3, A Showcase of Indigenous Filmmakers and Storytellers, March 19–28
Presented over two weeks, the series INDIgenesis: GEN 3, guest curated by Missy Whiteman (Northern Arapaho and Kickapoo Nations), opens with an evening of expanded cinema and includes several shorts programs in the Walker Cinema and Bentson Mediatheque, an afternoon of virtual reality, and a closing-night feature film.
The ongoing showcase of works by Native filmmakers and artists is rooted in Indigenous principles that consider the impact of our decisions on the next seven generations. GEN 3 connects perspectives and stories from the past, present, and future to convey Indigenous truths, teachings, and values.
“Indigenous artists use the creative process of filmmaking for revitalization and narrative sovereignty,” says Whiteman. “Our stories tell us where we came from, re-create our truths, affirm our languages and culture, and inspire us to imagine our Indigenous future. We come from the stars. How far will we take this medium?”
Throughout the program, join conversations with artists and community members centered on themes of Indigenous Futurism, revitalization, and artistic creation.
Opening Night: Remembering the Future
Expanded Cinema Screening/Performance
Thursday, March 19, 7:30 pm Free, Walker Cinema
Combining film, a live score, hoop dancing, hip-hop, and spoken word, a collective of Indigenous artists led by curator Missy Whiteman creates an immersive environment that transcends time and place. Guided by ancestral knowledge systems, traditional stories, and contemporary forms of expression, the expanded cinema program features performances by DJ AO (Hopi/Mdewakatonwan Dakota), Sacramento Knoxx (Ojibwe/Chicano), Lumhe “Micco” Sampson (Mvskoke Creek/Seneca), and Michael Wilson (Ojibwe). Archival found footage and Whiteman’s sci-fi docu-narrative The Coyote Way: Going Back Home (2016), filmed in the community of Little Earth in South Minneapolis, illuminate the space.
Indigenous Lens: Our RealityShort films by multiple directors
Friday, March 20, 7 pm, $10 ($8 Walker members, students, and seniors), Walker Cinema
This evening of short films showcases a collection of contemporary stories about what it means to be Indigenous today, portraying identity and adaptability in a colonialist system. The program spans a spectrum of themes, including two-spirit transgender love, coming of age, reflections on friends and fathers, “indigenizing” pop art, and creative investigations into acts of repatriation. Digital video, 85 mins
Copresented with Hud Oberly (Comanche/Osage/Caddo), Indigenous Program at Sundance Institute (in attendance).
Directed by Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians)
Images of friends and landscapes are fragmented and reassembled as a voice tells stories, composing elements of nostalgia in terms of lore. 2019, 10 min. View excerpt.
Culture Capture: Terminal Adddition
Directed by New Red Order: Adam Khalil (Ojibway), Zack Khalil (Ojibway), Jackson Polys (Tlingit), Bayley Sweitzer
The latest video by the public secret society known as the New Red Order is an incendiary indictment of the norms of European settler colonialism. Examining institutionalized racism through a mix of 3D photographic scans and vivid dramatizations, this work questions the contemporary act of disposing historical artifacts as quick fixes, proposing the political potential of adding rather than removing. 2019, 7 min. View excerpt.
Directed by Shane McSauby (Grand Traverse Band of Ottawa and Chippewa Indians)
A trans Anishinaabe man meets a young Anishinaabe woman who pushes him to reconnect with their culture. 2017, 10 min. View excerpt.
The Moon and the Night
Directed by Erin Lau (Kanaka Maoli)
Set in rural Hawaii, a Native Hawaiian teenage girl must confront her father after he enters her beloved pet in a dogfight. 2018, 19 min. View excerpt.
Directed by Lyle Michell Corbine, Jr. (Bad River Band of the Lake Superior Chippewa Indians)
A young man seeks to honor the memory of his late father in a film that looks at Ojibwe ideas surrounding death and mourning. 2019, 6 min.
Directed by Daniel Flores (Yaqui)
This road trip movie follows Rozene and Diva as they make their way down to Guadalajara for their gender affirmation surgeries. 2017, 15 min. View excerpt.
Dig It If You Can
Directed by Kyle Bell (Creek-Thlopthlocco Tribal Town)
An insightful portrait of the self-taught artist and designer Steven Paul Judd (Kiowa), whose satirical manipulations of pop culture for an Indigenous audience are gaining a passionate, mass following as he realizes his youthful dreams. 2016, 18 min. View excerpt.Continue reading