The Whitney To Host A Variety Of Performances And Programs With Artists And Critics In February

mecca vazie andrews and the MOVEMENT: [title]
Saturday, February 3, 2018. 4 pm

An immersive performance in dialogue with the work of Laura Owens, mecca vazie andrews and the MOVEMENT’s [title] combines movement, sound, and projection. The running time is approximately fifty minutes. This program is organized in conjunction with Laura Owens in collaboration with 356 S. Mission Rd.

Tickets are required for the performance ($10 adults; $8 members, students, and seniors, plus Museum admission; free for members).

What Art Speaks to These Times
Wednesday, February 7, 6:30 pm

What does it mean to be an artist in this political moment? An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017 examines how artists have confronted the political and social issues of their day. This panel brings together four artists in the exhibition to speak about their individual aesthetic approaches to the political urgencies of our present moment. Speakers include artists Ja’Tovia Gary, Daniel Joseph Martinez, Julie Mehretu, and Dread Scott. Rujeko Hockley, assistant curator, moderates the discussion.

Tickets are required ($10 adults; $8 members, students, and seniors). This event will also be livestreamed on Facebook.

Toyin Ojih Odutola in conversation Yaa Gyasi with Texas Isaiah
Friday, February 9, 6:30 pm

In her exhibition To Wander Determined, Toyin Ojih Odutola presents an interconnected series of fictional portraits, chronicling the lives of two aristocratic Nigerian families. For this program, Ojih Odutola invites novelist Yaa Gyasi, whose debut novel Homegoing received the National Book Critics Circle’s John Leonard Award for Best First Book, and visual narrator Texas Isaiah, whose work documents gender, race, and sexuality, to discuss their respective practices as artists and their overlapping and intersecting interests, from narrative and portraiture to migration and dislocation. The conversation is moderated by Rujeko Hockley, assistant curator.The Whitney logo

This event has reached ticketing capacity but will be live-streamed on Facebook. A limited number of standby tickets may be available at the admissions desk on a first-come, first-served basis. The standby line will open one hour prior to the program’s start time.

Where He Was: Auden in America
Sunday, February 25, 3 pm

Where We Are: Selections from the Whitney’s Collection, 1900–1960, takes as its starting point a poem by W.H. Auden, September 1, 1939, which considers the ‘euphoric dream’ of American life on the cusp of world war, through the eyes of a foreigner, an Englishman. But why was Auden’s understanding of his adopted homeland so enduringly clear-eyed? Join two other U.S.-based émigré writers, poet Paul Muldoon and professor Michael Wood, for a conversation about Auden in America. A collaboration with the London Review of Books, their discussion will draw on Wood’s writing about Auden for the LRB, and Muldoon’s pastiche of his work in the poem 7, Middagh Street, to reflect on the USA’s significance for Auden, and vice versa, and why outsider perspectives can be the best mirror for a nation seeking to understand itself.

Tickets are required ($10 adults; $8 members, students, and seniors).

For a complete listing of upcoming programs, please visit whitney.org.

An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017 is organized by David Breslin, DeMartini Family Curator and Director of the Collection; Jennie Goldstein, assistant curator; and Rujeko Hockley, assistant curator; with David Kiehl, curator emeritus; and Margaret Kross, curatorial assistant.

Laura Owens is organized by Scott Rothkopf, Deputy Director for Programs and Nancy and Steve Crown Family Chief Curator, with Jessica Man, curatorial assistant.

Toyin Ojih Odutola: To Wander Determined is organized by Rujeko Hockley, assistant curator and Melinda Lang, curatorial assistant.

Where We Are: Selections from the Whitney’s Collection, 1900–1960 is organized by David Breslin, DeMartini Family Curator and Director of the Collection, with Jennie Goldstein, assistant curator, and Margaret Kross, curatorial assistant.

Major support for An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940–2017 is provided by The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President.

Significant support is provided by the Ford Foundation. Major support for Laura Owens is provided by The Andy Warhol Foundation for the Visual Arts and the Whitney’s National Committee.

Significant support is provided by Nancy and Steve Crown; Candy and Michael Barasch; The Brown Foundation, Inc., of Houston; Mariel and Jack Cayre; Marcia Dunn and Jonathan Sobel; and anonymous donors.

Generous support is provided by Fotene Demoulas and Tom Coté, Charlotte Feng Ford, Allison and Warren Kanders, and Ashley Leeds and Christopher Harland.

Additional support is provided by Rebecca and Martin Eisenberg, Susan and Leonard Feinstein, and the Nina and Frank Moore Family Foundation.

Generous endowment support is provided by Lise and Michael Evans, Sueyun and Gene Locks, and Donna Perret Rosen and Benjamin M. Rosen.

Curatorial research and travel for this exhibition were funded by an endowment established by Rosina Lee Yue and Bert A. Lies, Jr., MD.

Toyin Ojih Odutola: To Wander Determined is sponsored by Audi of America. Major support is provided by the John R. Eckel, Jr. Foundation. Generous support is provided by Jackson Tang. Additional support is provided by Bernard I. Lumpkin and Carmine D. Boccuzzi. Where We Are: Selections from the Whitney’s Collection, 1900–1960 is sponsored by Delta.