The Frist Art Museum presents Chaos and Awe: Painting for the 21st Century, a sweeping survey of paintings from around the world that invite contemplation of seemingly ungraspable forces shaping contemporary society, from the ideological to the technological. Organized by Frist Art Museum chief curator Mark Scala, the exhibition will be on view in the museum’s Ingram Gallery from June 22 through September 16, 2018. It will be presented at the Chrysler Museum from November 15, 2018, through April 28, 2019. Continue reading
Works to be sold across the New York sales of Post-War & Contemporary Art, May 17-18, 2018, With more lots to follow in additional categories in fall 2018
Christie’s has announced In Focus: Property from The Collection of Brad Grey, with works to be offered across Post-War & Contemporary Art Evening and Day sales on May 17-18, and the upcoming 2018 Design sale at Christie’s New York. Additional works from the collection will be included in the sales of American Art, Prints and Multiples, Antiquities, Photographs, and a dedicated sale of Important Works by Alberto and Diego Giacometti in Fall 2018. Ahead of the New York spring sales, highlights from the collection will be presented in a special exhibition at Christie’s Los Angeles from May 1-3.
Brad Grey, the late Chairman, and CEO of Paramount Pictures epitomized the Hollywood dream, rising through his determination to the pinnacle of one of the industry’s most legendary studios. A beloved figure in Los Angeles and across the wider world, he left an indelible mark on film, television, and culture. Under Grey’s guidance, Paramount not only gained market leadership but produced noteworthy films such as An Inconvenient Truth, Up in the Air, There Will be Blood and True Grit. Beyond his remarkable record in film and television, Grey is also remembered as a steadfast philanthropist and community advocate. In 2013, he was appointed to the board of trustees of the Los Angeles County Museum of Art and served in additional leadership roles at the University of Southern California School of Cinematic Arts, Project A.L.S., New York University’s Tisch School of the Arts, and other notable institutions.
In his personal life, Grey was a noted tastemaker, reflected at his elegant residence in Holmby Hills, where he exhibited a superb collection of fine art and design. Grey saw art as an integral component of the Hollywood spirit; as such, he acquired an important collection of works by artists such as Agnes Martin, Ellsworth Kelly, Richard Prince, Cy Twombly, Ed Ruscha, and Richard Serra. His art collection was joined by modern works of furniture and design by Jean-Michel Frank, Jean Royere, Alberto and Diego Giacometti, Francois-Xavier Lalanne, among others. Taken as a whole, the collection demonstrated the connoisseurship of a man fully immersed in the creative process—an exploration of the same aesthetic principles and storytelling that lie at the heart of filmmaking.
Featured works in the May Post-War & Contemporary Art sales, include Agnes Martin, Untitled #7, executed in 1984 (estimate: $4,000,000-6,000,000); Ellsworth Kelly, Four Panels, painted in 2012 (estimate: $1,800,000-2,500,000), Richard Prince, Untitled (check Painting) #13, executed in 2004 (estimate: $800,000-1,200,000); and Lee Ufan, From Point, executed in 1979 (estimate: $800,000-1,200,000).
Highlights in the upcoming Design sale include Diego Giacometti, Low Table, circa 1970 (estimate: $250,000-350,000); Pierre Chareau, Pair of Armchairs, Model ‘MF732’, from the Grand Hôtel de Tours, circa 1924 (estimate: $200,000-300,000); and Francois-Xavier Lalanne, ‘Singe Avisé’, circa 2005 (estimate: $100,000-150,000).
Mark Rothko’s monumental canvas, No. 7 (Dark Over Light), 1954, will highlight the May 17 Evening Sale of Post-War and Contemporary Art in New York (estimate in the region of $30million). At nearly eight feet tall, No. 7 (Dark Over Light) belongs to a select group of canvases that were among the largest that Rothko ever painted. Its grand scale is matched only by the emotional intensity of its painted surface. Such a highly active painterly surface is a mark of Rothko’s paintings from this important period, but it is the scale on which it has been executed in No. 7 (Dark Over Light) that makes this particular work one of the most extraordinary; its broad sweeps and feathered edges reveal the artist’s ambition to create a pure and direct form of painting. No. 7 (Dark Over Light) is being offered at auction for the first time in over a decade.
Jussi Pylkkänen, Christie’s Global President, remarked: “No. 7 (Dark Over Light), comes from a small and highly sought-after group of monumental canvases by Mark Rothko. Standing before this radiant picture, one is immediately enveloped by the dramatic brilliance of Rothko’s artistic vision. Between its intensely kinetic surface and its epic scale, No. 7 is a consummate example of Rothko’s ability to convey pure emotional power. Given the international demand for canvases of this quality by Mark Rothko, we expect that No. 7 will draw enthusiasm from collectors around the globe.”
Rothko’s stated aim was to dissolve the traditional, and what he thought of as artificial boundaries, between paint and canvas, between painter and idea, and ultimately between the idea and the observer. To the artist, what the viewer saw was not a depiction an experience, it was the experience, and to this end, he championed what he considered to be the two fundamental elements of picture making—space and color—making these the sole protagonists of his aesthetic drama. Reaching its height in his iconic Seagram Murals, this painterly struggle dominated Rothko’s work for a little over a decade, as in 1968, on the instructions of his doctors, he was forced to retreat into making smaller paintings, often no larger than 40 inches. As a result, works such No. 7 (Dark Over Light) represents the fullest and purest expression of Rothko’s unique artistic vision, one whose visual and emotional power is present in abundance in this magisterial canvas. Continue reading
As one of only five memberships granted to an Australian eco-retreat, Thala Beach Nature Reserve announced that it has been invited to join the exclusive ranks of membership to the National Geographic Unique Lodges of the World.
As a member of National Geographic Unique Lodges of the World, Thala Beach Nature Reserve belongs to an exclusive collection of membership lodges that invite guests to discover some of the world’s most treasured environments, while helping to protect those places for generations to come.
The membership granted to Thala Beach Nature Reserve by National Geographic Unique Lodges of the World is a timely and natural union. For more than 10 years, Thala has achieved Advanced Eco-certification and Green Travel Leader status (Ecotourism Australia) through responsible and sustainable practices and environmental sensitivity.
Thala was handpicked for membership after successfully undergoing a rigorous vetting process. The standards for inclusion to National Geographic Unique Lodges of the World are based on the four pillars of sustainable tourism: protection of natural heritage, protection of cultural heritage, support for local communities, and environmentally friendly practices.
National Geographic Unique Lodges of the World is more than a selection of world-class hotels, resorts, and retreats; it is a rich and varied collection of rare experiences in the world’s most beautiful environments. Arguably nature lovers’ most exclusive club, member lodges offer their guests encounters with uniquely stunning regions of the world – and the chance to intimately discover them.
According to Thala Beach Nature Reserve’s owner, Rob Prettejohn, the family-owned beachfront eco retreat has long offered a peaceful sanctuary for nature-loving travelers. “Our busy lifestyles drive us relentlessly. To take some time off to reconnect with nature is a magical and enriching experience.”
“At Thala Beach Nature Reserve, our guests enjoy comfort within a beautiful, natural environment that is home to many unique Australian plants and animals,” explains Prettejohn. “Add good local food and friendly Tropical Queensland hospitality and interactive experiences, including visits to The Great Barrier Reef and guided walks in our ancient Gondwanan rainforests, guests have a combination of experiences available nowhere else in the world.“
Perfectly positioned on a private headland, Thala Beach Nature Reserve is surrounded by the UNESCO World Heritage sites of The Great Barrier Reef and the Wet Tropics, providing easy access for guests to immerse themselves in the surrounding natural grandeur and the abundance of nature-based activities on offer.
Thala’s unique accommodation is made up of 83 eco-designed, tree house-style bungalows that are set on 58 hectares of native rainforest, with 2 kilometers of private-access beach. Thala Beach Nature Reserve is located 45 minutes from Cairns and 15 minutes from Port Douglas in Tropical North Queensland, Australia.
Protection of the local environment, while welcoming travelers, is something Prettejohn holds close to his heart. “When visitors stay with us they contribute to preserving this wonderful and rare place. We are thrilled to now be a member of National Geographic Unique Lodges of the World and to be a part of a culture that embraces the very same values that we at Thala treasure.“
Midtown Manhattan’s Hottest New Property Features Elegant Year-Round Rooftop Lounge with Views of the Empire State Building, Creating an Oasis of Calm in the Heart of the City
Times Square remains the beating heart of Manhattan, and now travelers can be at the center of the action while still having space to reflect with the opening of the new AC Hotel New York Times Square. This new AC Hotel is perfectly positioned near the Garment District and only a half-block from the Times Square public transportation hub. The hotel is the first of two planned for the European-inspired AC Hotels by Marriott brand in Manhattan this year, with a second property expected to open in the Financial District later in 2018.
The Midtown hotel melds an urban vibe with classic elements that hark back to the brand’s Spanish roots. The entrance lobby is 23 feet high with a large, open staircase to the lower level illuminated by a skylight shed roof. Its 290 guest rooms will offer an oasis in the midst of the bustle of NYC with a sleek and classic modern style. With options like floor-to-ceiling windows and private balconies, guests can enjoy unparalleled city views.
AC Hotel New York Times Square features two food and beverage experiences. The beloved NYC restaurant Boqueria will bring its lively Spanish tapas and signature convivial spirit to 260 West 40th Street, adjacent to the new AC Hotel lobby. The restaurant features a location-specific breakfast menu, a large rotisserie, and time-honored favorites like Pan Con Tomate, Pulpo a la Plancha, and Paella de Mariscos from Catalan chef Marc Vidal. Castell, a year-round rooftop lounge will be open to guests and locals alike when it debuts in May 2018, serving up views of NYC’s iconic skyline along with shareable plates, Happy Hour rituals, and cocktails, including the brand’s signature Gin & Tonic.
“We are delighted to introduce New York City to the AC brand’s ‘New Way to Hotel,'” says Corry Oakes, President/CEO of OTO Development, the Johnson Management company that developed and operates the new hotel. “In addition to intriguing architectural details, local artwork in common spaces, and dynamic culinary options at Boqueria and Castell Lounge, what guests will truly appreciate is having space to breathe in this city that never sleeps.“
AC Hotel New York Times Square brings travelers the best of contemporary European architecture infused with the design-forward spirit of the NYC Fashion District, as interpreted by Helpern Architects. Visitors are drawn into the elegant, double-height lobby via a granite-paved plaza; as they enter through the pleated glass façade, they become immediately aware of the signature materials such as Venetian terrazzo, quarter-sawn dark walnut millwork, and the dark patina of statuary bronze that makes the whole area glow. The modern-day grand stair that wraps top to bottom of the lobby and the large, open well-lit space make for the perfect backdrop for the property’s impressive art installations.
