Columbia University President Announces The Winners of the 2018 Pulitzer Prize

(All Images Provided by The Communications Office of the Pulitzer Prizes)

The 2018 Pulitzer Prize winners in 14 journalism and seven letters, drama and music categories were announced on Monday, April 16 at 3 p.m. Eastern Standard Time. The formal announcement of the prizes, made each April, states that the awards are made by the president of Columbia University on the recommendation of the Pulitzer Prize board. This formulation is derived from the Joseph Pulitzer will, which established Columbia as the seat of the administration of the prizes. Today, in fact, the independent board makes all the decisions relative to the prizes. In his will, Pulitzer bestowed an endowment on Columbia of $2,000,000 for the establishment of a School of Journalism, one-fourth of which was to be “applied to prizes or scholarships for the encouragement of public service, public morals, American literature, and the advancement of education.

Pulitzer_Trademark_1

The Pulitzer Prize logo

In doing so, he stated: “I am deeply interested in the progress and elevation of journalism, having spent my life in that profession, regarding it as a noble profession and one of unequaled importance for its influence upon the minds and morals of the people. I desire to assist in attracting to this profession young men of character and ability, also to help those already engaged in the profession to acquire the highest moral and intellectual training.” In his ascent to the summit of American journalism, Pulitzer himself received little or no assistance. He prided himself on being a self-made man, but it may have been his struggles as a young journalist that imbued him with the desire to foster professional training.”

The iconic Pulitzer Prize Gold Medal is awarded each year to the American news organization that wins the Public Service category. It is never awarded to an individual. However, through the years, the Medal has come to symbolize the entire Pulitzer program.

In 1918, a year after the Prizes began, the medal was designed by sculptor Daniel Chester French and his associate Henry Augustus Lukeman. French later gained fame for his seated Lincoln at the Lincoln Memorial in Washington. One side of the medal displays the profile of Benjamin Franklin, apparently based on the bust by French sculptor Jean-Antoine Houdon. Decorating the other side is a husky, bare-chested printer at work, his shirt draped across the end of a press. Surrounding the printer are the words: “For disinterested and meritorious public service rendered by an American newspaper during the year….

The name of the winning news organization is inscribed on the Franklin side of the medal. The year of the award is memorialized on the other side.

The 2018 Prize winners are:

Journalism

Public Service

The New York Times, for reporting led by Jodi Kantor and Megan Twohey, and The New Yorker, for reporting by Ronan Farrow

For explosive, impactful journalism that exposed powerful and wealthy sexual predators, including allegations against one of Hollywood’s most influential producers, bringing them to account for long-suppressed allegations of coercion, brutality and victim silencing, thus spurring a worldwide reckoning about sexual abuse of women.

Breaking News Reporting

Staff of The Press-Democrat, Santa Rosa, Calif.

For lucid and tenacious coverage of historic wildfires that ravaged the city of Santa Rosa and Sonoma County, expertly utilizing an array of tools, including photography, video and social media platforms, to bring clarity to its readers — in real time and in subsequent in-depth reporting.

Investigative Reporting

Staff of The Washington Post

For purposeful and relentless reporting that changed the course of a Senate race in Alabama by revealing a candidate’s alleged past sexual harassment of teenage girls and subsequent efforts to undermine the journalism that exposed it.

Explanatory Reporting

Staffs of The Arizona Republic and USA Today Network

For vivid and timely reporting that masterfully combined text, video, podcasts and virtual reality to examine, from multiple perspectives, the difficulties and unintended consequences of fulfilling President Trump’s pledge to construct a wall along the U.S. border with Mexico.

Local Reporting

The Cincinnati Enquirer Staff

For a riveting and insightful narrative and video documenting seven days of greater Cincinnati’s heroin epidemic, revealing how the deadly addiction has ravaged families and communities.

National Reporting

Staffs of The New York Times and The Washington Post

For deeply sourced, relentlessly reported coverage in the public interest that dramatically furthered the nation’s understanding of Russian interference in the 2016 presidential election and its connections to the Trump campaign, the President-elect’s transition team and his eventual administration. (The New York Times entry, submitted in this category, was moved into contention by the Board and then jointly awarded the Prize.)

