Also announces 2013 HBO® Directors Dialogues Series with Richard Curtis, Paul Greengrass, Agnieszka Holland and Frederick Wiseman at the 2013 NEW YORK FILM FESTIVAL
HBO On Cinema conversations, HBO Directors Dialogues Series, Emerging Artists and 2013 NYFF Shorts
Joanna Hogg (EXHIBITION) and Fernando Eimbcke (CLUB SANDWICH) have been selected as NYFF’s Emerging Artists
2013 NYFF Shorts Selections also announced
The Film Society of Lincoln Center (FSLC) announced its 2013 NYFF HBO® Directors Dialogues participants will be Richard Curtis, Paul Greengrass, Agnieszka Holland and Frederick Wiseman and the popular HBO® On Cinema conversation will feature James Gray. FSLC also announced the selection of Joanna Hogg and Fernando Eimbcke as the two filmmakers whose work will be screened and celebrated as NYFF’s Emerging Artists this year, as well as the selections for NYFF’s Shorts Programs.
NYFF previously announced Paul Greengrass’s CAPTAIN PHILLIPS as its Opening Night Gala selection, Ben Stiller’s THE SECRET LIFE OF WALTER MITTY as its Centerpiece Gala selection, Spike Jonze’s HER as the Closing Night Gala selection as well as the Main Slate Official Selections. The NYFF Tribute Galas honoring Cate Blanchett and Ralph Fiennes have also been announced as well as programs spotlighting documentaries and film restorations, as well as Views From the Avant-Garde.
The fifth edition of NYFF’s annual master class, HBO® On Cinema, will feature James Gray (THE IMMIGRANT) speaking to NYFF Director of Programming and Selection Committee Chair, Kent Jones on Saturday, October 12 about his cinematic influences. Film clips will also be shown, spotlighting filmmakers and films that have inspired him, and continue to today.
NYFF master class HBO On Cinema will feature James Gray
The popular HBO® Directors Dialogues return to the New York Film Festival with four diverse filmmakers, paired with a journalist or Selection Committee member as they discuss their careers, views on their own approach to making movies as well as the current state of the art of filmmaking. This year’s lineup will feature Paul Greengrass (CAPTAIN PHILLIPS) on Saturday, September 28; Frederick Wiseman (AT BERKELEY) on Sunday, September 29; Richard Curtis (ABOUT TIME) on Wednesday, October 2; and Agnieszka Holland (BURNING BUSH) on Saturday, October 5.
Co-Presented with the Royal Bank of Canada (RBC), NYFF’s Emerging Artists is the next step in FSLC and RBC’s combined efforts to promote and encourage the work of promising filmmakers by providing a spotlight on two enormously talented filmmakers, Fernando Eimbcke from Mexico and Joanna Hogg from England.
Eimbcke’s comedy CLUB SANDWICH (2013) deals with the fraught territory of puberty and separation anxiety as it follows the experiences of a teenage boy taking his first tentative (and furtive) steps into the uncharted waters of sex. NYFF will also screen Eimbcke’s prior two films, DUCK SEASON (2004), which screened previously at New Directors/New Films, and LAKE TAHOE (2008).
Hogg’s drama EXHIBITION (2013) is an intimate look at two married middle-aged artists that live and work in their unusual London home, at once labyrinth, battleground and refuge. Hogg’s films UNRELATED (2007) and ARCHIPELAGO (2010), both starring Tom Hiddleston will also be presented.
NYFF also announced today the films and filmmakers selected for this year’s Shorts Programs (4 in total). The selections are highlighted by films directed by returning NYFF alumni, including Miguel Gomes’s REDEMPTION (TABU, NYFF 2012) and João Pedro Rodrigues’s THE KING’S BODY (TO DIE LIKE A MAN, NYFF 2009), as well as Lav Diaz, whose short film PROLOGUE TO THE GREAT DESAPARECIDO will join his feature, NORTE, THE END OF HISTORY in the NYFF lineup. Nicolas Saada’s AUJOURD’HUI stars Academy Award® nominee Bérenice Béjo from THE ARTIST (NYFF 2011) and includes an appearance by documentary filmmaking legend (with frequent NYFF appearances to his credit) Frederick Wiseman.
Additional notable directors with films in the Shorts Programs include Michael Almereyda (HAMLET, NADJA) with his short, THE MAN WHO CAME OUT ONLY AT NIGHT; Damien Chazelle (GUY AND MADELINE ON A PARK BENCH) with his film, WHIPLASH; and David Kestin, who has two films set to be screened (THE AIR MATTRESS and OPEN HOUSE).
The 17-day New York Film Festival highlights the best in world cinema, featuring top films from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones also includes: Dennis Lim, FSLC Director of Cinematheque Programming; Marian Masone, FSLC Associate Director of Programming; Gavin Smith, Editor-in-Chief, Film Comment; and Amy Taubin, Contributing Editor, Film Comment and Sight & Sound.
General Public tickets are now available. VIP Passes for the New York Film Festival are on sale now. For more information about becoming a Film Society Member visit Filmlinc.com/membership. More ticket information for the New York Film Festival will be available on www.Filmlinc.com/NYFF.
Director Paul Greengrass
HBO® DIRECTOR’S DIALOGUES
With films like BLOODY SUNDAY, UNITED ’93 and the new CAPTAIN PHILLIPS, Paul Greengrass has established himself as one of the masters of reality-based cinematic fiction. With THE BOURNE SUPREMACY and THE BOURNE ULTIMATUM, he brought the immediacy of those films to the suspense genre. We’ll discuss the fine points of the geopolitical thriller, and the art of bringing history to life on the screen.
Frederick Wiseman is not just one of our greatest documentary filmmakers, he’s one of our greatest filmmakers, period. From his 1967 debut TITICUT FOLLIES to the present, Wiseman has taken his camera into Metropolitan Hospital in New York, a Benedictine monastery in Michigan, Madison Square Garden, the Ballet de l’Opéra de Paris, and the University of California at Berkeley among many other places and institutions, and fashioned vast cinematic frescoes of the ways we live, die, work, grieve, and create.
Agnieszka Holland has a career like no one else’s. She studied cinema in Czechoslovakia in the late 60s and was imprisoned for six weeks for her participation in the student uprising that followed the Soviet invasion after Prague Spring (dramatized in her extraordinary mini-series BURNING BUSH, showing in this year’s NYFF). She began working for Krzysztof Zanussi and Andrzéj Wajda, and she has slowly built an extraordinary body of work, including EUROPA EUROPA and OLIVIER, OLIVIER, which opened the 1992 NYFF; her stunning 1993 adaptation of THE SECRET GARDEN; the Oscar-nominated In Darkness (2012); and numerous episodes of some of the best of episodic television, including “The Wire” and “The Killing.” Continue reading →