Atlanta’s High Museum Of Art To Present “Sally Mann: A Thousand Crossings” This Fall

This Major Survey Exhibition Features More Than 100 Photographs, Including New Work By The Renowned Southern Artist

For more than 40 years, Sally Mann (American, b. 1951) has made experimental, elegiac and hauntingly beautiful photographs that explore the overarching themes of existence: memory, desire, death, the bonds of family and nature’s indifference to human endeavor. This fall, the High Museum of Art will present the first major survey of her work to travel internationally, Sally Mann: A Thousand Crossings” (Oct. 19, 2019–Feb. 2, 2020). “Sally Mann: A Thousand Crossings” will be presented in the High’s Anne Cox Chambers Wing.

Sally Mann (American, born 1951), Easter Dress, 1986, gelatin silver print, Patricia and David Schulte

Organized by the National Gallery of Art in Washington, D.C., and the Peabody Essex Museum, Salem, Massachusetts, the exhibition presents figure studies, landscapes and architectural views that are united by their common origin and inspiration in the American South. Using her deep love of her homeland and her knowledge of its historically fraught heritage, Mann asks powerful, provocative questions—about history, identity, race and religion—that reverberate across geographic and national boundaries.

Sally Mann (American, born 1951), Deep South, Untitled (Scarred Tree), 1998, gelatin silver print, National Gallery of Art, Washington, Alfred H. Moses and Fern M. Schad Fund

The exhibition is co-curated by the High’s recently appointed Donald and Marilyn Keough Family Curator of Photography Sarah Kennel (previously with the Peabody Essex Museum), who developed the project with Sarah Greenough, senior curator of photographs at the National Gallery.

“I’m thrilled to launch my tenure at the High with ‘A Thousand Crossings,’ an exhibition that is not only dear to my heart, but also makes perfect sense for the museum, which awarded Sally Mann the first ‘Picturing the South’ commission in 1996. Mann’s drive to ask the big questions—about love, death, war, race and the fraught process of growing up—coupled with her ability to coax powerful emotional resonances from the materials of her art make her one of today’s most compelling artists.”

Sally Mann (American, born 1951), Hephaestus, 2008, gelatin silver print, Virginia Museum of Fine Arts, Richmond, Kathleen Boone Samuels Memorial Fund

With this exhibition we continue to recognize of the importance of Mann’s work, which explores themes that will strongly resonate with our regional audience but that also addresses universal human concerns,” said Rand Suffolk, the High’s Nancy and Holcombe T. Greene, Jr., director. “We are delighted to have Sarah on board to lead the project, and we look forward to bringing these powerful photographs to Atlanta.

Sally Mann: A Thousand Crossings” investigates how Mann’s relationship with the South—a place rich in literary and artistic traditions but troubled by history—has shaped her work. The exhibition brings together 109 photographs, including new and previously unpublished work, and is accompanied by a fully illustrated catalog that offers an in-depth exploration of the evolution of Mann’s art.

Sally Mann (American, born 1951), Triptych, 2004, 3 gelatin silver prints, The Sir Elton John Photography Collection

Organized into five sections—Family, The Land, Last Measure, Abide with Me and What Remains, the exhibition opens with works from the 1980s, when Mann began to photograph her three children at the family’s remote summer cabin on the Maury River near Lexington, Virginia. Made with an 8–x–10-inch view camera, the family pictures refute the stereotypes of childhood, offering instead unsettling visions of its complexity. Rooted in the experience of the natural environment surrounding the cabin—the Arcadian woodlands, rocky cliffs and languid rivers—these works convey the inextricable link between the family and their land and the sanctuary and freedom that it provided them.

The exhibition continues in The Land with photographs of the swamplands, fields and ruined estates Mann encountered as she traveled across Virginia, Georgia, Louisiana and Mississippi in the 1990s. Hoping to capture what she called the “radical light of the American South,” Mann made pictures in Virginia that glow with a tremulous light, while those made in Louisiana and Mississippi are more blasted and bleak. In these photographs, Mann also began to experiment with her process, employing antique lenses, high-contrast Ortho film and the 19th-century wet plate collodion process. The resulting photographic effects, including light flares, vignetting, blurs, streaks and scratches, serve as metaphors for the South as a site of memory, violence, ruin and rebirth.

Sally with Camera, ca. 1998, gelatin silver print. Collection of Sally Mann. Photo © R. Kim Rushing.