International Reporting

Clare Baldwin, Andrew R.C. Marshall and Manuel Mogato of Reuters

For relentless reporting that exposed the brutal killing campaign behind Philippines President Rodrigo Duterte’s war on drugs.

Feature Writing

Rachel Kaadzi Ghansah, freelance reporter, GQ

Rachel Kaadzi Ghansah (Feature Writing)

Rachel Kaadzi Ghansah (Feature Writing)

For an unforgettable portrait of murderer Dylann Roof, using a unique and powerful mix of reportage, first-person reflection and analysis of the historical and cultural forces behind his killing of nine people inside Emanuel AME Church in Charleston, S.C. Continue reading

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Philadelphia Museum of Art to Present New Work by Rachel Rose

Philadelphia Museum of Art Presents a New Work by Rachel Rose, On View May 2 through August 18, 2018

Rose is the Inaugural Recipient of The Future Fields Commission in Time-Based Media Grant

The Philadelphia Museum of Art will present a new video installation by Rachel Rose, the inaugural recipient of the Future Fields Commission in Time-Based Media, which has been jointly awarded to the artist by the Museum and the Fondazione Sandretto Re Rebaudengo. A project under development for nearly two years, this commission represents the most ambitiously scaled production in the artist’s career to date, leading to the creation of a work that will enter the collections of these two institutions. Titled Wil-o-Wisp, Rose’s work will be on view from May 2 through August 18, 2018, at the Philadelphia Museum of Art. It will then travel to the Fondazione Sandretto Re Rebaudengo in Turin, Italy, where it will open in November.

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Production image from Wil-o-Wisp, 2018, by Rachel Rose (Jointly owned and commissioned by the Philadelphia Museum of Art and Fondazione Sandretto Re Rebaudengo. Funding is made possible for the Philadelphia Museum of Art through the Contemporary Art Revolving Fund). Photo by Nancy Green, on-site at Plimoth Plantation, Massachusetts, 2017.

Timothy Rub, the Philadelphia Museum of Art’s George D. Widener Director and Chief Executive Officer, stated: “Seeing this project evolve since the awarding of the commission has been deeply gratifying. It demonstrates just how vital it is for institutions like ours to support emerging talent at precisely the time when such support is needed. This collaboration with our partners in Turin has also provided a wonderful opportunity to expand and strengthen our engagement with contemporary art.”

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Production image from Wil-o-Wisp, 2018, by Rachel Rose (Jointly owned and commissioned by the Philadelphia Museum of Art and Fondazione Sandretto Re Rebaudengo. Funding is made possible for the Philadelphia Museum of Art through the Contemporary Art Revolving Fund). Photo by Nancy Green, on-site at Plimoth Plantation, Massachusetts, 2017.

In 2016, the two esteemed arts and culture organizations established the Future Fields Commission in Time-Based Media as a collaborative initiative to jointly commission and acquire new work by artists from around the world who are active in video, film, performance, and sound. The Commission supports the creation and production of a new work every two years that will be presented at both the Museum and the Fondazione. With its unique focus and its commitment to the joint acquisition of the works produced with the support of this initiative, the commission aims to give unprecedented opportunities to international artists who are exploring new territory in these experimental modes of contemporary art. Rachel Rose is the inaugural recipient.

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Production image from Wil-o-Wisp, 2018, by Rachel Rose (Jointly owned and commissioned by the Philadelphia Museum of Art and Fondazione Sandretto Re Rebaudengo. Funding is made possible for the Philadelphia Museum of Art through the Contemporary Art Revolving Fund). Photo by Nancy Green, on-site at Plimoth Plantation, Massachusetts, 2017.

