Carnegie Hall’s Largest-Ever Celebration of One Composer Features More Than 35 Events at the Hall with Internationally Renowned Artists Exploring the Revolutionary Composer’s Works and His Transformative Impact on Music
Plus, 35+ Events Citywide at Prestigious Partner Organizations Including Music, Dance, Exhibitions, Talks, and Poetry
As the 250th anniversary year of Beethoven’s birth approaches, Carnegie Hall announces a wider schedule of partner events by leading cultural institutions, complementing the Hall’s programming as part of its Beethoven Celebration which includes an unprecedented range of performances by renowned artists exploring the composer’s works and his transformative impact on music. The Beethoven Celebration presents one of the largest explorations of the great master’s music in our time and marks the largest-ever exploration of one composer by Carnegie Hall, with 86 works of music performed by more than 58 artists and ensembles in New York City and beyond from January through June 2020. Ticketing Information.
Beyond Carnegie Hall, public programming, performances, exhibitions, and events at partner organizations—leading cultural and academic institutions in New York City and beyond—highlight the many dimensions of the great music master. The more than 35 partner events range from music and dance to poetry, exhibitions, and talks, many of which have a contemporary slant. Together, the Beethoven Celebration features more than 70 programs, creating an extraordinary view of this revolutionary composer.
“This rich series of events across New York City celebrates Beethoven’s unique place in the pantheon of the greatest artists in history as a composer whose music, perhaps more than any other, changed the course of Western classical music,” said Clive Gillinson, Executive and Artistic Director of Carnegie Hall. “Beethoven was audacious and absolutely fearless, a true revolutionary who never stopped challenging himself and who redefined every area of music that he touched. His music is timeless, and he continues to connect people worldwide with sounds that remain idealistic, compelling, fearsome, and personal. It’s no surprise that people around the globe continue to turn to his music to celebrate some of the most important turning points in history. We hope this opportunity to immerse ourselves in his music during this anniversary year will highlight the transformational impact he has had on culture, inspiring fresh perspectives on his life and work.”
HIGHLIGHTS OF BEETHOVEN CELEBRATION EVENTS AT CARNEGIE HALL
At Carnegie Hall, the Beethoven Celebration features more than 35 events including two complete symphony cycles, the complete piano sonatas and complete string quartets, chamber music, choral works, plus additional concerts and lectures as well as an ambitious global project that explores the themes found in Beethoven’s “Ode to Joy,” led by Marin Alsop.
A highlight of the Beethoven Celebration—never before presented by Carnegie Hall in one season—are two complete symphony cycles, one in February 2020 by Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique (ORR), performed on period instruments, and another in March and April 2020 by Yannick Nézet-Séguin and The Philadelphia Orchestra, contrasting their two different interpretive perspectives on these pillars of the orchestral repertoire.
A key figure both in the early music revival and as a pioneer of historically informed performances, Sir John Eliot Gardiner leads his internationally acclaimed early music ensemble ORR in Beethoven’s Symphony No. 1, along with the rarely-heard score for the ballet, The Creatures of Prometheus (February 19 at 8:00 p.m.). The six-day symphony cycle in Stern Auditorium/Perelman Stage continues with the Symphony Nos. 2 and No. 3, “Eroica” (February 20 at 8:00 p.m.); Symphony Nos. 4, and 5—with its famous opening motif—(February 21 at 8:00 p.m.); Symphony No. 6, “Pastoral” and No. 7 (February 23 at 2:00 p.m.); and Symphony Nos. 8 and 9 (February 24 at 8:00 p.m.). The soloists for the Ninth Symphony include soprano Lucy Crowe, contralt Jess Dandy, tenor Ed Lyon, and bass Tareq Nazmi alongside The Monteverdi Choir. As a prelude to the cycle, Maestro Gardiner will be joined by distinguished Beethoven scholar William Kinderman for a discussion in Weill Recital Hall that illuminates Gardiner’s approach to these symphonic masterworks (February 18 at 7:00 p.m.). These Beethoven Celebration events comprise Sir John Eliot Gardiner’s Perspectives series, which the celebrated conductor has curated for the 2019-20 season.