Mann used these same techniques for her photographs of Civil War battlefields in the exhibition’s third section, Last Measure. These brooding and elusive pictures evoke the land as history’s graveyard, silently absorbing the blood and bones of the many thousands who perished in battles such as Antietam, Appomattox, Chancellorsville, Cold Harbor, Fredericksburg, Manassas, Spotsylvania and the Wilderness. 

Sally Mann (American, born 1951), The Turn, 2005, gelatin silver print, Private collection
Sally Mann (American, born 1951) Blackwater 25, 2008-2012 tintype Collection of the Artist

In the early 2000s, Mann continued to reflect on how slavery and segregation had left their mark on the landscape of Virginia and, in turn, shaped her own childhood. The fourth section, Abide with Me, explores these entwined histories. Two groups of photographs imagine the physical and spiritual pathways for African Americans in antebellum and post–Civil War Virginia: the rivers and swamps that were potential escape routes for enslaved people and the churches that promised safe harbor, communion and spiritual deliverance. This section also includes photographs of Virginia Carter, the African American woman who served as Mann’s primary caregiver. A defining and beloved presence in Mann’s life, Carter taught Mann about the profoundly complicated and charged nature of race relations in the South. The last component of this section is a group of pictures of African American men rendered in large prints (50 x 40 inches) made from collodion negatives. Representing the artist’s desire to reach across what she described as “the seemingly untraversable chasm of race in the American South,” these powerful photographs explore Mann’s own position in relation to the region’s fraught racial history.

Sally Mann (American, born 1951), St. Paul United Methodist 04:01, 2008-2016, gelatin silver print, Collection of the artist

The final section of the exhibition, What Remains, explores themes of time, transformation and death through photographs of Mann and her family. Her enduring fascination with decay and the body’s vulnerability to the ravages of time is evident in a series of spectral portraits of her children’s faces and intimate photographs detailing the changing body of her husband, Larry, who suffers from muscular dystrophy. The exhibition closes with several riveting self-portraits Mann made in the wake of an accident. Here, her links to Southern literature and her preoccupation with decay are in full evidence: the pitted, scratched, ravaged and cloudy surfaces of the prints function as analogues for the body’s corrosion and death. The impression of the series as a whole is of an artist confronting her own mortality with composure and conviction.

Sally Mann (American, born 1951) Last Light, 1990, gelatin silver print Joseph M. Cohen Family Collection
Sally Mann (American, born 1951), The Two Virginias #4, 1991, gelatin silver print, Private collection


Born in 1951 in Lexington, Virginia, Mann continues to live and work in Rockbridge County. She developed her first roll of film in 1969 and began to work as a professional photographer in 1972. She attended Bennington College, Vermont, and graduated in 1974 with a Bachelor of Arts in literature from Hollins College, Roanoke, Virginia, where she earned a Master of Arts in creative writing the following year. She has exhibited widely and published her photographs in the books “Second Sight: The Photographs of Sally Mann” (1983), “Sweet Silent Thought: Platinum Prints by Sally Mann” (1987), “At Twelve: Portraits of Young Women” (1988), “Immediate Family” (1992), “Still Time” (1994), “Mother Land: Recent Landscapes of Georgia and Virginia” (1997), “What Remains” (2003), “Deep South” (2005), “Sally Mann: Photographs and Poetry” (2005), “Proud Flesh” (2009), “Sally Mann: The Flesh and the Spirit” (2010) and “Remembered Light: Cy Twombly in Lexington” (2016).

Sally Mann (American, born 1951), Battlefields, Antietam (Black Sun), 2001, gelatin silver print, Courtesy of Edwynn Houk Gallery, New York

Mann’s bestselling memoir, “Hold Still: A Memoir with Photographs” (2015), was a finalist for the National Book Award. In 1996, Mann was selected to inaugurate the High’s “Picturing the South” photography series, a distinctive initiative that creates new bodies of work inspired by the American South for the Museum’s collection. She has received numerous other honors as well as grants from the National Endowment for the Arts, the National Endowment for the Humanities and the Guggenheim Foundation. In 2011 Mann delivered the prestigious William E. Massey Sr. Lectures in the History of American Civilization at Harvard University.