Rachel Rose has emerged as an important voice in contemporary video, widely recognized for her deft digital editing that aligns disparate visual images and historical references. This new commission has provided her with an opportunity to widen the scope of her interests by investigating narrative devices and story-telling. In Wil-o-Wisp, the artist has directed a live action video in which a woman’s fate becomes inextricably tied to moments of upheaval, suspicion, and persecution in 16th century agrarian England, a time during which the Enclosure Movement led to the privatization of land throughout the country. The video follows various vignettes of Elspeth’s life, cycling between familial moments and tragedy, the practice of magic and her persecution.PMAhorizontal

Rose strings dramatic moments together with temporal shifts, varying rhythms, an emotive score, and carefully constructed visual effects. The work reflects upon the harsh realities of English rural life during a time of a rising culture of suspicion in which women, such as Elspeth, engaging in nontraditional healing practices were often seen as threatening to an increasingly regulated society. The title of the work, Wil-o-Wisp, refers to ghostly lights that could be seen hovering at night over bogs and marshes and that, in folklore, could have the sinister effect of leading people astray. In Rose’s work, the title speaks to the characters whose paths are determined both by willful choices and the power of coincidence.

Directing a cast and crew of about thirty people, Rose shot the work at Plimoth Plantation, a living history museum in Plymouth, Massachusetts, that offered a period setting of houses in an English vernacular style and an austere winter landscape. Working with both trained and street-cast actors, as well as Plimoth Plantation guides, Rose both utilized the character of the site and added to it, creating her own imagined world within this setting. From costumes to set decorations, Rose combined period and contemporary materials.

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Production image from Wil-o-Wisp, 2018, by Rachel Rose (Jointly owned and commissioned by the Philadelphia Museum of Art and Fondazione Sandretto Re Rebaudengo. Funding is made possible for the Philadelphia Museum of Art through the Contemporary Art Revolving Fund). Photo by Nancy Green, on-site at Plimoth Plantation, Massachusetts, 2017.

Rose’s video is characterized as much by her intensive approach to post-production as by the attention she gives to the script and on-set staging. After filming the work in Plimoth, she added components such as a narrative sung by an ethereal voice in iambic pentameter. Orchestral and electronical scores serve to gather momentum and produce an emotional effect. Animals and people generate ghostly doubles, and a bright green moss seems to take over the barren landscape. In this work, Rose also continues her use of Medieval marginalia: drawn characters that populated Medieval manuscripts are here collaged to form words announcing certain protagonists and moments within the larger narrative. These elements coalesce with the depicted dramatic events to create a world in which the circumstance of history meets the coincidence and magic of fate.

Installed as a single-channel video and approximately ten minutes in length, Wil-o-Wisp will fill a large gallery that will include an eighteen-foot widescreen. It will be framed within an environment which is currently under development by the artist.

Erica Battle, The John Alchin and Hal Marryatt Associate Curator of Contemporary Art, said: “While Rachel Rose’s carefully woven narrative is set in the past, it speaks to larger themes and concerns that are relevant to our world today. Wil-o-Wisp reflects the inescapable feeling that history is cyclical.”

Rachel Rose (American, born 1986) creates video installations that combine video, sound, and architectural elements. She has had solo exhibitions at the Kunsthaus Bregenz, Austria (2017), the Aspen Art Museum (2016), the Museu Serralves in Porto, Lisbon (2016), the Serpentine Sackler Gallery in London (2015), and the Whitney Museum of American Art (2015). She was the recipient of the Frieze Artist Award (2015), and her work is collected by prominent institutions such as the Los Angeles County Museum of Art; LUMA Foundation, Arles; Musée d’Art Moderne, Paris; Ishikawa Foundation; Tate, London; and the Whitney Museum of American Art, New York, among others. Rose received a BA from Yale University, New Haven, as well as an MA from the Courtauld Institute of Art, London, and an MFA from Columbia University, New York. Continue reading

Newseum to Host Program on March 23 Featuring Student Journalists From Marjory Stoneman Douglas High School

The Eagle Eye Journalists Will Be in Washington, D.C., to Attend the “March for Our Lives” Rally the Following Day

Today, the Newseum announced that student journalists from Marjory Stoneman Douglas High School in Parkland, Fla., will participate in a program at the Newseum on March 23 called “Witnessing and Reporting Tragedy: The Student Journalists of Marjory Stoneman Douglas High School.” Margaret Brennan, moderator of CBS News’ “Face the Nation” and CBS News’ senior foreign affairs correspondent, will lead the discussion.