“With the Spanish heritage of the AC Hotels by Marriott brand, our design-driven hotel brings new inspiration to the city,” says Benjamin Britton, General Manager of AC Hotel New York Times Square. “We provide everything essential you need – and nothing you don’t – creating a seamless, tranquil and frictionless experience for our guests, whether they’re traveling for business or leisure.“
The AC Hotel in Times Square has developed signature programming, with attention to detail at every step – each one crafted to encourage guests to slow down in this hectic city. With elements such as lavender sachets at turndown (freshly made each day) to help promote better sleep, guests will feel taken care of but not fussed over. Other amenities include a 24-hour fitness center, 3,365 square feet of event space, and an AC Market featuring locally sourced items such as Hell’s Kitchen Hot Sauces.
“At AC Hotels, everything is done with intention while creating harmony – we believe if we have time to make it, we have time to make it beautiful,” said Benoit Racle, Global Brand Leader, AC Hotels by Marriott. “We are so pleased to welcome AC Hotel New York Times Square to the AC Hotels family as our first New York City property, and to be able to offer visitors and locals in Manhattan a tranquil space in the heart of the city to relax, reflect and reset.“
The purposeful design of AC Hotel New York Times Square also features a collection of artwork by a mix of local and well-known artists. Ranging from sculptures to abstract painting, these expressive pieces are visible in shared spaces to inspire guests during their stay – one could almost call it a private art gallery. Guest room walls feature photography of New York City’s unique and iconic architecture such as Fulton Street Station and the Oculus.
Campaign Regulations Updated For New Awards Season
New Oscar rules include:
- Submission deadlines for awards eligibility have been changed. There is now one submission deadline – Monday, October 1, 2018 – for the Animated Feature Film, Documentary Feature, Documentary Short Subject, Foreign Language Film, Animated Short Film and Live Action Short Film categories. The submission deadline for Best Picture and all other categories is Thursday, November 15, by 5 p.m. PT.
- In the Music categories, all members of the Music Branch will view films eligible for Original Score and film clips of eligible Original Songs and vote in a preliminary round to produce a shortlist of 15 titles in each category using the preferential voting system. Five nominees for Original Score and five nominees for Original Song will then be chosen by branch members in a second round of balloting also using preferential voting.
- In the Documentary Feature category, films that have won a qualifying award at a competitive film festival will be eligible for Academy Awards consideration regardless of any prior public exhibition or distribution by nontheatrical means. The Documentary Feature Qualifying Festival List will be available later this spring. Furthermore, the critic review eligibility requirement has been expanded to include additional New York- and Los Angeles-based publications.
- To align with credits eligibility in the Best Picture category, rules in both the Animated Feature Film and Documentary Feature categories have been updated to allow for more than one producer to be designated as a nominee.
- In a procedural change, members of the Visual Effects Branch Nominating Committee will now be able to stream bake-off reels from the shortlisted films or attend satellite bake-off screenings and vote online. Previously, committee members were only able to vote in person at the Academy’s Visual Effects Bake-off in Los Angeles.
- Other amendments to the rules include standard date changes and other “housekeeping” adjustments.
Rules are reviewed annually by individual branch and category committees. The Awards and Events Committee then reviews all proposed changes before presenting its recommendations to the Board of Governors for approval.
Updated campaign regulations, which specify how companies and individuals may promote to Academy members any movies and achievements eligible for the 91st Academy Awards, are also presented to the Board of Governors for approval.
- For the first time, studios, distributors, and filmmakers will be required to use an Academy-approved mailing house to send sanctioned awards materials for eligible films to Academy members. Each approved mailing house will be provided with an official list of Academy members who have opted-in along with their contact information to facilitate both physical and digital mailings.
- Additionally, the number of post-nominations screenings with a filmmaker Q&A is now limited to a maximum of four regardless of category or country in which the event takes place. This rule eliminates the two additional screenings currently allowed for Documentary and Foreign Language Film nominees.
For the complete 91st Academy Awards rules, visit oscars.org/rules.
The 91st Oscars will be held on Sunday, February 24, 2019, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.
Campaign highlights that Americans are being denied housing, losing their jobs, and being refused services because they are lesbian, gay, bisexual or transgender
A recently-launched campaign aims to raise awareness about the prevalence of discrimination against lesbian, gay, bisexual, and transgender (LGBT) people in the United States, despite the widespread misconception they have basic protections.
The public service campaign from the Ad Council, in partnership with the Gill Foundation, promotes acceptance, empathy, and understanding for the millions of LGBT Americans who can be kicked out of their homes, fired from their jobs or denied services because of their sexual orientation or gender identity. Created by ad agency CP+B with research and strategy from Redscout, the “Beyond I Do” campaign will confront the common misconception that LGBT Americans received full equality along with the right to marry.
The campaign highlights many stories of Americans who have faced discrimination across the country, along with facts about discrimination, at BeyondIDo.org. They speak for the 55 percent of LGBT people who have reported being discriminated against due to their sexual orientation or gender identity.1 And while public opinion research shows 79 percent of non-LGBT Americans support equality for LGBT people, 80 percent mistakenly believe it’s illegal under federal law to fire, evict or refuse service to someone because they are LGBT.2 3 In reality, 31 states lack comprehensive protections and allow these acts of discrimination against LGBT Americans.4
“Everyone should have the ability to live in safety, support their families, and go about their daily lives without the fear of being turned away because they’re gay or transgender,” said Lisa Sherman, Ad Council President, and CEO. “By sharing powerful and poignant stories, this campaign highlights the values we hold so dear as Americans and provides a real opportunity to grow awareness and empathy.”
“Beyond I Do” features stories of Americans from across the country who have been fired from their jobs, kicked out of their homes, or denied services because they are LGBT. They include: Continue reading
The Whitney Museum of American Art is pleased to announce the appointment of Lindsay Pollock as Chief Communications and Content Officer. She joins the Museum on May 7.
Pollock comes to the Whitney from Art in America where she was Editor-in-Chief from 2011 to 2017. While there, she succeeded in re-positioning and re-energizing one of the oldest and most venerable contemporary art magazines.
Adam D. Weinberg, the Whitney’s Alice Pratt Brown Director, said, “Lindsay has long standing relationships and expertise in the art world as well as a deep appreciation for the Whitney’s mission and ethos. She will bring a creative spirit and fresh perspective to the areas she’ll be overseeing, including communications, digital media, and graphic design. We are thrilled that Lindsay will be joining the Museum.”
As Editor-in-Chief at Art in America, Pollock led strategic development and execution for the editorial aspects of the publication, in both print and on the web; worked with the Publisher to develop new audiences and invigorate existing ones; and, endeavored to increase revenues at a difficult time for the industry. She recruited new editorial staff; developed, trained, and mentored editorial and production staff; and promoted the magazine’s visibility through speaking engagements, events, and partnerships.
“The Whitney is one of the most dynamic and vibrant art institutions in the U.S., which happens to have been founded by a visionary woman, and whose nearly century-old mission is rooted in the desire to support and engage with American art,” said Pollock. “I am sincerely honored to be part of the talented team helping to shape the Whitney’s next chapter.”
Prior to her time at Art in America, Pollock worked for a number of years as a journalist, covering the arts at Bloomberg News, The Art Newspaper, and the New York Sun. Early in her career, she worked as marketing director for the Central Park Conservancy and as marketing manager at Sotheby’s. She is the author of The Girl with the Gallery, a biography on pioneering American art dealer Edith Halpert (Public Affairs, 2006). Pollock earned her B.A. in Art History from Barnard College and a M.S. from the Columbia University Graduate School of Journalism.
Skarstedt is pleased to present David Salle: Paintings 1985 – 1995, an exhibition of historic paintings highlighting a prolific and experimental period of Salle’s career. With a selection from some of his most significant bodies of work, the exhibition will be on view from April 26 – June 23, 2018, at Skarstedt Upper East Side, 20 East 79th Street, New York, NY 10075.
A celebrated master of postmodern painting, David Salle is known for his deconstruction of images through his use of photography, collage, and his uncanny compositional instinct. With the return of painting in the 1980s simultaneous to the rise of the “Pictures Generation”, Salle became a bridge between these two techniques and ideologies, but also extending, in his own way, the contentious legacies of Abstract Expressionism and Pop Art.
Salle describes his early education in art as “taking place when the idea of a work having autonomy was still viable. The idea was to make something, which, instead of pointing to an experience, is the experience” (David Salle, “At the Edges. An Interview by Frederic Tuten,” Stedelijk Museum, Amsterdam, 1999, p. 16). One such work of art is Salle’s 1990 painting Mingus in Mexico. In reference to Charles Mingus, the American jazz musician who passed away in Mexico in 1979, the painting embodies an improvisation and intensity, which both ignites and neutralizes meaning. Salle’s empty pink speech bubble denies the viewer of any narrative explanation, however, provides a conglomerate of visual cues, which create endless points of entry for understanding the rhythm, gesture, and depth within the painting.
Salle’s Fooling With Your Hair from 1985 creates a different conversation among seemingly disparate imagery. Split horizontally, the canvas shows two friezes, the top a colorful assembly of Giacometti sculptures and mid-century light fixtures, the lower is comprised of three black and white paintings of a woman based on Salle’s own photographs. The model is seen lying on a table, in extreme perspective, in poses taken seconds apart, implying movement, a kind of performance. Her heavily shadowed body is both sexualized and not, objectified and distanced. Salle’s use of provocative imagery overlapped with design and fine art sculptures by a modern master perhaps asks the viewer to question the connections that might lie amongst the two.
“I think the desire to paint comes out of looking at paintings and identifying with the actual material process. You have to feel that your ‘self’ is capable of being expressed through paint. You have to be able to sense painting as both a metaphor and as a specific physical reality, and feel that the two states are inseparable. Otherwise you shouldn’t bother” (David Salle, “At the Edges. An Interview by Frederic Tuten,” Stedelijk Museum, Amsterdam, 1999, p. 17).
Kloss to Debut in Fall Campaigns, Partner with Estée Lauder on Digital Beauty Content and Kode With Klossy
Estée Lauder announced that it has signed Karlie Kloss, model, entrepreneur, and philanthropist, as its newest Global Spokesmodel and Brand Ambassador. Karlie joins the current roster of Estée Lauder spokesmodels Carolyn Murphy, Fei Fei Sun, Gabriella Wilde, Hilary Rhoda, Joan Smalls, Kendall Jenner, Misty Copeland and Yang Mi.
Kloss’s first campaigns will debut beginning in July 2018 across digital and social platforms, TV, in-store and print to support Estée Lauder’s iconic products including Pure Color Envy Sculpting Lipstick, Double Wear Stay-in-Place Makeup and Revitalizing Supreme+ Global Anti-Aging Cell Power Creme. These campaigns were shot by Josh Olins in Los Angeles and Palm Springs.