Sally Mann (American, born 1951), Battlefields, Fredericksburg (Cedar Trees), 2001, gelatin silver print, printed 2003, Waterman/Kislinger Family


Published by the National Gallery of Art, Washington, and the Peabody Essex Museum, Salem, Massachusetts, in association with Abrams, this richly illustrated monograph constitutes an in-depth exploration of the evolution of Mann’s art through its five sections: Family, The Land, Last Measure, Abide with Me and What Remains. Plate sections are enriched by the inclusion of quotations from Mann herself and from her most beloved authors. Essays by curators Sarah Greenough and Sarah Kennel analyze Mann’s photographic development in concert with her literary interests and Mann’s family photographs, respectively. In their valuable contributions, Hilton Als, New Yorker staff writer and recipient of the 2017 Pulitzer Prize for Criticism; Malcolm Daniel, Gus and Lyndall Wortham Curator of Photography, The Museum of Fine Arts, Houston; and Drew Gilpin Faust, former president and Lincoln Professor of History, Harvard University, explore literary and photographic responses to racism in the South, Mann’s debt to 19th-century photographers and techniques, and the landscape as repository of cultural and personal memory. Featuring 230 color illustrations, the 332-page catalog will be available at the High Museum Shop.

Sally Mann (American, born 1951),The Ditch, 1987, gelatin silver print, The Art Institute of Chicago, Gift of Sally Mann and Edwynn Houk Gallery
Sally Mann (American, born 1951) On the Maury, 1992, gelatin silver print, Private collection.

Exhibition Organization and Support
Sally Mann: A Thousand Crossings” is organized by the National Gallery of Art, Washington, and the Peabody Essex Museum, Salem, Massachusetts. This exhibition is made possible by Premier Exhibition Series Sponsor Delta Air Lines, Inc.; Exhibition Series Sponsors Georgia Natural Gas, Northside Hospital and WarnerMedia; Premier Exhibition Series Supporters the Antinori Foundation, Sarah and Jim Kennedy, Louise Sams and Jerome Grilhot, and wish foundation; Benefactor Exhibition Series Supporter Anne Cox Chambers Foundation; Ambassador Exhibition Series Supporters Tom and Susan Wardell and Rod Westmoreland; and Contributing Exhibition Series Supporters Lucinda W. Bunnen, Marcia and John Donnell, W. Daniel Ebersole and Sarah Eby-Ebersole, Peggy Foreman, Robin and Hilton Howell, Mr. and Mrs. Baxter Jones, Margot and Danny McCaul, Joel Knox and Joan Marmo, and The Ron and Lisa Brill Family Charitable Trust. Generous support is also provided by the Alfred and Adele Davis Exhibition Endowment Fund, Anne Cox Chambers Exhibition Fund, Barbara Stewart Exhibition Fund, Dorothy Smith Hopkins Exhibition Endowment Fund, Eleanor McDonald Storza Exhibition Endowment Fund, The Fay and Barrett Howell Exhibition Fund, Forward Arts Foundation Exhibition Endowment Fund, Helen S. Lanier Endowment Fund, Isobel Anne Fraser–Nancy Fraser Parker Exhibition Endowment Fund, John H. and Wilhelmina D. Harland Exhibition Endowment Fund, Katherine Murphy Riley Special Exhibition Endowment Fund, Margaretta Taylor Exhibition Fund, and the RJR Nabisco Exhibition Endowment Fund.

About the High Museum of Art
Located in the heart of Atlanta, Georgia, the High Museum of Art connects with audiences from across the Southeast and around the world through its distinguished collection, dynamic schedule of special exhibitions and engaging community-focused programs. Housed within facilities designed by Pritzker Prize–winning architects Richard Meier and Renzo Piano, the High features a collection of more than 17,000 works of art, including an extensive anthology of 19th- and 20th-century American fine and decorative arts; major holdings of photography and folk and self-taught work, especially that of artists from the American South; burgeoning collections of modern and contemporary art, including paintings, sculpture, new media and design; a growing collection of African art, with work dating from pre-history through the present; and significant holdings of European paintings and works on paper. The High is dedicated to reflecting the diversity of its communities and offering a variety of exhibitions and educational programs that engage visitors with the world of art, the lives of artists and the creative process. For more information about the High, visit www.high.org.

RH Unveils ‘RH New York, The Movie’ in Celebration of the Gallery’s First Anniversary

The Short Film Captures the Brand’s Quest to Create One of the World’s Most Innovative Retail Experiences

Marking the first anniversary of one of its most iconic spaces to date, RH announced the release of RH New York, The Movie,” a short film documenting the creation of RH New York, The Gallery in the Historic Meatpacking District. This first-of-its-kind, 90,000-square-foot retail experience features a skylit six-story atrium with transparent glass elevator, Rooftop Restaurant, Barista Bar & Wine Terrace, Interior Design Firm, “New York Night,” a dramatic art installation by Alison Berger, and full floors dedicated to RH Interiors, RH Modern, RH Outdoor, RH Baby & Child, and RH TEEN.