Newseum March for Our Lives

Students participating in a national school walkout to protest gun violence marched from the White House to the U.S. Capitol on March 14.

At the program, students will recount their experiences witnessing and reporting on the Feb. 14 shooting that killed 17 of their fellow students and teachers. During the shooting, reporters for the school’s newspaper The Eagle Eye recognized not only that they were involved in the major story but they also had a responsibility to report on it. The event thrust them into the role of being both crime victims and reporters.

On Saturday, March 24, the students will report from Washington, D.C., on that day’s “March for Our Lives,” an event organized by the survivors of the shooting that calls for increased gun control and school safety measures. Continue reading

National Geographic Channel And Katie Couric Chronicle The Gender Revolution With Moving Human Stories In Two-Hour Documentary

Two-Hour Documentary Hosted and Executive Produced by Couric to Premiere Feb. 6 at 9/8c Timed to National Geographic Magazine January Single-Topic Issue Exploring Gender Issues Around the Globe

It used to appear so simple for many of us: you were a boy or you were a girl. Girls wore pink, and boys wore blue; girls played with dolls, and boys played with trucks. Yet around the globe, these traditional notions of gender are changing rapidly, and labels are no longer so clear cut. National Geographic sets out to explore this evolving concept of gender through the lens of science, society and culture in the groundbreaking new two-hour documentary Gender Revolution: A Journey With Katie Couric, premiering Monday, Feb. 6, at 9/8c. Produced by Katie Couric Media with National Geographic Studios and World of Wonder Productions, the special will also air on National Geographic around the globe in 171 countries and in 45 languages.gender-revolution-ngm-covers-transparent-adapt-1190-1

Gender Revolution will explore the complexities of gender in everyday life, from the moment we are born through our twilight years. To better understand this complex social and scientific issue, Couric crisscrossed the U.S. to talk with scientists, psychologists, activists, authors and families to learn more about the role of genetics, brain chemistry and modern culture on gender fluidity. With conversations that range from the scientifically enlightening to the deeply personal, Couric’s unflinching search for truth sheds light on countless untold stories of struggle, understanding, ignorance, hurt and love.national-geographic

It’s hard to avoid hearing about some aspect of gender these days. Every time you check your phone, turn on the TV or scan Twitter, there’s another story that’s challenging our preconceived notions of what gender is, how it’s determined and the impact these new definitions are having on society,” said Couric. “I set out on a journey to try to educate myself about a topic that young people are living with so effortlessly — and get to know the real people behind the headlines. Because the first step to inclusiveness and tolerance is understanding.”

Among those Couric meets on her journey are the following:

  • Georgiann Davis, an activist who explores how intersex traits are defined, experienced and contested in contemporary U.S. society; intersexuality is a condition doctors estimate affects one in every 1,500 to 2,000 births
  • Dr. Joshua Safer, an endocrinologist engaged in clinical research who addresses a lack of knowledge on medical topics regarding transgender-identified individuals
  • Prof. Kristina Olson, who is conducting a 20-year study of hundreds of young transgender and gender-nonconforming kids
  • Transgender individuals of almost every generation — from a 4-year-old in Washington, D.C., to a retiree in California — who with their families face unique challenges as the result of their evolving gender identities
  • Michaela Mendelsohn, a trans woman who owns six franchise businesses around Los Angeles and who, in response to tragically high jobless rates among transgender people, has dedicated her efforts to hire and promote trans workers at her restaurants
  • Celebrity activists and pioneers such as tennis star Renee Richards and model and actress Hari Nef
  • Gavin Grimm, a trans teen whose lawsuit seeking equal bathroom access is headed to the Supreme Court
  • Countless other doctors and scientists who are on the frontlines of gender issues helping shape medical, social and psychological well-being

Further enhancing Couric’s intimate conversations are innovative graphics and animations that will help viewers understand the physiological nature of sex and gender like never before.

