Publishing Giant Condé Nast Announces New Global Leadership Structure

U.S./New York-based Condé Nast and London-based Condé Nast International Are Integrated as One Global Team. New Consumer Marketing Function to Bring Focus on Direct-to-Consumer Efforts With Unified Commercial Team to Better Serve Global Clients’ Holistic Needs

New Leadership Structure is Expected to Help Further Turn the Financial Ship Around As Company Moves Beyond Closing and Selling Off Magazine Titles, Layoffs and Consolidation of Workforce Across All Titles

Long expected, Condé Nast yesterday appointed a new global leadership team designed to accelerate the company’s evolution into a 21st-century media company. The new organizational structure, which combines Condé Nast and Condé Nast International into a unified global team, was created with several guiding principles in mind, including the preservation of local editorial voice and authority, an enhanced focus on the consumer, unification of the company’s ad and commercial sales functions to reflect clients’ local and global needs and the development of new ways to share capabilities and best practices across the company.

Condé Nast is a global media company, home to iconic brands including Vogue, The New Yorker, GQ, Glamour, AD, Vanity Fair, and Wired, among many others. The company’s award-winning content reaches 84 million consumers in print, 367 million in digital and 379 million across social platforms, and generates more than 1 billion video views each month. The company is headquartered in London and New York and operates in 32 markets worldwide including China, France, Germany, India, Italy, Japan, Mexico & Latin America, Russia, Spain, Taiwan, the U.K., and the U.S., with local license partners across the globe. Launched in 2011, Condé Nast Entertainment is an award-winning production and distribution studio that creates programming across film, television, social and digital video and virtual reality.

One of my top priorities has been to define our organizational structure so that we can take full advantage of our unique growth opportunities and exceptional content around the world,” said the recently-appointed CEO of Condé Nast, RogerLynchI’m confident that our new global structure will better enable us to collaborate across teams and markets and, ultimately, deliver unparalleled experiences for our consumers and clients.

The new structure is as follows:

Global Content Functions:: Anna Wintour, U.S. Artistic Director, Editor-in-Chief of Vogue U.S. and (newly-appointed) Global Content Advisor, will continue in her role as U.S. Artistic Director and Editor-in-Chief of Vogue U.S., and will add Global Content Advisor and oversight of Vogue International to her responsibilities. In her expanded role, Wintour will advise the executive leadership team on global content opportunities and act as a resource to editors-in-chief and editorial talent worldwide.

Oren Katzeff, President of Condé Nast Entertainment (CNE), will expand the company’s digital video, film and television operations to create best-in-class video content experiences for audiences worldwide. The company has been increasing its focus on video content and currently generates 1.1 billion video views per month. Under Oren’s leadership, CNE will now be the core of our global network of video teams, supporting the growth of our video businesses in all markets.

David Remnick, Editor-in-Chief of The New Yorker, will also continue to report directly to Lynch.

Global Operations Organization: Wolfgang Blau, President, International & Chief Operating Officer will oversee all non-U.S. markets, as well as selected global strategic functions, including Product & Technology, Data, Licensing, Global Editorial Operations, Business Development, and Delivery & Business Transformation. This organization will ensure day-to-day operational excellence and capability sharing across the business.

Global Commercial Organization: Pamela Drucker Mann, Global Chief Revenue Officer & President, U.S. Revenue, will lead a new global revenue organization that brings together the company’s U.S. and international ad sales, creative and agency, B2B marketing and client service capabilities. Jamie Jouning, promoted to Chief Client Officer, will report to Drucker Mann and oversee key global accounts, multi-market deals, and central digital ad operations. Drucker Mann will define ad sales and ad product strategies globally, and work closely with Jamie and the central team and commercial leads in the company’s worldwide markets to drive overall ad, agency, and B2B revenue and share best practices.

Consumer Marketing Organization: Condé Nast is creating a new consumer marketing organization that will be led by a Chief Marketing Officer (CMO) and will bring added focus to the company’s direct-to-consumer efforts. As the company expands its consumer offerings, this team will be charged with developing best-in-class capabilities and consistency across consumer experiences on every platform. The team will also be responsible for consumer revenue, with a core focus on subscriptions and memberships. In addition, the team will have responsibility for global brand management, consumer research, and insights and global audience development, ensuring a data-driven approach to the company’s efforts. The search for a CMO to lead this new organization will begin immediately.

