Art News: Ocean of Images: New Photography 2015 at The Museum of Modern Art

November 07, 2015–March 20, 2016

Edward Steichen Photography Galleries, The Agnes Gund Garden Lobby, and the Bauhaus Staircase

Lele Saveri (Italian, born 1980). The Newsstand. 2013-14. Mixed medium installation, approximately 11 ft. 4 7/8″ x 11 ft. 8″ x 9 ft. 9″ (347.7 x 355.6 x 297.2 cm) overall. Courtesy the artist. ©2015 Lele Saveri

Lele Saveri (Italian, born 1980). The Newsstand. 2013-14. Mixed medium installation, approximately 11 ft. 4 7/8″ x 11 ft. 8″ x 9 ft. 9″ (347.7 x 355.6 x 297.2 cm) overall. Courtesy the artist. ©2015 Lele Saveri

New Photography, MoMA’s longstanding exhibition series of recent work in photography and a vital manifestation of the Museum’s contemporary program, will return this fall in an expanded, biannual format. On the occasion of its 30th anniversary, New Photography is expanding to 19 artists and artist collectives from 14 countries, and includes works made specifically for this exhibition. Ocean of Images: New Photography 2015 will be on view throughout the entirety of the Museum’s Edward Steichen Photography Galleries, as well as The Agnes Gund Garden Lobby and the Museum’s Bauhaus Staircase.

Katharina Gaenssler (German, born 1974). Model for Bauhaus Staircase. 2015. Site-specific photo installation (work in progress). Laser prints and wall paper paste, 12′ 5″ × 32″ (378.5 × 975.4 cm). © Katharina Gaenssler and Barbara Gross Gallery, Munich, Germany

Katharina Gaenssler (German, born 1974). Model for Bauhaus Staircase. 2015. Site-specific photo installation (work in progress). Laser prints and wall paper paste, 12′ 5″ × 32″ (378.5 × 975.4 cm). © Katharina Gaenssler and Barbara Gross Gallery, Munich, Germany

Since its inception in 1985, the New Photography series has introduced the work of nearly 100 artists from around the globe early in their careers, including Philip-Lorca diCorcia, Rineke Dijkstra, Rachel Harrison, and Wolfgang Tillmans. This year’s edition explores contemporary photo-based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.

John Houck (American, born 1977). Copper Mountain. 2014. Pigmented inkjet print, 22 × 27″ (55.9 × 68.6 cm). The Museum of Modern Art, New York. The Photography Council Fund. ©2015 John Houck

John Houck (American, born 1977). Copper Mountain. 2014. Pigmented inkjet print, 22 × 27″ (55.9 × 68.6 cm). The Museum of Modern Art, New York. The Photography Council Fund. ©2015 John Houck

Natalie Czech (German, born 1976). A Poem by Repetition by Allen Ginsberg. 2013. Three chromogenic color prints, three frames, museum glass, overall 55 3/16 × 96″ (140.1 × 243.9 cm). Courtesy Capitain Petzel, Berlin and Kadel Willborn, Düsseldorf. © 2015 Natalie Czech/VG Bild-Kunst, Bonn

Natalie Czech (German, born 1976). A Poem by Repetition by Allen Ginsberg. 2013. Three chromogenic color prints, three frames, museum glass, overall 55 3/16 × 96″ (140.1 × 243.9 cm). Courtesy Capitain Petzel, Berlin and Kadel Willborn, Düsseldorf. © 2015 Natalie Czech/VG Bild-Kunst, Bonn

Ilit Azoulay (Israeli, born 1972). Shifting Degrees of Certainty (detail). 2014. Installation view Herzliya Museum of Contemporary Art. Pigmented inkjet prints, individually framed, 8′ 3″ × 29′ 7″ (251.5 × 901.7 cm) overall. Courtesy the artist, Andrea Meislin Gallery, New York, and Braverman Gallery, Tel Aviv.. ©2015 Ilit Azoulay

Ilit Azoulay (Israeli, born 1972). Shifting Degrees of Certainty (detail). 2014. Installation view Herzliya Museum of Contemporary Art. Pigmented inkjet prints, individually framed, 8′ 3″ × 29′ 7″ (251.5 × 901.7 cm) overall. Courtesy the artist, Andrea Meislin Gallery, New York, and Braverman Gallery, Tel Aviv.. ©2015 Ilit Azoulay

Probing the effects of an image-based post-Internet reality, Ocean of Images examines various ways of experiencing the world: through images that are born digitally, made with scanners or lenses in the studio or the real world, presented as still or moving pictures, distributed as zines, morphed into three-dimensional objects, or remixed online. The exhibition’s title refers to the Internet as a vortex of images, a site of piracy, and a system of networks, which is reflected in the work of the 19 included artists and collectives. Ocean of Images presents new and recent bodies of work that critically redefine photography as a field of experimentation and intellectual inquiry, where digital and analog, virtual and real dimensions cross over. Coinciding with the opening of the exhibition, MoMA will also launch an online platform housing the live archive of the New Photography series, featuring documents and images from its history.