The broadcast premiere of Gender Revolution will come on the heels of the January 2017 issue of National Geographic magazine. The entire single-topic issue will be devoted to examining gender from different perspectives, providing a 360-degree look at what gender means in science and in social systems and civilizations throughout the world. With powerful storytelling through text, photographs, maps and graphics, pairedimages with video and other content online, the issue will address gender identity and sexuality, coming of age for children in various cultures and the threats that those with certain gender identities face worldwide, among other topics. The January issue will be available on print newsstands beginning Dec. 27 and was uploaded online in its entirely at www.natgeo.com/genderrevolution on Dec. 19.

National Geographic is also developing a comprehensive discussion guide for schools and young adult groups to help guide conversation around the themes and topics covered in both the documentary and the magazine. This guide will be available for download beginning in January on www.natgeo.com/genderrevolution.

Gender Revolution is produced by Katie Couric Media, World of Wonder Productions and National Geographic Studios for National Geographic. For Katie Couric Media, executive producers are Katie Couric and Mitch Semel. For World of Wonder, Fenton Bailey, Randy Barbato and Jeremy Simmons serve as executive producers. For National Geographic Studios, executive producers are Jeff Hasler and Brian Lovett. For National Geographic, Tim Pastore is president, original programming and production, and Michael J. Miller is executive producer.

Donald Trump Wins — Again! President-Elect Nabs Coveted Honor as Esquire Magazine’s 2016 ‘Dubious Man of the Year’

Surprise Future Chief Executive Bests Former Presumed President-Elect Hillary Clinton, Roger Ailes, Rudy Giuliani, Ryan Lochte, Creepy Clowns and Other Dubious Achievers

Extremely “Bigly” News Also Heralds the Triumphant Return of ‘Dubious Achievement Awards’ to Esquire After An Eight-Year Hiatus

Having been swept into the highest office in the land on November 8, President-Elect Donald Trump reached another pinnacle of achievement today, when it was announced by the editors of Esquire that he had been elected to the prestigious, hard-won title of Dubious Man of the Year.”Esquire Logo

The Dubious Achievement Awards (“an annual celebration of mendacity, mediocrity, and moronic behavior”) first appeared in Esquire in January 1962 as “a salute to those many whom the rest of us owe so little.” They ran in the magazine until 2008, when they were accidentally left behind in the coat room at Elaine’s restaurant for eight years.

It was a crowded field,” said Jay Fielden, editor-in-chief of Esquire. “But very early in the running the rest of the year’s bad hombres – blue-haired prevaricator Ryan Lochte, greedy extortionist Martin Shkreli and all those creepy clowns hanging around schoolyards with hockey sticks – fell away and it was clear who was going to be the winner whichever way the Presidency went. Not since Richard Nixon became the annual patron saint of these awards in 1963 have we seen such a worthy and unanimous winner. We congratulate President-Elect Donald J. Trump, his family and his entire team on this historic effort, which almost transcends last week’s, in our opinion.

Esquire Dec-Jan

December/January issue of Esquire Magazine (PRNewsFoto/Esquire)

In addition to the high honor accorded to Mr. Trump, the 2016 Dubious Achievement Awards in the new December/January issue are bestowed upon a host of other figures who have defined the outer limits of acceptable behavior during the calendar year, including Chappaqua resident Hillary Clinton, Libertarian spoiler and weed broker Gary Johnson, previously disgraced and upcoming Presidential advisor Roger Ailes, Blind Bill Cosby, and anyone who played Pokémon Go.

When it comes to truly dubious figures, Donald Trump has stood hair and shoulders above everyone this year,” said Esquire Contributing Editor David Hirshey, who piloted the renewed awards this month as well as during the dubious heyday of Michael Jackson, O.J. Simpson and George W. Bush. “Without his contribution, it would have been a relatively normal year of stupidity and greed, but our ‘Dubious Man of the Year‘ elevated his game to a level so spectacularly dubious that it may have actually swept him into the Oval Office. We really had no choice but to award him this accolade for which he has so clearly been preparing for his entire adult life.”