One of the most remarkable talents of his generation, Yannick Nézet-Séguin leads The Philadelphia Orchestra in the second complete cycle of Beethoven symphonies this season in Stern Auditorium/Perelman Stage, beginning with Symphony Nos. 5 and 6, “Pastoral” (March 13 at 8:00 p.m.). The four-concert cycle continues with Symphony Nos. 2 and 3, “Eroica” (March 20 at 8:00 p.m.); Symphony Nos. 4, 7, and 8 (March 26 at 8:00 p.m.); and Symphony Nos. 1 and 9 (April 3 at 8:00 p.m.). The soloists for the Ninth Symphony include soprano Angel Blue, mezzo-soprano Mihoko Fujimura, tenor Rolando Villazón, and baritone Quinn Kelsey alongside the Westminster Symphonic Choir. Maestro Nézet-Séguin also leads The MET Orchestra in a program that features virtuoso superstar Anne-Sophie Mutter in Beethoven’s groundbreaking Violin Concerto and Romance for Violin and Orchestra in F Major (June 12 at 8:00 p.m.). These five Beethoven Celebration performances are part of conductor Yannick Nézet-Séguin’s nine-concert Perspectives series this season.
Additional highlights at Carnegie Hall include:
- Chamber music with Anne-Sophie Mutter and friends in Stern Auditorium/Perelman Stage (January 30 at 7:00 p.m.);
- The all-star trio of Emanuel Ax,Leonidas Kavakos, and Yo-Yo Ma in Stern Auditorium/Perelman Stage (March 4 at 8:00 p.m., March 6 at 8:00 p.m., and March 8 at 2:00 p.m.);
- Orchestra of St. Luke’s, led by Principal Conductor Bernard Labadie, performs an all-Beethoven program including the Choral Fantasy with pianist Jeremy Denk and Mass in C Major featuring soprano Karina Gauvin, mezzo-soprano Kelley O’Connor, tenor Andrew Haji, bass-baritone Matthew Brook, and La Chapelle de Québec (March 5 at 8:00 p.m.);
- The Widmann Lectures: Thoughts on Beethoven in Weill Recital Hall with Carnegie Hall Debs Composer’s Chair Jörg Widmann—one of the most enthralling composers of our day (March 29 at 2:00 p.m.);
- All Together: Songs for Joy led by James Ross, with renowned mezzo-soprano and Perspectives series artist Joyce DiDonato and members of Ensemble Connect, features original music written by songwriters from across New York City inspired by a new adaptation of the “Ode to Joy” text by former US Poet Laureate and Pulitzer Prize-winner Tracy K. Smith (April 5 at 7:00 p.m.). All Together: Songs for Joy is part of an ambitious yearlong project All Together: A Global Ode to Joy which recasts Beethoven’s Ninth Symphony as a 21st-century call for unity, justice, and empowerment. Conductor Marin Alsop leads performances of Beethoven’s Ninth Symphony on five continents with renowned orchestras and each partner will reimagine the concert experience for their own community, incorporating newly created music alongside the symphony and featuring artists from their own region. In each performance, Ode to Joy will be adapted or translated anew into a local language. From December 2019 through December 2020, concerts will be presented in São Paulo, Brazil; London, England; New York, New York, USA; Baltimore, Maryland, USA; Auckland and Wellington, New Zealand; Sydney, Australia; Vienna, Austria; and Durban and Johannesburg, South Africa. Carnegie Hall presents the project’s final concert on December 6 at 3:00 p.m., featuring performers of all ages and guest artists from a wide range of genres, backed by a 250-voice choir comprised of singers from across New York City.
- The complete string quartet cycle by the charismatic French ensemble Quatuor Ébène over six concerts in Zankel Hall (April 17, 18, 19, and 30; May 1 and 2);
- The complete Beethoven piano sonatas in a series of 10 events by keyboard masters, including Sir András Schiff (April 2 at 8:00 p.m. and April 5 at 2:00 p.m.), Mitsuko Uchida (April 7 at 8:00 p.m.), Maurizio Pollini (May 17 at 2:00 p.m.) and Evgeny Kissin (May 27 at 8:00 p.m.) in Stern Auditorium/Perelman Stage.
HIGHLIGHTS OF BEETHOVEN CELEBRATION PARTNER EVENTS BY MONTH
Beethoven Celebration partner programming features 38 events, including music, dance, exhibitions, talks, and digital offerings presented by a range of 13 leading partner organizations across New York City and beyond:
- Apple Music
- National Black Theatre
- Brooklyn Institute for Social Research
- The New York Public Library for the Performing Arts
- Columbia University
- NYTB/CHAMBER WORKS
- The Joyce Theater
- Orchestra of St. Luke’s
- Mark Morris Dance Group
- The Metropolitan Museum of Art
- YIVO Institute for Jewish Research
- The Morgan Library & Museum
Poetry and Music—Beethoven Dickinson, Whitman
January 3 at 7:00 p.m., The New York Public Library for the Performing Arts: An evening of American poetry and Beethoven recordings that focuses on the themes of healing, gratitude and self-discovery, incorporating manuscripts and rare recordings from The New York Public Library’s archival collections.