Corporate Functions: The company is also globalizing its three corporate functions to leverage skills, expertise and standardize processes and best practices: People, Finance and Communications. The company will begin an immediate search and selection process for these and other open roles. Until new leaders are identified, teams will maintain their existing reporting lines and responsibilities.

We’re bringing added focus to our direct-to-consumer efforts and will build a new consumer marketing function that will be charged with developing best-in-class subscription and membership capabilities, and maintaining the authenticity of our iconic global brands,” Lynch continued. “And by transforming our sales organization into a unified global team, Condé Nast will be better positioned to serve the holistic needs of our clients around the world and make it easier for them to do business with us.

The new structure and appointments take effect immediately.

Kiehl’s Since 1851 Embarks On Ninth Annual LifeRide For amfAR

Motorcycle Riding Influencers Ride Through Southern California to Raise Awareness and Funds to Help Find a Cure for AIDS

Kiehl’s Since 1851, the venerable New York-based purveyor of fine quality skin and hair care continues its long-standing commitment to supporting HIV/AIDS charities, with its enduring partnership with amfAR, The Foundation for AIDS Research, and the ninth annual charity motorcycle ride, Kiehl’s LifeRide for amfAR, Aug. 6-Aug. 10, 2018.

Conceived by the company’s history with motorcycles and its philanthropic heritage, the Ninth Annual Kiehl’s LifeRide for amfAR continues the brand’s commitment to supporting HIV/AIDS organizations and will heighten awareness and raise funds for amfAR’s quest to end HIV/AIDS.logo

This year, the charity ride blankets Southern California over 5 days and will rally with the public at 8 stores along the route, where the public is invited to meet the riders, learn more about amfAR, and contribute to the non-profit.

Chris Salgardo, Kiehl’s Brand Ambassador and Kevin Robert Frost, CEO, amfAR will ride from Los Angeles to San Diego, with Gilles Marini, actor, Days of Our Lives, tattoo artist Luke Wessman, top men’s style influencer, Blake Scott, and music

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Kiehl’s Since 1851 Limited Edition Ultimate Strength Hand Salve: 100% of the purchase price from the sale of Kiehl’s Limited Edition Ultimate Strength Hand Salve, up to $25,000, will benefit amfAR, The Foundation for AIDS Research. Available for $28.50 at all Kiehl’s retail stores, Kiehls.com and specialty store partners nationwide.

photographer Travis Shinn.

And, as these riders make their way through Southern California, this year supporters will be able to ride along with them, courtesy of CycleBar. The premium indoor cycling brand will be offering Kiehl’s LifeRide for amfAR classes in select CycleBar studios nationwide, and Kiehl’s will donate $30 per bike in one of these classes, as part of its overall donation to amfAR. (To sign up at a CycleBar studio near you, please visit http://www.cyclebar.com/kiehlsrideforaidsresearch.) Continue reading

David Wojnarowicz Retrospective At The Whitney Explores The Enduring Resonance Of An Artist Who Merged The Personal And The Political

This summer, the most complete presentation to date of the work of artist, writer, and activist David Wojnarowicz will be on view in a full-scale retrospective organized by the Whitney Museum of American Art. David Wojnarowicz: History Keeps Me Awake at Night is the first major re-evaluation since 1999 of one of the most fervent and essential voices of his generation.

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David Wojnarowicz with Tom Warren, Self-Portrait of David Wojnarowicz, 1983–84. Acrylic and collaged paper on gelatin silver print, 60 × 40 in. (152.4 × 101.6 cm). Collection of Brooke Garber Neidich and Daniel Neidich, Photograph by Ron Amstutz. (The exhibition is organized by David Breslin, DeMartini Family Curator and Director of the Collection, and David Kiehl, Curator Emeritus, Whitney Museum of American Art, New York.)

Opening at the Whitney on July 13 and running through September 30, David Wojnarowicz: History Keeps Me Awake at Night features more than a hundred works by the artist and is organized by two Whitney curators, David Breslin, DeMartini Family Curator and Director of the Collection, and David Kiehl, Curator Emeritus. The exhibition, which will be installed in the Museum’s fifth floor Neil Bluhm Family Galleries through September 30, draws upon the scholarly resources of the Fales Library and Special Collections (NYU), the repository of Wojnarowicz’s archive, and is also built on the foundation of the Whitney’s extensive holdings of Wojnarowicz’s work, including thirty works from the Museum’s collection. It will travel to the Museo Reina Sofía, Madrid, in May 2019, and to Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean, Luxembourg City, in November 2019.