Esquire is the most-honored monthly magazine in America, with 26 National Magazine Awards, including one for its iPad app, and 88 nominations. In its digital expressions, Esquire.com has an audience of 11.3 million (comScore, Sept. 2016), and a social media following of 2 million. In addition to its U.S. flagship, Esquire publishes 26 editions around the world. Esquire is published by Hearst Magazines, a unit of Hearst, one of the nation’s largest diversified media and information companies. Hearst Magazines‘ print and digital assets collectively reach more than 128 million readers and site visitors each month, or 53 percent of all adults in the U.S.; nearly two-thirds of all women and 69 percent of all millennial women (source: comScore/MRI 9-16/S16).

The December/January issue hits newsstands on November 22.

Annenberg Space For Photography Skylight Studios And Amanda de Cadenet’s Girlgaze Present #girlgaze: a frame of mind

Immersive Exhibit Celebrates the Contributions of Female Photographers, Presenting a Girl’s-Eye View of the World, October 22, 2016 – February 26, 2017

Girlgaze is a Multimedia Platform That Generates Visibility and Community for the Next Generation of Female Photographers.

On October 22, 2016, the Annenberg Space for Photography will amplify its current exhibit with #girlgaze: a frame of mind, a stunning, never-before-exhibited collection of more than 150 photographs by young female-identifying photographers from around the world. The exhibit curators are Girlgaze, a collective founded by the famed British-born television host, women’s advocate and photographer Amanda de Cadenet to give visibility, opportunity and support to the next generation of female photographers and artists.

Now, through its interactive, digitally driven collection of work from young, emerging photographers, #girlgaze: a frame of mind will present a wide range of diverse female perspectives that engage visitors on a broad range of topics from sexuality, objectification and body image to mental illness, addiction and more. The exhibit, which was designed by Commonwealth Projects, also includes a section featuring the work of trailblazing women photographers such as Imogen Cunningham and Dorothea Lange.

The collection will be on display at Skylight Studios through February 26, 2017. Both #girlgaze: a frame of mind and the current Annenberg Space for Photography exhibit, IDENTITY: Timothy Greenfield-Sanders The List Portraits, explore themes of self-definition by celebrating the achievements of communities that have traditionally been marginalized. On view at the Annenberg Space for Photography through February 26, 2017, IDENTITY features more than 150 photographs from Timothy Greenfield-Sanders‘ acclaimed collections The Black List, The Latino List, The Women’s List, The Out List and The Trans List.annenberg-space-for-photography-logo-logotype-880x660

We’re thrilled to work with Girlgaze to create another very special interactive experience at Skylight Studios,” said Cinny Kennard, Executive Director at the Annenberg Foundation. “#girlgaze: a frame of mind will allow us to program vibrant discussions that look at the world from a different perspective, engaging with complicated themes of identity, beauty, sexuality and culture in a manner sure to resonate with audiences of all ages and from all walks of life.”

Girlgaze began as a movement on social media, where aspiring photographers posted more than 450,000 pictures on Instagram with the hashtag “girlgaze.” The project has garnered support from powerhouses from the media, fashion and photography worlds, including Inez van Lamsweer, Amber Valletta, Lynsey Addario, Sam Taylor-Johnson and Collier Schorr, all of whom sit on Girlgaze‘s curating committee.

In addition to its curated digital collection of images, Girlgaze provides a larger ecosystem supporting the work and careers of fledgling female photographers, artists and creatives, from providing grants to securing jobs. Girlgaze curated the September edition of Teen Vogue, the first issue of a Conde Nast magazine to be created entirely by girls, for girls.

Amanda de Cadenet, the thoughtful multi-hyphenate known for her photography as well as her substantive and diverse discussions with top female talent on The Conversation interview series, as well a the founder and CEO of Girlgaze, said, “The Girlgaze team is extremely honored to be chosen by the Annenberg Space for Photography to exhibit the work of female photographers from around the world. We are thrilled to share the views, experiences and ideas of so many talented girls — however they identify and wherever they come from — with a new audience. Female voices are so often marginalized. If we are ever to achieve gender equality, which is what we’re striving for, it’s crucial to include their voices. This exhibition shows girls as they are: smart, perceptive, creative and bold.

