3CD Set Features 2+ Hours of Previously Unreleased Studio Recordings from 1966-1968, Newly Mixed and Mastered in High Resolution Audio
Latest Volume of Acclaimed Miles Davis Bootleg Series Celebrates the 50th Anniversary of Landmark Miles Smiles Album with In-Depth Access to Full Session Reels including Rehearsals, Partial and Alternate Takes, Studio Conversation & More
Available Everywhere Friday, October 21, 2016

Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol 5 Cover art (PRNewsFoto/Legacy Recordings)
Columbia/Legacy Recordings, a division of Sony Music Entertainment, will release Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol 5 on Friday, October 21, 2016.(http://smarturl.it/MD_FreedomJazz_AMZN)
Sourced from original four-track analog session reels and master tapes transferred and mixed in high resolution at 24-bit/192 kHz, Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol 5 offers a profound and intimate look at Miles’ creative process in the studio, providing insight into the bold new musical directions Davis and members of his quintet would take as the 1960s drew to a close.
A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more.
Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts). Continue reading