Scott Rothkopf, Deputy Director for Programs and Nancy and Steve Crown Family Chief Curator, remarked, “Since his death more than twenty-five years ago, David Wojnarowicz has become an almost mythic figure, haunting, inspiring, and calling to arms subsequent generations through his inseparable artistic and political examples. This retrospective will enable so many to confront for the first time, or anew, the groundbreaking multidisciplinary body of work on which his legacy actually stands.”

Beginning in the late 1970s, David Wojnarowicz (1954–1992) created a body of work that spanned photography, painting, music, film, sculpture, writing, performance, and activism. Joining a lineage of iconoclasts, Wojnarowicz (pronounced Voyna-ROW-vich) saw the outsider as his true subject. His mature period began with a series of photographs and collages that honored—and placed himself among—consummate countercultural figures like Arthur Rimbaud, William Burroughs, and Jean Genet. Even as he became well-known in the East Village art scene for his mythological paintings, Wojnarowicz remained committed to writing personal essays. Queer and HIV-positive, Wojnarowicz became an impassioned advocate for people with AIDS at a time when an inconceivable number of friends, lovers, and strangers—disproportionately gay men—were dying from the disease and from government inaction.

After hitchhiking across the U.S. and living for several months in San Francisco, and then in Paris, David Wojnarowicz settled in New York in 1978 and soon after began to exhibit his work in East Village galleries. Largely self-taught, Wojnarowicz came to prominence in New York in the 1980s, a period marked by great creative energy and profound cultural changes. Intersecting movements—graffiti, new and no wave music, conceptual photography, performance, neo-expressionist painting—made New York a laboratory for innovation. Unlike many artists, Wojnarowicz refused a signature style, adopting a wide variety of techniques with an attitude of radical possibility. Distrustful of inherited structures, a feeling amplified by the resurgence of conservative politics, Wojnarowicz varied his repertoire to better infiltrate the culture.

His essay for the catalog accompanying the exhibition Witnesses: Against Our Vanishing (curated by Nan Goldin at Artists Space in 1989–90) came under fire for its vitriolic attack on politicians and leaders who were preventing AIDS treatment and awareness. The National Endowment for the Arts (NEA) threatened to defund the exhibition, and Wojnarowicz fought against this and for the first amendment rights of artists. Continue reading

“Beyond I Do” Campaign Launches to Raise Awareness about the Prevalence of Discrimination Against LGBT People in the United States

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Campaign highlights that Americans are being denied housing, losing their jobs, and being refused services because they are lesbian, gay, bisexual or transgender

A recently-launched campaign aims to raise awareness about the prevalence of discrimination against lesbian, gay, bisexual, and transgender (LGBT) people in the United States, despite the widespread misconception they have basic protections.

The public service campaign from the Ad Council, in partnership with the Gill Foundation, promotes acceptance, empathy, and understanding for the millions of LGBT Americans who can be kicked out of their homes, fired from their jobs or denied services because of their sexual orientation or gender identity. Created by ad agency CP+B with research and strategy from Redscout, the “Beyond I Do” campaign will confront the common misconception that LGBT Americans received full equality along with the right to marry.LGBTQ-Fired-Bus-17.5hX12w-Eng.indd

The campaign highlights many stories of Americans who have faced discrimination across the country, along with facts about discrimination, at BeyondIDo.org. They speak for the 55 percent of LGBT people who have reported being discriminated against due to their sexual orientation or gender identity.1 And while public opinion research shows 79 percent of non-LGBT Americans support equality for LGBT people, 80 percent mistakenly believe it’s illegal under federal law to fire, evict or refuse service to someone because they are LGBT.2 3 In reality, 31 states lack comprehensive protections and allow these acts of discrimination against LGBT Americans.4

Everyone should have the ability to live in safety, support their families, and go about their daily lives without the fear of being turned away because they’re gay or transgender,” said Lisa Sherman, Ad Council President, and CEO. “By sharing powerful and poignant stories, this campaign highlights the values we hold so dear as Americans and provides a real opportunity to grow awareness and empathy.”BID-Rights-Print-7wX10h-Eng.indd

Beyond I Do” features stories of Americans from across the country who have been fired from their jobs, kicked out of their homes, or denied services because they are LGBT. They include: Continue reading

Celebrity Cruises to Offer Legal Same-Sex Marriages Onboard

The Historic First For The Brand Was Made Possible Following A Monumental Vote In The Fleet’s Country Of Registry

Celebrity Cruises is proud to announce that same-sex marriages performed onboard are now legally recognized, marking a historic first for the modern luxury brand.