Songs of Gratitude
January 4 at 2:30 p.m., Bruno Walter Auditorium, The New York Public Library for the Performing Arts: Presented by Read650 and The New York Public Library for the Performing Arts, Songs of Gratitude is a New Year’s celebration of healing arts: a curated series of five-minute, 650-word stories of gratitude from a cast of talented essayists, memoirists, and novelists—including Jamie Bernstein—followed by the New York Classical Players’ performance of Beethoven’s profound String Quartet No. 15, Op. 132, of which the central movement, written in the painful last years of his life, is a “holy song of gratitude.”
February 7 at 6:30 p.m., Gallery 684, The Metropolitan Museum of Art: A special tour of The Met’s newly renovated Musical Instruments Galleries—from gut strings to horns without valves, offers the opportunity to explore orchestral instruments as Beethoven would have known them, and to trace the development of their modern counterparts with The Met’s curator Bradley Strauchen-Scherer.
February 13, 14, and 15 at 8:00 p.m., Danspace Project, St. Mark’s Church in-the-Bowery: Presented by NYTB/CHAMBER WORKS as part of its 40th anniversary, Double Andante is a commissioned work choreographed by Pam Tanowitz in 2015. The 13-minute ballet, played live on piano two times at different tempos, is for 10 dancers set to the Andante of Beethoven’s Piano Sonata No. 15 in D Major, Op. 28.
Short Course: Exploring Beethoven’s Soundscape
February 27, March 5, and March 12 at 2:00 p.m., Art Study Room, Ruth and Harold D. Uris Center for Education, The Metropolitan Museum of Art: This three-session course considers the musical, technological, artistic, and social environment in which Beethoven’s first performers and audiences experienced his music. The Met’s curators Jayson Dobney and Bradley Strauchen-Scherer draw on instruments and art from across The Met’s collection to explore this interwoven narrative. The course includes demonstrations and performances of Beethoven’s chamber music on period instruments
Beethoven at the Library
February 29 at 2:30 p.m., Bruno Walter Auditorium, The New York Public Library for the Performing Arts: Beethoven at the Library features pianist Evelyn Chen, violinist Richard Lin and cellist Brinton Averil Smith performing Beethoven’s Piano Trio in B-flat Major, Op. 97, “Archduke,” accompanied by recitations of his letters and journal entries. Beethoven’s extensive sketches of the famous “Archduke” Trio are among the library’s most treasured artifacts and the trio’s concert is performed in conjunction with a one-day-only pop-up exhibition of the composer’s manuscripts.
Beethoven: Music, Revolution, and Romantic Culture
March 2, 9, 16, and 23 at 6:45 p.m., Goethe-Institut New York: Presented by The Brooklyn Institute for Social Research, this four-week course explores Beethoven’s music in the context of the ideas, art, and political struggles that shaped it. Through a selective study of the symphonies, piano sonatas, string quartets, and Missa solemnis, the course offers the opportunity to consider his music’s relationship to the Enlightenment, political revolution, musical technology, Romanticism, and the contemporary avant-garde.
Trois Grandes Fugues
March 18-22, The Joyce Theater: France’s treasured Lyon Opera Ballet performs Trois Grandes Fugues, a stunning triple-bill that presents the work of trailblazing choreographers Maguy Marin, Lucinda Childs, and Anne Teresa De Keersmaeker. These women each undertake the musical complexity of Beethoven’s Grosse Fuge, Op. 133, in three different choreographic imaginings.
St. Luke’s Chamber Ensemble
March 25 at 7:30 p.m., Gilder Lehrman Hall, The Morgan Library & Museum: St. Luke’s Chamber Ensemble, joined by pianist Paavali Jumppanen, performs Beethoven’s Symphony No. 3 in E-flat Major, Op. 55, “Eroica” (in a chamber arrangement by Beethoven’s friend and student, Ferdinand Ries) and Quintet for Piano and Winds in E-flat Major, Op. 16. Running in conjunction with this performance at The Morgan Library & Museum is the Morgan’s collection of autograph manuscripts by Beethoven which are on view from January 21-April 26.
Beethoven and Beyond: a Symposium
March 28 at 11:00 a.m., Goethe-Institut New York: This daylong symposium, featuring scholars, artists, and critics, explores Beethoven’s transformational impact on Western music, artistry, culture, and sensibility. What explains his extraordinary singularity? From what cultural, political, and philosophical sources did Beethoven draw? In what ways did he “invent” the modern artist and celebrity—and why does he stand, to this day, as a symbol of artistic autonomy and mercurial genius?