“Karlie is the modern-day Estée and we are thrilled to welcome her to the Estée Lauder brand,” said Stephane de La Faverie, Global Brand President, Estée Lauder. “Karlie has achieved tremendous success in her career through hard work, first taking the fashion world by storm, then becoming a media and television personality, and now empowering young women to become future leaders in tech. Her passion for beauty, unique voice and global social media presence will help us continue to inspire and connect with women around the world.“
Kloss launched her YouTube channel, Klossy in 2015, which has garnered over 690,000 subscribers and over 33 million views. Through her combined content platforms, she has amassed over 16.8 million followers to date.
In addition, Kloss’s production company, Klossy productions, will also partner with Estée Lauder to create Karlie’s own beauty content to share with over 16 million followers across her social and digital platforms. Her first video was launched this week, featuring founder Estée Lauder’s great-granddaughter, actress Danielle Lauder. In a humorous, behind-the-scenes sketch, Ms. Lauder oversees Kloss during her first day working at Estée Lauder’s New York City headquarters. This is the first in a series of videos that will be produced by Kloss that will debut on her YouTube channel, Klossy, as well as on both Kloss’s and Estée Lauder’s digital and social channels.
Raised in St. Louis, Missouri, Kloss was discovered at a local charity fashion show in 2006. Her career quickly took off, walking for top designers including Christian Dior, Alexander McQueen, and Versace, among dozens of others, and starring in several major global campaigns including adidas, Calvin Klein, Carolina Herrera and Swarovski. She launched Kode With Klossy in 2015 to empower girls to learn to code and become leaders in tech. Kloss was recognized on the TIME 100 list for her philanthropic work as the founder of Kode With Klossy and was featured on the covers of Fast Company and Forbes for her work to scale the organization.
“Karlie is perfect for Estée Lauder,” said Aerin Lauder, Style and Image Director, Estée Lauder. “As a successful model, entrepreneur and founder of Kode With Klossy, Karlie is both beautiful and accomplished. I am so excited she is joining the brand.“
To leverage Karlie’s commitment to educating and building confidence in the next generation of young women, the beauty company will also support Kode With Klossy through coding camp scholarships and events. Kode With Klossy is a philanthropic initiative founded by Karlie in 2015 which hosts free, two-week coding summer camps for girls aged 13-18 and fosters a national community focused on furthering career opportunities for girls in tech.
“It is a dream come true to join the Estée Lauder family,” said Kloss. “I am so inspired by the brand’s legacy and values —from the entrepreneurial spirit of Estée herself to the company’s unparalleled commitment to creating best in class products for women around the world. I could not be more proud and honored to be part of such an iconic brand.“
Kloss recently forayed into media and television, hosting Freeform‘s six-part series ‘Movie Night With Karlie Kloss‘ and premiering as a correspondent in season one and two of the Netflix original series ‘Bill Nye Saves The World.’ Kloss also sits on the board of Oath serving as an advisor alongside Oath chair Serena Williams and other industry leaders.
Indie beauty brand has introduced Kat Von D Beauty 24-Hour Super Brow Long-Wear Pomade, Brow Struck Dimension Powder, Signature Brow Precision Pencil, and two new brow brushes, unlike any others. As a passionate animal-rights activist, Kat Von D is committed to ensuring 100% Cruelty-Free beauty and 100% Vegan makeup within her line. In recognition of her work, Kat was the recipient of the Animal Rights National Conference’s Celebrity Animal Advocate Award and named Vegan Celebrity of the Year in 2017. Kat Von D Beauty has twice been awarded Best Cruelty-Free Cosmetics Company by peta2 in their Annual Libby Awards.
Brows are uniquely personal. With three first-to-market waterproof, long-wear, and high pigment formulas in pencil, pomade and powder, these vegan and cruelty-free brow products give you the power to personalize your brows any way you want, in any shade you want!
To create her own distinctive bold brow, Kat used Tattoo Liner for years because she couldn’t find a product that delivered the high-intensity color and waterproof long-wear she wanted. Now, she has pushed the boundaries of innovation to create the ultimate brow collection for herself…and everyone! In a sneak peek post on Instagram, Kat Von D lauded, “Are you guys ready for THE BEST bullet-proof long wear eyebrow product of all time?!”
Kat Von D Beauty 24-Hour Super Brow Long-Wear Pomade ($19)
This weightless waterproof pomade delivers high-impact, budge-proof and smudge-proof brows that don’t come off until you want them to. This sweat-proof formula is the best brow product for the most intense activities – Kat even tested its stay-put power at a super-sweat-inducing fitness class! Super Brow comes in 7 neutral brow tones, 7 rainbow colors, plus “White Out” and “Bleach” for a total of 16 unprecedented shades that can combine to create over 100 colors for any and every hair color.
Apply 24-Hour Super Brow Long-Wear Pomade with the new Kat Von D Beauty Pomade Brow Brush #70 ($18). The brush’s firm, angled bristles are made from the highest quality synthetic fibers to deliver extreme control and effortless strokes. The tapered brush handle doubles as a mixing spatula to make creating color combinations a breeze.
Barrell Craft Spirits of Louisville, KY, today announces the introduction of its Infinite Barrel Project, an exciting new whiskey blend crafted to honor the infinity bottle tradition celebrated by whiskey collectors and enthusiasts alike.
Barrell Craft Spirits, based in Louisville, Kentucky, is an independent bottler of unique aged, cask-strength sourced whiskey and rum spirits. The company blends products that explore the unique effects of different distillation methods, barrels and aging environments, and bottles them at cask strength. Every batch is produced as a limited release and has an intentionally distinct flavor profile.
The Infinite Barrel Project involves an innovative approach to blending for the Company and offers consumers a new type of whiskey that is ever changing. This new product line will be a complement to the Company’s award-winning batch releases.
Master Distiller Tripp Stimson and Company Founder Joe Beatrice began creating the Infinite Barrel by selecting a variety of barrels based on individual flavor concentrations and complexities and blending them into a single, larger or “infinite” vessel. At each bottling, a portion of whiskey will be removed and replaced with new barrels chosen to enhance the remaining blend. Details will be found on the Company’s website.
Stimson says, “In bringing our latest vision to the market, we invested a lot in R&D. The Infinite Barrel Project marks the first in a series of innovative product lines we plan to introduce. We are excited about our Infinite Barrel line and anticipate it will be well received.”
Its award-winning Barrell Bourbon line of products is currently sold in 35 states throughout the United States. Barrell Craft Spirits has received numerous awards including Best Bourbon, Best Small Batch Bourbon, Double Gold and Best Over Proof Rum at the 2017 San Francisco World Spirits Competition and has been highly rated by the Whisky Advocate.
Macy’s Beauty is a destination for the best brands and products, offering customers an enhanced shopping experience in store and online
A new online campaign “Deeper Beauty” celebrates the confidence and empowerment in all expressions of beauty
This season, beauty routines are centered in modern freshness and revitalization, with looks that highlight everything from natural and simple to bold and elaborate. Macy’s Beauty is helping customers look and feel their best in their own skin and adopt the hottest trends, whether it’s the ombre lip, strong eyebrows, or a simple three-step routine.
With its expansive assortment of the best products and brands, knowledgeable beauty advisors, and the freshest content on trends, Macy’s enhanced beauty shopping experience in store and online offers customers their favorite cosmetics, skincare and fragrances that fit their style and routine. To encourage women everywhere to “find your beautiful, inside and out,” Macy’s new online campaign, titled “Deeper Beauty,” celebrates every woman, everywhere, and their varied expressions of beauty through stories and videos that tell the honest experiences of different women in today’s world.
“Our customers want the best brands, services, and experiences when they’re shopping for beauty, whether it is online or in store, and whether they are looking for the latest trends or their go-to product,” said Nata Dvir, general business manager of Macy’s Beauty. “We want them to know that Macy’s Beauty offers all of that and more – a breadth of options to help all women find their beautiful, from morning to evening and bedtime, too, no matter how minimal or complex their beauty routine. Through our always expanding product assortment, fun content, and unparalleled number of signature services, we are giving shoppers a new level of experience and an opportunity to engage, play and discover new favorites.”
Macy’s Beauty is continuously expanding its already robust selection of products, featuring the best brands for all types of beauty. Carrying a consummate selection of brands, shades, and formulas, Macy’s is now offering hot skincare favorites like Sunday Riley, Murad, and Mario Badescu, in addition to existing favorites. The retailer also recently launched IT Cosmetics, carrying the extensive line of award-winning skincare, makeup and beauty tools online and in store. When it comes to fragrance, Macy’s Beauty is the one-stop destination. Whether the mood is light and airy for the workday or romantic and sophisticated for the evening, Macy’s has the widest selection of the best scents to help customers breeze through the day and get ready for a night out.
In addition to growing and curating the beauty selection to include the most noteworthy brands, Macy’s is also changing the way customers experience beauty in stores and online.
In stores, shoppers will begin to see new displays that allow them to discover beauty products in a more open environment. This format makes comparing and discovering new products easier and allows customers to shop any way they prefer, whether they need help from a Macy’s beauty advisor, just want to browse, or prefer to test and shop on their own. These in-store layouts highlight tips and looks from the latest beauty trends featured in Macy’s Presents The Edit. Shoppers can also discover “Beauty Advisor Picks” displayed together from Macy’s expert beauty advisors and other customers. Follow #macysbeauty to see all the excitement happening in store.
Macy’s beauty advisors continue to deliver the best customer experience through the ability to advise across all brands and categories, on everything from their matching concealer shade in a new must-have brand to the eyeshadow palette that is all over social media, and the classic serum that does not go out of style. With Macy’s new training platform, Beauty Playground, which launched in all stores this season, Macy’s beauty advisors are always informed on the latest product and brand recommendations, tips, and influencer insights.
In select stores, customers can try on products virtually with YouCam Makeup magic mirror kiosks, where customers can discover, access and try on hundreds of products in seconds without the need for makeup trials. With just the snap of a selfie, beauty shoppers can virtually try on more than 250 makeup products, including top millennial brands such as Benefit, NYX, Tarte, Urban Decay, and Too Faced.
To accompany the product experience, Macy’s invites customers to take a break by offering a wide variety of services, most of which are complimentary, including mini facials, trend tutorials, and customized treatments from popular brands such as Bobbi Brown, Clarins, Clinique, Dior, Estēe Lauder, MAC, Lancôme, Shiseido, and Chanel. Request a list of “Macy’s Signature Services” at your local beauty counter or by searching Beauty Services at www.macys.com to learn more. Continue reading
Christie’s online sale Audrey Hepburn: The Personal Collection Part III will open for bidding on May 2, closing on May 9, 2018. Comprising 212 lots, the sale is now available to view online www.christies.com/audreyhepburn. Following the success of Part I and II in Autumn 2017, Part III continues Christie’s celebration of this globally renowned and adored film and stage actress, fashion legend and humanitarian, in what would have been her 90th year.