Celebrity Cruises Logo

Celebrity Cruises Logo

The motion follows a transformative vote in Malta, where a majority of the Celebrity fleet is registered, which passed the country’s parliament 66-1. The long-awaited referendum opens the door for Celebrity to legally recognize same-sex marriages performed onboard, and have the fleet’s captains officiate the ceremonies.

Celebrity Cruises has a long history of supporting the LGBTQ+ community, and I cannot think of a more important time in our history than right now to do all we can to support inclusion. I am absolutely thrilled to announce that starting today, we welcome same-sex couples to marry on our ships while in international waters,” said Lisa Lutoff-Perlo, President and CEO, Celebrity Cruises. “This is one for the history books!

The Celebrity Weddings program offers onboard ceremonies and destination weddings for lovebirds. The Nautical Nuptials at Sea package includes a Captain-led ceremony, an event coordinator’s services, live music, one hour of photography, cake for two, bottle of Champagne, a bouquet and boutonniere, plus additional romantic turndown amenities post-ceremony.

Celebrity Weddings has already hosted many same-sex weddings in the U.S., Mexico, and the Caribbean, where legal,” said Barbara Whitehall, Managing Director, The Wedding Experience. “We are ecstatic that this new Malta ruling opens up marriage equality for anyone and everyone sailing with Celebrity Cruises while in international waters.

To learn more about the Celebrity Weddings program and The Wedding Experience, visit www.celebrityweddings.eweddingcalendar.com.

Los Angeles LGBT Center Expands Services for Homeless LGBTQ Youth With Support From S. Mark Taper Foundation

This week the Los Angeles LGBT Center announces it has received a $100,000 grant from the S. Mark Taper Foundation to support The Center‘s Homeless Youth Services. The S. Mark Taper Foundation, founded in 1989, is a private family foundation dedicated to enhancing the quality of people’s lives by supporting nonprofit organizations and their work in their respective communities.2b6088cc959028b4289c4dd619d45523

The grant will help fund holistic services including food, showers, emergency shelter, transitional housing, education, college access services, employment training, job placement assistance, addiction recovery and other health and wellness support.

On any given day or night, there are several thousand homeless youth ages 24 and younger living on the streets of Los Angeles. At its Youth Center, which is open seven days a week, the Center provides three meals per day; clothing; support group; a charter high school, GED, and college prep program; an employment preparation, training, and placement program; and more. The Center also offers a place to stay at its emergency shelter and longer-term housing at its transitional housing program.

In 2016 the Center served more than 74,000 meals at its Youth Center and provided more than 22,858 bed nights to homeless youth. Additionally, more than 109 homeless youth secured jobs through the Center’s Youth Employment Program.

With a staggering 40 percent of youth living on the streets in Hollywood identifying as LGBT, the Los Angeles LGBT Center will be able to expand its life-saving services to homeless youth because of the S. Mark Taper Foundation’s generosity,” said Center Director of Children, Youth & Family Services Simon Costello. “No organization offers a wider range of services for LGBT and questioning youth than the Los Angeles LGBT Center. We are honored to work with the S. Mark Taper Foundation to provide whatever support and services that youth need to get off the streets and become healthy, equal and complete members of society.

The Los Angeles LGBT Center does exceptional work in helping homeless youth find a better quality of life, and we are proud to help the Center continue its mission,” said S. Mark Taper Foundation Executive Director Adrienne Wittenberg. “Too many youths find themselves trying to survive on the streets of Los Angeles, but with our relationship with the Center, together we will transform and uplift the lives of these youth for the better.

Since 1969 the Los Angeles LGBT Center has cared for, championed and celebrated LGBT individuals and families in Los Angeles and beyond. Today the Center’s nearly 600 employees provide services for more LGBT people than any other organization in the world, offering programs, services, and global advocacy that span four broad categories: Health, Social Services and Housing, Culture and Education, Leadership and Advocacy. The Center is an unstoppable force in the fight against bigotry and the struggle to build a better world; the world in which LGBT people can be healthy, equal and complete members of society. Learn more at lalgbtcenter.org.