RH Logo
RH NEW YORK, THE GALLERY IN THE HISTORIC MEATPACKING DISTRICT (Photo: Business Wire) (GIF)

It took seven years of improvising, adapting and overcoming all of the obstacles until it became what it is today, which is arguably the most innovative new store in the world, in the most important city in the world,” Chairman and CEO Gary Friedman says in the film’s opening moments. “There’s not a better place to express truly what you believe in.”

To experience RH New York, The Movie, visit RH.com

BET Has Joined the 2019 Streaming Wars with The Launch of BET+

Be The First To Experience More Than 1,000 Hours Of Ad-Free Content From Acclaimed And Rising African American Creators, Sign Up Now At Bet.Com/Betplus

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BET+ is available now through Apple TV channels on the Apple TV App, and on the App Store for iPhone and iPad, Android™ devices, Android TV™ devices, Amazon Fire TV and Prime Video Channels

On September 14th, BET+ was launched n the U.S. andis available on the App Store for iPhone and iPad, Android™ devices, Android TV™ devices, Amazon Fire TV and Prime Video Channels. Customers can also subscribe directly to BET+ through Apple TV channels and watch in the Apple TV app, on demand and ad-free, across their devices for online and offline viewing.

BET+ complements BET’s linear network, which continues to be the leading home of black culture. BET fans will not only have the freedom to access more than 1,000 hours of content on BET+, they will have additional access points to BET content on BET.com and the BET Now app for TV Everywhere users. In addition, BET’s recently launched channel on Pluto TV, the leading free streaming television service in the U.S., will continue to feature hundreds of hours of classic films and box office hits from the best of black Hollywood.

BET+ IS NOW STREAMING BLACK CULTURE. BE THE FIRST TO EXPERIENCE MORE THAN 1,000 HOURS OF AD-FREE CONTENT FROM ACCLAIMED AND RISING AFRICAN AMERICAN CREATORS, SIGN UP NOW AT BET.COM/BETPLUS (Photo: Business Wire)

The joint venture by BET Networks and Tyler Perry Studios launches with a deep and diverse lineup of content, aimed to super-serve lovers of Black stories. BET+ subscribers can immediately access more than 1,000 hours of ad-free premium content, including exclusive new original programming and a broad array of top African American-focused dramas, sitcoms, films, and specials from BET and sister networks within the Viacom portfolio.

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BET+ will offer subscribers an exclusive collection of Tyler Perry film, television, stage plays and new original series. Sign up now at BET.COM/BETPLUS (Photo: Business Wire)

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In the coming months, BET+ will proudly present Tyler Perry’s box office-topping theatrical films, including the “Madea” franchise; new original series; and a selection of Perry’s stage plays – “Meet the Browns,” “Daddy’s Little Girls,” “Family That Preys,” “I Can Do Bad All By Myself” and more.

BET+ LAUNCHES IN THE U.S. BET+ is available on the App Store for iPhone and iPad, Android™ devices, Android TV™ devices, Amazon Fire TV and Prime Video Channels. (Photo: Business Wire)

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In the coming weeks, BET+ will feature stand-up comedy specials from D.L. Hughley, Eddie Griffin, Nick Cannon, Sasheer Zamata (Saturday Night Live), Lil Rel (Get Out), Gina Yashere (The Daily Show), Sinbad and more.

BET Networks, a subsidiary of Viacom Inc. is the nation’s leading provider of quality entertainment, music, news and public affairs television programming for the African-American audience. The primary BET channel is in nearly 85 million households and can be seen in the United States, Canada, the Caribbean, the United Kingdom, sub-Saharan Africa and France. BET is the dominant African-American consumer brand with a diverse group of business extensions including BET.com, a leading Internet destination for Black entertainment, music, culture, and news; BET HER, a 24-hour entertainment network targeting the African-American woman; BET Music NetworksBET Jams, BET Soul and BET Gospel; BET Home Entertainment; BET Live, BET’s growing festival business; BET Mobile, which provides ringtones, games and video content for wireless devices; and BET International, which operates BET Networks around the globe.

Tyler Perry Studios is a state-of-the art film and television production facility founded in 2006 by actor, producer, filmmaker, playwright and philanthropist Tyler Perry. Located in Atlanta, Georgia on the historic grounds of the former Fort McPherson army base, the new 330-acre campus is one of the largest production studios in the country. It boasts a variety of shooting locations including 40 buildings on the national register of historic places, 11 purpose-built sound stages, 200 acres of green space and an expansive backlot.

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