Not to be missed, the sale will provide a further opportunity for fans, collectors and admirers to delve in to Audrey Hepburn’s personal world, both on and off screen, through the objects she collected, used and loved; from jewellery, fashion and accessories, to correspondence, film memorabilia and professional photography by leading photographers of the day.
Audrey Hepburn is rightly regarded not only as one of the greatest screen actresses of all time but as a style icon. 25 years after her death she maintains a resonance and popularity as strong today as it was during her lifetime. With estimates starting at just £200 and ranging up to £15,000 this auction will provide collectors and devoted fans from around the world with a further opportunity to acquire personal items treasured by one of the most famous and well-loved women of the 20th Century.
Christie’s auctions, Part I and Part II, of the personal collection of Hepburn captivated the imagination of a global audience, realizing an overall total of £6,053,875/ $8,100,085/ €6,883,255. Comprising 473 lots, the flagship live auction at Christie’s headquarters in London (September 27, 2017) and the online sale (September 19 to October 4, 2017) attracted registered bidders from a total of 50 countries across 6 continents. Both sales sparked competitive bidding from new and existing clients; in the saleroom, on the telephones, via absentee bids and Christie’s LIVETM in Part I; and via Christie’s easily accessible online sale format in Part II.
The overall top lot from the collection was sold in Part I: Audrey Hepburn’s working script for the 1961 Paramount production Breakfast at Tiffany’s which sold to Tiffany & Co. for £632,750 / $846,619 / €719,437, realizing a world auction record for a script (estimate: £60,000-90,000). The top lot of Part II was A Matador’s Traje De Luces (Suit of Lights) which realized £52,500/ $70,245/ €59,693 (estimate £3,000 – 5,000).
Luca Dotti and Sean Hepburn Ferrer commented: “Having taken 25 years to be ready to share our mother’s personal world, we were truly touched by the global response to Part I and II of her collection. It is with pleasure that we now present Part III; a further group of her belongings that we feel will be of interest to her ever-growing base of admirers.”
Adrian Hume-Sayer, Head of Sale and Director of Private Collections commented: “We are indebted to Audrey Hepburn’s two sons for entrusting Christie’s with this very special collection. Audrey Hepburn is widely acknowledged as one of the greatest icons in the history of both film and fashion. The incredible enthusiasm with which her collection was received bears testament to the enduring strength of her appeal – from Hong Kong to Hollywood the pre-sale exhibitions drew crowds wherever they went, with the London pre-sale events alone drawing in excess of 12,000 visitors. The fervor continued with vigor through both the live and online auctions, with the marathon 10 hour live sale running until midnight. The success of the sales – which saw thousands of her personal possessions across almost 500 lots all find homes – show the immense continued affection for perhaps the greatest British actress the world has seen. Part III of the collection will be offered online in 2018, details will follow in due course.”
Highlights include:Lot 2 – An ivory wool gabardine coat by Rose Bertin, Lausanne, 1968, is offered together with a pair of shoes. Audrey is wearing this coat on the cover of ‘Audrey in Rome’ by Luca Dotti, and Ludovicia Damiani, Harper Collins, 2011 (page 1) Estimate £3,000-5,000 Lot 8 – A pair of cultured pearl earrings. The simple and elegant pearl has become synonymous with Audrey Hepburn, evoking her classic and understated style. According to son Luca Dotti, Audrey ‘hated the idea of spending a fortune on diamonds and gold… What she really loved were pearls because of their purity, the fact that they were made by nature.’ Estimate £8,000-12,000 Continue reading
(All Images Provided by The Communications Office of the Pulitzer Prizes)
The 2018 Pulitzer Prize winners in 14 journalism and seven letters, drama and music categories were announced on Monday, April 16 at 3 p.m. Eastern Standard Time. The formal announcement of the prizes, made each April, states that the awards are made by the president of Columbia University on the recommendation of the Pulitzer Prize board. This formulation is derived from the Joseph Pulitzer will, which established Columbia as the seat of the administration of the prizes. Today, in fact, the independent board makes all the decisions relative to the prizes. In his will, Pulitzer bestowed an endowment on Columbia of $2,000,000 for the establishment of a School of Journalism, one-fourth of which was to be “applied to prizes or scholarships for the encouragement of public service, public morals, American literature, and the advancement of education.“
In doing so, he stated: “I am deeply interested in the progress and elevation of journalism, having spent my life in that profession, regarding it as a noble profession and one of unequaled importance for its influence upon the minds and morals of the people. I desire to assist in attracting to this profession young men of character and ability, also to help those already engaged in the profession to acquire the highest moral and intellectual training.” In his ascent to the summit of American journalism, Pulitzer himself received little or no assistance. He prided himself on being a self-made man, but it may have been his struggles as a young journalist that imbued him with the desire to foster professional training.”
The iconic Pulitzer Prize Gold Medal is awarded each year to the American news organization that wins the Public Service category. It is never awarded to an individual. However, through the years, the Medal has come to symbolize the entire Pulitzer program.
In 1918, a year after the Prizes began, the medal was designed by sculptor Daniel Chester French and his associate Henry Augustus Lukeman. French later gained fame for his seated Lincoln at the Lincoln Memorial in Washington. One side of the medal displays the profile of Benjamin Franklin, apparently based on the bust by French sculptor Jean-Antoine Houdon. Decorating the other side is a husky, bare-chested printer at work, his shirt draped across the end of a press. Surrounding the printer are the words: “For disinterested and meritorious public service rendered by an American newspaper during the year….“
The name of the winning news organization is inscribed on the Franklin side of the medal. The year of the award is memorialized on the other side.
The 2018 Prize winners are:
The New York Times, for reporting led by Jodi Kantor and Megan Twohey, and The New Yorker, for reporting by Ronan Farrow
For explosive, impactful journalism that exposed powerful and wealthy sexual predators, including allegations against one of Hollywood’s most influential producers, bringing them to account for long-suppressed allegations of coercion, brutality and victim silencing, thus spurring a worldwide reckoning about sexual abuse of women.
For lucid and tenacious coverage of historic wildfires that ravaged the city of Santa Rosa and Sonoma County, expertly utilizing an array of tools, including photography, video and social media platforms, to bring clarity to its readers — in real time and in subsequent in-depth reporting.
For purposeful and relentless reporting that changed the course of a Senate race in Alabama by revealing a candidate’s alleged past sexual harassment of teenage girls and subsequent efforts to undermine the journalism that exposed it.
For vivid and timely reporting that masterfully combined text, video, podcasts and virtual reality to examine, from multiple perspectives, the difficulties and unintended consequences of fulfilling President Trump’s pledge to construct a wall along the U.S. border with Mexico.
For a riveting and insightful narrative and video documenting seven days of greater Cincinnati’s heroin epidemic, revealing how the deadly addiction has ravaged families and communities.
For deeply sourced, relentlessly reported coverage in the public interest that dramatically furthered the nation’s understanding of Russian interference in the 2016 presidential election and its connections to the Trump campaign, the President-elect’s transition team and his eventual administration. (The New York Times entry, submitted in this category, was moved into contention by the Board and then jointly awarded the Prize.)
For relentless reporting that exposed the brutal killing campaign behind Philippines President Rodrigo Duterte’s war on drugs.
For an unforgettable portrait of murderer Dylann Roof, using a unique and powerful mix of reportage, first-person reflection and analysis of the historical and cultural forces behind his killing of nine people inside Emanuel AME Church in Charleston, S.C. Continue reading
Additional Support Awarded to Film Archives Impacted by Natural Disasters: Cinemateca de Cuba, Permanencia Voluntaria and Archivo de Imagenes en Movimiento
The Academy Foundation of the Academy of Motion Picture Arts and Sciences announced today recipients of its 2018 FilmCraft and FilmWatch grants. In addition to the 51 FilmCraft and FilmWatch grants awarded, the grants committee set aside $15,000 to help with the recovery efforts at three international archives devastated by hurricanes and earthquakes in 2017. Those archives are Cinemateca de Cuba in Cuba, Permanencia Voluntaria in Mexico and Archivo de Imagenes en Movimiento in Puerto Rico. This funding is in addition to support and expertise that is already being provided by the Academy Film Archive.
The Academy’s FilmCraft and FilmWatch grants were established to identify and empower future filmmakers from nontraditional backgrounds, cultivate new and diverse talent, promote motion pictures as an art form, and provide a platform for underrepresented artists. Grants range from $5,000-$15,000, and a total of $500,000 was awarded for the 2018-2019 grants year.
The Academy’s Grants program provides financial support to qualifying film festivals, educational institutions, and film scholars and supports the Academy’s overall mission to recognize and uphold excellence in the motion picture arts and sciences, inspire imagination and connect the world through the medium of motion pictures. The Academy Grants program has awarded a total of $12,194,000 to non-profit institutions and film festivals.
“This year the Grants are proud to support 51 organizations whose innovative programs reach broad audiences, underserved high school and college students, support mid-career and emerging filmmakers, and engage and enrich their local communities. The Grants also reached out to support several film archives devastated by recent climate events. It is the Grants’ privilege and responsibility to fund organizations, rising and established, that reflect both The Academy’s values and its leadership role in the arts,” said Buffy Shutt, chair of the Academy’s grants committee.
The grant recipient institutions and programs are as follows:
American Film Institute (Los Angeles, CA) – Directing Workshop for Women
A tuition-free, year-long program that provides hands-on training and mentorship to increase the number of women working professionally in screen directing.
Austin Film Festival (Austin, TX) – The Diversity Focus Program
A series of panels and screenings featuring underrepresented storytellers with a goal of challenging the narrative that minority voices are shrinking.
Berklee College of Music (Boston, MA) – Film Scoring Artist In Residence
Program aims to advance the careers of practicing film composers, prepare students as film scoring professionals, diversify the pipeline of professional talent to the film industry, and increase public awareness of the significance of the film scoring craft.
California State University, Los Angeles (Los Angeles, CA) – Urban Stories Film Incubator
A year-long experience where students will be guided through pre-production, production, and post-production to create short films or documentaries that tell their diverse community stories while developing their long-term filmmaking skills.
Camden International Film Festival (Camden, ME) – Points North Institute 2018 Artist Programs
Program provides hundreds of independent documentary filmmakers from diverse backgrounds with unique opportunities for education, professional development, and artistic expansion.
Chicken & Egg Pictures (New York, NY) – 2018 Accelerator Lab for First and Second-Time Filmmakers
Program supports diverse women documentary filmmakers in completing their first or second film while laying the groundwork for sustainable long-term careers.
Columbia University School of the Arts (New York, NY) – Diversity Casting Initiative
A new co-curricular program designed to encourage MFA film students to incorporate a range of races, ethnicities, and gender identity in their films to better reflect the diversity encountered in daily life.