The Annenberg Space for Photography Skylight Studios (10050 Constellation Blvd. Los Angeles, CA 90067 ) is a 5,000-square-foot multimedia studio and retail gallery located directly across Century Park from the Annenberg Space for Photography. Skylight Studios is the home of the Annenberg Space for Photography‘s Iris Nights lecture series, a free public program of presentations by photographers and other notable experts and guest artists.

Skylight Studios (10050 Constellation Blvd. Los Angeles, CA 90067) is open Wednesday through Sunday: 11am – 6pm and Closed Mondays and Tuesdays. Admission is free.

Parking with validation is $3.50 Wednesdays – Fridays and $1.00 on weekends https://annenbergphotospace.org/skylight-studios

First CES 2017 Keynote Announced: NVIDIA CEO to Address Latest in Artificial Intelligence, Self-Driving Cars, Virtual Reality, Gaming

The Consumer Technology Association (CTA)™ announced its first keynote speaker for CES® 2017: NVIDIA co-founder and CEO Jen-Hsun Huang, who will deliver the event’s preshow address at 6:30 PM on Wednesday, Jan. 4, 2017. Owned and produced by the Consumer Technology Association, CES will run Jan. 5-8, 2017, in Las Vegas, NV.Print

NVIDIA has spent the last two decades pioneering Graphics Processing Unit (GPU) computing. It invented the GPU in 1996 and has evolved it into a computer brain that gives humans the power to simulate virtual worlds and gives computers the intelligence to understand the real world. NVIDIA is now the world leader in AI computing — turning science fiction into reality.

Huang co-founded NVIDIA in 1993 and has served since then as president, chief executive officer and a member of the board of directors. Noted by Harvard Business Review as one of the world’s 100 best-performing CEOs, he is a recipient of the Dr. Morris Chang Exemplary Leadership Award from the Global Semiconductor Association and has received other accolades, most notably the Daniel Epstein Engineering Management Award from the University of Southern California, and an honorary doctorate from Oregon State University. He is also a founding honoree of the U.S. Immigrant Entrepreneur Hall of Fame.

The Autonomous Vehicle Marketplace — formally known as Vehicle Intelligence — has grown by 75 percent since its inception at CES 2014. NVIDIA will exhibit alongside automotive manufacturers in the North Hall at CES 2017. Plus, more than a dozen CES conference sessions are dedicated to autonomous vehicles and vehicle technology.

NVIDIA plays a central role in some of the most important technology forces changing our world today,” said Gary Shapiro, president and CEO, Consumer Technology Association. “Its work in artificial intelligence, self-driving cars, VR and gaming puts the company on the leading edge of the industry. Mr. Huang is a visionary CEO who consistently anticipates trends well before their arrival. I am especially pleased to welcome him to the keynote stage given the growth we’ve seen in all of these areas on the CES show floor.

The Consumer Technology Association (CTA)™ is the trade association representing the $287 billion U.S. consumer technology industry. More than 2,200 companies – 80 percent are small businesses and startups; others are among the world’s best known brands – enjoy the benefits of CTA membership including policy advocacy, market research, technical education, industry promotion, standards development and the fostering of business and strategic relationships. The Association also owns and produces CES® – the world’s gathering place for all who thrive on the business of consumer technologies. Profits from CES are reinvested into CTA’s industry services.

CES is the world’s gathering place for all who thrive on the business of consumer technologies. It has served as the proving ground for innovators and breakthrough technologies for 50 years – the global stage where next-generation innovations are introduced to the marketplace. As the largest hands-on event of its kind, CES features all aspects of the industry. And because it is owned and produced by the Consumer Technology Association (CTA)™, the technology trade association representing the $287 billion U.S. consumer technology industry, it attracts the world’s business leaders and pioneering thinkers to a forum where the industry’s most relevant issues are addressed.

For a sneak-peek into Huang’s CES keynote address, check out what NVIDIA has to say about it. Registration for CES 2017 is now open. Visit CES.tech for more information. Check out CES video highlights. Follow CES online at CES.tech and on social.