Philadelphia Museum of Art to Present Celebrated Film Trilogy and New Performance by Artist Yael Bartana

This fall, the Philadelphia Museum of Art will premiere Bury Our Weapons, Not Our Bodies!, a new site-specific public performance by acclaimed Israeli-born artist Yael Bartana. Scheduled to take place on September 22, 2018 (through to January 1, 2019) at the Independence National Historical Park in Philadelphia, this performance will be presented as part of a solo exhibition at the Museum dedicated to the artist’s provocative film trilogy, And Europe Will Be Stunned (2007-2011). Marking its Philadelphia debut, this trilogy will be an immersive installation in the Joan Spain Gallery of the Museum’s Perelman Building.

5. 800_image1-portraitofyaelbartana-photobybirgitkaulfuss

Portrait of Yael Bartana. Photo by Birgit Kaulfuss. Image courtesy of the artist and Philadelphia Museum of Art, 2018.

Born in 1970 in Kfar Yehezkel, Israel, Yael Bartana lives and works in Berlin and Amsterdam. In her films, installations, and photographs, Bartana investigates the ideas of homeland, return, and belonging, often in ceremonies, memorials, public rituals, and actions that are intended to reaffirm and question collective identities and ideas of the nation or the state.

1. image4-yaelbartana-zamachassassination

Image from “Zamach (Assassination),” 2011, by Yael Bartana. From the trilogy “And Europe Will Be Stunned.” (Collection of both the Philadelphia Museum of Art and Walker Art Center, Minneapolis; purchased by the PMA with funds contributed by Nancy M. Berman and Alan Bloch and the Philip and Muriel Berman Foundation, and the Committee on Modern and Contemporary Art; and purchased by the WAC, T. B. Walker Acquisition Fund, 2013). Image courtesy of the artist and Philadelphia Museum of Art, 2018.

Taking the complex history of Jewish-Polish identity as its point of departure, And Europe Will Be Stunned addresses the themes of nationhood, memory, and belonging that are integral to Bartana’s work. It first debuted at the Venice Biennale in 2011, where Bartana represented Poland. Shortly thereafter, the trilogy was jointly acquired by the Philadelphia Museum of Art and the Walker Art Center in Minneapolis. Employing a visual vocabulary reminiscent of Stalinist and Zionist propaganda of the early 20th century, And Europe Will be Stunned chronicles the radical program of a fictional political movement called the Jewish Renaissance Movement in Poland (JRMiP). Created by Bartana, together with Polish activist Sławomir Sierakowski, the JRMiP advocates for the return of over three million Jews to their forgotten Polish homeland. Informed by the histories of the Israeli settlement movement, Zionism, anti-Semitism, and the Palestinian right of return, the trilogy uses the real and the imagined to speak to global complexities about identity and self-determination in an increasingly unstable world.

2.

Still from “Mur i wieża (Wall and Tower),” 2009, by Yael Bartana. From the trilogy “And Europe Will Be Stunned.” (Collection of both the Philadelphia Museum of Art and Walker Art Center, Minneapolis; purchased by the PMA with funds contributed by Nancy M. Berman and Alan Bloch and the Philip and Muriel Berman Foundation, and the Committee on Modern and Contemporary Art; and purchased by the WAC, T. B. Walker Acquisition Fund, 2013). Image courtesy of the artist and Philadelphia Museum of Art, 2018.

Beyond the walls of the Philadelphia Museum, Bartana will realize Bury Our Weapons, Not Our Bodies! as a means of extending the themes of the artist’s trilogy into the birthplace of American democracy – Philadelphia. Bartana’s performance is a call to action, aiming to make visible the systems of violence and displacement that have been perpetuated through weapons, both literal and symbolic. As the title suggests, the performance will bury these weapons, rendering them useless, as they are incorporated into a choreographed funeral—a living monument—that will include a staged procession and a collective eulogy about war and survival. The movements of the performers are inspired by those of Israeli artist and dance composer Noa Eshkol (1924-2007), specifically evoking Eshkol’s 1953 memorial assembly performed in remembrance to the Holocaust. Bringing together funerary tradition, military ritual, and personal testimony, Bartana’s new performance will deepen the artist’s investigations into the construction of memory and the aesthetics of national identity.

3

Still from “Mary Koszmary (Nightmares),” 2007, by Yael Bartana. From the trilogy “And Europe Will Be Stunned.” (Collection of both the Philadelphia Museum of Art and Walker Art Center, Minneapolis; purchased by the PMA with funds contributed by Nancy M. Berman and Alan Bloch and the Philip and Muriel Berman Foundation, and the Committee on Modern and Contemporary Art; and purchased by the WAC, T. B. Walker Acquisition Fund, 2013). Image courtesy of the artist and Philadelphia Museum of Art, 2018.