Retailer Debuts First Manhattan Flagship
Nordstrom, Inc. opened the doors Thursday, April 12, to its very first flagship, full-line New York City location and first ever stand-alone men’s store at 235 West 57th Street. The three-level 47,000 square foot store offers a differentiated merchandise assortment across all categories, including popular and designer brands, along with a range of convenient services to serve customers on their terms.
The Nordstrom Men’s Store NYC features the company’s newest store design concepts, including an all-glass façade to bring in more natural light, unboxing the display windows, and connecting the shopping experience to the city. An open, flexible floor plan allows for an evolving curation of how products are displayed over time, depending on what New York customers respond to. The store environment will create a sense of discovery, allowing customers to navigate easily and find new brands they haven’t experienced before.
Nordstrom has been a longtime believer in investing in artwork for its stores. New Yorkers will experience an extensive collection, featuring 39 works by both international and American artists, with a quarter being local. Suspended in the center of a three-story staircase, a floating, diaphanous tree sculpture entitled “Arctic Tree” by the Seattle-based artist John Grade is a nod to the retailer’s Seattle roots.
EXCLUSIVE MERCHANDISE CONCEPTS
Olivia Kim, Nordstrom vice president of creative projects has curated a special Comme des Garçons(CDG) shop that will feature one of the largest local selections of the fashion house’s coveted brands. Olivia commissioned artist Marc Hundley to design a space that invokes both the ethos of CDG and the streets of New York City. In a first for Nordstrom, the men’s flagship will also feature designer shops by Calvin Klein, Balenciaga, Valentino, and Dior. Each space is united by a chainmail motif, but are distinguished by personalized fixtures adhering to each brand. The shoe department houses a Christian Louboutin shop displaying a wide range of the shoemaker’s sporty and formal offerings. The Nike Men’s Project, a sportswear and shoe destination for style and fitness-obsessed customers, will offer the brand’s latest sneakers and apparel collections.
The store also features an array of customization and personalization experiences, including the Levi’s Tailor Shop, where customers can shop Levi’s Authorized Vintage, one of the largest vintage denim collections in existence, and also design custom embroidery on any item, heat press a shirt or get an express hem while they wait; Shinola will offer watch customization in addition to a selection of tech products; exclusive to the flagship, Samuelson Custom Suit Visualizer is an interactive digital made-to-measure suiting experience at an accessible price point; Eton Endless Aisle is a digital touchscreen offering an expanded assortment of dress shirts and ties; and cult-favorite Le Labo will create personalized fragrance labels in the grooming department. Continue reading
Amsale New York Re-Launches Amsale Nouvelle Brand Collection at New York Spring 2019 Bridal Fashion Week
April 13, 2018 – Honoring the wishes of the beloved late founder and creative director Amsale Aberra, Amsale New York’s Spring 2019 Bridal Collection debuted today at The Gramercy Terrace at The Gramercy Park Hotel in New York City. Ms. Aberra died Sunday, April 1, 2018, at Memorial Sloan Kettering Hospital of uterine cancer at age 64, surrounded by close friends and family. It was among her last wishes that the show goes on as planned.
“Amsale was not only an inspiration to the company but someone who inspired and impacted everyone around her with her strength, kindness, and humility,” said her husband and the company’s CEO, Clarence O’Neill Brown, in a statement announcing her passing. “Working side by side we spent 360 degrees of our life together, and I know only too well both her creative genius and her infinite goodness. Words cannot express the personal loss that we feel, but we are comforted by the avalanche of support we’ve received and the commitment of our team to carry on Amsale’s legacy,”
Today’s runway presentation paid tribute to Amsale by featuring her last designed collection, Iconic Simplicity, and by re-launching the Amsale Nouvelle collection to reach a broader and growing demographic of international brides at more accessible price points.
Neil Brown, Amsale Aberra’s husband and CEO of Amsale commented, “Amsale trusted the talented and growing Amsale team to carry on her legacy in response to strong customer demand. Today we are honored to present the Iconic Simplicity collection and re-launch the Amsale Nouvelle collection to expand the Amsale brand reach while staying true to Amsale’s style and vision for the future.”
The final designed collection by Amsale Aberra, Iconic Simplicity, was inspired by cathedral elegance, expressed through dresses that are grand, yet modern, and designed for each individual bride in mind. The collection statement silhouettes are upscale ball gowns, pearl and crystal beading and draped bows. Texture in the collection is shown in a non-traditional lace and layered fabrication. Femininity is translated in form-fitting silhouettes, open backs and gently scoop necklines. Unmistakably Amsale, the Spring 2019 collection has stunning details, accentuating individuality with effortless elegance. Continue reading
On May 17, Christie’s will offer Andy Warhol’s Double Elvis [Ferus Type], 1963 as a central highlight of its Evening Sale of Post-War and Contemporary Art (estimate in the region of $30 million*). The silver Elvis paintings that Warhol made in the summer of 1963 are among the defining icons of his oeuvre. Representing the culmination of several series of celebrity portraits that Warhol made in the early 1960s, these definitive ‘icons of an icon’ rank amongst the most resonant and enduring pictorial statements of his art. Double Elvis pays tribute to a larger-than-life superstar whose international fame brought him the level of celebrity Warhol himself so coveted and admired. Double Elvis unites two of the most venerated men of modern times—the King of Rock ‘n’ Roll and the Prince of Pop.
Double Elvis [Ferus Type] will be offered alongside Warhol’s controversial Most Wanted Men, No. 11, John Joseph H., Jr., 1964, uniting two exceptional canvases that share in the artist’s obsession with American icons of all kinds.
Alex Rotter, Co-Chairman, Post-War and Contemporary Art, remarked: “The King of Rock’n’Roll and the career criminal – icons of icons. These two paintings are very memorable and early examples of Warhol’s profound understanding of fame. Both works, pure black silkscreen on silver and white backgrounds, are the best of Andy Warhol in one auction. We are thrilled to present them together in Christie’s New York sale of Post-War and Contemporary art.”
Loic Gouzer, Co-Chairman, Post-War and Contemporary Art, remarked: “For Warhol, an artist who was obsessed with popular culture and fame, Elvis was a perfect subject. With its monumental size and its shimmering silver surface, this painting encapsulates the glamour and power of Rock and Roll as Warhol saw it. Coming from one of the most ground-breaking exhibitions ever staged for Warhol, this painting holds a paramount place within the pantheon of his celebrity portraits.”Warhol’s Double Elvis does not portray Elvis the hip-shaking musician but rather Elvis the actor playing a role in the 1960 movie Flaming Star, a liberal-themed Western in which Presley plays Pacer Burton, a half-Kiowa youth torn between two cultures. The painting is a unique variation from a group of portraits of single and multiplied Elvises created especially for Warhol’s second solo exhibition at the Ferus Gallery in Los Angeles—the center of America’s entertainment industry. Of the twenty-two extant ‘Ferus Type’ Elvis works, eleven are in museum collections, including the canvas Bob Dylan insisted on taking in exchange for his presence in a Warhol film, now housed at the Museum of Modern Art, New York.
Double Elvis features two black screenprinted images of the King on a silver painted ground. A bold, high-contrast figure is accompanied by its ghostly duplicate, collapsing Warhol’s strategy of serialization into a single frame, while also providing an eerie reminder that Presley was a twin, his brother being lost at birth. When the crowd of cloned Elvises was shown at the Ferus Gallery, the paintings were both confrontational and an almost anonymous backdrop.
The Ferus Gallery’s director, Irving Blum, had tried to press on Warhol the idea of a mini-retrospective, writing, “your exhibition should be the most intense and far-reaching composite of past work, and the Elvis paintings should be shown in the rear of my gallery area.” Warhol, however, insisted on focusing on his new work and planned to utilize the gallery’s physical space as part of a highly conceptual installation. Before his arrival, Warhol instructed Blum to line the front room with his series of Elvis paintings and the back room with portraits of Elizabeth Taylor.
The repetition of the image created an impression of mass production that had rarely been seen before in an artistic context. The effect was of great interest to artists like Larry Bell, who wrote in response to the exhibition: “It is my opinion that Andy Warhol is an incredibly important artist; he has been able to take painting as we know it, and completely change the frame of reference of painting as we know it, and do it successfully in his own terms. These terms are also terms that we may not understand … In any event, nothing can take away from it the important changes that the work itself has made in the considerations of other artists.”
Christie’s will also offer Andy Warhol’s Most Wanted Men, No. 11, John Joseph H., Jr., 1964 (estimate in the range of $30 million*) as a highlight of its May 17th Evening Sale. This diptych belongs to one of the artist’s controversial Most Wanted Men series, which was originally conceived as a monumental mural to celebrate the 1964 New York World’s Fair, and famously destroyed just a few days before the fair’s official opening. Later that year, Warhol made a series of nearly two dozen larger than life-size canvases featuring thirteen of these “most wanted” men, among them was the present work.
About Most Wanted, Gouzer remarked: “From the spotlight of Hollywood to the crackling flash light of a prison mug shot, these two works exemplify Warhol’s fascination with exploring life’s dichotomy. Throughout his career, Warhol exposed the tenuousness existing between fame and shame and between life and death one silkscreen at a time. It is a real privilege to be able to stage this Warholian collision between the light and glory of Double Elvis and the darkness and underground grit of the Most Wanted Men.
Rotter continued: “Despite its dark subject matter, Most Wanted Men No. 11, John Joseph H., Jr. fits perfectly within Andy Warhol’s Pop vernacular. Just as he did with his paintings of Elvis, Liz Taylor, Campbell’s Soup cans, and Coca-Cola bottles, Warhol set out to embrace the entire range of Americana. Thirty years later, the popularity of Television hits as America’s Most Wanted and the current trend for social media hashtags such ‘#hotfelon’ personified by Jeremy Meeks, this work demonstrates that the phenomenon which Warhol had identified is still alive and well. It is exceptionally rare that examples from this notorious series come to auction, and we expect that it will be met with enthusiasm across the collecting community. Continue reading
This May, Kazimir Malevich’s Suprematist Composition, 1916, will lead Christie’s Spring 2018 Evening Sale of Impressionist and Modern Art (estimate upon request). Suprematist Composition is among the groundbreaking abstract paintings executed by Malevich that would forever change the course of art history. The present canvas was last sold at auction in November 2008, when it established the world auction record for the artist, which it continues to hold today.* One decade later, Suprematist Composition is expected to set a new benchmark for the artist when it is offered at Christie’s New York on May 15. (The record-setting price was achieved by Suprematist Composition, 1916, on November 3, 2008, at Sotheby’s New York, when it sold for $60,002,500.)
Loic Gouzer, Co-Chairman, Post-War and Contemporary Art, remarked: “Malevich’s work provided a gateway for the evolution of Modernism. Malevich pushed the boundaries of painting to a point far beyond recognition, forever changing the advancement of art. Without the Suprematist Composition paintings, the art being made today would not exist as we now know it.”