Beethoven in London: Spektral Quartet
March 28 at 7:00 p.m., Gallery 515, Dining Room from Lansdowne House, The Metropolitan Museum of Art: In celebration of the reopening of The Metropolitan Museum of Art’s British Galleries, MetLiveArts presents two intimate, in-gallery performances featuring music that would have been originally heard in London’s opulent homes. The first of these two performances take place on March 28 and features the Spektral Quartet performing a program that includes Beethoven’s last major work, the String Quartet in F Major, Op. 135—an intellectually confounding and emotionally ravaging piece with sharp contrasts of lightness and darkness.
Can & Able! The Resilience of the Gift
April 13 at 6:00 p.m., Bruno Walter Auditorium, The New York Public Library for the Performing Arts: Can & Able! The Resilience of the Gift, presented by The New York Public Library for the Performing Arts and the National Black Theatre, brings together differently abled Black artists for an evening of new, multidisciplinary micro-commissions inspired by Beethoven’s resilience to create in spite of his health challenges. Drawing from the composer’s personal journal and his late period “Archduke” Trio, the artists celebrate how art can change the world “in spite of.”
Beethoven’s Literary Afterlife
April 20 at 6:15 p.m., Italian Academy for Advanced Studies in America, Columbia University: In an exploration of Beethoven’s literary afterlife through the lens of chamber music, Beethoven’s Literary Afterlife examines the formation of a musical legacy, including lectures by Columbia professors Nicholas Dames and Arden Hegele, and Rutgers professor Nicholas Chong, as well as a performance of the composer’s Violin Sonata No. 7, Op. 30, No. 2 by violinist Chad Hoopes and pianist Anne-Marie McDermott. This event is presented by The Society of Fellows and the Heyman Center for the Humanities and the Italian Academy for Advances Studies in America, Columbia University.
Beethoven in the Yiddish Imagination
April 20 at 7:00 p.m., YIVO Institute for Jewish Research at the Center for Jewish History: The evening’s program is a celebration of Beethoven in the Yiddish imagination, including a Yiddish translation of “Ode to Joy” and a bilingual reading of a Yiddish story about the “Moonlight” Sonata. An die ferne Geliebte and the String Quartet in C-sharp Minor, Op. 131, will also be performed following a discussion of the largely unknown Jewish influences on these works.
Pittsburgh Ballet Theatre
April 28-May 3, The Joyce Theater: Pittsburgh Ballet Theatre celebrates its 50th anniversary season with a diverse program the features Mark Morris’s Maelstrom, with music from Beethoven’s haunting and sprightly “Ghost” Trio; Nacho Duato’s magical Duende, set to the music of Debussy; and a new work from Pittsburgh choreographer Staycee Pearl, known for blending movement and multimedia elements to fascinating effect.
St. Luke’s Chamber Ensemble
May 6 at 7:30 p.m., Gilder Lehrman Hall, The Morgan Library & Museum: In partnership with The Morgan Library & Museum, St. Luke’s Chamber Ensemble presents an all-Beethoven program featuring the Sextet in E-flat Major, Op. 81b and Septet in E-flat Major, Op. 20.
Dance with MMDG-Family Class
May 9 at 3:00 p.m. at Mark Morris Dance Center: Company members of Mark Morris Dance Group will teach a class for families accompanied by live music. People of all ages and dance levels, with and without disabilities, will learn excerpts of the vignettes from Morris’s The Muir, set to Beethoven’s arrangements of Irish and Scottish folk songs.
BEETHOVEN CELEBRATION APPLE MUSIC PLAYLISTS:
Complementing this exciting array of partner events, Apple Music will celebrate Beethoven with exclusive recordings, videos, playlists, radio stations, and more. Co-curated with Carnegie Hall, Apple Music’s Beethoven radio station will feature a wealth of recordings during the anniversary year. In addition, Carnegie Hall will curate its own playlist focused on the master composer, featuring recordings by internationally renowned musicians performing at the Hall throughout the season (www.applemusic.com/beethoven2020).
For a full schedule of Beethoven Celebration events, click here.
Lead support for the Beethoven Celebration is provided by The Morris and Alma Schapiro Fund. Public support is provided by the National Endowment for the Arts. Bank of America is the Proud Season Sponsor of Carnegie Hall.
In honor of the centenary of his birth, Carnegie Hall’s 2019–2020 season is dedicated to the memory of Isaac Stern in recognition of his extraordinary contributions to Carnegie Hall, arts advocacy, and the field of music.
Tickets for events taking place at Carnegie Hall are available at the Carnegie Hall Box Office, 154 West 57th Street, or can be charged to major credit cards by calling CarnegieCharge at 212-247-7800 or by visiting the Carnegie Hall website, carnegiehall.org.
For tickets to Beethoven Celebration partner events, please contact the specific venue.