Continue reading

This Just In:A Message from Rose McGowan on Asia Argento

I would first of all like to start off this statement saying thank you for your patience. A lot of people have been demanding answers and a response to the recent events surrounding Asia Argento’s sexual assault case. Many people believe that because we have been close in each other’s lives over the past year that perhaps I am affiliated with this incident or being complicit. I am not.

I first met Asia on a red carpet, but it’s only been the past year through our shared experience of the HW case that we have bonded. Asia was a person who understood my trauma in a way that many others didn’t. We were able to talk through them together and champion each other’s voices. We even got matching dot tattoos! Something I had posted on my IG just about a month ago. It’s no secret to anyone that Im a blunt, candid, brazen individual vocally- and I think that’s what I really related to Asia the most with. They were edgy, confrontational, and strong willed with very little care about how much other’s liked or disliked them. Rare things to find in women in this industry or the world.

But then everything changed. In an instant. I received a phone call and series of messages from the being I’ve been dating- Rain Dove. They said that they had been texting with Asia and that Asia had revealed that she had indeed slept with Jimmy Bennet. Rain also shared that Asia had stated that she’d been receiving unsolicited nudes of Jimmy since he had been 12. Asia mentioned in these texts that she didn’t take any action on those images. No reporting to authorities, to the parents, or blocking of Jimmy’s social media. Not even a simple message “Don’t send me these images. They are inappropriate.” There were a few other details revealed as well that I am not at liberty to mention in this statement as investigators do their job.

Rain Dove said that they were going to go to the police with these texts once we were done speaking no matter what. But that they wanted me to be aware of them so that I may be able to take further actions. I responded with “You have to. You must.” I wasted no time. It wasn’t hard to say or support. What was hard was the shell shock of the realisation that everything the MeToo movement stood for was about to be in jeopardy. An hour after our conversation was finished Rain Dove confirmed that they had turned over the texts and were in conversation with officers. Almost 48 hours later the texts were in the press.

I had introduced Rain Dove to Asia Argento last month, three days after the passing of Anthony Bourdain. I was with Asia to comfort and support her. Rain Dove came to support us both. It was an emotionally chaotic time and Rain Dove suggested we go to Berlin for a couple days to take the mourning out of Asia’s home and into a neutral space. So we did. While in Berlin Asia had mentioned that she was being extorted for a large sum of money every month by someone who was blackmailing them with a provocative image. No one in the room knew who the extortionist was. Now we know it to be a reference to this case.

Rain Dove continued on communicating with Asia occasionally after meeting her- and their conversations have been their own. I know Rain is a person to whom many high profile entities consult when they are experiencing social pressures because Rain is good at guiding them through the research confrontation, rehabilitation, and solution process. While they are a person who is good at keeping a secret for those dedicated to making things right- they are also justice driven. So it was not a surprise to me that I received that call and the messages from them. I’ve referred to Asia in the past as “My Ride or Die” and said very clearly that their friendship comes first. I know that coming to me with those messages must have been hard for Rain because of that so I commend them for their bravery.

To the people who have checked in with me to see if I’m alright- the answer is thank you and Yes. I’ll be fine. Its sad to lose a friend connection, but whats even more sad is what happened to Jimmy Bennet. Whether or not the extortion case is true- it wasn’t fair and it wasn’t right. It is the type of thing I fight against alongside so many. The reason I haven’t released a statement is because I’ve frankly been extremely humbled by this event. I had to take a step back and realise that in my own activism while I fight hard with passion- I need to evolve. In the past I have been occasionally angry. As a victim I was justified in fiery feelings. But I know that those accused are the friends, parents, and family members of other people. There absolutely should be no leeway or tolerance for sexual assault. Hard stop. NONE. Victims also shouldn’t be told how they should react or what they should say about their abusers. However as allies to the victim and voyeurs of an event we should find a better way to balance support of the victim with due process for the accused. I’ve never claimed to be perfect. This week especially has made me come to terms with the fact that we all have a lot of growing to do, including myself.

At this current moment it may be easy to focus on the drama of the situation. The conspiracy. But the real focus should be on supporting justice. Supporting honesty. And supporting each other. We can not let this moment break the momentum of a movement that has freed so many people. We must use it to allow us to become stronger. More compassionate. More aware. And More organised.

Asia you were my friend. I loved you. You’ve spent and risked a lot to stand with the MeToo movement. I really hope you find your way through this process to rehabilitation and betterment. Anyone can be better- I hope you can be, too. Do the right thing. Be honest. Be fair. Let justice stay its course. Be the person you wish Harvey could have been.