Max Carter, Head of Department, Impressionist and Modern Art, New York, continued: “Malevich’s Suprematist abstractions didn’t break with the past so much as articulate the future. What an honor to offer Suprematist Composition, 1916 which has lost nothing of its revolutionary power in the century since it was painted, this spring.”
On 17th December 1915, the Russo-Polish artist Kazimir Malevich opened an exhibition of his new ‘Suprematist’ paintings in the Dobychina Art Bureau in the recently renamed city of Petrograd. These startling, purely geometric and completely abstract paintings were unlike anything Malevich, or any other modern painter had ever done before. They were both a shock and a revelation to everyone who saw them. Malevich’s Suprematist pictures were the very first purely geometric abstract paintings in the history of modern art. They comprised solely of simple, colored forms that appeared to float and hover over plain white backgrounds. Nothing but clearly-organized, self-asserting painted surfaces of non-objective/non- representational form and color, these pictures were so radically new that they seemed to announce the end of painting and, even perhaps, of art itself.
Suprematist Composition is one of the finest and most complex of these first, truly revolutionary abstract paintings. Comprised of numerous colored, geometric elements seeming to be dynamically caught in motion, it epitomizes what Malevich defined as his ‘supreme’ or ‘Suprematist’ vision of the world. The painting is not known to have been a part of the exhibition in the Dobychina Art Bureau but is believed to date from this same period of creative breakthrough and, if not included, was, presumably painted very soon after the show closed in January 1916. Continue reading
Exhibited In London for The First Time Since 1977
Francis Bacon’s Study for Portrait (1977, estimate on request) will star in Christie’s Post-War and Contemporary Art Evening Auction, which will take place on May 17, 2018. The powerful large-scale eulogy to his great muse and lover George Dyer was painted in Paris in 1977 and was last exhibited in London the same year at the Royal Academy of Arts in a group exhibition titled ‘British Painting: 1952-77’. A poignant celebration of his most important subject, Study for Portrait will be on view in London until April 15, the first time it has been seen there since the show at the Royal Academy over 40 years ago.
The work comes from the distinguished collection of Magnus Konow, who acquired it from Bacon through Marlborough Gallery shortly after its creation in 1977. This, therefore, represents the first time the work will be offered at auction. As a young man, based in Monaco, Konow built an impressive collection of works by School of London painters and particularly admired Bacon, with whom he became friends during the 1970s. In 1983, Konow gifted a triptych of George Dyer, Three Studies for a Portrait (1973), to the Israel Museum in Jerusalem, where it remains in the permanent collection. At the time that Bacon and Konow developed their friendship, Bacon was a regular visitor to Monaco from Paris, sometimes with Lucian Freud, staying with Konow for bouts of gambling in Monte Carlo.
Magnus Konow commented: “Bacon would always talk about Dyer. I think that he was the only man he really loved in his life. I find this work is so powerful – for me, it is probably one of the best paintings of their mystical love affair, and that’s what drew me to it.”
With its majestic, near-sculptural figure seated against a screen of deep velvet black, in Study for Portrait, Bacon further developed elements from his 1968 masterpiece Two Studies for a Portrait of George Dyer (Sara Hildén Art Museum, Finland), as well as his landmark Triptych of 1976. The present work also extends the language of the dark, cinematic ‘black triptychs’ made in the aftermath of Dyer’s death in 1971. This tragic event, which took place less than thirty-six hours before the opening of Bacon’s career-defining retrospective at the Grand Palais, had a devastating impact upon the artist, prompting him to take a studio in Paris. By 1977, buoyed by the success of his major exhibition at Galerie Claude Bernard that year, his grief had given way to a period of newfound contentment, reflection, and innovation. Backlit by streaks of red and green, and bracketed with raw linen, the central panel appears to hover before the viewer in three dimensions. Dry transfer lettering, inspired by Picasso’s Cubist collages, evokes the literary rubble of the artist’s studio floor, where John Deakin photographed Dyer seated in his underwear. If the black triptychs had replayed the harrowing details of his death, here Bacon weaves a fantasy of reincarnation. As bright red blood stains his shadow – evocative of the artist’s own silhouette – Dyer is momentarily restored to the flesh.
Francis Outred, Chairman & Head of Post-War & Contemporary Art EMERI, Christie’s: “Whilst Bacon would never fully come to terms with the death of his beloved George Dyer, the works produced in the wake of this tragedy remain some of the twentieth century’s most vivid interrogations of the human condition. Held in the same private collection since the year of its creation, Study for Portrait, 1977, extends the language of the landmark black triptychs into a glowing, visceral celebration of his most iconic muse. With its virtuosic play of texture, raw canvas, and piercing color, it demonstrates the innovative new directions that Bacon’s practice would take as he built a new life for himself in Paris. It is a privilege to be exhibiting this work once again in London for the first time in over forty years, close to its original unveiling at the Royal Academy in 1977.”
Widely exhibited internationally, the work represents the culmination of Bacon’s painterly language during one of the most significant periods of his practice. The work’s saturated color fields and stark geometries border on abstraction. Bacon plays with different textures of black, offsetting the matte backdrop with the lustrous central panel. The pale lilac ground, rendered in thin pigmented layers, is juxtaposed with bright accents of blue, canary yellow and red. The billowing shadow, formally at odds with the figure, spreads across the surface like tar. Circular lenses, derived from a book on radiography, punctuate the figure as if attempting to bring his form more clearly into focus. The flesh itself is an ode to carnal pleasure, wrought with fluid, tactile brushstrokes, spectral veils of white and scumbled strains of color around the eyes and mouth. It is Dyer in his prime, flickering like a projection or an x-ray, presiding over the composition with the tortured grandeur of Bacon’s former Popes. Raised upon a dais against a blank, clinical abyss, his quivering form speaks to the transient nature of the human condition.
Konow’s family roots are in Norway: his father was a celebrated Norwegian Olympic sailor, who competed in multiple Olympics between 1908 and 1948, winning two gold medals and one silver. His paternal grandmother, Dagny Konow, sat for Edvard Munch during the late 1880s.
May 1-11 Online Sale | May 8, 9 & 10 Saleroom Auctions
First look at complete collection of more than 1,000 items of decorative art and 550 works of fine art:
- Two evening sales of European, American and Latin American masterpieces
- Online sales of Fine and Decorative Arts across eight collecting themes
- All estate proceeds to benefit philanthropy
Public highlights exhibitions continue around the globe
- Los Angeles April 6 –12
- Beijing April 6 – 7
- Shanghai April 10 –11
- New York April 28 – May 8
Christie’s announces final details of the most anticipated art world event of the spring season: the sale of the magnificent Collection of Peggy and David Rockefeller. All of the estate proceeds will be directed to a dozen philanthropies Peggy and David Rockefeller supported during their lifetimes, for the benefit of continuing scientific research, higher education, support for the arts, sustainable economic development, and land conservation initiatives, among others.
New confirmed details include the complete schedule of live and online sales, illustrated catalogs available online, remaining US and Asia highlights tours and locations, and ticket information to attend the special extended public exhibition of the Collection at Rockefeller Center in New York from April 28 – May 8. The global tour and exhibitions are presented in partnership with VistaJet. In total, the Collection is expected to realize in excess of $500 million. Before now, the most valuable collection ever previously offered at auction was the Collection of Yves Saint Laurent et Pierre Bergé in 2009 at Christie’s Paris, which achieved more than US$400 million.
The Collection of Peggy and David Rockefeller comprises approximately 1,550 auction lots, including one of the largest and most important collections of decorative arts to come to market in decades. Christie’s will offer 900 lots via live saleroom auctions at its Rockefeller Center site on May 8, 9 and 10. A companion online sale – which opens for bidding worldwide on May 1– will feature an additional 650 lots organized across eight collecting themes, with estimates ranging from $100 to $10,000. Through this unique integration of sale channels, Christie’s brings traditional decorative arts to the forefront, leveraging a sophisticated digital marketing approach and ‘guest-stylist’ partnerships with top tastemakers, interior designers, and social media influencers.
Marc Porter, Christie’s Chairman, Americas stated: “This rich and diverse collection of fine and decorative art is unified by Peggy and David Rockefeller’s love of beauty and their unerring eye for exceptional quality and craftsmanship in design. The size and scope of this great collection has inspired us to innovate new approaches to our traditional sale model and leverage our world-class online sale platform as only Christie’s can. The result is a dynamic week of saleroom auctions, including not one but two Evening Sales of masterworks from European, American and Latin American artists and a stellar offering of Decorative Arts across a range of categories. Our online sale, which is organized along the themes and motifs that resonated most with Peggy and David Rockefeller, brings this Collection to life in a fresh and exciting way, and is designed to make it both easy and enjoyable for collectors from all around the world to participate in this singular philanthropic event.”
Following the main auction week, Christie’s will offer a selection of 19 lots of jewelry from the family collection as a highlight of its Magnificent Jewels sale in New York on June 12. The jewelry will be exhibited as part of the extended exhibition in New York and the highlights tour to Los Angeles.
In keeping with Peggy and David Rockefeller’s wishes, Estate proceeds from the Collection sales at Christie’s will be directed to the following philanthropies, which the Rockefellers supported throughout their lifetimes: American Farmland Trust, Americas Society/Council of the Americas, Council on Foreign Relations, the David Rockefeller Fund, Harvard University, Maine Coast Heritage Trust, Mount Desert Land and Garden Preserve, the Museum of Modern Art, the Rockefeller Brothers Fund, Rockefeller University, and The Stone Barns Restoration Corporation – Stone Barns Center for Food and Agriculture, among others.
LOS ANGELES TOUR
West Coast collectors and jewelry enthusiasts will get a first look at the Collection highlights between April 6 and 12 when Christie’s brings a selection of masterpieces and Rockefeller family jewels to its flagship West Coast gallery in Beverly Hills. The touring exhibition was curated with the tastes and interests of Christie’s clients in mind, with rare works by American artists Georgia O’Keeffe, Edward Hopper, and Willem de Kooning exhibited alongside masterpieces by Pablo Picasso, Claude Monet, and Paul Gauguin. In addition, Christie’s LA will unveil Diego Rivera’s rarely-exhibited large-scale masterwork, The Rivals, painted in 1931 aboard the ship carrying Rivera and Frida Kahlo to New York. A collection of jewelry owned by Peggy Rockefeller will be included in the Los Angeles previews, featuring signed pieces by Van Cleef & Arpels, Jean Schlumberger for Tiffany & Co., and Raymond Yard, among others.