The Jewish Museum Announces New, Major Collection Exhibition to Open Fall 2017

The Jewish Museums long-running collection exhibition, Culture and Continuity: The Jewish Journey, originally mounted in 1993, recently close, making way for a major, new collection display, Scenes from the Collection, opening in Fall 2017. Culture and Continuity’s last day on view was Sunday, February 12, 2017.

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The Jewish Museum (New York) logo

The Jewish Museum‘s unparalleled collection spans 4,000 years of Jewish culture through nearly 30,000 objects, including painting, sculpture, photography, decorative arts, ceremonial objects, antiquities, works on paper, and media. Scenes from the Collection will transform the Museum’s third floor and feature over 650 works from antiquities to contemporary art – many of which will be on view for the first time at the Museum. The exhibition was designed by Tsao & McKown Architects.

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Hanukkah Lamp, Orivit-Aktiengesellschaft (1900-1905), Köln-Braunsfeld (Germany), 1900-05. White metal: cast and silver-plated; glass: mold formed, 13⅞ x 12¾ x 5 5/16 in. (35.3 x 32.4 x 13.5 cm). The Jewish Museum, New York, Gift of Dr. Harry G. Friedman (?), F 3573.

The new exhibition will be divided into eight different sections, or scenes, highlighting the diversity and depth of the collection. The new installation will present the collection as a reflection of the continual evolution that is the essence of Jewish identity, as well as a powerful expression of artistic and cultural creativity.

Scenes from the Collection will immerse our visitors in a dynamic and engaging experience. Developed collaboratively among the Museum’s curatorial staff, the new installation is a reflection of the Jewish Museum’s unique position as an art museum exploring Jewish culture and identity through a contemporary lens,” said Claudia Gould, Helen Goldsmith Menschel Director of the Jewish Museum.

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Torah Binder, Rabat (Morocco), 19th century. Cotton: embroidered with silk thread, 9 1/2 × 103 3/4 in. (24.1 × 263.5 cm). The Jewish Museum, New York, Gift of Sonia Cohen Azagury, 2004-64.

In addition, Scenes from the Collection will be flexible, with four scenes changing annually, and one changing every six months, so that different subjects can be examined while more of the collection is on view. The stories the works of art tell will illuminate multiple perspectives on being Jewish in the past and present, how Jewish culture intersects with art and the art world, and how it is part of the larger world of global interconnections.

The eight scenes are:

Origins

Scenes from the Collection will start from the beginning – the year 1904 when the Museum was founded with a gift of ceremonial objects from Judge Mayer Sulzberger. Central to this section will be the question of what, why, and how the Museum has collected and what this says about the changing identity of the institution, the Jewish community, and the art world.

Constellations

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Laurie Simmons (American, b. 1949), Woman Listening to Radio, 1978. Gelatin silver print, sheet: 7 15/16 × 9 15/16 in. (20.2 × 25.2 cm); image: 5 3/16 × 8 in. (13.2 × 20.3 cm). The Jewish Museum, New York, Purchase: Horace W. Goldsmith Foundation Fund, 2013-1. © Laurie Simmons, image courtesy of the artist and Salon 94, New York

In “Constellations,” over 50 of the most visually powerful and culturally significant works in the collection – from antiquities to the twenty-first century – will be exhibited as individual gems but with powerful thematic connections to one another. Such issues will be explored as transforming and transcending tradition, cultural distinctiveness and universality, and ever-changing notions of identity. Groups of works will relate to each other aesthetically or contextually, creating multiple conversations. For example, three works that can be seen as challenging tradition are Peter Blume’s Pig’s Feet and Vinegar (1927), Laurie SimmonsWoman Listening to Radio (1978), and Nicole Eisenman’s Seder (2011).

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Nicole Eisenman (American, b. France, 1965), Seder, 2010. Oil on canvas, 39 1/16 × 48 in. (99.2 × 121.9 cm). The Jewish Museum, New York, Purchase Lore Ross Bequest; Milton and Miriam Handler Endowment Fund; and Fine Arts Acquisitions Committee Fund, 2011-3 © Nicole Eisenman.

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