Anouk Kruithof (Dutch, b. 1981). Subconscious Travelling (detail). 2013. Installation view Het Nederlands Fotomuseum, Rotterdam, 2013. Installation of 99 photo stickers and 5 pieces of coloured glass, each 9 1/16 × 7 1/16″ (23 × 18 cm). Photo credit: Dennis Guzzo. Art © 2015 Anouk Kruithof

Anouk Kruithof (Dutch, b. 1981). Subconscious Travelling (detail). 2013. Installation view Het Nederlands Fotomuseum, Rotterdam, 2013. Installation of 99 photo stickers and 5 pieces of coloured glass, each 9 1/16 × 7 1/16″ (23 × 18 cm). Photo credit: Dennis Guzzo. Art © 2015 Anouk Kruithof

Basim Magdy (Egyptian, born 1977). The Hollow Desire to Populate Imaginary Cities. 2014. Installation view Art in General, New York. 30 chromogenic color prints from chemically altered slides on metallic paper, each 13 3/8 × 20 1/16″ (34 × 51 cm). Photo: Charles Benton. Commissioned by Art in General, New York and HOME, Manchester, U.K. ©2015 Basim Magdy

Basim Magdy (Egyptian, born 1977). The Hollow Desire to Populate Imaginary Cities. 2014. Installation view Art in General, New York. 30 chromogenic color prints from chemically altered slides on metallic paper, each 13 3/8 × 20 1/16″ (34 × 51 cm). Photo: Charles Benton. Commissioned by Art in General, New York and HOME, Manchester, U.K. ©2015 Basim Magdy

David Hartt (Canadian, born 1967). Belvedere I. 2014. Chromogenic color print, 36 × 48″ (91.4 × 121.9 cm). © 2015 David Hartt, Courtesy David Nolan Gallery, New York

David Hartt (Canadian, born 1967). Belvedere I. 2014. Chromogenic color print, 36 × 48″ (91.4 × 121.9 cm). © 2015 David Hartt, Courtesy David Nolan Gallery, New York

Lucas Blalock (American, born 1978). Strawberries (forever fresh). 2014. Pigmented inkjet print, 16 × 20″ (40.6 × 50.8 cm). Courtesy the artist and Ramiken Crucible, New York. ©2015 Lucas Blalock

Lucas Blalock (American, born 1978). Strawberries (forever fresh). 2014. Pigmented inkjet print, 16 × 20″ (40.6 × 50.8 cm). Courtesy the artist and Ramiken Crucible, New York. ©2015 Lucas Blalock

The artists in Ocean of Images are: Ilit Azoulay (Israeli, b. 1972), Zbyněk Baladrán (Czech, b. 1973), Lucas Blalock (American, b. 1978), Edson Chagas (Angolan, b. 1977), Natalie Czech (German, b. 1976), DIS (Collective, founded in New York in 2010), Katharina Gaenssler (German, b. 1974), David Hartt (Canadian, b. 1967), Mishka Henner (Belgian, b. 1976), David Horvitz (American, b. 1982), John Houck (American, b. 1977), Yuki Kimura (Japanese, b. 1971), Anouk Kruithof (Dutch, b. 1981), Basim Magdy (Egyptian, b. 1977), Katja Novitskova (Estonian, b. 1984), Marina Pinsky (Russian, b. 1986), Lele Saveri (Italian, b. 1980), Indrė Šerpytytė (Lithuanian, b. 1983), and Lieko Shiga (Japanese, b. 1980).

Yuki Kimura (Japanese, born 1971). KATSURA. 2012. Installation view 2012 São Paulo Biennial. Nine gelatin silver prints mounted on alpolic, frames, iron, and plants, 15 x 17 ft. (4.57 x 5.18 m) overall. The Museum of Modern Art, New York. Committee on Photography Fund. ©2015 Yuki Kimura

Yuki Kimura (Japanese, born 1971). KATSURA. 2012. Installation view 2012 São Paulo Biennial. Nine gelatin silver prints mounted on alpolic, frames, iron, and plants, 15 x 17 ft. (4.57 x 5.18 m) overall. The Museum of Modern Art, New York. Committee on Photography Fund. ©2015 Yuki Kimura

Ocean of Images is organized by Quentin Bajac, the Joel and Anne Ehrenkranz Chief Curator of Photography, Roxana Marcoci, Senior Curator, and Lucy Gallun, Assistant Curator, Department of Photography, MoMA.

Zbyněk Baladrán (Czech, born 1973). Diderot’s Dream (still). 2014. Two channel HD video. Courtesy the artist and Hunt Kastner, Prague. ©2015 Zbyněk Baladrán

Zbyněk Baladrán (Czech, born 1973). Diderot’s Dream (still). 2014. Two channel HD video. Courtesy the artist and Hunt Kastner, Prague. ©2015 Zbyněk Baladrán

Major support for the exhibition is provided by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation. Generous funding is provided by the Annenberg Foundation, The Contemporary Arts Council of The Museum of Modern Art, David Dechman and Michel Mercure, and Courtney Finch Taylor. Education programs for this exhibition are made possible by a partnership with Volkswagen of America.