Porter further added: “This rich and diverse collection of fine and decorative art is unified by Peggy and David Rockefeller’s love of beauty and their unerring eye for exceptional quality and craftsmanship in design. The size and scope of this great collection have inspired us to innovate new approaches to our traditional sale model and leverage our world-class online sale platform as only Christie’s can. The result is a dynamic week of saleroom auctions, including not one but two Evening Sales of masterworks from European, American and Latin American artists and a stellar offering of Decorative Arts across a range of categories. Our online sale, which is organized along the themes and motifs that resonated most with Peggy and David Rockefeller, brings this Collection to life in a fresh and exciting way, and is designed to make it both easy and enjoyable for collectors from all around the world to participate in this singular philanthropic event.” Continue reading
Album Features Artistic Vision of Bob Dylan, Kesha, Benjamin Gibbard, St. Vincent, Valerie June and Kele Okereke
MGM Resorts International announced the release of Universal Love, a collection of reimagined wedding songs for the LGBTQ community, celebrating the enduring and overwhelming power of love and music to unite.
MGM Resorts is a global entertainment company with a deep-seated belief that entertainment is fundamental to human fulfillment. The company’s passion for the Universal Love project reflects its profound commitment to embracing humanity and the impact music can have on the human experience.
Universal Love is a natural extension of MGM’s two decades of advocacy work with the LGBTQ community and the company’s desire to advance initiatives that unite humanity. More than a decade before same-sex marriage was legalized, same-sex commitment ceremonies were performed at chapels at MGM Resorts’ properties. In 2004, MGM Resorts became the first company in the gaming and hospitality industry to offer same-sex health benefits to employees, and MGM was a founding partner of the Las Vegas chapter of the Human Rights Campaign (HRC) in 2004.
Universal Love offers six newly recorded versions of iconic love songs that give same-sex couples a soundtrack for their own love stories and feature pronouns changed to reflect the world of LGBTQ relationships.
The album includes boundary-changing songs from some of today’s most beloved artists. Bob Dylan, one of the most influential and successful recording artists in American history, is among the visionary artists participating in this unprecedented project. Dylan re-recorded “She’s Funny That Way” as “He’s Funny That Way.” The album features five additional stellar artists whose involvement is a testament to the urgency of equality in entertainment: Kesha (“I Need a Woman to Love Me”), St. Vincent (“And Then She Kissed Me”), Benjamin Gibbard of Death Cab for Cutie (“And I Love Him”), Kele Okereke of Bloc Party (“My Guy”), and Valerie June (“Mad About The Girl”).
Phyllis James, MGM Resorts’ Chief Diversity & Corporate Social Responsibility Officer, said, “We believe projects like this will help all of us reach a point where seeing the world through the lens of people who happen to be different from us becomes natural and commonplace. It is an immense honor for MGM Resorts to spearhead this inspirational project which celebrates LGBTQ dimensions of the universal emotion of love.”
MGM Resorts is a leader in all aspects of the entertainment industry (hospitality, gaming, live events, etc.) and believes in the transformational power of entertainment for all. MGM’s launch of Universal Love reinforces an inclusive vision of unions that more closely mirrors the incredible diversity of today’s relationships.
The compilation album was produced by MGM Resorts in conjunction with global advertising agency McCann and will be distributed by Legacy Recordings, a division of Sony Music. Universal Love is available on all streaming platforms beginning this week.
In An Expanded Partnership, The Elton John AIDS Foundation, The Elizabeth Taylor AIDS Foundation, And The Aileen Getty Foundation Announce New Series Of Collaborative Grants Toward Ending AIDS In The Southern United States.
12 Organizations Across The Region Will Receive $625,000 In Support To Address The Epidemic Through Advocacy And Wide-Ranging Services
The Elton John AIDS Foundation (EJAF) announced an expanded series of grants aimed at ending the AIDS epidemic in the Southern United States—in particular, its disproportionate impact on young people and communities of color.
Sir Elton John created EJAF 25 years ago, first in the United States in 1992 and then in the United Kingdom in 1993. Through the generous support of far-sighted individuals, foundations, and corporations, the two foundations together have raised more than $400 million over the past quarter-century to challenge discrimination against people affected by the epidemic, prevent infections, provide treatment and services, and motivate governments to end AIDS. The U.S. foundation focuses its efforts on programs in the United States, the Americas, and the Caribbean, while the U.K. foundation funds HIV-related work in Europe, Asia, and Africa. Join us in speaking out, taking action, and
contributing to our efforts to achieve a world without AIDS.
This new effort—the fourth round of annual grants made jointly with The Elizabeth Taylor AIDS Foundation —features an additional coalition partner, the Aileen Getty Foundation. Aileen Getty, a pioneering philanthropist whose generosity is motivated by her own experience living with HIV, brings to the partnership a passion for comprehensive, empathetic advocacy to address HIV/AIDS, addiction, mental health challenges, and homelessness.
Getty’s support expands the total financial heft of this partnership by a third to include four new grantees, delivering a total of $625,000 in resources to 12 organizations. The closely-aligned missions of EJAF, The Elizabeth Taylor AIDS Foundation, and the Aileen Getty Foundation make the collaboration a natural one and sharpen the partnership’s philanthropic focus on communities most in need. (Read a complete list of grant recipients and descriptions from the partnership.)
“We’re thrilled to have the Aileen Getty Foundation join our existing partners at The Elizabeth Taylor AIDS Foundation, making this one of the largest philanthropic partnerships addressing AIDS in the Southern United States,” said EJAF Chairman David Furnish. “By bringing particular focus on the needs and aspirations of young people and communities of color, and by delivering support to community-rooted organizations that have been engaging the epidemic for years, this partnership has incredible potential to reduce transmissions, improve quality of life, and speed the South’s progress toward an AIDS-free generation.“ Continue reading
The Capsule Collection Will Be Launching Worldwide This Month
After decades serving as a muse for the makeup industry and a beauty inspiration for women all over the world, Jennifer Lopez is now stepping behind the scenes and debuting a limited-edition collection in partnership with global beauty brand Inglot Cosmetics. Launching April 26th, the extensive color line will bring Jennifer’s and Inglot’s shared vision of strong femininity to life and offer women diverse ways to express themselves through beauty. Finally, everyone can now achieve their own authentic “J Lo Glow.”
The 70-piece collection ranges from powders to lipsticks, shadows to eyelashes and cosmetic palettes. All colors in the line were created and handpicked by Lopez herself. The star of the collection is the Freedom System that allows consumers to create unique palettes with over 300,000 combination possibilities. The expertly formulated products will range in shades from nude to glow, with a touch of smoky glam and the key products in the line will include an illuminator, a bronzer, a gloss and a mascara.
“The capsule collection we created with Inglot is filled with all my go-to products in my favorite colors. We have everything from mascara, lipsticks, eyelashes, blush, eyeshadow and of course…bronzers,” said Lopez. “What I think is unique and exciting is our Freedom System Palette—which allows you to create your own personalized palette with the specific colors and products that you need. Now you no longer have to buy that 5-piece eyeshadow kit to get the one color you really want!“
Lopez worked very closely with the brand on every aspect of the collection including the shade range, ad campaign, packaging and even the product names of the hero skus, which are inspired by her career, like “Boogie Down Bronze” and “Livin’ The Highlight.” As a global star juggling multiple jobs on top of motherhood, Jennifer built the line for women like her who are always on the go. The product collection allows women to create unique looks of their own, whether they’re going for a natural daytime look or going-out-glam, inspired by Jennifer’s iconic styles.
Founded in Poland in 1983, Inglot Cosmetics is one of the world’s leading manufacturers and retailers in color cosmetics. Renowned for their expansive array of shades and revolutionary best-sellers such as the Freedom System of custom palettes and O2M Breathable Nail Enamel, Inglot creates the trends behind the scenes at Fashion Week in New York, Paris, Milan, London and on Broadway. Inglot is dedicated to offering beauty enthusiasts around the world with products that feature cutting-edge technology and the finest ingredients. In addition to the global website, the brand has 755 brick and mortar retail locations in over 80 countries, including 40+ point of sales in the United States.
“We could not have asked for a better partner than Jennifer. She is a true beauty visionary,” says Grzegorz Inglot, Vice President of US Operations for Inglot. “In addition to having great style, Jennifer is also quite a beauty expert herself. After years of working with the best in the business, she has unique insight into what women want as well as which products are necessary to create that beautiful glow that she made famous.”
The line launches globally on April 26th on www.jenniferlopezinglot.com, www.inglotusa.com, in Inglot stores, and in select Macy’s locations. But if you can’t wait, an exclusive palette inspired by Jennifer’s look in the advertising campaign will be available for pre-sale starting April 17th on www.jenniferlopezinglot.com.
Met President and CEO Dan Weiss announced today that Max Hollein has been elected the tenth Director of The Metropolitan Museum of Art. “Widely regarded as one of the world’s most successful and respected museum directors,” Mr. Weiss said, “Max has demonstrated exceptional skill at building collections, diversifying audiences, broadening institutional development, and leading complex museums, with a range of collections, for more than 15 years. I am confident that ours will be a strong and fruitful partnership, and that Max will help advance The Met’s role as a global leader for culture and the arts.”
Mr. Hollein is currently the Director of the Fine Arts Museums of San Francisco,
which includes the de Young Museum and the Legion of Honor. He started his museum career here in New York at the Guggenheim Museum and previously led three of Germany’s most prominent art museums: the Schirn Kunsthalle, which focuses on modern and contemporary art; the Städel Museum, which houses one of Germany’s finest collections of old master paintings and nineteenth-century and modern art; and the Liebieghaus, whose world-renowned collection of sculpture ranges from ancient Egypt to Neoclassicism. He will assume the directorship of The Metropolitan Museum of Art in the summer of 2018.
“The Met is recognized around the world as a leader in the museum field by virtue of its exceptional collection, groundbreaking scholarship, and educational outreach,” Mr. Hollein said. “Founded on the idea of bringing the cultures of the world to one place, The Met remains a unique place where visitors can experience firsthand the artistic achievements of humankind. We now have many other ways to disseminate cultural education and knowledge, and an obligation to do so. Celebrating artistic excellence goes hand in hand with broadening the stories we tell about the works of art in our care. Together with Dan, I hope to provide the guidance, energy, and support needed to lead this beloved institution into the future and inspire its audiences in New York and around the world.“
America’s 10 Most Exciting Openings Selected by FOOD & WINE Editors in Fourth Annual List
FOOD & WINE announces that Lasa in Los Angeles, Grand Café in Minneapolis, and Superior Motors in Braddock, Pennsylvania are among the 10 new restaurants across the country named to the fourth annual FOOD & WINE Restaurants of the Year list. Restaurants of the Year are FOOD & WINE‘s definitive list of the 10 most exciting new places to eat in America now. This year’s winners not only create something delicious but also transcend the dinner plate and reflect the communities of which they are a part.
FOOD & WINE Restaurants of the Year 2018:
- Maydan, Washington D.C. – Chef Gerald Addison, Co-Chef Chris Morgan and Restaurateur Rose Previte
- Better Luck Tomorrow, Houston TX – Chef Justin Yu and Proprietor Bobby Heugel
- Fairfax, NYC – Restaurateur Gabriel Stulman and Chef Jack Harris
- Reem’s, Oakland CA – Proprietor Reem Assil
- Superior Motors, Braddock PA – Chef Kevin Sousa and General Manager Chris Clark
- Grand Café, Minneapolis, Minnesota – Chef Jamie Malone
- Voyager, Ferndale, Michigan – Chef Jennifer Jackson, Co-Chef Justin Tootla and Restaurateur Eli Boyer
- JuneBaby, Seattle, Washington – Chef Edouardo Jordan
- Lasa, Los Angeles, California – Chef Chad Valencia and General Manager Chase Valencia
- Kemuri Tatsu-ya, Austin TX – Chef Tatsu Aikawa and Co-Chef Takuya Matsumoto
FOOD & WINE Editor in Chief Hunter Lewis said: “Restaurant editor Jordana Rothman traveled 37,000 miles over six months to research and deliver FOOD & WINE’s 2018 Restaurants of the Year. The winners offered more than unforgettable food. They are the first places we seek out when we step off the plane, and they showcase the important role that restaurants play in their communities. From the end of a cobblestone alley in Washington, D.C. to the first restaurant in decades to open in Braddock, Pa., we applaud how they are pioneering a new emerging culture of more community-minded restaurants.”
The complete Restaurants of the Year 2018 report, with insights on why all 10 restaurants made the list, is featured now at www.foodandwine.com/restaurants-of-the-year and will also be in the May issue of FOOD & WINE, on newsstands April 13. All of the restaurants opened within the past 14 months.
The Company will Combine Luxury Yacht Travel with Custom Curated Winery Experiences in the Dalmatian Islands
7 days, 6 islands, 6 wineries, 6 historical towns
Croatia has been making wine for 2 millennia and is home to the oldest continuously-planted vineyard in the world — yet many people have never tasted Croatian wine. Wind & Wine Croatia is on a mission to change that. This adventure travel company takes small groups on week-long luxury sailing trips and organizes custom, curated winery experiences in the Dalmatian Islands. Travelers will experience the adventure of sailing and sleeping on a modern yacht while visiting six hand-selected wineries and exploring six historic islands and towns.
Wind & Wine Croatia is co-founded by seasoned wine professional Lizann Grupalo and life-long sailor and certified yacht master Ivan “Pale” Paškvan. Both have over 20 years of experience in their respective fields and formed this company to share their two passions – wine and sailing — with others.
“Wine in Croatia has a celebrated history of more than 2,500 years and offers more than 130 indigenous grape varieties,” said Grupalo. “The vineyards are planted in some of the most stunning regions of the country. With each passing year, Croatian wines garner more accolades and awards, yet they remain relatively undiscovered globally. We hope to change that with our wind & wine tour!”
What You Will Experience
Wind & Wine Croatia is currently booking trips for June – August 2018. The itinerary includes one-way navigation under sail from the city of Trogir/Split, ending in Dubrovnik, one of the most beautiful ancient cities in the Mediterranean known for its white limestone streets and ancient city walls.
One-way navigation under sail will begin in the city of Trogir/Split, the second largest city in Croatia. Renowned for its beaches and ambience, this exuberant city has just the right balance of tradition and modern innovation. At the end of the week, you will arrive in Dubrovnik, one of the most renowned tourist destinations in the Mediterranean. Known for its characteristic Old Town, Dubrovnik will be sure to charm as you stroll white limestone streets alongside ancient city walls surrounded by baroque buildings – all framed perfectly by the shimmer of the sea.
In the comfort of state-of-the-art yachts outfitted with modern amenities, you will be transported back in time to the historical places and natural wonders that define the Adriatic. Combining nature and history, each day will welcome new discovery and exploration of native islands such as Brač, Hvar, Vis, Šćedro, Pelješac Peninsula and Korčula.
With options to hike, explore, swim and snorkel by day, the afternoons and evenings will provide ample opportunity to visit local wineries, enjoy olive oil tastings and sample the local cuisine, all while strolling the cobblestone streets of these quaint and charming towns.
You will surely find the Dalmatian islands to be your playground bringing peace, tranquility and a renewed sense of energy throughout your voyage.
Guests can choose between a modern, state-of-the-art sailing yacht or catamaran experience. Each yacht, with skipper and host, will accommodate six guests and be part of a small 4-boat flotilla, which provides travelers space to explore each island on their own or, if they wish, engage with other like-minded travelers as they discover the history and complexity of Croatia, its wines, and its people. Each yacht offers modern amenities including the tranquility and privacy of double bed cabins, each with their own bathroom. Priority is given to full boat bookings. Customized solutions are also available upon request.
Learn more and book your trip at www.windandwinecroatia.com. Follow @WindWineCroatia on Twitter, Facebook, and Instagram.
Brewed with Real Orange and Lime Peels, Bud Light’s Citrus Portfolio is Primed for Summer
Just in time for summer, Bud Light is expanding the brand’s citrus portfolio with a refreshed Bud Light Lime and the addition of Bud Light Orange. Both light lagers are brewed with real lime and orange peels and formulated to deliver a clean and crisp taste that highlights natural citrus flavors in every sip.
Beyond the consistent quality beer drinkers have come to appreciate with Bud Light, ensuring that consumer needs are being met continues to be of the utmost importance to the brand. That’s why Bud Light has carefully analyzed the market and put the appropriate rigor into planning this exciting summer launch. With the flavored beer segment on an uptick, citrus flavors now account for 84% of the overall flavored category. Beyond that, in the past five years, sales in the orange flavored beer category have grown to six times the size.1
“Our millennial consumers are eager to try new, flavored options in the light lager category. We wanted to create something new to engage with these consumers and bring them into the Bud Light family,” said Andy Goeler, vice president of marketing, Bud Light. “Flavored beer has seen steady growth with consumers continually looking for higher quality beverages made with real, natural flavors. Bud Light Lime and Bud Light Orange answers that call and reinforces Bud Light’s commitment to quality consumers have trusted for over 35 years.“
To build on this exciting announcement, Bud Light’s new commercials — titled “Earth” and “Taste It” — feature Bud Light Lime and new Bud Light Orange, highlighting how both are brewed with real citrus peels for perfect summertime refreshment. The colorful new packs for Bud Light Lime and new Bud Light Orange feature bright orange and lime details, with accents of real citrus peels. Together these beers form the ultimate citrus combo for a taste that’s unmistakably summer.
Bud Light brewmasters take pride in knowing they make the hardest style of beer to brew – light lager. In a continued commitment to quality it was only natural to incorporate real citrus peels into the brewing process and as always, consistently check quality and taste every step of the way. Both beers are brewed for summer and are perfect for summer drinking occasions.
Bud Light Lime is available nationwide and Bud Light Orange is available nationwide from April through September.
1) IRI Nielsen Sales Data, L52 Weeks as of 12/7/17
Company was Founded by Henry Sands Brooks, Two Hundred Years Ago April 7, 1818
On April 7, 2018, Brooks Brothers, America’s oldest retailer, reached its milestone 200-year anniversary. Since opening its doors on April 7, 1818, in New York City, Brooks Brothers has grown from a small family haberdasher to become a global brand that has shaped and defined American style through its product innovations.
“Our anniversary today marks a significant and historic milestone not only for Brooks Brothers but also for the retail industry,” said Claudio Del Vecchio, Chairman, and CEO of Brooks Brothers. “This is a moment to celebrate two hundred years steeped in both tradition and innovation.“
American fashion today is a result of years of groundbreaking innovations and revolutionary disruptions by Brooks Brothers. While perhaps best known today as a “classic” brand, it is important to note that the brand’s founder, Henry Sands Brooks (1772 – 1833), was no traditionalist at all. He was actually a dandy and an influencer among his peers, always on the lookout for the newest and most novel styles for his emporium in lower Manhattan selling “every new style of cloth, of the finest quality, made to order in the best and most fashionable mode.”
It is therefore ironic that some of Brooks Brothers’ most classic items today were the result of either invention and innovation — many radical for their time. In fact, Brooks Brothers is notably responsible for the introduction and popularization of some of fashion’s most iconic and enduring items, including the navy blazer, the reverse striped rep tie, the polo coat and the Number One Sack Suit. Even today’s athleisure trend has its origins in Brooks Brothers’ adaptations of sports clothes for daily life — most notably the 1900 invention of the Original Polo® Button-Down Oxford shirt. Finally, Brooks Brothers was responsible for the single most significant contribution to fashion — ready-to-wear tailored clothing, which was introduced to America in the mid-1800s as a consequence of the Gold Rush.
This sartorial passion was passed down from Henry to his sons, Elisha, Daniel, Edward, and John: the actual Brooks Brothers. These were fashion’s earliest influencers. For the past two centuries — and straight through to today — Brooks Brothers has outfitted an ever-changing world and is consistently pursuing quality and innovation, always with a respect for the past and an eye toward the future.
A Selection of Brooks Brothers Milestones:
- Before there was the Eiffel Tower, Big Ben, the Statue of Liberty, Grand Central Terminal, and the cities of Hollywood and Chicago, there was Brooks Brothers.
- In 1818, Henry Sands Brooks opened clothing shop “H. & D. H. Brooks & Co” on the corner of Catherine and Cherry Streets. The first recorded transaction was actually a loan to a friend.
- In 1865, President Abraham Lincoln wore a custom-made Brooks Brothers coat to his second inauguration. Sadly, he was also wearing it when he was assassinated a month later.
- In 1900, Brooks Brothers invented the original button-down-collar shirt after noticing that polo players in England were pinning down their collars while playing.
- In 1902, Brooks Brothers introduced the reverse-stripe rep tie, an adaptation of British regimental ties.
- In 1915, Brooks Brothers opened its 346 Madison Avenue flagship store, where it remains today.
- In 1953, Brooks Brothers invented the first ever non-iron shirt.
- In 1957, Brooks Brothers introduced Argyle socks to America.
- In 1961, Brooks Brothers designed the “#2 suit” — a favorite of longtime customer President John F. Kennedy.
- In 1976, Brooks Brothers launched a full women’s collection.
- In 1979, Brooks Brothers was one of the first international brands to expand to Japan.
- In 2008, Brooks Brothers acquired Southwick in Massachusetts so that it could resume the manufacturing of tailored clothing in America.
- In 2016, Brooks Brothers appointed Zac Posen as creative director for the Women’s Collection.
Throughout its history, Brooks Brothers have forged relationships with generations of customers: artists and politicians, working people and captains of industry, and Hollywood legends, as well as 40 out of 45 U.S. Presidents.
Today, Brooks Brothers currently have more than 280 stores in the United States and more than 700 locations internationally in 45 countries and continue to lead with a pioneering spirit, continually developing materials and designs that deliver performance, innovation and high-quality design.